Inside Out 2: The Increasingly Depressing Life Of Riley

Written by Luke Barnes

Summary

Riley, voiced by Kensington Tallman, is going through changes.

Please believe me that won’t be the only reference I make to Big Mouth during this review.

So  before we get into this I want to head off the complaint of ‘oh this film wasn’t for you’, films are made for everyone they are made for a mass audience, so yes it is. People of all ages can enjoy any film they want and take different things from it. My question is who was this film made for, because in the audience when I saw it there may have been one child but by and large it was an adult crowd.

Anyway moving along, I thought this was a decidedly average sort of film, it had a few good moments, namely whenever Pouchy showed up, and it had a number of odd choices and messages that I think ruined the film in a number of ways. Widely, both mostly cancel each other out, but I would say that this film is probably below average in terms of Pixar’s wider output.

I think the most baffling decision about this film is how it is not fun in anyway. Riley is going through a hard time and is sad in a lot of the film having to find a way to fit in, dealing with her friends leaving her, and the emotions are going on a quest to save the old pre-puberty Riley. However, as Big Mouth teaches us you cannot stop changes, you cannot go back to the happier and more innocent days of your childhood, and the emotions realise this over the course of the film with them having a heavy time of it. Joy, voiced by Amy Poehler, literally cries several times over the course of the film. A fun time at the movies for the whole family.

Speaking off Joy is quite irritating here, so the central conflict of the film happens as the new puberty emotions show up and take over with Joy and co sent away, she then goes on a quest to get the old Riley back. However, not only is this futile but has a terrible message, the film seems to suggest for the most part that one should not accept change and must always be a good person and be positive otherwise they are inherently bad. This makes little sense and lacks any idea of nuance. Though Anxiety, voiced by Maya Hawke, does go a little crazy by the end people need anxiety to get anywhere in life, having anxiety is normal. The film does try and have Joy learn a lesson and learn that she needs to be less of a control freak but it then rewards this by letting her be in charge again. Joy at times has a karen like mentality in how she treats almost all of the other emotions, which is to say badly.

Moreover, another thing I thought was weird was that the film spends a lot of time, and I mean a lot, showing how Riley wants to be a hockey player. Now this is normal however, whenever the film seems to think that Riley is being a bit too masculine, in a traditional gender norms sort of way, it has to go out of its way to make her goofy or silly. To me this is problematic, as what would be so wrong with her being tough and wanting to be a hockey player and doing it earnestly, why does she need to have all the goofy I’m a teen girl shenanigans unless they are worried about how she will present from a gender norms point of view. I could understand if these moments were supposed to be for comedy and that’s why she’s goofy but the whole rest of the film entirely neglects comedy for the most part so that doesn’t make sense. It felt very traditional in how it wanted to show gender norms and in some ways a bit patronising, as rather than let her be competitive and wanting to be the best hockey player there, it had to tie into a narrative of oh is she a good team player, what about her friends, oh it’s just girls having fun. One has to think if it was a male lead would it be the same or would they have allowed him to be competitive and want to be the best and not made it about him and his friends. In this sense the film can be seen to reinforce very traditional gender roles and be regressive towards female athletes.

Finally, and you know we couldn’t talk about current year Disney and not bring up the w word. For the most part this film is fairly devoid of the identity politics you would expect of current year Disney. However, there is one scene so cringe in this regard that I knew I had to include it in the review, during a part of the film where the emotions are going through a part of Riley’s mind showing dream jobs she had as a child one of them is a supreme court justice. This to me stood out because what kid is that politically aware, most kids want to be a dinosaur, a princess, an adventurer or some other sort of thing like that no kid has ever said they want to be a supreme court justice, I don’t believe that. The fact it was included in the film screams to me of the obsession that liberal women seem to have with RBG again not all liberal women but a lot of the Hollywood ones for sure. Look at the ham-fisted inclusion they did in Book Smart, again just because these Hollywood people are political they should not assume that teens or kids are, as most aren’t. It is just such an odd and out of touch sort of inclusion that it made me roll my eyes.

