Me You Madness: Next Time You Have A Mid Life Crisis Buy A Car, Don’t Rip Off A Book and Make A Terrible Movie

Me, You Madness is a dark comedy film directed by Louise Linton. The plot serves to rip-off in near ever aspect Brett Easton Ellis’s American Psycho, but with a lame rom com subplot forced in because that’s what the book needed right? But hey guys it’s fine because the film calls out its own similarity to Ellis work but says it a female take and that women are having a moment in Hollywood right now, in perhaps one of the most obnoxious bits of voice over ever, so it’s fine. Drawing attention to how poorly written your film is makes it well written right?

This is a vanity project on the part of Linton plain and simple. Honestly the amount of sexual scenes and scenes where Linton’s character is half naked is a little off putting, if she wasn’t the director I would say it was exploitative, but as it is her and she is putting herself constantly on display like this I would say it is just desperate. Everything from the needless over sexualisation to the glib narration, that seems to think it is far more clever than it actually is, just reeks of someone saying, ‘pay attention to me’, it is sad.
Moreover, Linton’s performance in her vanity project isn’t even good: which makes it all the more pathetic. Linton can’t seem to maintain an accent for more than five seconds at any time during this film, one minute she is trying to do an English accent, then Irish then American. Make up your mind and stop wasting my time.

Moreover, the film features Ed Westwick as the male lead who has been the subject of several sexual assault accusations, so the film has that going for it: though to be fair he has not been found guilty and a court has ruled in his favour.

Overall, one of the worst, most needless films I have seen in a long time. This film feels like it was written by a twelve-year-old who was just beginning their edgy phase.

Pros.

Really none.

Cons.

The rom com subplot is lame

This reeks of a vanity project for Linton

Linton repeatedly exposes herself in various different ways to a point that it could be called exploitation if it wasn’t her as the director

It steals from American Psycho and thinks its fine because they reference it

It is incredibly vapid, and the narration is dumb, having as much intelligence as a can of beans that has been set on fire.

0/5

Reviewed by Luke

The Family Fang: And You Thought Your Family Was Messed Up

The Family Fang is a comedy drama film directed by Jason Bateman. The plot follows the dysfunctional Fang Family as they are forced back together again, causing old issues to be readdressed. The parents of the family are performance artists who forced their children into a number of uncomfortable and awkward situations in service of their art and that has led to a hate-filled rift between the parents and the children. It is based on the novel of the same name by David Linday-Abaire.

This is Bateman’s second direction effort, he also co stars alongside Nicole Kidman, and it marks a very noticeable shift in his direction sensibilities. If you look at Bateman’s first effort Bad Words it is certainly an off colour, off key comedy film that feature dramatic elements, however it is still a comedy film first. Whereas this film is very much a drama film, with a few moments of darkly humorous relief, following this through into Ozarks you can see how Bateman is moving further and further away from traditional comedy, and is instead pushing into much darker territory.

It is with that in mind, that I advise you not to watch this film as a comedy film as that is a miscategorisation, but to understand and watch this film for the drama film it is. As a drama film this film is sublime, it examines parents and children and how the two are intertwined. Should everyone and anyone be a parent? When does it become self-serving? What can a parent do to a child and then ask for forgiveness for?

The performances from Bateman, Kidman and Christopher Walken are all terrific, they perfectly capture different elements of the broken family paradigm and reflect them outwardly. Walken particularly shines here as an antagonist, his character scenes with the kids are both heart-breaking and infuriating and strongly performed.

I find myself being reminded of Captain Fantastic

Overall, a very strong drama film miscategorised.

Pros.

The performances

The concept

The examination of the effects of parenting

Cons.

It is poorly paced

The ending doesn’t feel as satisfying as I would like

3.5/5

Reviewed by Luke

The Voices: A Human Body Takes A Surprisingly Large Amount Of Tupperware Containers To Hold

The Voices is a black comedy horror film directed by Marjane Satrapi. The film follows the life of Jerry Hickfang (Ryan Reynolds), a mild-mannered office worker who is just trying to live his best life. However, Jerry hears voices particularly the voices of his cat and his dog and sometimes these voices lead him astray, such as when they encourage him to become a serial killer.

I have tried to watch this film before but watching it this most recent time I decided that I would stick it out until the end. Now, before I get into it I just want to say that I know comedy is subjective and black comedy even more so, however this film was just a bit too much for me in two regards.

Firstly, the cringe, there are multiple scenes in this film that are crawl up into a ball and die kind of cringe. Any scene when Jerry is trying to hit on women is particularly bad cringe to a point where it made my whole-body cringe, I think they over did it a little bit.

Secondly, this film is depressing, and you will leave it feeling bummed up. I understand that this is a dark comedy about a morbid subject but damn, this film is hard to get through. It made me laugh once or twice but for the most part it just made me feel sad. Particularly the ending.

