Hallow Road: The Worries Of Being A Parent

Summary

A couple find themselves in a position that no parents ever want to be in.

So Rosamund Pike and Matthew Rhys are fantastic here, a lot of the film is the car journey to find where there troubled daughter has broken down in the woods, and much like with Locke a hell of a lot of the meat of the film comes from there conversations and facial acting during these tight scenes and scenes over the phone.

As the night begins to unfold and it turns out the daughter hit and kill someone and then with what follows the film takes a turn that you likely won’t expect but is not wholly unpleasant. As it veers off into the supernatural it oddly works within the world created by the film, though I would say that I think Irish folklore is beginning to become a bit tapped out at this point.

The ending of the film is quite bleak but also has a trippy component to it which leaves you asking questions at the end of the film as you pick your head back up off the floor.

Overall, well-acted and with a good supernatural twist.

4/5

Pros.

It is well acted

The horror works within the world

The end leaves open some intriguing questions

Genuine tension

Cons.

Irish folklore is becoming a bit overplayed

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Oddity: The Most Imposing House Guest Ever

Written by Luke Barnes

Summary

A blind Irish mystic, Carolyn Bracken, investigates the murder of her sister.

So I had heard a lot of good things before I got to see this film, and as such I went in with high expectations and that may have been the problem.

Whilst there certainly was scary aspects of this film, it does have a few good scares, I found it to be inconsistent across the film’s runtime as there were moments you could call scary but also some downright silly ones. The doll for example is silly and never isn’t ‘, even when it kills a guy.

I also thought the ending was weak, I understand it was going for ambiguity to keep you guessing, but I just thought that what it gave wasn’t very satisfying and left the film feeling incomplete.

Overall, a film with some fresh ideas but the execution is a little sloppy.

2.5/5

Pros.

Some good scares

It has moments of freshness

The setting and atmosphere

Cons.

It cannot maintain its tone

It is silly when it really shouldn’t be

The ending

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Unwelcome: Outdoor Liver At Sundown

Written by Luke Barnes

Summary

A young couple move to Ireland and run into the strange local legend of the Redcaps.

This film was depressing, clearly it was designed to be a comedy horror but like many that have come before it and many that will come after the film cannot marry its two tones well. For the most part I found this film to be incredibly grim and depressing, it made both London and Ireland look like absolute hellholes populated by thugs and pervs, this was then off set by the comical Redcaps which feel like the evil gremlins, from the film of the same name, turned up to just slightly more sinister.

The Redcaps themselves are what saved this film for me, as otherwise I would have given it even lower. I liked that they seemed to be puppets and were not CGI monstrosities, moreover I enjoyed how they interacted with the characters and the battle scene featuring them had some great moments.

In terms of the human characters other than Hannah John-Kamen’s lead everyone else was unlikeable in the max. Douglas Booth, who played John-Kamen’s boyfriend, is toxic in the extreme and is also pretty pathetic, he flies off the handle into a rage constantly and when he is actually faced with a dangerous situation he abandons his wife and starts to cry rather than defend her. Honestly Booth’s character was incredibly off putting.

Overall, fun little creatures and I am glad they weren’t CGI, but the film as a whole doesn’t get its tone right and is manically depressing and the lead male character is repulsive in many ways so much so that his scenes are hard to watch.

2/5

Pros.

The Redcaps

It is watchable

Cons.

It is manically depressing

Booth’s character is awful

The tone is all over the place

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The Banshees Of Inisherin: Talk To Your Friends, Don’t Let It Get To This Point

Written by Luke Barnes

Summary

A friendship breaks down in rural Ireland.

I thought that this film was just the right amount of funny and sad, and shows how Martin McDonagh finally has his light side and his dark side under control, near perfect tonal balance.

The paring of Colin Farrell and Brendan Gleeson works tremendously well and the two play off each other really well. Additionally Kelly Condon and Barry Keoghan add a nice flavour to the film and do make their presence known despite only having relatively small roles. There is a lot of depth to both the world and the characters that inhabit it within this film.

I found the film to be quite funny, it made me laugh several times, however, I will say that the humour didn’t always land and sometimes the elevation and ramping up of the drama between the two men just felt silly rather than earned. Perhaps this was a deliberate intent to reinforce the futility of the feud to begin with, but rather than not I feel like a few of the twists and turns within the narrative are shoved in for cheap shock value, and that is to the films detriment.

Overall, a funny and well done film, that does border on the ridiculous at times

4/5

Pros.

Farrell and Gleeson

It is funny

The characters feel deep and the world feels aching to be explored

The supporting cast also have moments to shine

Cons.

The escalation at times feels done for shock value rather than in service of the story

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Joyride: Olivia Colman Massively Misjudged This One, The Height Of Toxicity

1/5

Written by Luke Barnes

Summary

A woman, played by Olivia Colman, who plans to give up her baby is kidnapped by a young runaway and apparently the whole ordeal forces her to change her mind.

This film is fairly toxic, the script clearly intends to heavily sink into issues surrounding motherhood and to ponder the nuances of it, however, instead that is not how it comes across in practice. The message this film has about motherhood in that the only reason Colman’s character wanted to give up her child was because she was having cold feet feels sexist. In truth if this film had been directed by a man this toxic simplification, coupled with the belief this film has that the woman who is giving up her baby should be kidnapped and have her mind changed over the course of a road trip, would have been labelled widely problematic and it would never have seen the light of day.

