It’s A Wonderful Life: Everyone Needs A Guardian Angle

‘It’s A Wonderful Life’ is a Christmas fantasy drama film, the plot follows George Bailey, (James Stewart), throughout his life as he endeavors to do good and, keep Bailey Savings and Loan afloat. The drama of the film comes when 8000 dollars goes missing and, George looks to be arrested, at this point George is on the edge of committing suicide, but when things seem bleakest he meets an Angel called Clarence, (Henry Travers), who shows George what the world would be like if he was never born.

This film very much like ‘A Miracle On 34th Street’ is widely regarded as a Christmas classic and, that is for a good reason.
The feel-good message that everyone, no matter your circumstance, can have a huge impact on the world by showing kindness to others is incredibly seasonally appropriate. It is a message that reminds us that we should always be happy with what we have and, that though cliche the greatest joys in life don’t come from wealth or things, but rather the people around us.

The acting in the film is all well done Stewart and, Travers are excellent as the two main characters, but there are also a lot of fantastic side and, background characters that have moments to shine. My one issue with this is that though they have their moments to shine these side characters often feel very one note, very much an afterthought.

The dramatic elements are strong in this film as George’s life is very up and, down and, he is put through the wringer. At no point do these dramatic moments feel manipulative or, melodramatic rather they hit the nail on the head and feel genuine and earnest; striking an emotional chord with us the audience.

My other and, more significant issue with this film is that it has quite severe pacing issues. The part of the film wherein George wishes he was never born and, meets Clarence and, goes to the alternative world doesn’t happen until about 50 minutes into the film. Therein for me lies the problem, I understand the need to set the scene and, introduce the characters, but 50 minutes seems like a bit much and, it really makes this opening section of the film feel too dragged out and, too long; feeling almost overindulgent at times.

Overall despite some minor faults, its too long and, the side characters aren’t developed enough, this still captures the real meaning of the season better than any other film and, is worthy of the title of a Christmas classic.

Pros.
Meaning For The Season.
Impactful Drama.
Good Leads.

Cons.
Underdeveloped Characters.
Pacing Issues.

3.5/5

Reviewed by Luke

Christmas With The Kranks: A Neighborhood Obsessed.

Christmas With The Kranks is a Christmas comedy film, the plot follows Luther,( Tim Allen) and Nora Krank, (Jamie Lee Curtis), as a couple who decide to skip Christmas and, go on a tropical getaway instead; this runs them afoul of a lot of people in their neighborhood who try and, get them to change their mind.

Narratively this film is a mess it makes absolutely no sense what so ever, whenever the film seems to be going one way it goes the other, almost as though it is trying to be perplexing; this means you can’t invest in the characters or, anything that is going on as you don’t understand and, therefore don’t care.

The characters and, their motivations range from strange to downright bizarre an example of this would be Dan Aykroyd’s character, Vic. Vic seems to have something about Christmas he is obsessed with it he wants Luther and, Nora to celebrate it so much he breaks several laws trying to force them into it. If this is supposed to be funny, it doesn’t come across that way; it is more like creepy and unsettling.

However, it wasn’t only Aykroyd’s character that is done a disservice here, most of the characters are intensely dislikable and, I get it this film is the mean spirited sort of Christmas comedy, but even still these are just the worst sort of people, self-obsessed, no regard for others, trying to enforce their personal world view onto other people and, worst of all our protagonists fall into these sort of character traits as well; making them very hard to root for.

As I said before this film is mean spirited through and through if you view it through the lens of what does it say about Christmas? Does it have a nice message? Then this film stands out drastically from a lot of the more wholesome fare, a lot of the film suggests the most important thing in the world is doing what you want, other people be damned. However, in the film’s third act it does try and, cram in that wholesome festive message, but the issue is that the rest of the film is so tonally opposite to this that the final Christmas message almost feels like a bad joke; cheap and meaningless.

Overall this film doesn’t make me feel any Christmas cheer if anything it makes me question the meaning of the season. Jamie Lee Curtis is trying her best but, not even she can save this mess of a film. This goes to show that the bar for holiday entertainment is set perilously low.

2/5

Reviewed by Luke

Deck The Halls: A Character Study Into One Of The Most Unlikable Characters In Cinema

‘Deck the Halls’ is a Christmas Comedy film about two neighbors who come into conflict over one of them having the goal to have so many Christmas lights on his house that it will be visible from space. A series of pranks and, hijinks ensue that escalates over time until the point both men lose everything; they then form an uneasy friendship.

