The Blackcoats Daughter: The Best Episode Of Sabrina Ever

The Blackcoats Daughter is a psychological horror film directed by Osgood Perkins. The plot is split into three separate narratives, one for each character, that culminate together in the final act. It tells the story of two girls who are left behind at their Catholic boarding school over break. Things quickly become sinister when it becomes clear that one of the girls is in league with a demon; a bloodbath ensues.

When I first saw this film the other night, I didn’t know what I thought of it, a few days later as I am writing this review I still don’t. This seems to be a recurring theme of Perkins work; it is incredibly polarising.

On the one hand it is incredibly drawn out, to the point of feeling indulgent or as though it is trying to kill time, at points and the split narrative can be confusing even after you have seen it; as there are a lot of little details that are easy to miss, I recommend if you are going to watch this film to watch it twice.

However, when you do start to pick up on the little details and things it becomes far more engaging and far creepier to. In fact I thought this film was genuinely quite scary and it made me jump, more than I have done in a long time, at one point in the film. I think the horror in this film comes as a result of figuring out what is really going on and how everything fits together.

Another to praise in this film is the performance of Kiernan Shipka as Katherine, the main girl and the one who is in league with the forces of evil. Up until watching this I was convinced she couldn’t act, her performance in the Chilling Adventures of Sabrina is painfully bad, though now I think that this might have been bad writing, because here she was fantastic. Shipka plays evil and creepy so well, she is really quite menacing in this film and puts the performances of everyone else to shame; this film will serve as a testament to her acting forever more.

Overall, certainly not a film for everyone, but if you like slow burning horror then you will find something to like here.

Pros.

A great twist.

Shipka.

Creepy and unsettling.

Well done.

Cons.

Slow and confusing at points has to be watched twice to fully appreciate.

4/5

Reviewed by Luke

Crimson Peak: Mystery, Murder And Misunderstanding

Crimson Peak is a gothic romance film directed by Guillermo del Toro. The plot follows Edith (Mia Wasikowska), a young woman who moves with her new husband Thomas (Tom Hiddleston), into his ancestral home know to some as Crimson Peak, due to the red ore turning the snow red in the winter. However, since she was a girl Edith has been told to beware Crimson Peak, mainly from the ghost of her dead mother, unsurprisingly once she moves into the house things to start to take a turn towards the ghostly and the demonic.

Whoever was in charge of the marketing campaign for this film should have been fired; if not, fire them now, clearly, they can’t do their job. This film was marketed in its trailers and supporting material as a horror film, it is not. Despite having ghosts appear and a few other horror elements, this film has nothing else in common with the horror genre and to say otherwise in an insult to both and to del Toro himself.

This film is beautiful to look at, every scene is chocked full of vibrant colour and gothic charm, this much like the rest of del Toro’s filmography is very pleasing on the eye. The people in charge of set design and costumes deserve a huge round of applause.

This film is very much unlike any other as it defies genre. It is a romance, but not in a traditional sense; hell this film makes the romance in del Toro’s The Shape Of Water look almost conventional. It truly is a gothic film however; you will see what I mean if you watch it.

The story is top notch, full of twists and turns that will keep you guessing right up until the end. The creatures/ ghost design is also on top form; if there is one thing you can expect to see in a del Toro film it is Doug Jones as any number of monsters, each one looking better than the last and all looking marvellous. The performances are strong especially from the women. Wasikowska is great in the lead role, it would be nice to see her in more films, and Jessica Chastain is superb as Lucile Thomas’s sister. I won’t go into specifics about their performances as it might spoil some of the reveals.

Overall, I think this is one of del Toro’s strongest films that was woefully mis-marketed and sold as something it was not. Hopefully after you have read this review and understand what it really is you will check it out and really love it, as I did.

Pros.

The look of the film.

The gothic beauty of the story.

The performances.

The creature design and Doug Jones.

Cons.

It is slightly too long, and the beginning feels a little indulgent.

