Father Of The Year: Join The Army Today, A Propaganda Film

3/5

Written by Luke Barnes

Summary

Two young men try to find out which of their fathers would win in a fight.

Yes, this is lowest common denominator stuff, it is a post-Netflix deal Happy Madison production after all. However, unlike some of the more Sandler centric fare I found myself laughing.

I think a big part of this is due to David Spade who does a good job here, he is the right amount of stupid, annoying and endearing to create a character that works across multiple levels as the film progresses. In the beginning there is something funny about watching him fall naked out of a truck pool into the street, at this point you are decidedly laughing at him not with him, and then as the film progresses you find yourself warming to his stupid brand of comedy and by the end you actually like him, or at least I did. There is a whole audience/character journey there.

I thought the relationship herein were sweet and gave the film a nice sentimental edge that makes up for some of the more mean spirited gags. I thought the father son relationship between Ben, Joey Bragg, and Spade’s father character was actually quite well done and heart-warming over the course of the film. I also thought Ben’s relationship with Meredith, Bridgit Mendler, was sweet. Mendler has a lot of fun when she is on-screen and often ends up stealing the scene, however it would have been nice if the film had given her more to do beyond just being Ben’s love interest.

Furthermore, this film has a weird fascination with the American Armed Forces that I didn’t care for, this is not just a little aside but instead becomes a whole B plot. It feels at best like a paid advert at worst like propaganda. Stop trying to condition people to join the army. Moreover, and this might just be my interpretation, but have you ever noticed in how a lot of Sandler related films he casts his real life wife in negative roles. Yes, if you watch a lot of these films she is usually given the domineering, mean or controlling roles, just look at her character here, a wife who treats her husband awfully until the moment he swears at her kid. I won’t make any comments on this trend, but I will ask this, is Sandler and Co trying to tell us something here?

Overall, at times a funny and endearing film however some of the more overt themes drag it down.

Pros

Spade

The jokes

The relationships

Cons.

The army propaganda

The female characterisation

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, one on one Q and As, the ability for you to pick what I review next and full access to my Patreon exclusive game reviews. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

Candyman: Watch Out For Bee Stings

4.5/5

Written by Luke Barnes

Summary

Years after the events of the previous films Anthony McCoy, Yahya Abdul-Mateen II, learns the legend of Candyman. As the struggling artist learns more about the figure he suddenly finds inspiration, however, he also starts to become haunted by the spector- with Candyman himself having a dark purpose for Anthony.

As I tweeted after I saw this, I think this might be the horror film of the summer. Throughout the entire time I was watching this I had a smile on my face. I loved how this film explored the world and lore of Candyman and expanded upon what we had got from previous movies and furthered this idea of possession. I thought the transformation, was also done really well and I think the make up effects that are used are done in a very convincing way, the wounds look painful.

Moreover, I think DaCosta perfectly manages to capture elements of social commentary and weave them into the horror in such a way that the two feel intimately linked together. The horror certainly works on two levels, both of which propagate the other. I thought the final scene in the police car was particularly effecting and powerful. After seeing this I am very, very excited to see what DaCosta does with the Marvels.

It goes without saying, but those that don’t like films that have political messages and who often complain about things being ‘too woke’ should stay far, far away from this film and let the rest of us enjoy it.

I think the performances across the cast were terrific with Yahya Abdul-Mateen II and Colman Domingo and Teyonah Parris each giving magnificent turns and really proving what they can do. Each member of the cast brings something different to the table here, but each are valuable and important in their own way.

My one complaint and it is only a small one, as I think this film is pretty marvellous, is that I wish we got more Tony Todd. Todd is a favourite of mine in the horror genre, and we don’t see anywhere as much of him anymore as we used to and that is a crying shame. We only get a brief tease of him here, but his scene is memorable. Maybe he can come back more if this film gets a sequel.