Overall, it is fine but not really an enjoyable trip to the cinema.

2/5

Pros.

Pouchy

It is not as woke as it could have been

Cons.

It does not let Riley be competitive or fully into hockey, it lessens it to not scare people off

The supreme court justice line

It is very sad

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Thelma The Unicorn: Netflix Just Doesn’t Care At This Point, They’ll Just Put Out Any Old Garbage

Written by Luke Barnes

Summary

A pony, voiced by Brittany Howard, decides to be a unicorn for reasons.

This is why Netflix will never be taken seriously as a film studio. This is why when the CEO is saying oh Barbie and Oppenheimer would have been just as big if they were released on Netflix no one believes him. Because for every good film Netflix puts out accidentally, there are 100 of these and films like Atlas, by that I mean utterly trash soulless pieces of garbage made as some sort of way to get a clever tax write off or maybe clean some cash, in my opinion.

So is there any heart or charm to this? Do you even need to ask me? Nope it is entirely soulless hollow 3D animation that looks just like everything else and that honestly for the amount of money Netflix likely put into this looks terrible.

The message of it is better to be yourself than be someone or something you are not is pretty on the nose here, I understand it is a kids film but you don’t have to treat the audience like they are dumb. Outside of that is there anything of good substance for your kids to mull over, or for you to mull over, not really there are some horrible references to things people over at Netflix think kids like, but it is all just the usual cringe.

Overall, if Netflix want to be taken seriously they need to cut production in half, they need to stop pumping out garbage all the time and take stock of what and who they have and try and retool anything they can’t cancel and cancel anything that is not locked down to try and turn these projects around. Netflix needs to start caring about quality over quantity.

1/5

Pros.

It is not offensively bad

Cons.

It is soulless

It is hollow

It is vapid

It message is obvious

It is ugly to look at

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Tales Of The Empire: A Further Glimpse Into The Inquisitors

Written by Luke Barnes

Summary

Morgan Elsbeth and Barriss Offee, have their lives explored.

So for the most part I thought this was a really good anthology series. I liked that we got to see more of two groups that I am really interested in The Nightsisters and The Inquisitors, I think both are fascinating and would watch a solo show about either in a heartbeat.

I thought that Offee’s story was by far the better of the two, the majority of my complaints with the series come from the Morgan side of things but we will get there. It was interesting to see Offee go to the dark side, and see how easy it was for young Jedi’s to come to believe that the order was in fact evil and turn their backs on it. It was fairly predictable that she was going to go back to the light and she did, however, it led to her death and personally I would have liked to have seen her survive. Mainly because another Star Wars series I would like to watch is a The Path show that talks about the Jedi Underground and brings back some MIA Jedi’s such as Quinlan Vos and possible Kal Kestis and Merrin.

The Morgan Elsbeth episodes started out promising with a wider exploration of Dathomir but then got bogged down in Imperial intrigue and the vague set up of Thrawn. I understand why they choose her for the other half as she is important in the Ashoka show however I would have given them to someone else as I think watching her become mad with power felt a little boring.

Overall, more good than bad and some very welcome exploration.

3.5/5

Pros.

Offee’s journey

An exploration of the Inquisitors and The Nightsisters

It sets up a lot of interesting things

The animation is really well done

Cons.

The Morgan Elsbeth plotline gets bogged down

It has an iffy pace at times   

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Transformers 40th Anniversary Event: A Glorified DVD Extra

Written by Luke Barnes

Summary

Most of the original cast from the very first Transformers series get back together to rerecord the first few episodes, and you get to watch them do it.

This experience made me realise I am not as big a Transformers fan as I thought I was. It also made me realise the dire state that the Transformers IP is in. Before the proceedings began we got a new look at the upcoming Chris Hemsworth film, which looks awful just awful who wants Megatron and Optimus Prime as slacker pals- no one is the answer. Then we saw a look at some children’s show which looked equally awful, my main takeaway from that was what a horrible to look that sight 3D animation is.