Moreover, though I like Olivia Colman as an actor and have followed her ever since the way back time of her Peep Show days, I think she needs to find a new schtick. Playing cold unnatural mothers becomes repetitive after you have done it several films on the trot and though some warmth does manage to find its way through here really it is just more of the same. I think unless Colman radically plays something different for her next role she is very much in danger of entering Jack Black, Michael Caine territory.

Overall, a misguided film that thinks it has far more to say then it actually does.

Pros.

It is fairly short

Cons.

The message of the film

It’s simplistic characterisation

Colman

The ending

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The Cellar: Apparently Hell Can’t Afford A Lift

3.5/5

Written by Luke Barnes

Summary

A family move into a house in rural Ireland and not long after their daughter goes missing.

This won’t win any awards for originality, as the above premise suggests. However, I do think this was a surprisingly effective horror film and it left me feeling suitably unsettled. I would say the scares landed for the most part, and I liked some of the more out there visuals they went for. The ending was quite intriguing as well and it left me with a number of questions, which is always a good thing if done well.

My issues with this film boil down to one simple thing, Elisha Cuthbert. Cuthbert is the lead of this film so that American audiences can have a familiar face to cling to, I think this is a bad move. It makes no sense that the rest of the family have Irish accents and sound the part and Cuthbert blatantly doesn’t. Her performance is also not good and certainly holds the film back in a number of ways.

Overall, despite not really being anything new what is here works well, bar Cuthbert, and produces some good scares.

Pros.

The ending

The scares

The wider mystery

Cons.

Cuthbert

The pacing

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Deadly Cuts: Hairdressers Take On Gangland

2/5

Written by Luke Barnes

Summary

A group of Irish hairdressers kill someone and then enter into a hairdressing competition.

The marketing for this film is a lie. It markets itself almost as a thriller with comedic elements, I thought going in that these unlikely heroes were going to become vigilantes and face off against the Irish underworld in a Shaun Of The Dead esque dark comedy. However, that was not what we got, instead they kill one gang member, and the rest just conveniently leave until the end of the film when they kill one more all whilst competing in the most boring and cliched competition ever. Yeah not good.

I found this film to be a tonal mess and not really knowing what it wanted to be, on top of that it wasted most of its cast and gave them nothing to work with, as a result the central foursome feels at best bland and at worst cliched. The story is uninspired and feels like a retread of many better films, with the stakes and drama not coming together at all and presenting us with an ending that feels entirely unearned.

Overall, watchable but weak.

Pros.

It is watchable

It is short

Cons.

It is not funny

The competition angle feels played out

There is no drama or real stakes

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Holy Water/ Hard Times: A Limp Comedy Film

2/5

Written by Luke Barnes

Summary

A group of disaffected Irish men decide to rob a shipment of Viagra and sell it in Amsterdam with the hopes of making enough money to escape their small town existence.

This film was painfully unfunny. I understand that comedy is subjective but not a single joke in this worked for me, most of them felt cheap and desperate- such as a man getting his arse out for the sake of a bit. At times it almost felt like it was trying too hard.

It was nice to see Linda Hamilton appear in this, as she doesn’t appear in anywhere near enough films anymore. Sadly, the quality of the writing she is presented with not only gives the character nothing to work with but ends up reducing her to a cliché. The whole big tough Americans coming to investigate plot point seemed ridiculous, does Ireland not have a wider investigating organisation that would take jurisdiction? Surely they do.

Honestly I think the biggest issue with this film is that it is just plain generic and boring, which is a shame as you can see the actors are trying but ultimately it is all in vain.

Overall, this is not a terrible film, but it is boring.

Pros.

Linda Hamilton

The actors are trying

Cons.

It isn’t funny

It is boring

It is a waste of good talent

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Wolfwalkers: Never Cage Something That Is Wild

Wolfwalkers is an animated fantasy film directed by Tomm Moore and Ross Stewart. The plot sees a girl and her father move to an Irish hamlet in the 1600’s to kill wolves and to start a new life. However said girl Robyn (Honour Kneafsey), finds that there is more to the wolves than any of the towns people know and that the pack is being controlled by a mother daughter Wolfwalker duo, who she soon makes friends with.

This film is a heartbreaker, the plot won’t leave a dry line in the house. It has so many layers to it many of them deeply sad it makes for a very melancholic watch. The later scenes between Robyn and her Dad (Sean Bean), are particularly hard to watch, when he keeps making the situation worse and worse before he realises the error of his ways.

I enjoyed the friendship between Robyn and Mebh ‘Og Mac Tire (Eva Whittaker), I thought it was nice to see their friendship develop over the course of the film and to watch them grow up during such a difficult time period, I’m sure there was a metaphor in there somewhere. I thought this part of the story and its innocence nicely contrasted with the more adult moments.

Finally, I thought it was nice to see a return to 2D animation. It has been too long, and it looked really beautiful throughout, you could tell a lot of work had gone into it and it really helped the film to standout amongst the 2020 animation landscape.

Overall, a beautifully thoughtful and heart breakingly sad animated film that you owe it to yourself to see.

Pros.

A return to 2D animation

The friendship between the two girls

The emotional beats

The father daughter relationship

The look at Irish/Celtic mythology

Cons.

It is desperately sad

4.5/5

Reviewed by Luke