Overall, simply fantastic, this film restores my hope in these long running horror sagas that we might have another golden age ahead of us rather than the glory days being behind us.

Pros.

The horror

The lore and world building

The message and the emotion

The physical make-up effects

The acting

Cons.

I wish we had more Tony Todd

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, the ability for you to pick what I review next and full access to my Patreon exclusive game reviews. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

Vendetta: Pulling Silly Faces As You Torture People

3/5

Written by Luke Barnes

Summary

A special forces interrogator, played by Danny Dyer, returns back to the country to track down and punish the gangland thugs that murdered his parents.

Dyer is a British national treasure, that simply is a fact.

This film is hard to watch, yet it is impossible to look away from. There is something horrifically fascinating about watching Dyer’s character dispatch all of these troubled youths whilst pulling silly faces, which he does surprisingly often.

Moreover, I thought the army backstory that Dyer’s character has was intriguing and also laughably far fetch. I liked how all of these senior army people seem to think he is some sort of unkillable warrior god. Moreover, the armed response police officers find him just so charming that they just let him go at the end of the film, despite the fact that he could have killed a police officer.

I do think this film revels in its violence a bit too much, perhaps even to an unpleasant degree. Some have labelled this film ‘torture porn’ and there is a good reason for that. I have no issue with some gore, but this film takes it a bit too far an in my opinion enters the realm of bad taste.

Overall, a grizzly film to watch that whilst satisfying at times is also laughable and iffy taste wise.

Pros.

Dyer

Hard to look away from

The ending and how laughable it all is

Cons.

Bad taste

It tries to hard to make Dyer’s character a hero, when he is more likely a psychopath

https://www.patreon.com/AnotherMillennialReviewer

Demonic: The Fight Against Demons Has Evolved

4/5

Written by Luke Barnes

Summary

Carly, Carly Pope, has to meet her mum after years of cutting her out after she committed a series of murders. As she enters her mum’s mind, literally, she begins to see things were far darker and more supernatural than they first appeared. A battle for Carly’s soul soon follows.

For full disclosure here, I am a big fan of Neill Blomkamp so bare that in mind throughout this review.

After Chappie, which I have a soft spot for, but a lot of people didn’t like, Neill Blomkamp had a lot of bad luck. Both his Alien and Robocop projects were passed on and it wasn’t clear what was next for the director. However, then I saw the first trailer for this and knew he was back.

There is a lot of demonic possession films out there, I have seen, and reviewed for this blog tons and tons of them. After a point all of these films start to feel similar and you start looking for something new and different enough to bring you back to the genre again, this film did that. Whether it is the black ops army of priests hunting demons, or the new tech that allows said priests and others to venture into the mind of the possessed to fight demons in cyberspace, there are a lot of new ideas here and they mostly work.

Moreover, I enjoyed that the demon looked distinctly different from what we usually see in these type of films, which is either a human with glowing eyes or a red skinned horned entity. I thought the look of the demon with the bird head was distinct enough to be memorable and crucially scary.

In terms of scares this isn’t the scariest film in the world, but it did give me a few good scares throughout.

Overall, it is nice to see Blomkamp back in the game and bringing something new to the genre.

Pros.

The demon costume design

The new tech focus

The army of black ops exorcists

A few good scares

Cons.

It could do with being scarier

A few pacing issues

https://www.patreon.com/AnotherMillennialReviewer

Sweet Girl: Netflix Has Given Up Trying To Make Good Films

1.5/5

Written by Luke Barnes

Summary

A father daughter duo, played by Jason Mamoa and Isabela Merced, decide to take on big pharma after they raise the price of a lifesaving drug which leads to the death of the family matriarch.

All of Netflix’s action thrillers are the same. Bland confused and poorly written: it almost feels at this point like they are allowing a machine to write these films using a very basic formula for inspiration. Needless to say it is holding these films back.

I didn’t really feel any sort of emotional connection to the characters, though I did feel the film going out of its way to try and make me care. If anything I would say we don’t get enough time with the happy family unit to grow attached to it before it gets ripped apart.