The performances from Reynolds, Gemma Arterton and Anna Kendrick are all okay, I cant fault the acting though I will say no one blew me away with their performance.

Overall, this may just come down to comedic sensibilities for me this film was a bit too much, you might disagree with me and think it is hilarious: comedy especially dark comedy is very hard to judge.

Pros.

The premise is interesting

The acting is okay

Cons,

The cringe is too much

It is depressing

It feels familiar

2/5

Reviewed by Luke

Clue: The Studio Executive Killed Him With A Lack Of Imagination

Clue is a black comedy mystery film directed by Jonathan Lynn, based on the board game of the same name. The plot sees a group of people gather together in a house under mysterious circumstances, once together people start to die one by one, and the surviving members of the party must figure out who the murder is.

So, I am quite the Tim Curry fan, as such I have heard talk of this film and it has been on my watchlist for quite some time. Upon watching it, I find it to be a mixed bag, but I find Curry as enjoyable as ever.

The idea of bringing the concept of a board game into a cinematic medium was always going to be a hard task to accomplish, but this film does give it a try. Sadly, it never manages to nail a tone or approach, sometime it borders on something like the Movie films in terms of silly parody, but then a moment later it will be taking the premise a bit too seriously for that to apply.

The cast are all serviceable, no one is bad, but no one (other than Curry) is good either. Curry has his manic energy especially towards the end of the film when he really lets loose where he is able to shine and effectively steal the film and the limelight. I would say the film would be far lesser without Curry’s involvement.

Overall, trying to adapt a board game into a film was always going to result in failure so I can’t say I am surprised. However, Curry is great.

Pros.

Tim Curry

A few good gags

Cons.

It ages poorly

The tone is inconsistent

Not all the jokes land

2/5

Reviewed by Luke

Arizona: The Longest Car Ride

Arizona is a dark comedy thriller film directed by Jonathan Watson. The film sees real estate agent Cassie Fowler (Rosemarie DeWitt), and her teenage daughter become caught up in a fight for their lives, after local man Sonny (Danny McBride), has a break and goes on a murderous spree.

This film was a crushing disappointment. I missed it upon first release so when I saw it on Netflix and remembered the trailer I was excited and put it on with high expectations, it did not meet them in anyway; it seems all the best bits where put in the trailer.

So my biggest issue with this film is how damn generic it is, there is nothing new or novel about the concept or its execution you have seen this done before and a lot better too. There are large parts of the film that just feel tedious as you are left begging for something to happen to liven up the scene.

McBride for his part is trying, he tries to make Sonny funny and memorable sadly neither of those things pan out. DeWitt on the other hand is one of the most boring protagonists ever put to film, you don’t care about her at all and that really takes a lot of the tension out of the fight or flight scenes.

Finally, and perhaps worst of all, the humour is not funny. As I often say humour is subjective and dark comedy is even more so, but for me personally this film did not make me laugh once if anything it made me roll my eyes and cringe more often then not: it is painfully unfunny.

Overall, a disappointment.

Pros.

McBride is trying

Cons.

Luke Wilson’s character and all the time spent with him is entirely needless

The lead is charmless

The jokes aren’t funny

The film is boring bordering on tedious, often

1/5

Reviewed by Luke

Spree: Never Drink The Water In An Uber, Who Knows Whats In It

Spree is a black comedy horror film directed by Eugene Kotlyarenko. The plot follows a young rideshare driver called Kurt (Joe Keery), who is trying desperately to kickstart his Youtube/influencer career. However, when his efforts don’t reap any rewards he turns to murdering his rideshare passengers to gain infamy and attention.

This along with In The Shadow Of The Cloud are my two favourite films of the year so far. This is something so darkly funny about this films critique on modern influencer culture, that humour I believe comes from truth; no doubt there are people out there who do this sort of thing for dark web fame. It makes one reflect on the purpose of it all and questions around validation, does having a large following make us better than anyone else? Are follower numbers simply meaningless? These are good questions to ponder.

Keery gives a terrific performance here, managing to convey both a deeply shy and awkward person who is just trying to get famous and also a cold-blooded killer who has no issues with poisoning people or running them over. Keery manages to make both parts of Kurt’s personality feel different enough yet whole within one person at the same time, no easy feat. Fans of Steve from Stranger Things will have a lot to enjoy here.

Overall, a very interesting film that becomes more so the more you think about it afterwards, the satire our social media society needs.

Pros.

Keery

The satire

The deeper questions

The horror and mania of it all

The ending

Cons.

Some moments are a bit too cringe

4.5/5

Reviewed by Luke

Milkrun: The Horrors Of The British Corner Shop

Milkrun is a dark comedy, drama film directed by Alexander Jeremy. The plot sees one brave soul brace the wilds of outside of his bubble to venture down to the shops to get milk, in the age of Covid19.

