Tuca And Bertie: Bird Mechanics

3.5/5

Written by Luke Barnes

I am glad to see that Tuca And Bertie survived being cancelled and has found new life elsewhere. I appreciated this show when it was on Netflix, as though it was not another Bojack as many had expected it to be it was deep and funny in its own way.

I enjoy that the characters in the show feel true, yes in one respect they are larger than life cartoon characters but in another they are deeply flawed individuals just trying to get through. I always found this show to be very relatable when it came to its depiction of anxiety and other mental health conditions. I think it is important for the medium to talk about this topic and to analyse it both to spread awareness as well as to take apart harmful or misguided stereotypes.

In this particular episode I found the scenes with Bertie being unable to cope with and then having a panic attack at the romantic meal with her boyfriend particularly powerful. As someone with anxiety disorder myself I can see how it would get to that level.

Moreover, the Tuca storyline has her surround herself with people in a dating show format, but then just ends up with her pushing them all away because she can’t commit, yet fundamentally she is lonely. The show is as deep if not deeper than anything Bojack ever was, not to belabor the comparison. The nuance of the characters and the emotions really speak to the level of the writing. Additionally it is also quite funny, so it is firing on both barrels.

Overall, it is nice to see the series back.

Pros.

The mental health representation

Bertie’s panic attack storyline

The emotional nuance

A few funny jokes.

Cons.

Not all the jokes land

Tuca needs more exploration

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iCarly: iFauxpologize

3/5

Written by Luke Barnes

This episode is of a very similar quality to the one before it, my concerns for this series are reinforced.

My main issue with this and the previous episode is Carly herself and her characterisation. She is portrayed as being deeply self-involved and almost unfeeling to anyone else: using them to boost herself and whatever she is doing. This continues here as she becomes the subject of an internet meme, however, said meme has a negative effect on her brother’s art exhibit. Carly doesn’t seem to hugely care about this until it affects her. I can only hope that this a surprisingly accurate meta commentary on influencers, and not what creatives think makes for a likeable character.

However, I did enjoy seeing the show call Carly out for this behaviour and thought Spencer’s hellish art exhibit going after Carly and online culture to be not only funny but accurate. Moreover, I like how the show then uses this as an example to lampoon cancel culture, which is really the main subject of the episode.

I think the series meta commentary is very much on point and well done, however the series can’t just rely on this for its humour and needs the characters to also have warm moments so that you still care enough about them to keep watching.

I didn’t find this episode as funny as I had the previous two, but it did make me smile several times. I thought the show referencing the ‘interesting’ meme was suitably amusing though I am glad they did not linger on it for too long.

Overall, this show needs to balance its broader lampooning of internet culture with likeable character moments sooner rather than later otherwise people will turn off.

Pros.

The jokes about cancel culture

Spenser’s art exhibit

Bringing back the ‘interesting’ meme

Cons.

Carly is still unlikeable

The meta commentary is starting to feel gimmicky

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Rick and Morty: Mort Dinner Rick Andre

4.5/5

Written by Luke Barnes

This will be my first Rick and Morty review, I have been a fan for a long time and I thought that I would start covering it on here so I could share my passion.

I was very mixed on season four of Rick and Morty it had a few hits but by a large it wasn’t of the same consistent quality as the previous season. However, if this first episode is anything to go by season five might be bringing the show back to its previous glory.

My favourite part of this episode was the evolving story of Morty and the wine. In an effort to age the wine for his dinner guest Rick sends the wine into another dimension wherein time moves differently whereby a few minutes to us is centuries to the inhabitants. Moreover, Morty is tasked with entering this dimension over and over again to get more wine, each time doing so managing to hurt someone or destroy something, thereby becoming basically the devil of their reality. What I enjoyed about this is the escalation, each time Morty goes back the people of the other dimension have evolved to defeat him, I think the idea is quite interesting and is used in a way that is both visually impressive and also funny.

Moreover, I like seeing Morty and his long time crush Jessica finally acting on their feelings for each other. Sadly it doesn’t pan out and the can is kicked further down the proverbial road. This would be my only downside of the episode, I would have liked to see Morty and Jessica finally get together and then have the two of them adventuring with Rick and seeing how that changed the dynamic. Wishful thinking for now.

I think the Rick story involving the arrival of his nemesis Mr Nimbus was the weakest part of the episode. Until the closing moments this story did nothing for me at all, it felt very random and slapdash, and I feel it could have been better done if Mr Nimbus had at least been mentioned before in the show. However, I did like the emotional pay off of this storyline, when Mr Nimbus ends up saving Rick, Jessica and Morty at the end of the episode: I thought the emotional growth of Rick as a character in this moment felt earned and mature. I would like to see Mr Nimbus return in the future, if only to further explore his relationship with Rick.

Overall, a very strong start to the season let’s hope it keeps up this level of quality

Pros.

