Kiss Kiss Bang Bang: Robert Downey Jr’s Secret Best Film

4/5         

Written by Luke Barnes

Summary

A tongue in cheek take on the hard boiled detective stories of old.

Many people point to The Nice Guys as one of Shane Black’s best films, but more people than that seem to forget that before Black made that film he made this one, and in many ways this film is almost better.

I think the most obvious merit of this film is the fact that the satire and subversion of the genre is done so spectacularly well that layers can be seen within the commentary. This is not a film of references to other famous moments from other genre fare, or even scene mimicry, no this is a deconstruction of the genre to an almost subatomic level. Through this film Black is taking apart the hard boiled detective story and lampooning it whilst also creating something that feels both similar yet markedly different.   

The other boon for this film is Robert Downey Jr on top form in a pre-Tony Stark age. Though Downey Jr is the star of the piece he is strongly supported by Val Kilmer with whom he has great chemistry. The two men together really bring a tour de force in terms of performance to this film, and it certainly ranks amongst Downey Jr’s best films.

My one slight criticism of this film is that in places the pace becomes a little clawing and it could do with being made tighter. This is a problem for a lot of films.

Overall, perhaps Shane Black’s best film.

Pros.

Downey Jr

The satire

It is both funny as well as engaging and tense

The chemistry between the leads

Cons

The pace

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Only Murders In The Building: Flipping The Pieces

3/5         

Written by Luke Barnes

Summary

Mabel, played by Selena Gomez, and Theo, played by James Caverly, bond and open up about their pasts.

Many people are hailing this as Gomez’s finest moment on the show, her big emotional back story. Whilst I think Gomez did give a good performance, I thought her delivery left a little to be desired and thought that her facial acting was woefully lacking. Though she is reciting what is supposed to be a painful story from her past her face stays mostly the same throughout, this is not how to act for any one looking to start out.

However, I did find Mabel and Theo to be a good pairing and hopefully we will see more of the two of them together later in the season. Gomez and Caverly have good on-screen chemistry together and are a believable duo. In addition, I thought this episode was actually better for featuring Steve Martin and Martin Short less, the two of them are becoming very one note this season and by focusing this episode mainly around Mabel it helps it to stay fresh.

I think the idea of the blackout leaves the episode off on an interesting place, I would much prefer if we knew that this show was heading into its final episode this season but as there are still two more episodes after the next one we know they are just going to keep dragging this out.

Overall, better for giving Mabel a bigger focus

Pros.

Mabel and Theo make a good pair

Mabel’s backstory

The ending tease

Cons.

They are still stretching out a paper thin mystery

Gomez’s performance leaves something to be desired  

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Only Murders In The Building: Performance Review

2.5/5      

Written by Luke Barnes

Summary

People from Mabel’s past come out of the woodwork to accuse her of past misdeeds and the world of Only Murders In The Building is further explored and built upon.

Frankly again I am slipping back into struggling to care for this season which is sad as the last couple of episodes seemed to be heading in an interesting direction. I think the big issue here is the same it has been throughout this second season, in that the mystery itself is paper thin and then the show is trying to stretch it out for as long as possible stuffing it full of needless side lots in order to try and keep people engaged. It is so blatant it might as well be written in neon.

I think the Mabel, played by Selena Gomez, heartbreak subplot was at least well-acted even if it was not needed. I do think that Gomez often has to do a lot of the heavy lifting for this show in a dramatic sense and luckily for the show she can hold her own in this regard.

To be perfectly upfront with you dear reader I am struggling to finish this season or to find any excitement for new episodes, to be of service to you I will stick it out until the end of the season but I won’t be coming back for the next season.

Overall, this season is being dragged out and dragged out beyond any semblance of a good show.

Pros.

Gomez

It is watchable

It was nice to Charles’ sort of daughter return

Cons.

It is getting long in the tooth

Too many subplots

Awful pacing

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Under The Banner Of Heaven: True Detective This Is Not

2/5         

Written by Luke Barnes

Summary

A murder in small town America, how fresh.

I know this series has got a lot of good reviews from other people and outlets but honestly I found this tedious to get through.

I think my issues with this show come from a mixture of the fact that each episode felt about 20 minutes too long and that I am incredibly checked out of the whole small town America murder plot and feel it has been done to death. Maybe it is because I am not American but to me this series just felt like many other crime shows and the plot was so generic that it could not keep me interested.