This was just what I needed. As the new lockdown was announced recently in the UK and we were all sent back into our own isolated worlds to wait out the storm. I was feeling a little blue, however this film put a smile back on my face.

It pokes fun at Covid and social distancing without feeling disrespectful or done in bad taste, looking at you Songbird. The jokes are darkly comedic and feel funny through a shared experience that everyone on the globe can relate to. I was smiling and chuckling to myself as I was watching it.

The one thing I would note was that when the character was hugging people and took off his mask and gloves I was waiting for the inevitable comedic comeuppance that he had caught the virus. I feel like the ending delivered on that, at least in how I interpreted it, but it was not hugely clear.

That is not to say I did not enjoy the ending; on the contrary, I think it was nice that the film ended on a more dramatic and personal note as it reflected the bleakness of existence under Covid.

Overall, bravo to all involved I enjoyed this, and it made my dad to watch it.

Pros.

It is funny

The power of shared experience

The powerful ending

The musical score/accompaniment

Cons.

Did the character get punished for breaking the rules? Perhaps a little too open ended

4.5/5

Reviewed by Luke

Great Asphyxiations: Always Make Sure They Are Dead

Great Asphyxiations is a dark comedy short film directed by Sammy Anderson. The plot sees two murders trying to decide how to dispose of a body, whilst also lamenting on their life choices and asking whether killing is still what they want to do.

I thought the concept of this was quite novel, as it allowed the actors to take to the camera without that being a sign of lesser filmmaking. Moreover, it allowed for greater audience emersion as it felt almost like a POV experience as if you were really in the room tied up and about to be murdered.

Dark comedy is always very tricky to get right as different people have different comedic lines as to what they find funny and what they don’t. Whilst this film did not have me laughing out loud often, it did have a few funny moments and I found myself smiling throughout.

I enjoyed seeing the condensing of the character arc, it allowed the journey to feel more manic and compact. I think this film is definitely made better by being a short, as the character journey it would lose some of its frantic luster if it was stretched out over a longer feature.

Overall, an intimate crime experience- if that sounds like something you would like then check this out.

Pros.

The use of pov

The originality

A few good laughs

The condensed character arc

Cons.

Not all the jokes land, but comedy is subjective

4/5

Reviewed by Luke

The Witches Of Eastwick: The Powers Of Liberation

The Witches Of Eastwick is a dark fantasy comedy film directed by George Miller. The film sees 3 suburban women go on a voyage of self-discovery and sexual exploration after a mysterious man (Jack Nicholson), comes to town and tempts them out of their boring lives.

I enjoyed the more overt references to the supernatural and the implication that Nicholson’s character was the Devil (or a demon of some kind), I thought it added a nice extra something to the film and really enriched Nicholson’s character.

I thought the performances were strong from everyone involved, Cher, Sarandon and Pfeiffer all gave great performance and I liked seeing their journey over the course of the film, when they became ‘witches’ the character transformation felt earned.

My one complaint would be that at nearly two hours the film is far too long. The film definitely could be improved by being shortened as a lot of the scenes have very obvious bloating and plot padding, the latter of which takes away from the drama of events after they have happened and effectively derails the film.

The monster CGI form the film’s final moments is laughable at best and does not feel in any way tense, but this was probably good for the time, so I won’t be too harsh.

Overall, an interesting premise boosted by some strong performances is let down by poor pacing and an inability to form meaningful tension.

Pros.

Strong performances

An interesting premise

Hints of the supernatural

Cons.

Poorly paced

Lacking in tension

2.5/5

Reviewed by Luke

The Kid Detective: Depressing Life Goals

The Kid Detective is a dark comedy mystery film directed by Evan Morgan. The film asks the question what would happen to the child detective after they grew up? What would Nancy Drew be like at 40? What happens when the Hardy Boys move out and get married? We see a once respected kid detective (Adam Brody), now have to adjust to being a lacklustre detective in a grown-up world, but can a serious new case change that?

I enjoyed the gimmick of this film for the first ten minutes…. after that not so much. The joke of but hey he is basically still just a kid detective but in a man’s body quickly becomes tiresome and the film’s gimmick (which it is probably proud of because no other films have really done it), starts to work against it (this is why it has not been done before).

The darker humour doesn’t really work for me. Dark comedy is even more hit and miss than regular comedy as people have lines as to what is and isn’t okay to joke about in their opinion, as such this film had more of an uphill battle. However, I don’t think any of the jokes are particularly risqué, rather I think that is the problem: for a dark comedy film this is incredibly tame.

Brody himself is enjoyable, I am a fan and it is nice to see him get centre stage and he does make the most of it, sadly the film around him is deeply average.

Pros.

Brody

The premise for the first 5 minutes

Cons.

The premise after that

The jokes don’t work

It is painfully dull

2/5

Reviewed by Luke