Slash/Back: Aliens Are Always Popping Up Where You Least Expect Them

Summary

A group of Inuit teens do battle with aliens.

I thought this was a really quite fresh feeling horror film, both for exploring the mythology of a group of people that most of the world isn’t familiar with, and also for depicting aliens in a way that differs quite strongly from the little green men or humanoid figures we are so used to.

I really appreciated and liked the low-fi appeal of the monsters, I thought when the clearly dead animals were possessed and moving it was quite unsettling because in a sense you hadn’t, or certainly I hadn’t, seen something move like that before. I thought the skin suits later employed by the aliens were equally quite unnerving.

My one complaint of the film would be that it has a slow start, it feels like it is quite a while before we actually get into the alien business, and yes the film is setting up its world and characters in this time but it drags on.

Overall, a fun film that tries and mostly succeeds in doing something new.

4/5

Pros.

The look of the aliens both in animal and human form

The scares

Exploring Inuit mythology

The central teen cast are all likeable and do a good job for child actors

Cons.

A slow first act

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House Party: LeBron Is Kind Of A Jerk

Written by Luke Barnes

Summary

Two friends, played by Tosin Cole and Jacob Latimore, host a party at LeBron James’ house whilst he is out of town.

I thought this film was fun enough, it was fine and relatively easy to watch whilst not reinventing the wheel in any way and playing out the same old tropes over and over again.

The cameos were mostly used well, though at times the film did over use them by having the camera simply pan over to show a famous face without even giving them much to do or more than a few lines, Snoop Dogg I’m looking at you.

I thought the film was held up by the chemistry between the two leading men, they were convincing friends and had a good back and forth. I thought the film was at its best when it was the two of them being thrown into extreme situations and having to come up with some zany way out, in that sense it reminded me of Harold and Kumar.

Overall, watchable but nothing to write home about.

3/5

Pros.

It is watchable

It has a few good laughs

The wackiness is fun

Cons.

Not all the jokes land

It is a lot of recycled plot points and tropes

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The Last Of Us: When You’re Lost In The Darkness

Written by Luke Barnes

Summary

Yet another post apocalypse narrative but this time based on a popular, if deeply overrated video game.

The Last Of Us was never my favourite game, hell it wasn’t even my favourite Naughty Dog game, it was very okay and in many senses that is how I felt about this first episode. It was alright, but no different than any other piece of post apocalypse fiction that you have ever seen before.

If you have played the first game, this episode is a pretty faithful recreation of the opening sections of it. I wouldn’t say it is shot for shot the same in terms of adaption as say something like The Sandman was, but it comes pretty close.

I think Pedro Pascal is a very good Joel, truth be told he was the only reason I tuned into this at all. I think Pascal’s skill as an actor is really highlighted in the scene wherein he loses his daughter, that is a haunting scene in both the game and this first episode. Pascal really nails the emotion here and delivers in the way you would want him to.

My issue with this episode is Ellie, played by Bella Ramsey. Frankly put I think she has been miscast, and was only cast based on the popularity of her character in GOT, she doesn’t feel or remotely look anything like Ellie from the games and it takes you out of it. In the scenes wherein she is chained up in the Firefly safe house and is interacting with her jailors it comes through incredibly clearly that she is acting it feels in no way natural and this when compared to Pascal’s performance really highlights a juxtaposition in acting quality.

Overall, the first episode was on the better side of fine, Pascal brings a lot to the show and it was impressive how close they were to matching the games, but Ramsey is miscast.

3.5/5

Pros.

Giving us Joel and Tess as a couple

It is quite close to game accurate

Pascal is terrific

The emotions really hit

Cons.

Ramsey is miscast and unconvincing

The episode is bloated

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A Field In England: Taking Drugs In A Field

Written by Luke Barnes

Summary

An alchemist’s assistant, played by Reece Shearsmith , and a group of deserters try and navigate the battlefields of the English Civil War.

I like the films of Ben Wheatley for the most part even though sometimes they miss the mark. However, this film I think may be his worst and misses the mark by a large degree boiling down into pretentious nonsense that feels like the sort of thing a first year film student might make if they couldn’t decide on a narrative direction for their film and instead decided to throw everything at the wall.

This is clearly most experimental work but that isn’t a good thing as it makes the film feel far too art house for its own good, coming across as an effort in pretention. Additionally, this decision to be experimental means there are big sections of the narrative that make little to no sense and don’t really fit with the tone of the rest of the film, this doesn’t come across as some brave stylistic decision but rather a lack of ability to write narrative and an attempt to disguise lazy writing by being pretentious.