4/5

Reviewed by Luke

The Little Hours: 3 Very Strange Nuns

The Little Hours is a period comedy film directed by Jeff Baena. The plot sees servant Massetto (Dave Franco), go on the run after he sleeps with his master’s wife. In his effort to escape he finds his way to a convent filled with some very untypical nuns. Each nun has their own plans and designs for Massetto, and he has to try and endure it all while pretending to be deaf and mute.

This is not only one of the best comedies I have seen recently but also one of the best films too. I really enjoyed this film’s quirky, manic, off kilter sense of humour it made me laugh a number of times. I thought the comedic standout of the film was defiantly Nick Offerman as Lord Bruno, the cheated-on husband, his scenes with Franco were comedic gold.

I think the best thing this film does is you never really know where it is going, one minute it seems like the nuns just want to use Massetto to aid in their sexual frustration, but then it turns into something altogether more sinister. Sister Fernanda (Aubrey Plaza), and her friend Marta (Jemima Kirke) are witches.

However, rather than feel out of place and like a random twist the reveal of the witches makes sense in the context of early events and helps to make the overall picture of the film far clearer. I also liked the ending of the film where the 3 nuns decide to start their own coven along with Massetto, I think it is yet another cool twist I didn’t see coming. I think the ending as a whole is very well done too.

My one, minor, complaint would be the first 20 minutes are quite slow. Once this film gets going it is great and you can’t look away, but the first 20 minutes and slow and a bit boring and might lead you away from the film; stick with it though.

Overall, a brilliant hidden gem of a film that I highly recommend you watch!

Pros.

The humour.

The twists.

The ending.

The performances from everyone.

Cons.

The beginning is a little slow.

4.5/5

Reviewed by Luke

Fantasy Island: Lucy Hale Redeemed?

Fantasy Island is a fantasy horror film directed by Jeff Wadlow. The plot sees a group of people go to an island which can supposedly make their greatest desires come to life, whether that is to settle down and have the life they always wanted, or to punish a high school bully. Surprisingly once people start getting what they want, things start going badly wrong; the island is far more sinister than it first appeared.

Before I put this film on I had incredibly low expectations, I had heard nothing but bad things about this film and was expecting the worst, however I was pleasantly surprised by this film. It wasn’t the best horror film I have ever seen, or the scariest, but it is a very interesting concept and it is surprisingly well executed.

The main red flag for me was the fact that Lucy Hale has a main role in this film, Hale for those of you that don’t know has been in such great films as Truth Or Dare and Fear Island, and for some unknown reason Blumhouse keep putting her in films even though she is terrible. She is one of the worst, least convincing actors working today, her acting ability is a joke. However, she is passably okay in this film. The twist ending when it is revealed that she is the evil force behind it all is well done, she is believable as someone who has been hung up over one thing her whole life and has become insane.

Even though she is passable in this film, her sub-par acting is highlighted by good performance given by Maggie Q and Michael Pena. Both are great, especially Pena, he plays the calculating evil mastermind well and he also plays the hero well. He manages to have the most charisma in the film easily. When the film ends, he is the only character you want to see more of.

Overall, this film is better than it has any right to be, and the film itself is intriguing and raises some great questions.

Pros.

A good premise.

Interesting questions.

Lucy Hale is actually okay.

Maggie Q and Michael Pena are good.

Cons.

It is not scary in any way.

4/5

Reviewed by Luke

Starry Eyes: What Is The Price Of Fame?

Starry Eyes is a horror drama film directed by Kevin Kolsch and Dennis Widmyer. The plot follows Sarah (Alex Essoe), a young actress who is presented with her big break, but in order to get it she must cross a line. The line transcends morals and decency, and instead leads straight to evil. Is sell her soul worth a life of fame and fortune?

