Knocking: Noisy Neighbors Are The Worst

Written by Luke Barnes

Summary

A mysterious knocking is investigated.

I don’t think this film will win any award for originality, I feel the premise is done to death and has been for a long time, however, some what paradoxically this film does manage to take it in a surprising direction and do something interesting with it.

The horror I thought was used well for the most part, there were a few moments that I felt were a little tame and could have been better, but for the most part the film succeeded in creating a frightening atmosphere that resulted in some strong scares.

The performances were serviceable for the most part. No one really blew me away nor did they do anything to particularly take me out of it, it was incredibly paint by numbers on that front.

I thought the ending, which I won’t spoil, was by far the highlight of the film as it actually managed to do something unexpected and took me by surprise, which is a rarity at this point.

Overall, a generic premise is elevated by a strong ending.

Pros.

The ending

The atmosphere

It is short and uses its time well

Cons.

The acting is middling

A couple of tame moments that need spicing up and that felt out of place

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The Mighty Ducks: Fighting For The Underdog

2.5/5

Written by Luke Barnes

Summary

Bigtime lawyer Gordon Bombay, played by Emilio Esteves, becomes the coach of a local hockey team as part of his community service.

Honestly this is another ‘classic’ film that didn’t do much of anything for me. I don’t know if it is because I am not really into the sport or what, but this film left me cold.

To me the biggest issue with this film was that Bombay doesn’t really change he starts off the film as a cold, arrogant, meanie and he ends it the same way. Yes, now he has started caring about the kids to a degree but in terms of his personality he remains much the same, this then means that the happy ending comes off hollow.

Moreover, the drama of the film felt all too predictable. That is not to say you don’t end up rooting for the kids and become attached to them as you do, however you know everything that is going to happen and when it is going to happen so there aren’t really any stakes. To me, this just felt like a very generic sports film, the kind we have all seen too many times before.

Overall, a classic to some but decidedly average to me.

Pros.

You do end up caring about the kids

The ending is sweet even if the character work makes it feel hollow

Cons.

Bombay does not change

It is generic

It is predictable

It has pacing issues

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The Change Up: Man Isn’t Having Kids A Hassle, Who Knew?

1/5

Written by Luke Barnes

Summary

A single guy, played by Ryan Reynolds, and a married guy with three kids, played by Jason Bateman, switch places because…… comedy.

The only word I can find to describe this film is lame. The comedy is lame, the plot is lame, the ending is lame. The whole film is just disappointing and weak. There might have been some comedy to the premise, I doubt it but maybe, however even if there was this film does nothing with and just pumps out deeply unfunny joke after deeply unfunny joke, with some cliches and stereotypes mixed in for good measure.

To some Reynold’s reached the apex of his career with Deadpool, others saw it as the beginning of his decline. However, this film shows how the former is more apt, this is a Reynolds firmly in his trash period where he is just trying to get noticed and hit it big. His charm is mostly wasted here and his character is just presented as the stereotypical guy who has a lot of sex but is actually deeper than that, yawn.

Bateman is like wisely by the numbers and this film feels very much like a pay check role for him.

Overall, films like this need to go away, comedy films deserve to be more than just the trotting out of stereotypes and the same lame jokes.

Pros.

Reynolds still has charm

Cons.

Reynolds is wasted

Bateman is by the numbers

The jokes don’t land

The over-reliance on stereotypes

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Black Friday: Working In Retail Is Hell

2.5/5

Written by Luke Barnes

Summary

Retail workers on Black Friday must do battle against alien creatures that possess people and turn them into zombie like creatures.

When I saw the trailer for this film I had such high hopes and I was disappointed when I actually saw it.

This film boasts horror icons Devon Sawa and Bruce Campbell but even their horror pedigree can’t help this film, sadly all icons make bad decisions from time to time and this is certainly one of them. Neither Campbell nor Sawa is given anything particularly interesting to do and as such there characters each feel very one note. This becomes even more of an issue as the group of characters that become more of a central focus by the end of the film are both boring and irritating.