To me this experience which was just the first few episodes stitched back together again just stank of desperation. Paramount knows that it is in trouble, it is considering being bought out, so what does it do to make money it releases this. There is no artistry in this, no need to see it at the cinema, it is just like watching DVD extras at home. The irritating thing about it is that the first few episodes are split-screen between seeing what is happening in the episode and seeing the voice actors reading it out, this is incredibly distracting and I wish they had done it either with just them reading it, no cartoon, or with just the cartoon as is.

The most interesting bit of it was hearing some interviews with the original voice actors but again that was maybe 5 minutes of the wider runtime,

Overall, this feels like Paramount trying to fleece a cinema ticket out of die hard fans, and is nothing more than a glorified DVD extra.

1/5

Pros.

The interviews are entertaining

Cons.

There is not enough time spent talking to the original cast

The episodes are poorly spliced together, they should take out the ad break section to make it feel more cinematic

It is a glorified DVD extra

The split-screen is a bad choice

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The Bad Batch Season 3 Overview: One Last Time Into The Fire

Written by Luke Barnes

Summary

The Batch are back for one last fight against the Empire.

I would say that this is the best Star Wars related piece of media in a long while. Now I am not saying season 3 is perfect, because there is still a little fat that could have been trimmed off it and a new episodes that felt like filler, such as when they brought back Ventress for no real reason.

However, that aside I thought this season was the best one yet, I think that though we did get some filler, it was far, far less than we had in previous seasons. For the most part the season kept to a terrific pace which kept the tension going throughout, episode double acts such as the one at Rex’s base were incredibly well done and were the best thing I have seen out of Star Wars in a long time.

Moreover, the emotional stakes they managed to create over the course of the season were incredible, I didn’t think they would be able to top the heartbreak that was Tech’s death last season, but they came damn close here. I think the final scene of the series between Hunter and Omega is incredibly powerful and will spark even the toughest Star Wars fan to have a tear in their eye.

Overall, the series ended on a high.

4.5/5

Pros.

The action

The stakes

Where it leaves off

The final charge of the clones

It pays off in so many ways

Cons.

I would have liked to see Rex arrive in the final episode

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Mindy Kaling: The Modern Embodiment Of Hating Your Audience And Then Wanting Them To Watch Your Show

Written by Luke Barnes

This piece will talk about Velma and how the show optimises three key concepts, firstly the idea of the out of touch celebrity, secondly the disrespect of fans, and thirdly the idea of being edgy for the sake of it and then using your gender or race as a shield to hide behind when facing criticism.

Let me lay my cards down on the table for you, I watched the first season of this show I didn’t bother with season two as I knew what to expect and thought I would spare myself for once. I don’t like Mindy Kaling as she is problematic, with the alleged stories of her forcibly kissing someone and writing it off as a joke, as well as her repeated fetishisation of white guys in her various shows. She has also been accused of presenting Indian women as losers who despite being treated badly by white male characters keep going back to them. In many respects she is a bad person. Yet she thinks as a lot of Hollywood celebrities do that they are above you and I, she thinks that through her stupid adult Scooby Doo show watched by a grand total of 5 people that she can tell you how to live your life and that by her messages in the show she is doing something to make the world a better place. How out of touch and into yourself can you be? Moreover, another issue with Kaling and this show is that her Velma character is a self-insert, meaning when a writer doesn’t try and come up with a character of concept but rather puts themselves into the show or film instead. Kaling turns herself into Velma and then plays the character entirely alien to how we have ever seen her before in the franchise. In that frame Kaling’s Velma is a racist, sexist, bully who treats everyone around her like dirt and then uses manipulative tactics in order to force them not to leave her, she is a reciprocal for vitriol.