Those 5 lines are the entire plot of this film. I don’t know if I have seen too many Christmas films at this point, or if this one is just incredibly generic, but I genuinely can’t tell this film apart from a slew of other Christmas films and, just comedy films in general, that have this same exact plot; but actually do something memorable with it.

The only memorable thing about this film is that never before in all my life have I ever hated the main character, that you are supposed to root for, more. Steve Finch, (Matthew Broderick), who’s name I never knew at any point during the film and, didn’t care to learn, is the most annoying, obsessive kill joy I have ever seen; it seems as though no one can have fun unless it suits him and, he can be involved. He involves himself in other peoples business religiously and, is thoroughly unlikable.

His warring rival is Buddy Hall, (Danny Devito), it is him that wants his house visible from space: because that would give his life meaning I guess. Buddy is a charismatic car salesman who can sell anyone on anything and, always gets what he wants. I would assume both men are supposed to be dicks at the start of the film, as this would allow them to grow into better people by the end, but the level of dickery is not equal. Yes, Devito’s Hall might have his nastier moments but, compared to the black hole of fun that is Broderick’s Steve Finch he is basically Santa Claus.

That was a major issue I had with the film, in many scenes where you’re are supposed to root for Finch and, hope he wins against Hall you don’t, Hall is so much easier to root for. Devito actually manages to make the audience smile a few times in this dumpster fire, unlike Broderick who has all the charm of a brick. If roles were reversed and, Devito’s Hall was the main protagonist we were all rooting for then the roles would be much better suited.

Overall this is a godawful Christmas film and, one that doesn’t age well either. Definitely keep away from this over the Christmas period, even the Internets sweetheart Danny Devito can’t save this. If it was a choice between catching a showing of this or, catching the plague I would probably pick the plague.

1/5 (Only Because Of For Devito)

Reviewed by Luke

Elf: The Best Way To Spread Christmas Cheer

‘Elf’ is a Christmas Comedy film that follows Buddy, (Will Ferrell), a human who was raised as an Elf at the North Pole, one day Buddy starts to question why he doesn’t look like everyone else and, find out that he is adopted; after learning this he quests to New York City to find his biological father and, a place to belong.

‘Elf’ is a lot of people’s favourite Christmas film and, the reason for this is because of how sweet it is to see this pure soul, Buddy, who isn’t bogged down by any of the pressures of modern life and, is just a jolly person who wants to make other people happy and, spread Christmas cheer. This film definitely came out when Ferrell was at his comedic peak, at this point in time all of his films were hits and, guaranteed to be good for at least a chuckle or two. Ferrell plays Buddy with all the innocence and, sweetness of a kid unwrapping their presents on Christmas morning; which is incredibly endearing to see, he definitely nails the tone of this film.

This film talks a lot about the meaning of the season and, the love of family. To this extent, it is heartbreaking when we see Buddy’s dad Walter Hobbs, (James Caan), reject him but, it is a cheer-worthy moment when Walter changes his mean and cold ways, and realises the power of family. Seeing Buddy, who is effectively a child, interact with his dad and his step mum is very sweet, it doesn’t come across in the same way Billy Madison does when it almost feels mean spirited.

My one issue with this film is that Buddy’s relationship with Jovie, (Zoey Deschanel), can feel a bit icky at times. Jovie works alongside Buddy in the department store and, they form a bond together. A lot of the scenes the two share are happy and, nice but, there are a few mainly the shower scene that feels a bit uncomfortable. What I mean by this is if we ignore the fact that Buddy has the mentality of a child and, view it for what it is a grown man hanging around the showers as a young woman sings it just feels off. Whatsmore the fact that we are supposed to think this scene is endearing and, wholesome makes it far worse. However, on the whole, their relationship is cute.

To conclude this a very good-natured film and, it will definitely make you smile if not laugh out loud, Ferrell and, Deschanel both to a good job; this should be on your Christmas viewing list.

4/5

Reviewed by Luke

A Christmas Prince: Who Needs Kate and Will?

‘A Christmas Prince’ is a Christmas set rom-com the plot revolves around journalist Amber, (Rose Mciver), as she is sent to the fictional country of Aldovia to cover the coronation of the new King, Prince Richard. While there she starts posing as the princesses nanny, all in the hopes of finding some juicy gossip, but in a rather predictable turn, she starts to develop strong feelings for the King to be.