This film is brutal, it pulls no punches at all, it shows the deeply out of whack power dynamic of Hollywood and the casting process; showing the depths of human depravity. It touches close to home in our modern climate as Sarah is asked to strip naked for the role and later, she is asked to perform sexual favours for it. However, it does not stop there, though that is already horrific, the movie executive force Sarah to give up her humanity and be demonically reborn.

Taking the supernatural elements out for a second, this film is an incredibly frightening social commentary on the film industry, the message of the film is a pertinent and relevant one and one that bares further reflection.

Essoe is great in the lead role, we really buy her mental and physical breakdown over the course of the movie. The hairpulling scenes are especially tragic and really help to highlight the characters desperation, showing just how much of a victim she is in all of this. The character was easy to warm to and was easily empathetic throughout.

My one critique of the film is that in parts it is slow. It is only on for slightly over an hour and a half; however it feels much longer, proof of pacing problems. The first and third, third of the film is fine, it is just the second act that is slow.

Overall, a frightening film for a number of reasons and one that I believe should be watched as it has a very timely message for all of us.

Pros.

The scares.

The subtext/ social commentary.

Alex Essoe.

The ending.

Cons.

The second act drags and is hard to watch.

4/5

Reviewed by Luke

The Droving: A True Sequel To The Wickerman

The Droving is a thriller horror film directed by George Popov. The plot sees Martin (Daniel Oldroyd), return from a tour of duty to find that his sister has gone missing in a remote community. He then sets out to find out what has happened to her and find those responsible. Descending further and further into a world of violence and death.

This is a superb horror film, it reminded me in a lot of ways of the Wickerman it has a very Wheatly esque folk horror vibe to it. There is something about these sorts of films that remind you just because Britain has developed over the years, there are still wild parts scattered here and there. There is a deep sense of isolation and tradition in these places and that is scary in and off itself.

There are plenty of twists and turns throughout this film, all of which are really good and add to the overall scope of the mystery. The ending especially did this, when we see that the folk traditions that have underpinned this whole story are in fact all true, and the ending sees Martin fall under the influence of the evil.

The performances are also fantastic, Oldroyd has such a great presence throughout the film. His Martin goes from zero to one hundred in under a second and it makes all of the scenes incredible tense. I love the unpredictable temperament his character has, and it seems so realistic for someone who would be in that situation. Someone who is doing everything they can to save someone they love, but also further sliding into the dark.

The atmosphere in this film is also great, it is menacing and oppressive, it feels like the character we are following is alone in a hostile world, where supernatural things happen and are real, this leads to a lot of good scares and terrifying moments.

Overall, this is a terrific film, it feels almost like a spiritual sequel to the Wickerman, the performances are great, and the ending sets up a lot of very interesting questions for future sequels, which I really hope they make.

Pros.

Great atmosphere.

A terrific lead.

The ending.

Fantastic scares.

The twists and turns.

Cons.

It becomes repetitive after a while.

4.5/5

Reviewed by Luke

Gretel And Hansel: The Most Polarising Film Of 2020

Gretel and Hansel is a dark fantasy horror film directed by Oz Perkins. It serves as a darker, more in line with the original tale, version of the Brother Grimm’s Hansel and Gretel. The version of the story that this film explores focuses more on a wider surrounding evil, as well as Gretel (Sophia Lillis), coming into her own both as a woman and a witch.

I have mixed feelings about this film, there are some things it does really well, but there are also a lot of things it does wrong. It seems to be proving divisive amongst people online, as such I find it hard to recommend this film, but I also wouldn’t say don’t watch it.

Firstly the good. The film has a beautifully unique visual style, which is both incredibly from a technical point of view and also horrifying and striking. All of the unsettlingly good aspects of this film come from this. Also, the oppressive atmosphere of the film leads it to have some great scares especially late in the game.

However, therein lies the problem with this film. Many criticise the likes of Aster and Eggers for having slow burning horror films, that some would describe as ‘boring’, if you’re one of those people don’t watch this! This film makes Midsommar look snappy and make the Witch look like a romp; I love both of those films by the way. This film is hard to get through, it is slow, and a lot of its scenes drag out, however, unlike other films that unintentionally do this because they are poorly written/paced this film seems to be doing it deliberately.