As a thriller or ‘statement film’ this film has nothing new to say. The message of ‘geez isn’t big pharma bad’ has been one that is often spouted and less often used in an interesting and crucially fresh way. The whole conflict of the film feels played out before it has even begun.

Mamoa is playing the same character he always does, and Merced adds nothing and is simply along for the ride.

Overall, this is so by the numbers it becomes irritating.

Pros.

It is watchable

The opening is mildly interesting

Cons.

The acting isn’t very good

The story feels incredibly generic

It has nothing to say

It is boring

https://www.patreon.com/AnotherMillennialReviewer

Attack The Block: Aliens Should Have Thought Better Than To Attack Inner-City London

3/5

Written by Luke Barnes

Summary

Aliens land in a London council estate during Bonfire Night, a gang of youths are the only thing standing in their way to world domination.

Personally, I think this film is a little overrated. It is a mostly good film sure, but it is not a classic as some seem to view it as.

I dislike the way the characters in this film talk, the street slang sort of language is quickly overdone, and worse yet it perpetuates stereotypes about the youth of the working class; there will be plenty of people in the same situation that don’t talk like that and that aren’t in gangs. So presenting the majority of the tower block being criminal in some fashion feels a little off to me.

Moreover, the film lacks the charm of an Edgar Wright picture, if you will pardon the comparison. The characters feel hard to root for or care about because they don’t really do or say anything to make you like them. The only two that I felt any kind of positive feeling towards are Luke Treadway’s Brewis and Nick Frosts Ron, the latter of whom I only really like because Wright has conditioned me to always find him charming whenever he is on screen.

The thing I will give this film credit for is the scale and spectacle of it. For a modestly budgeted film they do a lot with the effects and the way they build tension. So much so that even though you only ever see the aliens for a moment here and there it feels like more, and enough is left to the imagination to make it interesting.

Overall, as a one off I think this film is a fine watch, it doesn’t need a sequel though, however.

Pros.

The scale and spectacle

Treadaway and Frost

The aliens

Cons.

None of the characters are particularly likeable

How it portrays working class youths

https://www.patreon.com/AnotherMillennialReviewer

Stillwater: Intro To How To Ruin Character Drama

3/5

Written by Luke Barnes

Summary

Bill Baker, Matt Damon, goes to inner city France to try and get his daughter, Abigail Breslin, released from prison after she is accused of a crime she did not commit.

So, I hated the twist ending, I hated what the film did to the Bill character- I thought it ruined the character for the sake of more drama.

Against the real life basis, which this film throws out the window, this film has Bill kidnap and torture the real murderer so that he can get his daughter off, only for it to turn out she was actually guilty all along simply she had hired someone to kill the person rather than do it herself.

The reason why I hate this was because up until that point I was enjoying the film. It was a personal drama about a man trying to reconnect with his daughter and finding his place in a new land. I thought all the scenes were Damon’s character got to be a family man were sweet and I really wish the film had not had him throw it all away in the end.

Honestly, the twist ending made me feel like my emotions had been played with by the filmmakers and not in a good way.

I think Breslin is never given enough screen time to make a big impact, though she does shine in her limited number of scenes. Damon is also on strong form here and has a lot of good strong emotional moments, sadly his turn towards action at the end of the film ruins it though.

Overall, what could have been a strong drama film is instead ruined by unnecessary action.

Pros.

The character drama

Damon

Breslin

Cons.

The twist

Everything about the ending

https://www.patreon.com/AnotherMillennialReviewer

The Wedding Guest: Nobody Needs That Many Cars

2.5/5

Written by Luke Barnes

Summary

We see a mysterious man, Dev Patel, arrive at a wedding for an unknown aim. That aim turns out to be to kidnap the bride and to bring her to his benefactor.