The romance is wholesome and, sweet yet exactly what you would expect; they grow more fond of each other, then it is revealed that Amber isn’t who she says she is and, finally there is a big romantic gesture at the end, all very formulaic and, as you would expect. These Christmas Prince films almost feel more like a made for TV sort of films and, that is more than half the charm. The plot is laughably predictable, the set and, costume design all look very cheap and, the drama almost feels straight out of a reality show, but rather than have these things be a bad thing ‘A Christmas Prince’ is very aware of what it is; it knows it is a trashy made for TV film that most people will watch when they are hungover and, it seems proud of it.

The monarchy of Aldovia seems more than a little inspired by the British monarchy over the years it surprises me to say this but, of Netflix’s two properties that feature a monarchy, the other being the Crown I like this one more. The monarchy of Aldovia can have a laugh at their own expense, treating the whole idea in a very tongue in cheek way.

Rose Mciver does the best she can with a very limited script; her Amber is very down to earth and, likeable and, she makes some great points about monarchies in the modern age. The rest of the performances are all serviceable, nothing to write home about, but they aren’t the worst performances either.

‘A Christmas Prince’ also expertly sets up the wider Netflix shared universe, the most unknown of the shared universes, which features the likes of ‘The Princess Switch’ and, to a lesser degree ‘The Knight Before Christmas’ as well as the flood of ‘Christmas Prince’ sequels. These films all tie together in a very nice subtle way, even going so far as to point out and become meta, that they are in fact films in ‘The Princess Switch’.

Overall these films are trashy Christmas set rom-coms and, they know that they’re good junk food to watch over the holidays and so I would say by all means check them out.

3.5/5

Reviewed by Luke

Nativity 2: A True Testament To David Tennant’s Acting Abilities

‘Nativity 2: Danger In The Manger’ is a British comedy Christmas film and, is the second film in the Nativity series. The plot this time around focuses on the children of St Bernadette’s as they enter the ‘A Song For Christmas’ competition, for the chance to have their song be a Christmas number 1. This time around the class is lead by anxious teacher Donald Peterson, (David Tennant), taking over from Mr Maddens, (Martin Freeman), and his character arc revolves around becoming comfortable being a father and, beating his twin brother at ‘A Song For Christmas’.

Nativity 2 is better than the first film, make no mistake these are still very average films, they’re both good films to turn your brain off and, zone out to, or to have on in the background while you are tiding; for a bit of holiday cheer. The thing that makes ‘Danger In The Manger’ better than the first film is that it throws all logic out of the window, very early on. The first film had fantastical suspend your disbelief moments, but by and large, it tried to maintain a sense of realism, that under the right albeit extreme circumstances that these things could happen in real life.

However, this approach was a crutch and, one that was holding the film back, by completely letting go and, giving in to the insanity and, the inherent obscured nature of the premise this film can give us both barrels; throwing everything at us and, not worrying about if it makes sense or, being coherent.

This new approach also helps to make Mr Poppy, (Marc Wootton), more bearable. Now for anyone who has read my review of the previous film, you will know that Mr Poppy was one of the major downsides for me, he makes the film loses any sense of adult appeal and, made it feel as though it was solely aimed at kids. This time around Wootton is better, not because he has given any better of a performance because believe me he doesn’t but, because the film knows how to use him better; or at least in a less grating way.
He is given less of the limelight which greatly helps and, his back and forth with Tennant is far, far better than it ever was with Freeman.

David Tennant for me makes this film he easily gives the best performance and, puts everyone else to shame. He manages to play both the loveable well-intentioned teacher as well as the evil sibling/ strict teacher effortlessly. He truly is a credit to this film.

To conclude ‘Nativity 2: Danger In The Manger’ is better for letting go of any notion of sense or, logic and Tennant as always elevates the film far beyond anything the script or, other performances can do. There are also some more cute songs, but you knew there would be going in.

3/5

Reviewed by Luke

Inside Out: A Peak Into The Mind Of A Child

‘Inside Out’ is an animated comedy-drama film, focusing on a young girl Riley, (Kaitlyn Dias), who moves away from all she knows and, ends up in a scary new land. The story is mostly told through the point of view of Riley’s emotions, who are all characters in their own right. The drama of the film comes when Joy, (Amy Poehler), and Sadness, (Phyllis Smith), lose Riley’s core memories, the memories that make her who she is, and, so have to go on a quest to get them back; going through everything from Imagination Land to Long Term Memory.

