Sax X: Jigsaw Or Jesus?

Written by Luke Barnes

Summary

Jigsaw, Tobin Bell, heads south of the border.

I’ll admit I liked seeing Jigsaw back in a big way. I think Bell’s character is just so compelling that he makes the films a damn sight better just by being in them. I think the franchise really did shoot itself in the foot by getting rid of him from the timeline so early, though there is promise in the apprentices. Personally, I thought Spiral didn’t work as well without either a proper apprentice or Jigsaw in it.

I thought the story here was a little thin, they really had to pad out the opening of the film just to kill time because they knew they didn’t have enough material. Once the trick is revealed and the deaths start then things pick up and become far more interesting. It is in this frame we come to know Cecilia Peterson, Synnøve Macody Lund, who comes to be somewhat of an antithesis for Jigsaw himself. She too has a murderous rage but she doesn’t believe in helping people to get better and as such she becomes the final victim of Jigsaw’s game, only to escape. It is in this new character that I think the series has new life, Cecilia is easily the most interesting new character coming out of this film and I think to not have her be a big part in at least the next film would be a massive mistake, she could hunt John aka Jigsaw down with a rag tag group of survivors from early games that we haven’t seen or met yet, probably ending up in a champion of champions sort of contest in one of Jigsaw’s warehouses.

I thought Amanda, Shawnee Smith, was fine here but I would have liked to have seen more from her, I think her character keeps getting undercut by the franchise at large, though I must confess that I was hoping some of the other apprentices might have shown up at least at the end.

Overall, it’s another fine instalment made better by Cecilia but also one you could easily miss.

3/5

Pros.

Cecila

The return of Jigsaw

The traps

Cons.

The opening is slow

It does nothing special

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The Equalizer: La Dolce Vita

Written by Luke Barnes

Summary

Robert McCall, played by Denzel Washington, becomes a man about town in Italy.

I enjoyed this more so that the previous Equalizer film, and a damn sight more than that horrible gender swapped TV show, and would go so far as to say it was on a par with the first film. Again I think where these films shine is when it is just McCall going on a rampage against massive groups of guys, it works in very much the same way the John Wick movies do and I think that this film was able to capture that well.

I would say the film was a slog at the beginning and spent far too long in the little Italian town with McCall getting to know everyone and all this, I can see they did this to make it feel more personal later as the villains then try and destroy the community and life McCall has built in Italy, but I just think it went on for too long.

I think that Dakota Fanning’s interesting new character added something to the film and that the narrative as a whole did enough to make us care about her, though I would have liked to see her have a more active role in the action vs essentially getting taken off the board early into the third act. However seeing as she survives the film maybe she can come back later on in the franchise and be more proactive.

Overall, a better than average action film, better than the first sequel and the tv series probably on a par with the first film.

3/5

Pros.

Denzel

The action

The film makes you care about the characters

Cons.

It spends too long setting things up

It does Fanning’s character dirty

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A Haunting In Venice: A Macabre Puppet Show

Written by Luke Barnes

Summary

Poirot, played by Kenneth Branagh, is back this time to face off against the paranormal.

I think this film was a much needed return to form after Death On The Nile or as I call it Gal Gadot’s vanity project. The decision to forgo some of Christie’s other better known works and to pivot into the supernatural was a strong way to make this film feel fresh. As an ardent fan of horror I thought that the scares here were actually quite good and worked.

I liked the friendship between Poirot and Tina Fey’s character, Poirot is at his best when he has someone to work off and is part of a duo, that was what worked so well in the first film. It was sad to see that in the end Fey was a baddy and had to go away but I would quite like to see Poirot have an assistant, ward or mentee in the next film.

The mystery itself was okay, it was better than Death On The Nile where it was painfully obvious early on what was going on, but I would still say it was not as good as the first film. The fact that they are all being poisoned and that explains away the spooks is fairly obvious from the jump, but the reveal about who was the murderer was better concealed until the end of the film.

Overall, a return to form.

3.5/5

Pros.

The horror aspects

The cinematography

The cast

The gothic feel

Cons.

The mystery is so so

Having Fey turn out to be a villain

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The Dive: The Depths Of The Abyss

Written by Luke Barnes

Summary

Two sisters, played by Sophie Lowe and Louisa Krause, go on a diving trip and then get stuck deep underwater.

This film did not go where I thought it was going to go, I thought it would follow in the footsteps of other recent survival films and be more action thriller in terms of tone but no, this film really is a drama. Yes there is some thriller aspects with the sisters battling for survival but for the most part it is a deep and quite depressing reflection over the sister’s lives, childhood and bond. It is important to bare this in mind before you go into it as it certainly won’t be everyone’s cup of tea.