The building of dramatic tension

Morty and Jessica

The emotional growth for Rick

Beth and Jerry have a funny bit

Cons.

Until the end the Mr Nimbus storyline is a dud.

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iCarly: iHate Carly

3/5

Written by Luke Barnes

So by popular demand I will now be covering the new iCarly revival weekly. I thought this episode was nowhere near as strong as the first episode in a lot of ways, the cracks are starting to show.

Cosgrove and Trainor are still a delight, but the humour is getting weaker and weaker. I said in my previous review that the laugh track was not helping the show, and this only gets worse here. Characters will simply say a word and the canned laughter will be used- they aren’t even trying to be funny most of the time.

Moreover, the message of the episode was flawed. Carly forgives and eventually starts dating a guy that used to cyber bully her, but it is okay because he has reformed and is now a nice person: that on its own would be a fine episode arc. However, where it gets troublesome is that Carly forgives him for his troll-like origins, but then says he gives her ‘the ich’ when he starts doing spoken word poetry- really.

I think in this episode the writing for Carly is slightly off as you don’t really warm to her, she seems self-righteous and judgemental and worst of all deeply self-involved, which starts to make her a character you want to avoid. Personally I found the Spencer side story much better and more enjoyable.

Overall, Carly is heading down a path towards unlikability, I hope the show veers away from this.

Pros.

The Spencer side story

A few good jokes

The side characters

Cons.

The concept of ‘the ich’

The ending of the episode

Pros.

The action

The cinematography

Cons.

The dead zombie baby

The runtime and staggering pacing issues

It is repetitive

None of the characters are allowed to be interesting

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Father Of The Bride Part II: Slightly Less Sociopathic

2.5/5

Written by Luke Barnes

Whilst I gave the first Father Of The Bride film a hard time I do think this is marginally better. Mostly this is allowing to the fact that this film feels less whiney and cynical, and Steve Martin’s lead actually feels like a loving family man rather than a sociopath who wants to control everyone in his life.

In that regard I think the film does a lot better to make you feel sympathetic towards Martin’s character and to warm to him. There is a scene near the end when Martin is waiting outside the room as his wife gives birth worrying for her and their babies’ safety and we feel for him, this is a million miles away from the self-obsessed ego maniac in the first film that moaned about being comfortably off and living in a large house.

The stereotypes and accents are still an issue with the film’s comedy, and no they don’t age well as you can imagine. I found the film more emotionally feel good then I did funny, I had several moments where the film made me feel warm inside and I had no moments where the film made me laugh- or even really smile.

Overall, it is a shame as Martin is trying but sadly these films just aren’t very funny, to me at least.

Pros.

Less obnoxious

A few heart-warming moments

Cons.

It is not funny

The accents and the stereotypes

The plot makes very little sense

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Boys From County Hell: Only Heroes Get Barred From Their Local Pubs

4/5

Written by Luke Barnes

I found this film to be surprisingly good. I went in with very average expectations and found myself pleased with what I was offered.

Firstly I appreciated that this film differed from standard vampire lore, going so far as to show how certain tropes of the sub-genre don’t work in this world. I thought that by doing this the film felt original and refreshing, I also enjoyed the uniquely Irish feeling to the film and would like to see more horror comedies or even straight horrors come from the Country.

Furthermore, the character interactions and relationships are well done and actually deeper than they first appear. The father- son relationship, the broken friendship, etc all of these emotional arcs are explored and given a satisfying conclusion by the end of the film and I tip my hat to the filmmakers for that.

In terms of horror comedy balance I would say the film has instances of both, but ultimately leans more into the comedy. The comedy I found to be a mixed bag, and the main issue with the film as there are a few scenes that will make you laugh but for the most part the jokes don’t work; but as I often say comedy is subjective- almost a personal catchphrase at this point.

Overall, I felt something of an early Edgar Wright here- need I say more?

Pros.

Strong character works/ arc

A few funny scenes

The unique twist on vampires

Irish representation within the horror genre

Cons.

It is not particularly scary.

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Dream Horse: A Questionable Welsh Accent

3/5

Written by Luke Barnes

Many have taken issue with Toni Collette’s Welsh accent in this film, but after hearing it, it’s not as bad as I was expecting though I can’t really speak to the matter as I am not Welsh but have lived in the area in the past.

This followed a similar film to a lot of other feel good animal films, it certainly wins no points for originality, they raise the horse, it brings the community together, it proves to be a winner, oh no the horse is injured, its okay in the end: beat for beat you can see where it is going.

The film for the most part is functional as a feel good film, that is to say it made me feel good, however, I would say it has pacing problems that make it less pleasing and more irritating as it belabours the point in a few sections.

Overall, this film is very much what is says on the tin, your early guesses for what the film will be like based on the trailers and other promo materials will be pretty much right- this film is not surprising. However, the question is does it need to be? As though predictable there is also something comforting about this film.