I think Andrew Garfield is one of the best actors working today but even he couldn’t prop this show up. Moreover, I would daresay that I think Garfield may have been miscast as his boyish looks didn’t really fit the kind of character he was playing.

Overall, this felt incredibly samey to me and didn’t have the right lead to keep me engaged throughout. By the midpoint of the series I really was just trying to finish it so I could give a complete review, I was otherwise checked out.

Pros.

Garfield is trying his best

It is well shot

Cons.

Garfield is miscast

It is badly paced

The mystery feels incredibly generic and samey

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Only Murders In The Building:The Tell

3.5/5      

Written by Luke Barnes

Summary

The trio continue on their hunt for the murderer, which leads to a very tense game of Son of Sam.

I think this episode continued to build on the positive momentum of the last and actually does go to some interesting places. I am not saying that this is a perfect episode or anywhere near the same level as the first series, but it is a hell of a lot better than the earlier episode of this current season.

In large part the improvement here can be placed on two keys scenes and performances. Firstly, the Son of Sam scene is very good as it transports everyone back in time and gives them period attire, moreover, Charles, played by Steve Martin, and Oliver, played by Martin Short, go after Alice, played by Cara Delevingne, suspecting her to be the murderer not just for the game but for the wider mystery of the series. Delevingne gives her best performance yet during this scene, possibly the best of her career, and she really falls into the character. Secondly, the other strong scene here is the one in which Charles talks to Jan, played by Amy Ryan, on the phone. During this conversation the two have such strong chemistry that it becomes palpably hard to look away from. Hopefully we will get more Charles and Jan throughout the remainder of this season.

My major issue of this episode is the final twist in which Oliver learns he might not actually be his son’s biological father. To me this just feels like more needless drama that doesn’t really serve the story but instead acts as filler to pad for time, In addition as far as twists go this one feels quite cheap and manipulative.

Overall, the second season seems to be trending upwards after a shaky start.

Pros.

Charles and Jan

Delevingne

The mystery is getting better

Good costume work

Cons.

The ending

The pacing is still far too slow

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Only Murders In The Building: Here’s Looking At You

3/5         

Written by Luke Barnes

Summary

Charles’ sort of step daughter, played by Zoe Colletti, arrives and adds some further layers to the mystery.

I will give this episode props it was certainly better than the last and it did, to a small degree, get me interested in the murder mystery again. I think adding in Colletti’s character helped to give the episode a new perspective and helped things to feel a little bit fresher than they had previously been. It will be a huge shame if the character doesn’t return.

Likewise I thought the return of Teddy Dimas, played by Nathan Lane, was also quite welcome as it presented the group both with a threat, something they have been sorely lacking this season, as well as with the consequences of their actions. I thought both brought new dimensions to what in my mind is a struggling second season.

Despite my praise so far it is by no means a perfect episode and there is a lot of filler on display here to pad out the runtime. Moreover, I remain resolute in my belief that the central trio seem to have lost most of, if not all, of the charm they had last season and come across more as angry passive aggressive jerks a lot of the time.

Overall, better than last week’s episode but still far from the previous season.

Pros.

Returning faces

New characters

It livens up the mystery a bit more

Cons.

The central trio still feel unlikeable

Filler   

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365 Days: Netflix Should Be Ashamed

0/5         

Written by Luke Barnes

Summary

A film that romanticises sexual abuse.

This might be one of the grossest films Netflix has ever released. The fact that despite all of the controversy and calls for Netflix to remove it from their platform that they instead pushed ahead with a sequel is honestly sickening to me. I don’t believe in media censorship and feel like everyone should be able to make the art they want to make, however, I do think there are limits, I do think that some films are so vile they deserve to be sued and they deserve to be taken down in disgrace. This is one of them.

The basic plot for this film is that a mobster kidnaps a woman, played by Anna-Marie Sieklucka, and then proceeds to torture her sexually and abuse her, yet the film wants you to think that all this is fine and that it is some hot kinky sex. The film goes out of its way to have you not think too much about the darker implications here, or to suggest notions of Stockholm Syndrome, no it abandons any trace of that to try and have this film rival Fifty Shades.

Honestly if Netflix keeps producing trash like this I am done. I hope someone sues them over this.

Overall, Netflix should be ashamed of themselves.