In terms of horror this is incredibly by the numbers. You have seen this film before, the premise is nothing new. Some people are praising this film by saying that it is very reflective of the retail experience however, I feel other horror films have done even that better before. There is certainly nothing scary about this film, the only thing scary about it is how long it goes on for.

It has strong pacing issues.

Overall, simply disappointing a waste of good talent.

Pros

It is watchable

A few good moments

Campbell has natural charm that even this film can’t hide

Cons.

It is not scary

It is generic

It has pacing issues

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Repeat: Don’t Talk To The Dead

3/5

Written by Luke Barnes

Summary

Ryan Moore, played by Tom England, devotes his life to creating a machine that can supposedly allow a person to contact the dead. However, during his obsession his daughter goes missing and he then tries to use his machine to find her on the other side and either save her from dying or bring her back.

I think this film has a strong hook. The premise feels fresh and I can’t remember seeing other films like it, moreover, the narrative doesn’t end up where you are expecting it to, there are some twists and turns and for the most part they are quite shocking and unexpected.

The marketing I had seen for this film made me think it was a horror film, however this is untrue. I would say this film is more of a bleak, Black Mirror esque, science fiction film. With that I found it to be at times quite bleak and upsetting, though I suppose that was the point. With the notion of be careful what you wish for being central to the narrative of the film.

I thought the performances across the board were fairly strong with both England and Charlotte Ritchie doing a lot with what they were given, and turning their characters into real people that you can empathise with.

Overall, a strong science fiction film that was a little too bleak for my taste.

Pros.

The acting

The plot

The twist

Cons.

Manically bleak

A few pacing issues

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Year One: Tameness Killed The Dinosaurs And This Films Box Office

1.5/5

Written by Luke Barnes

Summary

Two slacker hunter-gathers, played by Jack Black and Michael Cera, are banished from their tribe and are forced to travel to the Biblical city of Sodom.

I have a fondness in my heart for this film as when I was younger I saw it several times at my local cinema, why? Well because nothing else was on and I liked going. Therein lies the problem. There is something of an acceptance to be average with this film, there are many ways it could improve itself but it doesn’t because it seems to want to try and please everyone whilst also being deeply average.

Black and Cera are fine they are trotting out more of the same shtick that we have seen from them time and time before, so your enjoyment of them here will be dependent on how you feel about their respective shticks. The comedy is mainly misses however there are one or two funny moments especially with the Biblical characters that make cameo appearances.

This is one of those films that I would not be surprised to hear the studio was heavily involved in. There is a tameness to the comedy and the film as a whole that feels very marketed research and corporate. On the whole this film feels very much like a bill paying exercise where no one really cared.

Overall, it is watchable for sure but not much else.

Pros.

I like the shtick of both Black and Cera

It is watchable

Cons.

It has pacing issues galore

It is too tame

It feel content being average

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Ghostbusters Afterlife: The Freakiest Third Act Surprise You Will Ever See

3.5/5

Written by Luke Barnes

Summary

A family move into an old farm house left behind by their deceased grandfather, shown to be Harold Ramis’ character from the previous films, there they learn a little bit about themselves and their family history and of course save the world from a ghostly invasion.

This film did everything correctly that the previous film, the reboot, botched. It merges the older films and a soft reboot perfectly; it is a legacy sequel done right. There is enough call backs and involvement of surviving cast members to touch on the nostalgia factor of fans of the original whilst also giving us a new generation of Ghostbusters to care about.

In many ways this is Mckenna Grace’s film, she is the central character and carries the film for a lot of the run time. However, Carrie Coon and Paul Rudd are also scene stealers and make the most out of the scenes they are given, hopefully a sequel will do more with them and give them more on screen time together.

I found this film to be quite funny at times, again particularly Grace’s lead. The older Ghostbusters have some good lines but I would say on the whole they are used sparingly as to not upstage the new characters. I am split on the CGI Harold Ramis, I do like that they give him a proper emotional send off and have each of the characters have a moment with him, however I don’t like the use of CGI to bring back dead actors as a concept, it is troubling.

Overall, a strong revival for the franchise.