Pros.

It is feel good

It is nice to see some Welsh representation within wider British Cinema, even if most of the actors cast are not actually Welsh

You become attached to the horse

Cons.

It is bloated

It is deeply obvious and predictable

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Drag Me To Hell: Watch Out For Vomiting Corpses At Your Next Wake

3/5

Written by Luke Barnes

I remember watching this years ago and at the time thinking it to be quite frightening, however, upon watching it again now it really isn’t, and if anything the more overt comedy elements go out of their way to take away any genuine fear from the proceedings.

Likewise the use of practical effects and gross out scenes become a double edged sword within the film, as they both add an element of realness and grimness to the film which does enhance it to a degree, but also often look quite bad by modern standards almost to a humorous degree. Scenes such as when the lead goes to the wake and has the corpse leak fluid into her mouth a few times are funny, however this takes away from the threat and fear of the film.

I have written about this several times, the key to creating a good comedy horror film is to allow the film to be both scary and funny throughout the film without favouring one over the other. The issue here is that clearly Raimi has favoured the comedy over the horror.

I think the premise of the film is strong, if a little reliant on outdated cliches, and the idea of being dragged to hell in a number of days is a terrifying concept. I found it evoking of films like The Ring wherein our protagonist has to desperately hunt down a mystery way to free themselves from the situation often for it not to work out the way they hoped, highlighting the futility of the struggle: the ending of this film is very reflective of this concept.

Overall, Raimi has an interesting premise here but loses any real scares to indulge in a juvenile sense of humour.

Pros.

The concept

The ending

The performances

Cons.

The practical effects are horribly dated

The comedy

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iCarly: iStart Over

4/5

Written by Luke Barnes

I don’t know if I’ll be covering this series regularly, but I wanted to review the first episode for old times sake. iCarly and Drake and Josh were a huge part of my childhood growing up, I watched the hell out of each time and time again, so when I heard that iCarly was coming back for a revival series I knew I had to check it out.

I truly do think that the adult orientated approach to this series is a stroke of genius, the audience has grown up with Carly and we like her have very different trails and tribulations then we did when we first watched the series. Though the series has a bit more adult humour I would still say it was child friendly as there is nothing that unsuitable there.

Moreover, I think the knowing self-aware aspects to the series really help to enhance it and add to that link between those on screen and us watching. There were no actual forth wall breaks, at least not in this first episode, but there were a number of winks to the camera so to speak and each time it made me smile.

Miranda Cosgrove anchors the series masterfully, and it is nice to see her back centre stage again. Likewise Jerry Trainor as Spencer is also still excellent and has a nice back and forth with Cosgrove and the rest of the cast. Though Jennette McCurdy’s absence is felt, Cosgrove and the rest of the cast do such a good job that it makes up for it.

Overall, so far a good and well done revival series.

Pros.

Cosgrove

Trainor

The self-awareness

The adult tone

Cons.

The studio audience canned laughter is distracting

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The Hitman’s Wife’s Bodyguard: Ryan Reynolds Needs To Move On From Deadpool, This Is An Intervention

1.5/5

Written by Luke Barnes

I think the world’s love affair with Ryan Reynolds might be coming to and end. There was a time, when Reynolds was popping up in every film with his Deadpool esque zany comedy- that got old quick. Nowhere is that more true than in this film.

The Hitman’s Bodyguard is a perfectly fine film, not spectacular in anyway, really quite forgettable: it did not need a sequel. Yet for some reason the same jokes and cliches are forced back out of the woodwork again for this film. We get it Reynold’s character doesn’t like confrontation and is very into safety and Samuel Jackson’s character is the opposite, we get it. Yet the film feels like it needs to repeat this over and over again, to make matters worse it thinks this is funny.

Where this film differs from its predecessor is its focus on the wife, hence the name. Salma Hayek’s Sonya is the very loud wife of Samuel L Jackson’s Hitman, and though in the first film she had a few breakthrough moments here she is quickly rendered nothing more than a one note caricature. Sonya is probably the least annoying of the main three characters though she only has a few moments where she is anywhere near likeable. This is by no means a fault on Hayek’s acting, but rather a script that thinks yelling loudly in Spanish is both badass and hilarious at the same time; sidenote it is neither.

To return back to my earlier points about Reynolds, he really needs to come up with something fresh as he can’t keep riding the snarky Deadpool coat tails forever, this film is proof of that.

Overall, definitely not worth going back to the cinema for this film is made for the bargain bin.

Pros.

Salma Hayek has a few moments of good acting that connect

The cringe humour made me laugh a good few times, though I don’t think it was deliberate on the film’s part.

Cons.

It is loud in the worst sense of the word

It is not funny at all

It is incredibly poorly written

It is repetitive

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