My issue with ‘Inside Out’ and, a lot of these sort of animated films is that they feel manipulative, by that I mean it feels as though they are designed to make you cry and, have a response; not to tell a story or, be entertaining, instead to pull on your heartstrings. Some moments do this well, tastefully, and had me tearing up a bit but, other moments felt so forced and, disingenuous that it left a bad taste in my mouth and, soured me on the film.

My other issue with the film is that Joy as a character is incredibly annoying. I understand that her character arc is supposed to be she thinks her way is the right and, the only way, which she then learns by the end of the film isn’t always correct, but in going through this arc she is just insufferable. Joy constantly forces her way on every single one of the other characters even when it is painfully clear to see she is wrong she goes on and, on and a lot of the time is actually quite unpleasant to the other characters. This isn’t the first film to feature an unlikable protagonist, but it is the first where I have actively wanted to turn it off because of it.

The one thing I will give ‘Inside Out’ credit for is that it captures what it is like having to face a change in your life really well. The filmmakers consulted with psychologists while making this film to try and, get Riley’s response just right and, you know what it works it works really well. All of the stages and, shifts in Riley’s emotions are very relatable and, easy to recognise from my own life.

Overall I think ‘Inside Out’ is deeply, deeply overrated, especially if you consider it won an Oscar, the plot often feels like it is trying too hard to make you feel something and, Joy as a character is unbearable from the moment she comes on screen. For anyone doing a Pixar films ranked list this belongs at the middling to the bottom end of it.

2.5/5

Reviewed by Luke

Shrek Forever After: My Kind Of Fairytale

‘Shrek Forever After’ is an animated comedy film serving as both a concluding chapter in the Shrek franchise as well as a sequel to ‘Shrek 3’. The plot revolves around everyone’s favourite angry green ogre Shrek, (Mike Myers), who after the events of ‘Shrek 3’ has become a family man however, there is a part of him that yearns to be the feared ogre he once was again. Rumpelstiltskin, (Walt Dohrn), the villain this time around, tricks Shrek into signing a contract that would allow him to return to his glory days but, at a terrible cost.

The Shrek franchise is legendary not just for its films but, for its effect on the animated movie industry, the first Shrek film ripped up the rule book on fairy tale stories and, wrote something entirely new that took pop culture by storm. ‘Shrek’ and ‘Shrek 2’ were masterpieces in their own right they captured the idea of wanting to be someone else, but over time learning to love yourself as you are so so well this is what made a lot of people like them. Then ‘Shrek 3’ came out and, though I liked it personally a lot of people didn’t, a lot of people though the franchise should have ended after 2, so it could have gone out on a highnote; not being milked for all it was worth.

To those people, I say, “you want to check out ‘Shrek 4”, not only isn’t it a cynical corporate sellout, it arguably has the most soul of any of the films in the series. The plot of this film highlights how we all grow and, change as people as we get older, no doubt a nod to the audience that has grown up watching these films. As well as this ‘Forever After’ see the most character development for Shrek himself since the second film, Shrek realise the value of family and, what his life is without it; the choice to have true loves kiss not work the first time around is genius as it put Shrek in a real sense of danger, as well as uncharted territory narratively.

Also, this film finally gives Fiona, (Cameron Diaz), something to do, the other films had flirted with this idea in the past but, had mostly sidelined her character. It is nice to see her leading the resistance against Rumpelstiltskin as it finally gives her a purpose as a character beyond being a wife and mother and, occasional sidekick to Shrek.

‘Shrek Forever After’ lets the series go out on a high note, it has heart and, a much-needed message. A lot of people tuned out after ‘Shrek 3’ and, didn’t give this a chance but, that is a real tragedy, as this is a great instalment in the series and, one of the best-animated films of all time. I can’t wait for Shrek 5.

4/5

Reviewed by Luke

Klaus: Claus As You Have Never Seen Him Before

‘Klaus’ is an animated Christmas comedy film the plot follows a postman, the worst at the academy, called Jesper, (Jason Schwartzman, who is tasked with setting up a post office in Smeernsburg, a northern settlement that is torn between two rival families. While there Jesper befriends a reclusive old toymaker Klaus, (J.K Simmons), and the two of them join forces to try and, bring happiness to the children of the town.