If you stick with it until the end, you’re given an ending that much like everything else in this film proves polarising. The ending sees Gretel send Hansel (Samuel Leakey), off so she can start her life as a witch, which makes you question her morals, but this idea of others, mainly men, standing in a young woman’s way and needing to be removed is a central tenant of the film.

Lillis’ performance here, much like it was in the recent IT films is passable, but in no way impressive. I found she didn’t bring much to the role and was often out acted, it makes me question why she got the role when there are lots of other arguably, more talented young actors out there.

Overall, this isn’t a good film, this isn’t a bad film, this isn’t an average film, it is simply an incredibly, incredibly niche film.

Pros.

The horror.

The visuals.

The Witch.

Cons.

It is very hard to watch; it seems to want you to give up.

It is not going to be to many people’s taste.

Sophia Lillis is bland.

3/5

Reviewed by Luke

A Descent Into Horror And Madness: My Top 5 Shudder Recommendations

Shudder bills itself as the Netflix of horror films, they claim to have something for every kind of horror fan. Their library is made up of some old classics and some original content, there are gems to be found if you know where to look. Fear not dear reader, over the last month (ish), I have been on an odyssey going through Shudders entire back catalogue; only the stuff that interested me though mind. As such, I have written this post to give you some hand-picked recommendations; which hopefully will scratch your horror ich and maybe give you some new horror favourites. In the UK you can get Shudder as an extension to your Amazon account, it will come up as a video channel. I don’t know how you get it elsewhere.

Body At Brighton Rock

This goofy camp thriller soon takes a turn to the dark side. Set in an American national park, a ranger get lost and has to spend the night next to a corpse. There is a lot going on here and the twist at the end is genius. It is absolutely dripping in style and has such a unique voice. The horror with this one comes from the idea of being stranded in the woods alone over night; which in and of itself is a terrifying thought. She also fights a bear briefly so there is that!

Stitches

Stitches is a pitch-black horror comedy about a dead clown who has come back to get his revenge on the group of kids that killed him. This is a rare treat as it is a horror comedy that actually manages to be both scary and funny. Ross Nobel nails the jokes and there are several laugh out loud moments, he is also menacing as hell. Another two reasons this is great is because it creates a fantastically weird mythology for clowns and also because it has some of the best gore, I have ever seen in a horror film.

Dead Hooker In The Trunk

This is the debut film of the Soska Sisters that should be all you need to know. However for those of you who aren’t die hard fans, this film kicks ass because it is a low budget exploitation esque film and knows it. The look of the film is very early Robert Rodriguez, grindhousey and grainy, the sort of film that looks like it was shot on film but wasn’t. The Sisters are standout as the lead characters, but there are also plenty of other memorable characters and moments. It was this film that put them on Eli Roth’s radar.

The Hell House Trilogy

Found footage as a genre is played out, it is very, and I do mean very rare to get a good found footage film, yet the first Hell House LLC is just that. The series is about a hotel that is also a gateway to hell and as you can imagine a lot of ghostly goings on happen in the hotel and different groups of people fall prey to them over the course of the series. Though the second film is a dip in quality for sure, all three of these films are good found footage films and the ending of the third film may be the best ending to a series I have ever seen, no spoilers here though.

Monster Party/Killer Party

This dark comedy film is about a group of thieves that break into a house to find a meeting of recovering murders going on. It is worth a watch for that premise alone, however what follows is a tense well-acted masterclass in suspense. What’s more it has Lance Reddick in, and that man can do no wrong, he is great as a crazed cult leader. This film is manic and maddening in the best way.

Bonus Recommendations

Mayhem is a great film, with a terrific sense of angry energy and one hell of a performance by Samara Weaving, if you like The Babysitter and Ready Or Not you will love this.