The only thing that really gripped me about this film is the occult focus which I enjoyed and which did deliver some good scares, we could have done with more of this and less silly art house nonsense.

Overall, Wheatley pushes the boundary into how art house he can be and still maintain audience interest and arguably goes too far.

2/5

Pros.

A few good scares

The occult stuff later into the film

Cons.

It is pretentious

Some sections of the film don’t fit

It has awful pacing

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Star Wars The Bad Batch: The Solitary Clone

Written by Luke Barnes

Summary

Crosshair continues on his journey as the Empire’s killing machine and Commander Cody makes a return.

I thought this was the best episode of The Bad Batch yet, there was something so mature and dark about this episode that I really enjoyed, it played with the idea of disillusionment and clinging on to belief simply for the sake of believing. I thought Commander Cody and Crosshair really played off each other well both on and off the battlefield, and I think bringing back Cody was a stroke of genius. I think it is highly likely the show will bring him back in the future and that is a good thing, I think this second season is building towards Crosshair defecting from the Empire and re-joining his old team.

On top of all this the action in this episode is fantastic, far, far better than what the show has been putting out in the past and it also really highlights Crosshairs specific set of skills, the trick shot he does to take out the commander droid is a sight to behold and really gives him a moment to shine.

Overall, one of the best episodes of the show yet, only let down by its short length.

Pros.

The focus on Crosshair

Showing off Crosshair’s skills

Commander Cody

The thing this episode sets up for later in the season

The return of more Clone Wars characters

Cons.

It was too short

4.5/5

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An Interview With Writer/Director/Actor Shaun Rose: Toga

Written by Luke Barnes

I recently had the chance to interview Writer/ Director/Actor Shaun Rose about their new drama film Toga, which follows a videographer, also played by Rose, as his work brings him back to his home town. In this interview we discuss, home towns, sequels and the hate received from shortening a town’s name.I hope you enjoy.

Q: What was your message with this film?

SR: Overall I feel that with this film and its predecessor, “Upstate Story”, I’ve tried to show that change or personal growth continues even after our transition from childhood to adulthood. Being an adult isn’t easy by any stretch of the imagination and we often find ourselves in tough spots or holes and we have to find a way out of them.

Q: Why is returning to a home town always such an emotional significant moment?

SR: It’s largely due to the memories you have in the sense of what you were, the things you did and what has happened since. All of the changes can really make for a highly emotional experience.

Q: How would you describe the lead character’s emotional journey during this film?

SR: In the beginning he’s largely in a better place than in “Upstate Story.” It’s a very large improvement for him by comparison. He still has problems though and he’s aware of them, but doesn’t have that drive to fix them. The journey to town changes all of that.

Q: What emotions were you hoping to illicit from your audience here?

SR: I’ve always tried to tell my stories as realistically as possible for the sake of connecting with audiences. Being able to relate to a character on deeply personal levels I feel makes for a more impactful viewing experience.

Q: What made you want to make this film?

SR: Doing an “Upstate Story” sequel was always part of the plan. Both films act as a reflection of who I am as a person and what I’ve gone through the last few years of my life. It’s tough to make a film, but I think writing what I know best has made the process a little easier.

Q:Do you have a favorite moment and or any funny stories from the production?

SR: Some of the local hate I’ve received over the title alone has been frustrating. At times, it has also been comical if you think about how pathetic it is. Shortening the town name from Saratoga Springs to “Toga” has brought me a lot of heat from others. All other things I’ve experienced will be covered in a “behind the scenes” documentary I’ve also been chipping away at. I don’t want to spoil too much of anything.

Q: What are your future plans, do you have another film in the works?

SR: I have a few in the early writing stages. Even another film in the Ellis Martin saga. If you want to call it that. In the near future and hopefully before the end of 2023 I’ll have the documentary “Not Saratoga” finished. I’m in no big hurry though.

Q: Do you have any words of advice for young filmmakers who might be reading?

SR: If you want to make a film, go ahead and do it. If you’re working on a no budget film be prepared to wear a lot of hats. Do your research on those roles too. Prepare yourself for many sleepless nights.

If you would like to check out Toga for yourself it is currently out now on Youtube

https://m.youtube.com/watch?v=h64_fy-bB-M

If you enjoyed this interview, then please head over to my Patreon to support me, I offer personalized shoutouts, the ability for you to pick what I review next and full access to my Patreon exclusive game reviews. Check it out!

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Toga: A Return

Written by Luke Barnes

Summary

A videographer, played by Shaun Rose, begins scouting new locations for a filmmaker only to be brought back to his home town, going on an emotional journey in process.

