The Babysitter: What Goes On After You Go To Bed.

‘The Babysitter’ is a teen horror-comedy film the plot follows Cole, (Judah Lewis), as he stays up to see what his Babysitter Bee, (Samara Weaving), gets up to when he goes to bed; what he finds out chills him to the bone. Bee and her friends are devil worshipers and, they are using Cole for his blood. Cole and Bee then enter into a showdown to the death that only one of them can walk away from.

For those of you who read my reviews and, follow me on social media, you know that I find Samara Weaving incredibly annoying; it’s her scream. However, this film does something I didn’t think was possible it made me like her, she was charming and, funny and easily the highlight of the film; throughout the film, you think she is going to turn back to the side of the light, but no she is evil through and, through.

The showdowns between Cole and, his perusers are all excellent they are very reminiscent of, ‘Home Alone’ all of Cole’s weapons are improvised and the deaths are spectacularly gory. They manage to capture the tension of the situation while also remaining comic. The comedy in this film is quite good, it will bring a smile to your face and, warm you, towards the characters.

This film is very stylised think Zack Synder or, Edgar Wright, but turn it up to 100; every chance to have a graphic or, do a cinematography trick is taken. The issue with this is that a lot of the time it takes you out of the film, there was a sequence where the camera was moving around, but also supposed to be doing a POV shot and, the effect is incredibly jarring. There is nothing wrong with a film having style, but if anything this film is overly stylised.

Another thing about this film is that it is completely predictable, but that is okay as this film knows what it is, a pulpy horror B movie homage, and it plays to that. Viewing this film through the lens of it being a homage to horror B movies, makes it a much better film than it actually is. As I don’t think it is a horror B movie homage deliberately.

Overall ‘The Babysitter’ feels like something out of a bygone age, it is over stylised and, it seems to be doing all this to overcompensate for the fact that it isn’t very original. However, it is a nice piece of horror movie junk food and, Samara Weaving is excellent.

Pros.
It’s Good Horror Junk Food.
The Genre Diehards Might Find Something To Like.
Samara Weaving is excellent.

Cons.
It Feels Very Dated.
Overly Stylised.

3.5/5

Reviewed by Luke

How The Grinch Stole Christmas: The Grinch Is Coming For Your Presents

‘How The Grinch Stole Christmas’ is a Christmas fantasy comedy-drama film based on the Dr. Seuss book of the same name. The plot of the film follows The Grinch, a character who has removed himself from the town of Whoville and, now lives in a lair up in the mountains. The Grinch hates the town’s people for laughing at him years ago and, the townspeople fear The Grinch because he is not like them. This mutual ill will comes to a head and, The Grinch plans to steal all the presents from the people of Whoville to teach them a lesson; effectively stealing Christmas from them.

Now before we get into the review in earnest, I want to say that I have never liked anything related to Dr. Seuss I find the need to have nearly everything rhyme off-putting, I feel likewise about the strange character designs. As such I never grew up with these stories, so before I watched this, I was unaware of who The Grinch was; yes I understood what he was in passing from pop culture, but I had never seen his film before.

The issues that I had mentioned before with the character designs and the need to constantly be rhyming are in full effect in this film, which lessens my enjoyment with it, but I have to say a near-perfect performance by the one and, only Jim Carrey wins me over.
Carrey plays the titular Grinch and, he is going full Carrey, by that I mean he is giving this his everything, all of his manic energy and, it really pays dividends.

The film works as a Christmas film in that it has a nice positive message of not judging other people and, that everyone can have a chance of redemption no matter how wicked; this film did make me feel the Christmas spirit. Not only does it works as a Christmas film but, also as a comedy film as it is quite funny at times, the musical number being an example of this, it should generate a chuckle or two.

My one issue with the film is the same issue I have with a lot of others, excluding The Grinch himself the rest of the characters aren’t developed at all, even Cindy Lou, (Taylor Momsen), who is a leading character isn’t given much to do except drive The Grinch’s character development along.

Overall, despite my own personal feelings on Dr Seuss, I can see why so many people love this film, Carrey is fantastic and, it is genuinely sweet and funny at times; it even managed to win round a Seuss hater like me.

Pros.
Carrey
The Spirit Of Christmas

Cons.
The Annoying Rhyming
The Weird Character designs.