I will applaud this film for giving Patel and action leading role, he really nails it. Patel is easily the best thing about this film and he actually plays a professional killer quite well, I don’t understand why up to the point of this film’s release he hadn’t been cast in more leading man action type roles before, certainly after this he has proven he should be cast more for that type of role.

With that aside my praise for this film runs out. That is not to say it is a bad film, it isn’t, but it is deeply generic. Honestly bar the setting this film has been done so many times before. There is nothing fresh about the story at all, instead it is all too familiar even having the kidnapper turn out to not be a villain and for him and the victim to end up getting together.

Every step of the way you know where this film is going, and it is about as surprising as seeing the sun rise every day. I do think with a better script this could have been really something, Patel is a good actor, but he is only as good as the material he is given to work with.

Overall, a generic action thriller that wastes Patel’s talents.

Pros

Patel

It is watchable

Cons

It is generic

It is incredibly obvious

It is far too familiar

https://www.patreon.com/AnotherMillennialReviewer

The Night House: Nothing Is After You

4/5

Written by Luke Barnes

Summary

A woman, Rebecca Hall, learns, posthumously, that her late husband had a secret life. However, the further she digs the closer the threat gets.

When I heard that this film was by the same director who did The Ritual I knew I was in for a good time. By Jove I was right, Bruckner is on fine form here.

I appreciate the horror in this film as it is not always straight forward, as the credits rolled I was still left asking a lot of questions and trying to piece things together. I much prefer that to a film that is very clear cut and worse yet one that goes out of its way to explain everything. I found the film to uses jump scares quite effectively to heighten the threat posed by the entity in the house. The film uses them sparingly but to great effect.

I also enjoyed the fact that we didn’t see the entity or presence but did interact with it a number of times throughout the film. Though I am not saying that films that show the monster or demon are inherently lesser, as some use the look of the creature to great effect, I am however, saying there is something to leave the monster to the imagination.

I found Hall’s character as a horror protagonist refreshing. She was troubled and clearly burdened but that was not her defining characteristic. She had sexual scenes but was not overly sexualised or visually lusted after. Perhaps most importantly of all she solved the mystery and faced the villain on her own, she did not call in for help, she did not need a family member or friend to come round, no she faced it on her own. Though it may be a cringey thing to say I think there is something empowering about that.

My criticism would come from mild pacing issues, as there were a few scenes were the film noticeably slowed down and his worked against the tension and scares.

Overall, a strong horror film that is probably destined to be a sleeper hit.

Pros.

Hall

The monster

The scares

The mystery

Cons.

A few slow scenes

https://www.patreon.com/AnotherMillennialReviewer

The Last Mercenary: Daddy’s Coming

2/5

Written by Luke Barnes

Summary

A mysterious secret agent, Jean-Claude Van Damme, must return to France after his son finds himself in some legal trouble.

I think a big part of the reason this one didn’t land for me is the humour. As I have said before humour is subjective, personally for me I didn’t find any of the jokes particularly funny, not only that but I found a few of them actively cringe. The issue with action comedies, is that often these sort of films do neither well and fail in both regards as a result of trying to incorporate the other, obviously there have been examples where it has worked but more often then not it is subpar.

I thought Van Damme was on top form here and he is clearly trying his best, sadly the film never fully uses his talents in a meaningful way. Van Damme gets all the best lines, and the film goes out of its way to make him ‘cool’. This is a good thing, but sadly one that has a knock on effect for the rest of the cast, as no one has anywhere near the presence that Van Damme has, and the rest of the actors simply end up fading into the background.

The action here is again fairly standard. You would think with a huge action star like Van Damme they would try to push the boat out a bit in what they have him doing, but this film takes it the other way and keeps things tame- much to everyone’s disappointment.

Overall, slightly below average. Watchable in a pinch.

Pros.

Van Damme is trying

It is watchable

Cons.

The action

The rest of the cast

The humour

https://www.patreon.com/AnotherMillennialReviewer