Personally, I thought the film worked quite well as an atmospheric drama with the vast emptiness of the sea an apt setting for these weighty themes and ideas. Certainly by setting so much of the film in this incredibly isolating space it really helps to hit home these ideas of loneliness and how the sisters have drifted apart. My point is that the central metaphor of the film works very well.

I thought both Lowe and Krause gave good performances, I would edge it to Lowe as I think she shows the greater range of emotions over the course of the film, but Krause can pull of the intensity her character needs well.

I would say the highlight of the film for me was the ascension scene at the end, as there is a real tension there, you can feel that sense of dread and threat and really do fear that the characters will meet an untimely end through the bends.

Overall, an interesting film that does a lot with themes of isolation and abandonment but one that is perhaps too dark at times and that will put a lot of people off.

3/5

Pros.

Both of the leads

The ending

The themes

Cons.

It is not for everyone

It is at times too depressing

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From: Season One Overview

Written by Luke Barnes

Summary

A large group of people find themselves trapped in a town they can’t escape from wherein they are hunted every night by a group of monsters.

In many ways you can see how this show was from some of the producers and creative voices behind Lost, asthey have very similar mystery/supernatural aspects to them. However, where this show is much better than Lost is the fact that it knows how to use its tension and usually progresses things at quite a nice pace. Every time the monsters show up, which is in most episodes, the show becomes fantastic and is electric to watch with the threat and the terror being palpable.

Conversely, whenever the show slows down and focuses more on the characters or their drama the show can drag. Now for the most part this drag is a rare occurrence and the character drama is kept to a minimum, but with the largest cast of characters it is inevitable. Speaking off the cast is a deeply mixed bag, some do a terrific job and really can be counted on as reliable pillars of the show, whereas others seem only there to broaden out the show’s potential viewership figures.

Overall, well worth a watch, but with a few issues that hold it back from being the next big tv show.

3.5/5

Pros.

The monsters and the horror aspects

The mystery

The season ending

For the most part great tension and pacing

Cons.

At times the show slows down for character drama and this hurts it

Some of the characters serve no purpose

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Hypnotic: Ben Affleck Has A Terrible Agent

Written by Luke Barnes

Summary

Ben Affleck has mind powers and they are so good he has forgotten about them.

What happened to Robert Rodriguez? Honestly once upon a time he was my favourite director and I would rush out for each of his films opening weekend, but now he is just making fairly subpar family films and stuff like this.

I will admit the idea of Ben Affleck trying to find his lost daughter going up against a cult of people with mind control abilities is genuinely interesting and if the film had stuck to the that then maybe this review would be different. However, the film seems to want to compete with the mind games of a Nolan film and adds in twist after twist to such a point that any shred of promise is wasted and the film becomes incomprehensible. This film wants so badly to be a Nolan esque film but it just doesn’t have a smart enough script for it.

The ending is also incredibly terrible and feels like the most convenient writing I have ever seen in recent cinema. The ending makes no sense, but everything after the first half an hour is like that, and also tries to go for a happy ending even though nothing in the tone of the film or the narrative suggests that to be appropriate.

Ben Affleck is doing his usual moody dad routine, and that worked for me here and I think it fit the character well, better than it did in some of his other recent work. The acting is all fine, no one particularly sticks out for good or for bad.

Overall, if this is the quality of his contemporary output Robert Rodriguez should retire.

2.5/5

Pros.

The premise is sound

Affleck fits the role

It is watchable

Cons.

It is a stupid film that thinks it is an intelligent one

It makes no sense

The ending is truly awful

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Rabbit Hole: Season Overview

Written by Luke Barnes

Summary

Kiefer Sutherland finds his post 24 hit, in a paranoid thriller series all about narratives and optics.

I was taken by this show from the first episode, it is an immediate hook kind of show. The twists and turns are numerous and frequent and you never quite know what is going to happen next, the show pushes this further by playing around with the idea of unreliable narration and suggesting that we cannot trust what our eyes are showing us.

The themes and ideas of the series such as the ability to shape optics and media narratives and how the right line or even posture can greatly change the outcome of an event feel very timely within the current climate, and should give food for thought to us all.

I think the show wraps up quite nicely and doesn’t need to come back, though they do tease more in the final episode. In many senses if they left it here it would be a near perfect mini-series. My only issue with the show is the romance they force into between Kiefer and one of his associates which feels a little gross, as she is much younger than him, and also needless and unbelievable.