3.5/5

Reviewed by Luke

A Christmas Prince, The Royal Baby: A Scroll, A Curse And, Two Families

‘A Christmas Prince: The Royal Baby’ is a Christmas romantic comedy as well as the third instalment in the franchise and, as you can guess centres around the birth of now, Queen Amber, (Rose Mciver) and King Richard, (Ben Lamb) first child. The plot this time around seems to go in the complete opposite direction to the last entry, serious and lacking in whimsy, being once again over the top and, ridiculous much like the first film; hell not to spoil anything but, ghosts and a curse play a part in the plot this time around.

I think this third instalment is a return to form for the franchise, going back to its trashy over the top roots, and I think the film as a whole benefits from this; there are not multiple subplots that are all boring and, trying to take away from the main narrative in one way or, another, everything is relatively straight forward this time around.

*There is one subplot about Melissa, (Tahirah Sharif), Amber’s best friend who has been a background character, thankfully, for most of the series thus far, questioning her relationship with Simon, (Theo Devaney), Richards’ cousin. Simon has quietly become my favourite character in the series over time, but he works well in small doses both the first and second film seemed to understand that but, this film gives both he and Melissa far too much screen time. I have never cared for Ambers’ friends in these films they’re forgettable and, throwaway so to see Melissa get a subplot of her own made me groan. All of these scenes drag on and, on and feel like the film trying to buy itself time; what makes it worse is the acting and, the plotline itself could and, have been done better in a soap opera.

I think the film greatly benefits from suddenly remembering what it is, a trashy, made for TV movie people might watch when they’re drunk. By throwing any sense of seriousness or, sense out of the window it allows the film to be what it once was again, fun. The idea that if they don’t find the missing scroll by midnight Richard and, Ambers’ baby might be cursed is wonderfully silly and, daft. I appreciate and, applaud this film for not taking itself too seriously, as that was my issue with the second film.

Overall I think this should be the last entry in the ‘A Christmas Prince’ franchise as I don’t see where they can take it from here. This film is a high note for the series being just as good as the first film and, being made that much better by embracing the wackiness and, not taking itself too seriously; definitely good drunk viewing.

3.5/5

Reviewed by Luke

Fred Claus: A Tale Of Two Brothers

‘Fred Claus’ is a fantasy comedy-adventure film about the older Brother of Santa Claus Fred, (Vince Vaughn), naturally, as someone who grew up in the shadow of an older sibling could tell you this lead to Fred having a strained relationship with his brother as well as the season he represents. Then one day after a series of bad events for Fred, he is forced to go to the North Pole to see his brother; and in a twist, no one could see coming save Christmas.

Now I want to get this out of the way here; this film does feature Kevin Spacey, he is not featured prominently, but he does appear mainly to act as a villain of sorts. His involvement does tarnish the enjoyability of this film; it has to be said.

That said on to more happy topics, the performances of Fred and Nicholas AKA Santa Claus, (Paul Giamatti), are both very good. Giamatti’s Nicholas gives off the sense that he wants to make everyone in the world happy but, he doesn’t realise when this want actually makes other people unhappy, this social blindness in a sense, really helps to humanise Santa Claus, who is by most accounts an all-round perfect being.

What’s More, Fred comes across as an annoying dick but, he is supposed to be, and as the film goes on and, you get to see more and more inside this head; you realise that he is a deeply sad individual, he is someone who has realised very early on that they are never going to measure up and, because of this has stopped trying to. The more we see Fred grow as a person, the more we as an audience care about him.

Another feather in this film’s cap is how well it captures and, depicts the relationship between brothers. They fight, they even hate each other at times, but deep down no matter what they love each other and, are always going to be there for one another. This is reflected extremely well at the moment when the two brothers make up and, Fred takes up the mantle of Santa Claus for the night and, the brothers share a scene, the emotion is spot on.

My one big issue with ‘Fred Claus’ other than the one mentioned before is that it wastes it supporting cast, said cast has talented actors like Rachel Weisz, Elizabeth Banks and, Kathy Bates amongst its ranks but, it gives them precious little to do other than drive a few subplots; which to me feels like a waste.

Overall all this film has heart, it captures the familial feeling between brothers very well and, what is more, important than family on Christmas? The wasted cast let this film down a ways but, it is still worth a watch.