As with many modern shows they can’t be made without insulting the fans of the IP you are trying to win in order to watch it. Of course anyone that doesn’t like her bastardisation of a beloved franchise rather than be told oh well we’re sorry you don’t like it you can watch the older series or another series if there is another Scooby Doo series airing at the same time, I don’t know if there is, she attacks fans and calls them sexists or racists or bigots, as that is a great way to try and win people over. Anyway the first season was widely hated by the fans and it has only got a second season likely because of a contract agreement for it, it seems that with the fact there has been no publicity at all with this second season it has been sent out to die and rightfully so. Hopefully we get a cancellation notice before too long.

I think at the centre of this whole mess is Kaling, she thought she was important enough to take over a beloved franchise and try and self-insert and to change it fundamentally into something else. That speaks to a level of delusion as surely someone must have told her hey the fans aren’t going to like this, there will be a backlash. I think the issue I have with this is that rather than be like yes we are trying to do something different, yes not everyone will like it but maybe someone will and pressing on, she has to be adversarial from the start and then play the race and gender card to mask her from any criticism. It is perfectly okay for her Velma to be racist, sexist and to treat the rest of the gang like dirt but if you call her out for her own characterisation or writing then you are racist. There is nothing racist about calling someone out for doing a bad job and being a hypocrite. Obviously some people will be racist and take it too far and I condemn them, there is no need to behave like that all it does is give Kaling more ammunition to play the victim and scream bigotry.

God I hope this is the last time I had to talk about this show

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Teenage Mutant Ninja Turtles Mutant Mayhem: A Mash Up Of Someone Being Sick

Written by Luke Barnes

Summary

Hello fellow children, a group of 40 year old guys reinvent Teenage Mutant Ninja Turtles for Gen Z and it uses all the buzz words you would expect but does that make up for the glaring issues? No.

I liked Splinter, voiced by the Communist Parties’ own Jackie Chan, and both his role as more of a goofy dad and also his whole arc about learning to trust humans again. I thought both were well done and got you to care about the character. I also thought that the animation style worked well and that during the fight scenes it really popped.

However, that is where my praise ends and my criticism of this film comes in four directions, the turtles themselves, April, the cringe lingo and the horribly and I mean horribly overstuffed cast.

 So the turtles themselves bothered me as by having kids voice them it gave them a nasal quality at times that I found made them grating. Moreover, I didn’t like the whole oh they just want to go to high school thing it felt very contrived and out of character for them. When I watched the TMNT cartoon’s as a kid they wanted to be accepted sure but at the same time they want to be ninjas in the shadows not high school students.

 April, voiced by Ayo Edebiri, is irritating not because of the race swap or what they did with her character design, but because her character really has no purpose other than to comment on the turtles and go ‘man that’s crazy’, which gets real old real soon. Oh and that’s almost forgetting her side story about sick which they reference again and again in a gross out sort of way to try and give her some character development which doesn’t really work.

The cringe lingo is seeing words like ‘sus’ which unless you are of a certain age or under a certain age you won’t know what that means. Again it is 40 something writers trying to seem hip and write how they think kids today talk. Moreover, the dialogue between the brothers is also quite grating, so I get that it is supposed to be what teenage banter between brothers would actually be like but again it just sounds like kids talking over each other a lot of the time and from a sound mixing point of view that was not great. Perhaps I am just comparing this to the version of the animated show I remember from childhood.

Finally there are just too many characters here, whilst yes some if not all of them are classic TMNT characters they were not all needed here by any means, it also means you have limited scope for villains in the future if they are all pally now. It tries to do too much.

Overall, okay with some redeeming moments but by and large this tries to modernise the turtles and makes them almost unrecognizable.

2.5/5

Pros.

Splinter

Some of the jokes

There is fun to be had

Cons.

The cringey slang

Too many characters

The turtle voices

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Ruby Gillman Teenage Kracken: The Tik Tok Generation Through The Lens Of Complete Misunderstanding

Written by Luke Barnes

Summary

Some creatives from DreamWorks who are all probably approaching middle age decide that they know what kids like based of watching one Tik Tok video once and so make this a film that speaks to only one group of people.