Also The Midnight Swim is superb and one of the most unsettling films I have ever seen, to say more would ruin it.

I have full spoiler reviews of all of these films up on the site, so check them out to after you have watched them, or before if you’re not bothered about spoilers; either way.

I hope you enjoy these films as much as I did, happy viewing!

Written by Luke

Bliss: The Trip Of A Lifetime

Bliss is a horror mystery film directed by Joe Begos. The plot follows struggling artist Dezzy (Dora Madison), who begins to slip into a world of horrors after sampling the drug Bliss. Dezzy has days of blackouts only awaking to find herself covered in blood, with more and more of her friends going missing, and her painting becoming more and more complete.

This is a hell of a film. It is one of the trippiest films I have ever seen, and I works so well because you’re never quite aware of what is going on, nothing is spelt out to you here, there are so many levels to this film and things to be considered. Even long after watching it and sitting down to write out my thoughts, I find new thoughts coming into my head, being like oh I wonder if this was this, or that meant that. The ambiguous ending of the film only adds to it.

I also love the slow burning intensity this film has, things don’t just go from 0 to 100 as they do in some other horror films, even the good ones, but rather the descent begins softly and then becomes more and more of a freefall as the film progresses. You feel the sense of confusion and peril Dezzy is in, as she doesn’t realise what is happening to her, it is palpable.

My one complaint would be with the amount of nudity in the film, I understand that the director was clearly going for a very primal feel, but Dezzy spends more of the film nude than dressed and it reaches a point where it feels gratuitous. A lot of the time I don’t understand the reason for it either, the same scene could be staged without her being in the shower, maybe it was done push boundaries, maybe to be pervy; we can only speculate.

Overall, this is a great film, truly unique and beautifully designed. A good watch, however there is too much nudity which can be a bit uncomfortable.

Pros.

Stunning visuals.

Ambiguous story telling.

Great building sense of tension.

Good performances.

Cons.

Gratuitous nudity.

4.5/5

Don’t Knock Twice: Knock Knock Knocking On Hell’s Door

Don’t Knock Twice is a British horror film directed by Caradog W. James. The plot sees Chloe (Lucy Boynton), become the target of an evil demonic witch, who is intent on taking her away. She seeks out her biological mother Jess (Katee Sackoff), to help her defeat the witch and the two of them go on a journey to find out the truth and save Chloe’s soul.

Before we get into this review can I just say it makes no sense to have a British film set in Britain with a British cast, and then have the lead be an American. It is never explained why she is in England, which would be so easy to do, it would take one line of dialogue.

That said.

I enjoyed the twists and turns this film took, I enjoyed when the film was getting us to question whether the witch was even real or whether it was one of the two leading ladies, facing perhaps a mental break. I also enjoyed the twist ending, when the woman who had advised Jess on how to defeat the witch turned out to be working for the witch, I never saw it coming.

I also enjoyed the atmosphere and tone of this film; I thought the scares in this film were effective because a lot of the time they were achieved through a build up of tension. There were two jump scares in this film and both of them worked because of the harsh oppressive atmosphere. A lot of horror films today think all they need to be scary is jump scares, but they aren’t effective if you don’t have the right atmosphere for them. I thought the decision to really get into the back story of the witch was interesting as it gave us quite a nice meaty mythology to sink our teeth into.

Furthermore, I thought the witch herself was quite impressive, I liked the physicality of the performance and that it wasn’t CGI. I think the CGI effects/creatures that are in this film are far less impressive by comparison.

Overall, though this film gets a bad rap, I think it is a surprisingly strong horror film, both of the leads are great, it is scary and most important of all, it is well written.

Pros.

A non-CGI creature.

Good scares/ underusing jump scares.

Good twists and turns.

Solid lead performances.

Cons.

Some of the CGI effects weren’t good and more of it should have been done practically.

4/5

Reviewed by Luke