3.5/5

Reviewed by Luke

The Golden Compass: The Bear, The Witch And The Compass

‘The Golden Compass’ is a fantasy adventure film based on the best selling ‘His Dark Materials’ series of novels; with this film serving as a loose adaption of the first book. The plot follows Lyra Belacqua, (Dakota Blue Richards), a young girl living in a parallel universe to our own, in her universe children are born with their souls on the outside of their bodies, said souls take the form of an animal these are called daemons. This world is ruled over by a tyrannical group called the Magisterium, who seeks to oppose any free thought and, instead force their will on the people. When children start going missing Lyra ventures to the far north to try and, find out what is going on and, rescue the missing children.

I think that this film is criminally underrated with it being a fantastic fantasy film. The thing that hurt this film upon release was the fact that it decided to not lean into the anti-religious message of the books and, this upset some fans. However, if you can look past that this is a marvellous film; the plot and, the world is rich with lore, with every scene leaving you wanting to know more, but not revealing much- teasing you.

The performances are great as well Nicole Kidman is a fantastic Mrs Coulter having just enough warmth to allow you to let down your guard, while also having just enough malice to be always threatening, this is her and, Richards film. Richards for a firs time outing is a very likeable lead she is very easy to root for and easily relatable.

Daniel Craig, James Bond himself is also in this film as the heroic Lord Asriel Lyra’s Uncle, Craig makes the most of the few short scenes he has and, does leave an impression however, his character does feel as though he could have been fleshed out a bit more. Likewise Craig’s ‘Casino Royale co-star Eva Green portrays the Witch Queen Serafina Pekkala and, much like with Craig does a good job with not much to work with; she is easily the most interesting character in the whole film and, the one you want to learn more about.

To conclude this is a fantastic fantasy film it sets up a world which seems rife for exploring, but sadly it wasn’t meant to be as the film never became a franchise, ‘His Dark Materials’ has recently been adapted into a TV series. However, despite having some good moments the series can never live up to the film. ‘The Golden Compass’ truly was something special it could have been the next ‘Lord Of The Rings’, but alas we will never know.

4/5

Reviewed by Luke

Shrek Forever After: My Kind Of Fairytale

‘Shrek Forever After’ is an animated comedy film serving as both a concluding chapter in the Shrek franchise as well as a sequel to ‘Shrek 3’. The plot revolves around everyone’s favourite angry green ogre Shrek, (Mike Myers), who after the events of ‘Shrek 3’ has become a family man however, there is a part of him that yearns to be the feared ogre he once was again. Rumpelstiltskin, (Walt Dohrn), the villain this time around, tricks Shrek into signing a contract that would allow him to return to his glory days but, at a terrible cost.

The Shrek franchise is legendary not just for its films but, for its effect on the animated movie industry, the first Shrek film ripped up the rule book on fairy tale stories and, wrote something entirely new that took pop culture by storm. ‘Shrek’ and ‘Shrek 2’ were masterpieces in their own right they captured the idea of wanting to be someone else, but over time learning to love yourself as you are so so well this is what made a lot of people like them. Then ‘Shrek 3’ came out and, though I liked it personally a lot of people didn’t, a lot of people though the franchise should have ended after 2, so it could have gone out on a highnote; not being milked for all it was worth.

To those people, I say, “you want to check out ‘Shrek 4”, not only isn’t it a cynical corporate sellout, it arguably has the most soul of any of the films in the series. The plot of this film highlights how we all grow and, change as people as we get older, no doubt a nod to the audience that has grown up watching these films. As well as this ‘Forever After’ see the most character development for Shrek himself since the second film, Shrek realise the value of family and, what his life is without it; the choice to have true loves kiss not work the first time around is genius as it put Shrek in a real sense of danger, as well as uncharted territory narratively.

Also, this film finally gives Fiona, (Cameron Diaz), something to do, the other films had flirted with this idea in the past but, had mostly sidelined her character. It is nice to see her leading the resistance against Rumpelstiltskin as it finally gives her a purpose as a character beyond being a wife and mother and, occasional sidekick to Shrek.

‘Shrek Forever After’ lets the series go out on a high note, it has heart and, a much-needed message. A lot of people tuned out after ‘Shrek 3’ and, didn’t give this a chance but, that is a real tragedy, as this is a great instalment in the series and, one of the best-animated films of all time. I can’t wait for Shrek 5.

4/5

Reviewed by Luke

The Knight Before Christmas: The Knight We Deserve!