I will open this review by saying that I haven’t seen Upstate Story which serves, I am lead to believe, as a part one of sorts to this story. As such I may not fully comprehend the character journey between films and my review can be seen as solely reflective of this film and not relating to the wider series or quasi saga.

I found this film to be quite effecting, something about the idea of home towns can and often do stir up both a sense of nostalgia but also haunting and as such returning to them after a long absence can be a very mixed experience. I found that this film really captured the emotional nuance of that, and had the home town itself almost function as a narrative act centre piece.

Additionally, I found the performance by Rose himself was simply captivating, throughout the run of the film I couldn’t look away in many senses I was transfixed by his life and journey, not necessarily because they were in any way fantastical but rather because they were so relatable and human. The writing of this film is truly magnificent.

Overall, very much an enriching watch.

4/5

Pros.

The emotional nuance

The writing

Rose’s fantastic performance

The pacing

Cons.

I felt like I was missing something, but likely that is because I jumped in at the sequel

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M3GAN: Chucky’s Competition?

Written by Luke Barnes

Summary

A new evil doll is born, Chucky has competition.

I went into this film with high expectations, after hearing all the praise for the film and seeing al of the decorated reviews I was expecting this film to be good and honestly, it was just okay.

I think the strengths of the film are M3GAN herself, she is both sassy and scary in equal measure, and the fact that the film doesn’t take itself too seriously and that there is a good amount of tongue in cheek humour throughout the film that will likely make you laugh.

However, my issue with the film is that the tone never really feels quite right, it wants to be scary, but also wants to keep the jokes in, but then also doesn’t want to fully abandon the scares and go full comedy either. In my mind if the film had committed more to being silly and had gone even more over the top then it would have been better, we have enough spooky doll films something more in line with Bride Of, Seed Of Chucky would have played better in my mind.

Another thing that bothered me was that it all felt very played out, and by that I mean that this film did not surprise me in anyway everything that I thought was going to happen did and it happened when I thought it would. Maybe this stems from the fact that I watch a lot of horror films and for someone who watches less they might not find it so familiar, but for me it was an issue.

Overall, certainly watchable and with potential if they ramp up the satire and silliness for the next film then I could easily see a new horror franchise be born, but as it stands it feels too derivative.

3/5

Pros.

M3GAN herself is quite funny

I enjoyed the comedy for the most part

It was very watchable

Cons.

The humour doesn’t go far enough and there are tonal issues

It felt very familiar

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Nanny: The American Dream Is Dead

Written by Luke Barnes

Summary

An undocumented Senegalese immigrant, played by Anna Diop, works hard to try and bring her young son to the US, but all the while something seems amiss.

I will say quite upfront this is not a horror film, there are vague supernatural elements that really never amount to much at all, but this is in fact a drama film concerned with notions of trauma and mental health rather than anything else. As such if you go in expecting scares, as I did, you will be disappointed as this film isn’t scary but is instead manically depressing.

I enjoyed the film for what it did with time, often moving around and back and forth between things without any notice to the audience, and also for the use of African themes and mythologies in its horror, often the genre gets very bogged down with western Christian themes and monsters and it is nice to see something else for a change.

I also thought the performances were strong across the board with Diop and Michelle Monaghan being particularly fantastic, both convey the darker aspects of motherhood well and bring a wide emotional range to their respective performances.

Overall, strong performances and fresh mythology clash against a deeply predictable twist and a lack of scares.

2.5/5

Pros.

Diop and Monaghan

The focus on African mythology

It tries to do something fresh

Cons.

The twist is incredibly obvious

It is depressing

There are no scares

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Star Wars The Bad Batch: Ruins Of War

Written by Luke Barnes

Summary

Clone Force 99 battle to get off world.

I thought that this second part of the season opener really delivered on what the first set up, we got far more action which was nice to see and also a greater sense of goings on in the Galaxy at that time and off Imperial intrigue.

I liked that this episode gave Tech a heroic arc, as often he is the forgotten about or overlooked member of the group usually only appearing to offer a Deus Ex Machina escape when things seem dire. I thought seeing him try to fight off the clones whilst being wounded was a nice little bit of character progression for him.

The one thing I didn’t like about this episode which will be very familiar to those of you who read my first season reviews for this show is how Omega and Echo interact. The whole thing of Omega trying to prove her worth and then making things worse and needing to be rescued isn’t endearing it is irritating. In many senses the show would be a lot better off without Omega, but Star Wars just has to have that adult child bonding these days so she sticks around.

Overall, a good episode that really delivered on the action front.

4/5

Pros.

The action

The ending

The wider world tease and Imperial intrigue

Giving Tech his moment in the sun

Cons.

The forced in Echo/Omega plot line and the cheap forced emotion of it

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