The Gentlemen: Ritchie Is Back

The Gentlemen is a crime film directed by Guy Ritchie. The plot details the British criminal underworld and one man’s fight to stay on top of it against rising factions.

I enjoyed Ritchie’s foray into blockbusters, they were enjoyable enough, but I am glad that he has returned to his roots in the crime genre. No one and I mean no one makes a stylised crime drama film like Guy Ritchie and this film proves that.

My one issue with the film is the way it is structured, there is a lot of jumping around in the timeline and a lot of the film is set to a conversation between gangster Ray (Charlie Hunnam) and tabloid creep Fletcher (Hugh Grant). Now all this jumping around does have a great pay off at the end that brings everything together nicely, the time jumping is not my issue. What I think the problem is, is that the interacts between Ray and Fletcher get boring after a point and feel repetitive, they weigh the film down.

Fletcher is by all means the worst character in the film, incredibly one note and annoying and Grant is given the least to work with of all the cast.

However, this is offset by the fact that most of the other characters are great and leap off the screen at you. Hunnam is magnificent and has a few very memorable scenes, but the two that really steal the show here are Matthew McConaughey as the man who has it all Michael and Colin Farrell as Coach. Farrell’s performance is easily the highlight of the film and he is the most interesting and intriguing character by far; his fight scene in the kabab shop is also fantastic.

Overall, this is a return to form for Ritchie in a big way. The pay off makes the film and solid performances from most of the cast back it up. A must watch for genre fans!

Pros

Farrell, Hunnam, McConaughey

The style of it

The pay off

The kebab shop scene

Cons.

It doesn’t make the most of all of its characters as Grant and Golding’s characters are cut short.

4/5

Reviewed by Luke

The High Note: That Is Inaccurate

High Note is a music romance film directed by Nisha Ganatra. The plot follows Maggie (Dakota Johnson), a personal assistant to a former worldwide star who dreams of more. Then one day she meets David (Kelvin Harrison Jr.), a young talented musician who might be her big break. A romance follows.

To me this is A Star Is Born but without the chemistry. We have seen this before, similar films that show a romance blossoming to the backdrop of the music industry and I don’t know why, but I expected more from this film, the first half an hour told me to expect it, but it just feel apart.

The only two good things about this film, that I almost turned off three times, are Johnson and a rare great performance from Ice Cube. Johnson and Ice Cube are both trying to make something out of what they have been given, but they can’t change the fact that what they have is cliché tripe that is so laughably predicatable you can turn it off after 15 minutes and know the ending.

It gets worse, this is one of the most melodramatic, overly mushy films I have ever seen. The filmmaker and writer seem quite set on making every little thing into a huge dramatic event, in such a way that it would put the finest soap opera to shame.

Overall, this is contrived and overly familiar with no charm or chemistry to make it worthwhile. Much like Johnson’s 50 Shades films there is no chemistry here and the romance and plot fall apart.

Pros.

Johnson

Ice Cube

Cons.

It is too mushy

It is too melodramatic

The leads have no chemistry

It feels like a retread of about 100 different rom-coms

1/5

Reviewed by Luke

The Peanut Butter Falcon: The Next Champion Of The World

The Peanut Butter Falcon is an adventure film directed by Tyler Nilson and Michael Schwartz. The plot follows Zak (Zack Gottsagen), a young boy with down syndrome who dreams of becoming a professional wrestler just like his hero. However, in order to do that he needs to escape from the old people’s home that he has been forced into and venture into the great unknown on a voyage of self-discovery.

This is one of the most touching films I have ever seen, I kid you not there were a good few time when I had a tear in my eye. This one will hit you right in the feels. I think part of what makes this film so easy to connect to is its characters. They’re unlikely heroes, in a more simplified sense underdog.

I think Gottsagen was great throughout, he was easily the most loveable character and you will want to see him become a wrestler so much. I also thought this fatherly connection with Shia LaBeoufs’ character of Tyler was also incredibly well done. The two make a great pair and are incredibly endearing together. This was the film that made me stand up and take notice of LaBeouf as a serious actor.

Overall, I think this is a very lovely film and is the sort of film we need right now when times seem so dark. It will have you smiling and cheering throughout. A must watch for sure.

Pros.

Gottsagen

LaBeouf

Johnson

The relationships between the 3

A small appearance by Yelawolf

Cons

None

5/5

Reviewed by Luke

The King Of Staten Island: Oscar material?

The King Of Staten Island is a semi-biographical comedy film directed by Judd Apatow. The plot follows the life of Scott (Pete Davidson), a slacker whose life is thrown into upheaval when his mum Margie (Marisa Tomei), becomes involved with a new man Ray (Bill Burr). The twenty something year old must finally get his life together and find some sort of closure for this father’s death.