The thing that this film does the best is its reinvention of the Santa Claus, or Father Christmas mythology. All of the traditional aspects are there the sleigh, the reindeer, the going to every house in one night, but they are all done in a new way. ‘Klaus’ explains away all the fantastical elements of Santa Claus, in fun and inventive ways. What the film does with the Mrs Claus character is not only touching and, sweet but, also helps to give Klaus as a character better motivation and serves to drive the plot forward.

Another thing I like about ‘Klaus’ is the friendship between Jesper and Margu, (Neda Margrethe Labba), a local Sami girl, the friendship between the two is deeply endearing and, it is nice to see The Sami community get more representation in film.

The animation style of ‘Klaus’ is beautiful as well, each scene seems like a painting, with vivid use of colour to a masterful degree. It is easily the best looking animated film I have seen all year, even surpassing the animation master class of last year’s ‘Into The Spiderverse’. The town of Smeernsburg is stunningly realised it has a distinctive look showcasing the slight beauty than can be found in a nightmarish hellscape. The character models are also really well done, Klaus himself has the gentle giant look down to a tee, and the members of the rival families are all very uniquely drawn each having a distinctive look.

The voice cast are all giving it their all, Schwartzman perfectly expresses Jesper’s character arc: as he goes from spoiled stuck up rich kid to a responsible caring young man, who genuinely cares about the kids he and Klaus are helping. J.K Simmons gives a reserved and, measured approach to Klaus himself, showcasing a man who is dealing with grief and, finding a way to carry one. Klaus may only say a few words throughout the runtime of the film, but he gives off so much emotion, and a lot of that is through the animation, that he doesn’t need to, easily becoming the highlight of the film.

Overall ‘Klaus’ is a thoughtful reinvention of the Santa Claus mythology, it has a good heart and, wears it on its sleeve. It is a testament to the power of animation and, a new Christmas classic. A must watch.

5/5

Reviewed by Luke

The Polar Express: Catching The Midnight Express

‘The Polar Express’ is an animated adventure film, the plot follows a young boy named Hero Boy, (Daryl Sabara) who takes a trip onboard the Polar Express, a special train that takes children to see Santa Clause at the North Pole.

Rewatching ‘The Polar Express’ had the opposite effect on me that rewatching The Nightmare Before Christmas did, by that I mean when I originally watched ‘The Polar Express’ when I was a kid I thought it was horrifying, more on that later, but when I watched it again recently I found it to be quite the enjoyable romp.

The reason I thought it was terrifying as a kid is that the facial animation is off, I don’t know if that was by design or if the technology wasn’t there, but the faces of all the characters in the film have moments where they look like something found in the worst part of the uncanny valley. Upon rewatching it in 2019, I found it wasn’t as bad as I remembered it being however, it still remains an issue with the film.

One of the things that I like the most about this film is that despite being a happy children’s film, it has dark moments; a lot of these moments aren’t obvious, but when you think about them for a second you realise just what the film is implying. The story of ‘The Polar Express’ is it’s the biggest asset as it works on multiple levels it works as a Christmas film, with the usual message of all you need to do is believe and, the spirit of Christmas. It also works really well as an adventure film, the world and, the characters are all very well-formed, they’re both dense and detailed. The mythology of the train itself is fascinating as well and, all the sequences that feature it prominently are excellent.

The main reason why these sequences are excellent is a stellar performance by Tom Hanks. This is very much Tom Hank’s film, he plays Hero Boy’s dad, the Conductor of the Polar Express, The Hobo that gives Hero Boy advice, Santa Clause, The Scrouge Puppet and, the Narrator; as well as doing motion capture for Hero Boy. As a result of this long list of performances, this film was going to live or die based on Hank’s ability to make all of these characters feel not only real but, different from one another; he does this rather magnificently. At no point in the film do you think oh that’s Tom Hanks and, that’s Tom Hanks again you see these different characters and, you know they’re distinct and, different despite all looking facially like Hanks.

To conclude ‘The Polar Express’ is a wonderful Christmas film that has a great sense of imagination, this is boosted nicely by Hanks’ multilayered performance and, a wonderful message as well. A Christmas must watch.

4/5

Reviewed by Luke