Overall, a good replacement for Homeland

4/5

Pros.

The tension

The twists

The timely nature of it

Sutherland

Cons.

The forced romance

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Yellowjackets Season 2 Overview

Written by Luke Barnes

Summary

Mysteries from the first season are tied up and new ones are born as the Yellowjackets sink further into the darkness.

This may be the first time I have written about Yellowjackets, I really got into the series last year and was eagerly awaiting this season, I was going to do an episode by episode series of reviews as I do with some shows but instead decided to do a broader season 2 retrospective as I don’t know how many of you would be interested in me doing weekly coverage. Do let me know if you are and I will do it for season 3.

For the most part I thought this second outing was more of the same, in the best way. It delivered on the character moments we had wanted to see since the first season, mostly noticeably getting together all the survivors, that we know off in the present day scenes. It also flushed out many of the mysteries from the first season in both the past and the present and it was nice to get those answers. Of course this is the kind of show wherein whenever they give you an answer hundreds more questions are posed.

The performances across the board were great throughout the season and that goes for both the flashback wilderness and present day scenes. If I had to pick a best for the season I would be split between Christina Ricci who does a lot more with Misty this season even getting a full on musical number, Elijah Wood who enters as a new character but by the end of the season immediately becomes a favourite or Sophie Nelisse who acts the hell out of her scenes this season.

My one complaint of this season would be that some of the storylines overstayed their welcome. Mainly I am talking about Shauna’s affair, and don’t get me wrong Shauna, played by Melanie Lynskey, is one of the best characters on the show and her storyline was interesting I just thought that they dragged it out for far too long. I think that it could have been condensed down and then the extra screen time could have been given to the other non-Misty Yellowjackets in the present day who needed a bit more attention.

Overall, one of the best show’s on TV, but a minor step back from the heights of the first season.  

4/5

Pros.

The characters

The mystery

The style of the show

The ending

Cons.

Shauna’s present day storyline got a bit too much screen time

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The Mother: The Embarrassing State Of Netflix’s Action Output

Written by Luke Barnes

Summary

The Mother, played by Jennifer Lopez, formed a bond with a child she gave away years ago and now needs to save her.

This film was just embarrassing. It was embracing for Jennifer Lopez as try as she might she just doesn’t have the presence to be a believable action hero. I know that the straight to DVD action market is a lucrative thing, with the likes of Ruby Rose getting several nice but small paydays throughout the year for a few sleepwalked performances, but unlike Rose Lopez just isn’t believable in the role at all. They could have maybe helped her along by developing the character out into being unconventional in some way or maybe even having her as a hacker, though I question if Lopez would have fit that role either, but having her as an assassin is laughable.

It is embarrassing for Netflix that this is the quality of action film they are putting out, again very much like something that in the previous decade would have gone straight to DVD and sold at a rock bottom price. When you look at the quality of studio action films with the likes of John Wick then this film looks even more like no one cared enough to make it good or more importantly look good. Then when you further compare it to international action films like The Raid then this film looks appallingly bad.

Netflix as a studio, needs to find their niche of films and stick to it as action clearly isn’t for them, they are throwing away masses of money on films like this, The Grey Man, Extraction and so on and all of them can never get anywhere even remotely above average on their best days.

Overall, a waste of time.

1/5

Pros.

I’m struggling but it wasn’t offensive so I can’t give it less.

Cons.

Lopez is miscast

The action is awful

It is generic

It has pacing issues

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Inside: Is He Trapped Or Are You?

Written by Luke Barnes

Summary

Willem Dafoe goes crazy after being locked in an apartment during an art heist.

I will give the film praise for its premise, the idea of a man having to survive trapped in someone else’s apartment with minimal food and water and no way out is an interesting idea. Seeing Dafoe’s character have to try and find ways to stay alive was fascinating, at first.

In a way this film would have made for a great short film, it has a strong premise and a good performance by Dafoe to anchor it. However, by stretching to feature length this film quickly becomes tedious, the pacing is so egregiously slow that you begin to feel like you too are being held prisoner, but in this case by a film that just won’t end.

Moreover, in a effort to try and pad out the runtime the final act of the film tries to go deeper and branches out into some pretty abstract territory, which I suppose reflects Dafoe’s characters descent into madness but also feels like art house twaddle masquerading as plot.

Overall, an interesting idea but one that should never have been stretched to feature length.

2/5

Pros.

Dafoe

The premise

Cons.

The pacing is awful

The art house third act really doesn’t come together

It is frustrating to watch

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