Now before I watched this film, I had no real idea who Pete Davidson was, I don’t watch SNL. I had heard good things about the film overall, so I decided to check it out and I was quite impressed. I left the film really liking Davidson and excited to see what he does next.

I think Davidson’s Scott is one of the easiest to root for characters from throughout cinema history, he is just so likeable, and you really emotionally connect with him as a character. Scott’s relationships with those around him are all really heart-warming, but his relationship with his stepfather Ray is the one that hits the hardest.

I wouldn’t call this film a comedy, I would call it a drama with comedic elements. It never made me laugh, but it did make me feel. As a comedy it is a failure, but as a drama film it is transcendent and could have a good shot at the Oscars next year. I think this film also shows that Judd Apatow still has some life in him, and this is a big comeback for him, as his last few films weren’t very good.

Overall, one of the best films I have seen in a long time, the way it connects with you and makes you feel for the characters is unrivalled, however, it is also not funny so it can’t get full marks as a comedy film.

Pros.

The characters.

The relationships.

The expert use of emotion.

Steve Buscemi.

Cons.

It is not funny, didn’t make me laugh once.

4.5/5

Reviewed by Luke

Shirley: The Rise Of Elizabeth Moss

Shirley is a biographical drama film directed by Josephine Decker. The plot recounts the life of Shirley Jackson the famous horror writer, showing her struggles and her triumphs as she writes a novel and battles the world.

This film is good for two main reasons: the writing and Elizabeth Moss.

Moss is quietly making a name for herself in the horror/ thriller space, and for good reason to. She is captivating to watch on screen and her face conveys emotion with ease. We believe her characters mental struggles, we believe the genius and it is all because of Moss who shows us a myriad of emotions with ease.

The other strength is the writing that seamlessly merges different plot lines and sub plots to create a very dense layered overall narrative. The character dialogue is tense and snappy, it reminds me of Sorkin in a way. The thrills don’t come from anything scary or from any intense action, but rather from the subtly of the dialogue and the jagged barbs hidden within.

My one complaint of the film is that it is too long. The last act drags, and I would say the film as a whole is about fifteen to twenty minutes too long, as I was losing interest towards the end- this is the films fatal flaw.

Overall, this is a very tense emotional ride with a great performance from Elizabeth Moss.

Pros.

The dialogue

Moss

The mystery and the drama

The trippy sequences

Cons

The third act is poorly paced.

4/5

Reviewed by Luke

Night Moves: Modern Day Hitchcock?

Night Moves is a drama thriller film directed Kelly Reichardt. The plot sees a group of environmental terrorists blow up a damn to raise awareness of their cause and steal the eyes of the world for just one night. Everything goes well and falls into place; that is until it is revealed that someone died in their bombing, something no one wanted, this causes fractures in the group.

Before I get into the review I just want to say from a cinematography point of view this is a beautiful film, some of the shots of deserted backstreets and American wilderness look exquisite. Watching this film made me really appreciate what a beautiful country America is.

I think the performances from across the 3 main actors Jessie Eisenberg, Dakota Fanning, Peter Skarsgard are all great. Eisenberg especially does a lot with very little; his facial acting is really top notch in this film. I think the ending and the way his character handles it feels very natural and believable and that adds to the brilliance of the film.

I think the messages and themes of the film are multi-layered, as you question the morals of the both the characters on screen as well as society at large. It does not pick a side; you can see fault in both. It handles the topic in a very nuanced way.

My one complaint would be that it is about twenty minutes too long and could do with a tighter edit, there were moments when I was gripped and there was also moments when I was bored and looking away.

Overall a very compelling film with great performances very worth checking out.

Pros.

The cinematography.

The performances.

The tension.

The manhunt.

Cons.

A little too long.

4.5/5

Reviewed by Luke

Florence Foster Jenkins: Streep Can’t Sing?

Florence Foster Jenkins is a comedy drama biopic directed by Stephen Frears. The plot follows Jenkins (Meryl Streep), an aging amateur opera singer, as she dreams of success on the stage, the only issue is that she can’t actually sing.

I thought it many ways this was a surprisingly touching film, the final scene of the film between Jenkins and her husband made me feel something. I cared about the characters and I wanted her to achieve her dream and become a serious singer. The performances from Grant and Streep are also excellent as well, both of them are so clearly in love with one another and care so deeply it is very endearing. From a character point of view this film is a triumph.

However, from a pacing perspective it is not. Oh god no. This film is on for just shy of two hours, but it feels a lot longer. For long stretches of time very little happens, and it feels as though the film is being padded out, I firmly believe there is no reason a good half hour of this film couldn’t have been cut. To that point we also have a whole collection of side characters and sub plots that lead nowhere and achieve very little making you question their need for inclusion within the film.