Pros.

None

Cons.

It made me feel angry throughout

It glorifies sexual violence

The characters are awful

It feels like a rip-off of Fifty Shades

It shouldn’t have been made    

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Only Murders In The Building: The Last Day Of Bunny Folger

2.5/5      

Written by Luke Barnes

Summary

The last day in the life of Bunny, played by Jayne Houdyshell.

Honestly I am not really digging this season of Only Murders In The Building, and I think that it is just being stretched out for the sake of stuff to put on Disney +. As I have said in earlier reviews the mystery this time around is not particularly interesting and unlike with the first season you don’t care about what is going on. To be frank I could stop watching this show right here and not miss it at all.

However, something that I will give this episode credit for is that it at least takes a chance and tries to do something new. Rather than focus on the central trio we get to see a day in the life of a fairly important side character, and not many shows would dedicate a whole episode to a supporting character in this way so that was pretty cool as it helped to flesh out the wider world of the show.

Although through this focus on another character this episode highlights our central trio in a less than stellar light. I do understand that the point of this episode’s shifted perspective is to reframe things, but it does this a little too well and clearly illustrates all the worst traits of our lead characters and makes them unlikeable. The charm of the show is really gone after this episode.

Overall, I might stop watching as I don’t want to continue watching a once promising show continue to drag itself through the mud.

Pros.

Be brave enough to focus on a smaller character

It is watchable

It makes you care more about Bunny

Cons.

It is fairly dull

The mystery doesn’t seem to be leading anywhere

The leads are unlikeable  

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Only Murders In The Building: Framed

2.5/5      

Written by Luke Barnes

Summary

The mystery continues but honestly I am starting to lose interest.

I am not saying this is a terrible episode, as by all accounts it is watchable. However, it is also far from good.

As I mentioned in the previous review of this latest season the mystery is feeling more and more needless and forced and this episode did nothing to change my mind on that front. All of this jazz around the painting just feels like clutching at straws to try and give this season a purpose. Moreover, Amy Schumer is once again forced into the episode as even though she is just a guest character they have to get her overly involved the plot as the producers of this show seem to be the only people on earth to not understand how unpopular and disliked she is.

However, it is not all doom and gloom. Much like the first episode had the Brazzos’ remake, this episode explores Mabel, played by Selena Gomez, and her artistic side. I think it is apparent that Cara Delevingne’s character will be the villain of the season, however, despite this rather obvious direction I am glad to see that this season is exploring Mabel more as she is the most interesting of the three characters by a long stretch and also the one we know the least about.

Overall, not without some enjoyable aspects but the mystery really needs to get into gear, and they need to get rid of Amy Schumer if they want to keep me around.

Pros.

Exploring Mabel’s character

It is watchable

There is still some fun to be had

Cons.

It is still struggling to justify its existence

Schumer

The mystery is boring  

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Only Murders In The Building: Persons Of Interest

3/5         

Written by Luke Barnes

Summary

After being hauled in for murder the trio try and prove their innocence and begin to find themselves staring down another mystery.

I find this show to be good comfort viewing, you aren’t really watching it to see something you have never seen before or to be challenged you are just watching it to be casually entertained. In that view I enjoyed this first episode well enough it was very easy to watch and the central trio all had great chemistry, as they did last season.

My question for this season which the first episode made very more crystal clear, is why did it need a second season, where is there to go from here? Honestly, I feel like the mystery this time around feels a little forced, but who knows maybe they will go somewhere interesting with it and justify why the show needed to come back for a second season.

I liked that the Charles, played by Steve Martin, storyline had him return to his former role as Brazzo’s, and in doing so pointed out and made fun of the idea of legacy sequels wherein the previous main character is only kept around for nostalgias sake and the show or film usually tries to reinvent itself to mixed results.

I won’t spend long talking about the Amy Schumer cameo as a lot of you will know my thoughts on Schumer, though I will say here scene sucked all of the life out of the sequence and certainly was a low point of the episode. The fact some of the characters are in awe of seeing Amy Schumer in a lift is laughably up her arse, also if it was true to life she would be angry for being recognised.

Overall, an enjoyable first episode but not one that justifies why this show needed to come back for season two.

Pros.

It is watchable

The leads all still have great chemistry

I like the meta commentary on legacy sequels

Cons.

Schumer

It doesn’t justify its existence  

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