Body Brokers: The Human Trade

Written by Luke Barnes

Body Brokers is a crime thriller film directed by John Swab. The plot revolves around the for profit drug rehabilitation system in the United States, and the various predatory tricks and cons people within the industry are using to stay rich.

This film serves to do for the drug rehabilitation system what The Big Short did for the stock market. Providing us the audience with an in-depth, albeit it fictionalised, view into the world of body brokers, characters who prey off junkies going in and out of treatment centres to make their money through various contracts.

Honestly, the fact that this is a thing in the real world is terrifying, and it’s the same kind of terror that you had when you realised that I Care A Lot also has a lot of grounding in reality. Our systems are deeply flawed.

I thought the performances were all very good here, Frank Grillo was the stand out, but he was supported nicely by Michael Kenneth Williams and Jessica Rothe, who is definitely the scene stealer of the film. My one complaint on this front would be that the main protagonist Utah (Jack Kilmer), is fairly bland and predictable

Overall, this film is harrowing, and it opens your eyes to just how easily corrupted our systems are- filling you with even more existential dread and terror of the world around you.

Pros.

The premise

Exposing the injustices and the wrongs of the drug rehabilitation world

Making a few strong points

Rothe, Williams and Grillo

Cons.

Kilmer

The ending is manically depressing

4/5

I Care A Lot: A Sociopathic Super Heroine

Written by Luke Barnes

I Care A Lot is a dark comedy film directed by J Blakeson. The plot follows the efforts of Marla Greyson (Rosamund Pike), a court appointed guardian, who defrauds those in her care for personal gain. However, one day she picks the wrong target and invokes the ire of a mob boss.

I did not care for this film at all.

The only pro I can give for this film is that, as usual, Pike is on excellent form and gives one hell of a performance. However, there character is unlikeable and there is really nothing the audience can connect to in her. This isn’t necessarily a bad thing, as you don’t always have to like the protagonist of the films you watch, but it becomes an issue when we are supposed to care about her survival. Personally, I found myself relating more to Peter Dinklage’s mob boss character.

Moreover, the writing is incredibly unbelievable to the point of Marla almost becoming a sociopathic superhero at times. We are supposed to view Marla as a crafty predator, who outwits her opponents, however in a physical sense she is shown to just be a regular human and yet she can’t seem to die; literally she survives definitive death after definitive death, and it gets a bit laughable after a point.

Finally, the narration seems to think it is clever and deep, yet it comes off as just the opposite of that and if anything a little try hardy. Not everyone can be American Psycho, stop trying.

Overall, Pike is giving the performance of her career so far, sadly it is in a deeply unlikeable film.

Pros.

The premise

Pike

Cons.

The audience has no way to connect to the character

You don’t care about the character, so it takes away from any tense or life and death sequences

The narration is not as smart as it thinks it is

Marla basically has superpowers as the result of bad writing

1.5/5

Hell Or Highwater: When Sitting On Your Porch Always Keep A Gun To Hand

Written by Luke Barnes

Hell Or High Water is a neo-noir western film directed by David Mackenzie. The plot sees two Texan brother (played by Chris Pine and Ben Foster), rob a series of banks to achieve a better life for themselves and their families. However, in there efforts to do this they come to the attention of Texas Ranger Marcus Hamilton (Jeff Bridges), and a game of cat and mouse begins.

I find the neo-noir aspects of this film fascinating; they merge so well with what you would consider a western to be and further the genre into something new- that honestly feels refreshing. I thought setting this in modern day, and having the film play on key contemporary society issues helped it to further its resonance and create more feelings from us towards the characters.

The performances from all three leads, (Bridges, Foster and Pine), are strong and help to anchor this film into believability. The writing also helps to layer the characters and have them transcend a simplistic good and bad character narrative, allowing for a greyer complexity where the ‘villain’ and the ‘hero’ can switch around mid-scene.

My one issue with the film however, and sadly it is a fairly major one, is that it suffers from bloat. The film is certainly overly long, as such certain scenes feel like they have been stretched out to pad for time, and often these scenes add nothing to the narrative as a whole.

Overall, a compelling cat and a mouse story, brought low by an overly indulgence

Pros.

The performances

The tension

The moral ambiguity

The combining of the western and the noir

Cons.

Bloated pacing at times

3.5/5

Locked Down: Has Lockdown Boredom Lead You To Get Into A Police Chase Just For The Hell Of It.

Reviewed by Luke Barnes

Locked Down is a comedy drama heist film directed by Doug Liman. The plot follows a recently separated couple as they are forced to spend lockdown together, eventually the two get wrapped up in a heist that could change their lives forever.

I have been aware of this film for quite a while, but I have never really felt the urge to watch it… That should be indicative as to where this review is going. Personally, I am of two minds as to whether films about the pandemic should be made, seeing as we are still living in one- is it too soon? When does it become bad taste?

Having now watched it, I can say it is very ‘meh’. I don’t feel in any way enriched for having seen it, it left my mind immediately. That said it is entertaining enough and is not a bad film.