Overall, emotional this film is something it has strong moments that make you feel, but these are few and far between and for the most part you’re left bored and wondering how much longer is left.

Pros.

Streep and Grant.

The emotion.

Cons.

Too long.

Too many characters.

Not enough to keep your interest.

2/5

The Kings Of Summer: Coming Of Age

The Kings Of Summer is a coming of age comedy film directed by Jordan Vogt-Roberts. The plot sees two boys become fed-up with their homelives and their parents and seek out a life in the woods. What starts off as a modern-day Garden Of Eden, quickly descends into petty jealously, loneliness and despair.

This is a fantastic film for so many reasons. It feels personable, it feels relatable in a way that very few films are. Yes, the plot line of kids escaping from home, building their own sanctuary and then something coming between them is nothing new, but here it is done in such a way that it hits you emotionally and feels fresh.

Nick Offerman’s turn for the dramatic in this film as Joe’s (Nick Robinsons) father surprised me in the best way. I love Offerman’s comedy and his character in Parks and Rec, but this film proves he has serious chops as a dramatic actor as well, he really sells his character and has a number of captivating scenes.

I also think the younger cast give terrific performances as well. Robinson is proving himself to be quite the talented newcomer with the likes of this and Love Simon. Erin Moriarty is also terrific and does a lot with very little, her character could easily have been two dimensional, but thanks to the performance feels rounded.

Overall, this is a touching film that connected with me. I think all involved are giving it their a game and it shows. If you have not seen this film you should.

Pros.

Offerman

Robinson

Moriarty

The emotional connection

The inter-character relationships

Cons.

None.

5/5

Reviewed by Luke

The Vast Of Night: Visitation

The Vast Of Night drama science fiction film directed by Andrew Patterson. The plot sees two New Mexico kids become tangled up in strange goings on in the sky and a military conspiracy.

I won’t say too much about the plot here as I think you will be best served going into this blind. However, what I will say is that I for the most part loved this film. I went in with high expectations, because I had heard a lot of positive talk about this film beforehand, which the film itself more than lived up to.

This film has heavy Spielberg/ 80s vibes, its fees very much like ET or Close Encounters Of The Third Kind, a comparison could even be drawn to Spielberg’s copycat JJ Abrams’ Super 8. There is a wonder and a true sense of the unknow that I find very hard to be able to describe in words, but once you see the film you will know what I mean.

I must say I watch a lot of horror films, as a lot of you know, so I have become desensitised to scares for the most part, but this film creeped me out. Its not that it shows you anything creepy, but that the stories build an increasingly sinister mystery that unsettles you to think about. It nails the atmosphere better than any other film I have seen recently.

The ending is great, as is The Twilight Zone ascetic which adds a nice bit of flavour.

Overall this is a must see and shows great promise, with a slow first act being the only slight issue.

Pros.

The atmosphere.

The chills.

The mystery.

The characters.

Cons.

It is slow to begin with, too slow.

4.5/5

Reviewed by Luke

Finding Dory: A Journey Of Remembrance

Finding Dory is an animated comedy family film directed by Andrew Stanton and Angus MacLane. The film serves as a sequel to Finding Nemo, with the premise being that Dory (Ellen DeGeneres), needs to go on a journey to find her family that she has forgotten about; this journey is of course both literal and mental as her past is explored through a series of flashbacks.

Man, this film is a downer. Right from the off it is depressing, baby Dory lost and all alone is heart-breaking and it only gets worse from there. I don’t know if I just have a low tolerance when it comes to sad childhood stuff in films, but this one was a hard watch. There were times I actively wanted to turn it off because it was making me sad.

This is by no means a bad film though however; it is very watchable and entertaining. I found it was able to hold my attention which is usually a good sign. The issue with this film though is that it never does enough to justify its existence, for all the plot and Dory back story we get could have made for a great thirty to forty minute short, it does not however, feel as though it needs an hour and a half runtime.

I think the supporting cast definitely add a lot to this film and help pull the heavy weight. The two supporting characters I would point to are Destiny (Kaitlin Olsen), and Hank (Ed O’ Neil). Olsen’s character has a surprisingly warmth to her that makes her easy to root for from the moment we are introduced to her and O’ Neil’s character pulls expertly on our heart strings and makes us feel a lot while revealing very little.

Overall, a needless Pixar sequel that while emotionally weighty doesn’t do enough to justify its existence. Also this one might not be good family viewing as like I said before it is madly depressing.

Pros.

The emotion.

The supporting characters.

Dory herself.

Cons.

It does not justify its own existence.

It is thoroughly depressing.

3/5

Reviewed by Luke