Pros.

Grace

Coon

Rudd

Giving the older characters one last hurrah

Cons.

Pacing issues

Finn Wolfhard’s role could be played by anyone

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Encanto: Does Every Animated Film Need To Be A Musical?

2.5/5

Written by Luke Barnes

Summary

A family is each gifted with superpowers by a miracle however when one of the members of the unit does not receive her powers then things start to fall apart and the family has to work through there issues to restore the magic.

I am very mixed on this film. On the one hand, the message is very good and important and one that is worth remembering by everyone in the audience. Furthermore, the film does manage to connect emotionally and pulls on all the right heartstrings to make you feel something and care about the characters.

However, on the other hand, this film has no stakes and there is no real journey to it. The issues come about because of miscommunication and then the family communicates and everything is fixed, there is no real peril and it all feels very simplistic.

Moreover, the musical numbers start to get in the way of the plot. By that I mean they are unnecessary, overused and not particularly good. As I have said before there is something about the Lin Manuel Miranda style of musical that doesn’t jive with me and that I find irritating, having what could easily be dialogue sung for the sake of it is not clever or inventive- it feels lazy.

Overall, though some parts of the film connected with me for the most part it either left me cold or slight underwhelmed. Certainly not worth seeing at the cinema, wait until you can watch it for free.

Pros.

The message

Stephanie Beatriz in the lead role

The emotional resonance

Cons.

The songs

The lack of real character journey or stakes

It has pacing issues

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Spencer: Abolish The Monarchy

4.5/5

Written by Luke Barnes

Summary

Recounting a Christmas that Princess Diana, played by Kristen Stewart, spent with the Royal Family one Christmas

This film is haunting. If going in expecting a standard Royale biopic, expect to be shocked at every turn. Indeed this film plays more like a horror film, with the social anxiety themed horror becoming unbearable at times. However, the real horror here is the cold and almost sadistic way Diana is treated at every turn by the hands of the Royals and their staff. Now this film is not based on actually events, as far as I am aware, it takes certain elements of Diana’s life and takes a bit of creative license with them, but if even one scene of this film is true it should be enough to make any decent Brit question their support of the Royal family.

Prior to the release of this film I made several comments saying how terribly miscast Kristen Stewart was in the role and how she would eventually doom the piece. I couldn’t have been more wrong. Stewart is chameleonic here and blends so seamlessly into this world that you will be hard-pressed to not see her as Diana. From her movements to her mannerism to even her accent Stewart nails the role perfectly.

Moreover, Stewart is supported by an incredible British cast with Sean Harris and Timothy Spall being equally as commendable.

Overall, this is a magnificent film and Stewart deserves to win awards for her performance here.

Pros.

The tension

It feels more like a horror film

The more out there elements

Stewart

The ending

Cons.

A few slight pacing issues resulting in a drag in the third act

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Tick Tick Boom: Andrew Garfield Really Can Do It All

4/5

Written by Luke Barnes

Summary

The film tells the somewhat real life story of Johnathan Larson, recounting the making of his first musical Superbia.

I have been decidedly negative on the work of Lin Manuel Miranda for the most part, I didn’t like In The Heights, Vivo or his role in the Mary Poppins revival; the only thing I have liked from him has been his role in His Dark Materials. However, this blew me away and really resonated with me.

I thought this film was strong across the board, Andrew Garfield was splendid in the lead role, but when is he not? The songs were top tier and the emotion always rang true. I think the latter of those points is the feather in the film’s cap as the writing here has an uncanny ability to reach through the screen and tug at your heartstrings. There were multiple moments in this film were I was on the verge of tears; the writing is incredibly poignant and meaningful and Garfield sells this to the letter, in what may be one of his best performances to date.

Honestly Netflix needs to make more films like this as it might shake up their stale blockbuster wannbe slate and actually help to elevate them as a studio.

Overall, a magnificent film in many ways with only a few slight pacing issues holding it back.

Pros.

Garfield

The songs

The emotion and the impactful ending

It is inspiring

Cons.

Pacing issue

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