The way the film tries to portray the lived reality of lockdown is very Hollywood-ized, they are supposed to be regular people, but I don’t know any who has gone for a motor bike race with the police as a means of finding something to do with themselves during the lockdown, though hey maybe I don’t know ‘cool’ people.

The lead performances from Hathaway and Ejiofor, are both good and do anchor the film in something watchable, but even they can’t liven the film up and struggle against an all too familiar script.

Overall, maybe it is too soon for lockdown films.

Pros.

The performances

It is watchable

Cons.

It is too soon for films about lockdown

The script is weak

The cameos are weak and don’t add anything

2/5.

Dog Day Afternoon: The Most Unlucky Bank Robber Ever

Written By Luke Barnes

Dog Day Afternoon is a crime film directed by Sidney Lumet. The plot follows a failed bank robbery carried out by Sunny Wortzik (Al Pacino), and the following hostage crisis. The film is based on the real-life experiences of John Wojtowicz.

This film is regarded by many as a classic, and in some ways I can see that.

I think the performance from Pacino is sublime, he makes what could have easily just been a tired bank robber bad guy role, or generic antihero, feel layered and human. Pacino’s Sunny is not just likeable, he morphs into more than that almost becoming a Robin Hood figure. When the tale reaches its inevitable end, you feel sad as you wanted him to succeed, and both of those emotions are a result of Pacino’s near perfect performance.

Moreover, this film does a lot for transgender representation, decades ahead of the curve. Though some might not like it when I bring up social political ideas in my reviews of old films, I will anyway. I think the trans representation here deserves praise, as it treats the character with dignity and agency, rather than turning them into a cliché or a punchline.

My issue with this film though that stops it from getting full marks is that the film does have some noticeable pacing issues. There are sections inside the bank that drag on, and it is a shame as these scenes for the most part provide terrific character work, but there are moments when you are left wishing something would happen, or that the film would cut back to what is going on outside.

Moreover, before I made a comparison to Robin Hood with this film and I don’t view that entirely as a positive. The idea of Robin Hood works, but as the narrative follows this approach it becomes overly simplistic to a degree, the misguided but doing it for the right reasons bank robber and the evil police feel a little on the nose, and obvious and the film could have benefited from focusing more on the grey neutral ground, within and also binding the two characters.

Overall, a reverting heist film with a surprisingly good about of representation.

Pros

Pacino

The characters are all handled well and with care

The transgender romance and the larger representation

The ending

Cons.

A few pacing issues

Occasionally too simplistic in its writing

4/5

Brotherhood: Nudity Over Transformative Life Experiences, How To Cheapen A Series With The Final Installment

Brotherhood is a crime film directed by Noel Clarke. The plot serves as a continuation of the previous films Kidulthood and Adulthood serving to be the final film in the series. The plot sees Sam (Clarke), brough back into the game for one final showdown after his brother gets shot.

So this film pushed things a bit too far, by that I mean the running theme throughout this series is how bad this life is serving to discourage people who want to pursuit this kind of lifestyle, however this film glorifies a life of crime and undermines the whole series.

Moreover, this film moves fully away from the drama genre and tries hard to become an action film, which it does well, but it just shows how far this film has moved away from its roots. Personally, I enjoyed the gritty violence and one-upmanship in this film, it reminded me of great 00s crime films like The Business which is a pro for sure.

Likewise, I thought the ending of the film felt satisfying both as an ending to this film and as an ending to the series as a whole: it felt very much like Sam’s Character arc from the first film had gone full circle in a very real and believable way which was nice to see.

A final note about this film is that I felt the level of nudity in it felt too much at times, maybe even slightly exploitative. Clarke really does distract from the good points and clever writing of this film by having naked women constantly on-screen to keep the attention of every teenage boy in the audience, and honestly it really does cheapen the film.

Overall, a flawed but fitting end to the series.

Pros.

The ending

Closing the arc

The gritty violence

Clarke

Cons.

It glorifies while seeking to dissuade

The nudity

3.5/5

Reviewed by Luke

Adulthood: Older And Wiser?

Adulthood is a crime film directed by Noel Clarke (who also stars). The plot continues on from the events of Kidulthood, we see Sam (Clarke), be released from prison after the murder he committed at the end of the previous film. During his time inside Sam, has become an entirely different person who just wants to live a quiet life and get away from the things he has done. This is made harder by the friends and family of the boy he killed putting a hit out on him.

I think this film really achieved the deterring nature that the series was going for, we can see how Sam is haunted by what he did and how everyday he lives with the consequences, wishing he could go back and change it. The Sam we meet here is far more reformed and wiser, he knows that the life he was living before is going nowhere hence why he wants to move on with his life.

This this time around Sam is our protagonist, and though he might not be a likeable lead as he is still a child killer/ teen killer after all, the emotional nuance of the film allows us the see the situation in a less black and white way making the characters reform seem more believable and allowing us the audience to root for him more.