‘The Knight Before Christmas’ is a Christmas comedy film the plot follows Sir Cole, (Josh Whitehouse), a 14th-century knight who arrives in modern times to fulfill his life’s quest, what that is he doesn’t know. In present-day Cole meets Brooke, (Vanessa Hudgens), a woman who has given up on the chance of ever finding her happily ever after, she takes him in after accidentally hitting him with her car and, sparks fly.

I had heard nothing good about Netflix’s holiday rom-coms and, after seeing ‘Let it Snow’, which was awful, I was expecting the worst. However, I was pleasantly surprised by ‘The Knight Before Christmas’, it was sweet and, lovable, and yes it might not reinvent the wheel or, be something that hasn’t been done 100 times before, but it leaves you with a pure smile on your face at the end of the film, and that is more than I can say for a lot of other films.

The plot is the standard ‘fish out of water’ story line, all the beats are there, the ending is Cole having to choose between returning to his own time, or staying in 2019 with Brooke; there are quite a few good laughs thrown in across the runtime that make the characters warm and, it makes you as the audience care about them. By the end of the film, you want Cole and Brooke to get together. There are moments that are laughably ridiculous, like a scene where Cole saves a young girl from falling into a frozen lake; these scenes are good goofy fun though and, help to sell this as a larger than life popcorn movie: because ultimately this film knows what it is, it is very aware of it and, it revels in it.

It is nice to see Vanessa Hudgens back on- screen the last thing I think I saw her in was ‘Spring Breakers’, in that regard this is a return to form. She plays the sweet innocent characters, basically the Disney esque characters really well and, she is fantastic here.
After watching this film, I can see why Netflix spent a lot of money to sign her to a multi-picture deal, she is a very good audience surrogate and, it is almost impossible not to root for her.
Whitehouse has some good moments and, he is believable as a 14th-century knight in 2019 however, he is greatly upstaged by his female co-star but, both do a great job anyway.

I hope very much like the ‘A Christmas Prince’ films, that ‘The Knight Before Christmas’ can become a yearly Netflix Christmas tradition, this film is far better than it has any right to be, and I would say it is a Christmas must-watch. Turn your brain off, settle down on the sofa with a nice cup of something warm and, enjoy this festive treat!

4.5/5

Reviewed by Luke

The Polar Express: Catching The Midnight Express

‘The Polar Express’ is an animated adventure film, the plot follows a young boy named Hero Boy, (Daryl Sabara) who takes a trip onboard the Polar Express, a special train that takes children to see Santa Clause at the North Pole.

Rewatching ‘The Polar Express’ had the opposite effect on me that rewatching The Nightmare Before Christmas did, by that I mean when I originally watched ‘The Polar Express’ when I was a kid I thought it was horrifying, more on that later, but when I watched it again recently I found it to be quite the enjoyable romp.

The reason I thought it was terrifying as a kid is that the facial animation is off, I don’t know if that was by design or if the technology wasn’t there, but the faces of all the characters in the film have moments where they look like something found in the worst part of the uncanny valley. Upon rewatching it in 2019, I found it wasn’t as bad as I remembered it being however, it still remains an issue with the film.

One of the things that I like the most about this film is that despite being a happy children’s film, it has dark moments; a lot of these moments aren’t obvious, but when you think about them for a second you realise just what the film is implying. The story of ‘The Polar Express’ is it’s the biggest asset as it works on multiple levels it works as a Christmas film, with the usual message of all you need to do is believe and, the spirit of Christmas. It also works really well as an adventure film, the world and, the characters are all very well-formed, they’re both dense and detailed. The mythology of the train itself is fascinating as well and, all the sequences that feature it prominently are excellent.

The main reason why these sequences are excellent is a stellar performance by Tom Hanks. This is very much Tom Hank’s film, he plays Hero Boy’s dad, the Conductor of the Polar Express, The Hobo that gives Hero Boy advice, Santa Clause, The Scrouge Puppet and, the Narrator; as well as doing motion capture for Hero Boy. As a result of this long list of performances, this film was going to live or die based on Hank’s ability to make all of these characters feel not only real but, different from one another; he does this rather magnificently. At no point in the film do you think oh that’s Tom Hanks and, that’s Tom Hanks again you see these different characters and, you know they’re distinct and, different despite all looking facially like Hanks.

To conclude ‘The Polar Express’ is a wonderful Christmas film that has a great sense of imagination, this is boosted nicely by Hanks’ multilayered performance and, a wonderful message as well. A Christmas must watch.