This film is made for terminally online teens the kind you would find with dyed hair and who have a series of different flags and causes in their bio, that is what this film thinks teens are. It cannot and will not understand that teens are more than just this crowd. If you need to see proof of my claims then see Ruby’s group of friends and how they talk and interact it is the most cringe thing you will ever see and feels in no way real or even human, maybe that was the point.

The message of be yourself has been told so many times that I question if it has any meaning anymore, surely kids don’t need to be told this lesson by every animated film that comes out every year in order to learn individualism surely they aren’t that dumb.

I struggled to care about any of the characters as I found them clawing stereotypes of what people view Gen Z and Millennials like, and in that sense I just found them more and more irritating as the film went on to such a point where I debated turning it off a few times and if I hadn’t been watching it for review I probably would have.

Overall, this is what happens when 40-50 year olds try to write something for kids they don’t understand.

1.5/5

Pros.

It is a neat concept

It had about two funny jokes

Cons.

It is cringe

It is mostly painfully unfunny

The characters are awful

It feels like a bargain basement version of Turning Red

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Orion And The Dark: One For The Anxious Kids

Written by Luke Barnes

Summary

A young boy realises that the dark is nothing to be afraid of.

I really liked this film for the most part. I thought that Orion was super relatable, and that anyone who was ever an anxious kid will immediately remember feeling his anxieties, it is like a shared collective trauma. I thought it was a bit weird when we stepped away from Orion and it was about his kid and then her kid, I thought this seemed a little confused and messed with the flow of the film it would have worked better narratively if it had just stuck with him.

I thought Orion’s interactions with and friendships with Dark and the other night entities was all quite sweet. You really believed the friendship between Orion and Dark and when they save each other from death throughout the course of the film at different points you can see they care about each other. It is very wholesome. Plus it was nice seeing Natasia Demetriou get some work she is always great. My one complaint on the character side of things would be that the film had too many and as such some of the side characters came off as wanting and lacking in the personality department, we could see them on-screen but knew very little about them.

Overall, a solid Netflix animated film.

4/5

Pros.

The lead is super relatable

The friendship between Dark and Orion is nice

It is very wholesome

The animation is nice

Cons.

The side characters are underdeveloped

Swapping to Orion’s kid and then his kid’s kid is a bit jarring

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Migration: Dancing Ducks And Outdated Memes

Written by Luke Barnes

Summary

A family of ducks go on a cross country migration

This was a deeply average animated movie, nothing happened that you couldn’t guess from the trailer and it was mind-numbingly stupid. Before you cry out but this is a movie for kids, sure but films like Toy Story and hell even Super Mario had good enough writing that you could enjoy it whilst being an adult there was a cleverness, not so here.

What I found odd and perhaps irritating about this film was its desire to repeat jokes, a repeated joke in a kids animated film is not unusual, but this film doesn’t just repeat one or two jokes it is like say 7 or 8 jokes that it reuses over and over and because it’s a large amount by the end of the film there are no new jokes just repeated ones. Moreover, this film is incredibly dependent on outdated memes and pop culture moments that horribly date the film. Remember Salt Bae? Remember when the salt sprinkle meme was a thing? This film sure does and it bases the villain of the piece around him because that is a thing that will still be relevant with folks today let alone kids.

The moral lessons of this film are fairly insipid, it’s the same old same old about going outside your comfort zone, and if a girl talks to you once then you must fly across the world to catch up to her because clearly she is your soulmate. Maybe I am overthinking a kids film but I just think that there are much better animated films that teach these same lessons.

Overall, if you want a film about ducks dancing and a lot of references to outdated memes then this is the one for you, if you want anything else not so much.

2/5

Pros.

David Mitchell is in this that a massive pro for me

It is fun to laugh at it

Cons.

It is boring

It has a generic message

None of the characters, except the little sister duck are likeable  

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