The tension and the gritty, harsh action compliment the film beautifully and really help to make its message standout. There are a number of scenes where you are on edge waiting to see how a scene will play out. This film is definitely more action orientated then the last which was more drama focused, this does change the viewing experience somewhat, but the films still feel stylistically the same.

Overall, in many ways this may be the best film in the trilogy as it manages to show us this bleak world in a widder scale and harsher intensity then the first film, making us better understand the struggle.

Pros.

Clarke, both as a director and actor

The emotional beats and the character arcs

Really managing to push the deterrent angle

The ending

The tension and the action

Cons.

It can be very hard to watch at times

5/5

Reviewed by Luke

Kidulthood: Boys To Men

Kidulthood is a British crime drama film directed by Menhaj Huda. The plot focus on the lives of a group of high school students in Ladbroke Grove, London who lives seem to be shaped around crime, violence and chronic drug use.

There is something of a morbid charm to these films, yes on the surface they are horribly bleak and if you are easily upset or offended by films you probably shouldn’t watch this, however despite being disgusted by what you see on screen you also can’t look away. This is true to such an extent that when I finished the first film, I immediately put on the next one (review coming soon).

This film does not sugar coat its views on life and youth behaviour, it shows it all and doesn’t apologies if we don’t like what we see; it makes Boyle’s Trainspotting look at happy by comparison. The creatives went out of their way to show us a version of lived reality closer to our own then what we normally see in these sort of crime films, to show us how bad, desperate and sad this sort of life style is, and I think they resoundingly succeeded.

The performances in the film are all serviceable, with one exception, they are neither good nor bad, not memorable in any real way. The one exception of course is Noel Clarke as Sam, Clarke was heavily involved in the series and would go on to direct the later instalments, but it is his scene stealing performance that cements him as a star. Clarke conveys emotion with such intensity that you forget that you are even watching a film and you believe this character to be a real person.

Overall, despite this being an incredibly hard watch for a number of reasons, if you do watch it there is something of merit here.

Pros.

Clarke

The message of the film

Showing us a closer reality then that which we would normally see

A morbid fascination that is hard to describe

Cons.
It is very, very, very bleak and upsetting at times

4/5

Reviewed by Luke

Silk Road: Nick Robinson, You Can Do Better!

The Silk Road is a thriller film directed by Tiller Russell. The film serves to tell the real-life story of Ross Ulbricht (Nick Robinson), the founder of Silk Road: a website that functioned as Amazon for hardcore drugs.

I have been excited for this film for a while,

, there is a lot of interesting things about it, little details and such, and I was eagerly waiting to see how this film would show the story. Sadly, it chose to be generic and just like every other drug kingpin take down film out there. To say the films take on events lacked nuance would be a vast, vast understatement- it is morally simplistic.

The main thing I will give this film prompts for is finally giving me a Jason Clarke performance that I enjoyed. Clarke excels as the shady, but ‘doing it for the right reasons’ DEA agent tasked with bringing Ulbricht down, and his performance is easily the best thing about the film, Robinson was great in The Kings Of Summer and Love, Simon but was deeply milk toast here.

The ending also felt quite anticlimactic, they were building it up and building it up and then when it finally gave us an ending it was underwhelming, and I was left going ‘is that it’? I understand that is based on a true story so they are limited with what they can do with it, but in a writing and set up capacity there were issues with building and execution that really hampered the ending.

Overall, sadly, yet another generic crime film.

Pros.

Clarke

A few interesting moments

Cons.

The ending

Simplifying the issue

Robinson

2/5

Reviewed by Luke

White Tiger: America Is The Past

The White Tiger is a drama film directed by Ramin Bahrani, based on the novel of the same name written by Aravind Adiga. The plot tells the life story of Balram (Adarsh Gourav), as he goes from a lowly slum dweller to king of the business jungle.

On my shortlist for best films of 2021 this along with Shadow In The Clouds and Spree are up near the top. There is something wonderfully fresh about this film, that I just can’t put my finger on. I think my favourite part of the film is the fourth wall breaking dialogue, wherein the narrator asked us to not judge him harshly for the life he has led: throughout the film whilst doing this is he making wonderfully quippy but also insightful statements that stay with you after the film.

The narrative takes you on an emotional roller coaster as you go from cheering, to crying, to being infuriated and then back again. The film really understands how to play with the audiences’ emotions to make us really care about Balram and his struggle, this in turn makes the pay off at the end feel all the more deserved.

Moreover, and I don’t talk about this enough in these reviews, the soundtrack is absolutely first class. Not only does the score perfectly reflect the emotion and the sense of place on screen but it also gives a vibrancy and liveliness to the film that really helps to keep you engaged throughout.

Overall, one of the best films I have seen so far this year, don’t sleep on it.

Pros.

The soundtrack

The fourth wall breaking asides

The emotion

The performances

The ending feeling earnt

Cons.

None

5/5

Reviewed by Luke