4/5

Reviewed by Luke

The Nightmare Before Christmas: Nightmare Indeed!

‘The Nightmare Before Christmas’ is a stop-motion animated musical dark fantasy film, the plot follows The Pumpkin King himself Jack Skellington as he grows tired of his role as King and yearns for something different; then after a trip to Christmas town decides that he wants to spread joy rather than chills and, scares.

‘The Nightmare Before Christmas’ is a film I remember being enamoured with when I was a kid, however, revisiting it ten years later I found it was not in any way how I remembered it; very much in a bad way. Yes in this review I will be saying why I don’t like ‘The Nightmare Before Christmas’, which to some is Christmas heresy.

Before I get to that though I want to talk about the stop-motion animation, which is of course wonderfully unique and, very nice to see; as there really aren’t many films like this anymore. The character models, however, are off-putting, I understand that is the point to some extent, but other than Jack, (Chris Sarandon) and, Sally, (Catherine O’ Hara) I found a lot of the other characters very hard to look at for long periods.

Despite not being directed by Tim Burton this is very much one of his films, the style and, the characters are all very much the same if you have ever seen something like Beetlejuice or, for an animated example the Corpse Bride then you know what you’re getting. After watching this film and, thinking back to Burton’s other works I have come away with the conclusion that as a filmmaker he is very hit or miss you either love his style or, you hate it.

The other thing I strongly dislike about this film is the constant singing, yes I know it’s a musical, it seems like every 5 seconds they are bursting into song. I like the odd musical here and there, they are not my genre for sure, but where I think something like Frozen, which is also a musical, gets right is that it uses its songs sparingly which makes them memorable. Whereas ‘The Nightmare Before Christmas’ seems to operate by a policy of how many songs can I fit into the runtime of this film.

The songs themselves are all fine, with a few standouts amongst them, but I found many of the songs went on for too long and, negatively affected the pacing of the film, sometimes making me want to turn the film off as a result as I was quickly losing interest.

Ultimately this film did not live up to how I remembered it from my childhood, I found the characters off-putting, the constant singing annoying and, though there was some Burton charm to be found it was well hidden. I like the Corpse Bride more.

1.5/5

Reviewed by Luke

Krampus: Wait that’s not Santa Claus

‘Krampus’ is a dark fantasy horror comedy film based on the infamous character from Bavarian and, Germanic folklore. The plot follows a family at Christmas that have lost the real meaning of the season and, when Max, (Emjay Anthony), says ‘he hates Christmas and his family’ and, tears up his letter to Santa Claus; they evoke Krampus’ wrath.

This film is from Micheal Dougherty the director behind Trick or, Treat, as such it features creative creatures and, monster; some of which are incredibly original while others are rather familiar to the horror genre. Krampus himself is menacing straddling the line between monstrous and campy at times; his look isn’t 100 per cent accurate to how he is depicted in most of the folklore surrounding him, but he is still scary despite this.

The scares are all pretty good, however ‘Krampus’ does lean on the humour over the scares a lot of the time; this is most definitely more of a comedy film than a horror. The issue with this is that the humour of the film is all pretty weak, it makes you smile a few times, but there are no laugh out loud moments; some of the jokes are even painful.

The acting is on the better side of average, most of the actors are serviceable if not memorable; these include our leading boy Emjay Antony. Adam Scott of Park and Recreation fame in this film as Max’s father Tom, he has some good moments and, a few strong jokes, the only ones of the film, however, he isn’t given much to do and, it feels like a waste of his considerable talents.

Toni Collette is also in this film this is before her game-changing role in Hereditary and, she gives a decent performance not a scene-stealer, but she does a good job with what she has to work with. Allison Tolman of Fargo fame is also in this, but just like everyone else in the cast doesn’t blow you away with her performance.

It is nice to see ‘Krampus’ remind people that Christmas can be scary, it carries the torch on from things like Gremlins, check out my review, and Black Christmas. These films will always serve as a reminder that horror does have a place at Christmas, also this scary bent helps these films stick out from all the other happy, mushy, Christmas fluff.

Overall this film isn’t my favourite Christmas horror film, but it is nice to see some variety in Christmas films that make it out and, despite the fact it doesn’t change the game it has some genuinely good scares and, is wonderfully unique. Check ‘Krampus’ out if you don’t like traditional Christmas films and, have a desire for something new.

4/5 simply for originality

Reviewed by Luke