Digging To Death: A Great Upper Body Workout

Written by Luke Barnes

I found this film funny, whether that was intentional or not remains to be seen but viewed as a horror comedy this film is a roaring success. I would say as is often the case this film tended to favour the comedy over the horror, and I didn’t end up finding the film at all scary.

There were a few tense moments that punctuate the film, but for the most part the tension is quickly lost, and silliness returns; this does become grating after a while as you want the film to at least take itself seriously slightly.

Something I will give this film a pro for is the look of the corpse, I enjoyed the low-fi approach they took with it, and thought the corpse looked quite striking and effective. We definitely could have used more of the corpse within the film.

The acting was all fine, nothing really to write home about, but serviceable enough that it didn’t become a problem or distracting.

Overall, a lot of fun, I hope for the film’s sake that it wasn’t trying to be a straight forward horror film, if that is the case then I would have to readjust my score as it is not scary at all.

Pros.

The humour
The ending

It is entertaining

Cons.

It is not scary

The tone is a little uneven at times

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Bernie: Jack Black Proves He Can Nail Drama As Well

Written by Luke Barnes

Bernie is a dark comedy film directed by Richard Linklater. The plot follows the events surrounding the death of Marjorie Nugent at the hands of Bernie Tiede.

Jack Black plays the titular Bernie and I think he does it perfectly. This killer in real life was adored by a large majority of people in the Texan town of Carthage, and with the way Black plays him you can see why. Black sells the likeability of his character, but also eludes to a hidden darkness, he plays the character mostly straight, though he does manage a few laughs in some darkly comedic scenes.

I think it says a lot of Black’s performance that he can comfortably go toe to toe with Matthew McConaughey, who plays the lawyer who sent Bernie away for life, who is known for his dramatic prowess; I think in terms of dramatic acting this is a career best for Black.

I also thought the film had a lot of great eccentric moments to it, such as having one of the opening scenes be Bernie giving a lecture on how to prepare a dead body for burial as well as a number of interviews with real towns people who would have known both the victim and the murderer in real life: these touches add character to the film.

Overall, a lot of fun and a great performance from Jack Black

Pros.

Black

McConaughey

The quirks

It was fun to watch

Cons.

The pacing could have been tighter

4.5/5

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Shiva Baby: You’ll Cringe Harder Then You Have Ever Done In Your Life

Written by Luke Barnes

Shiva Baby is a dark comedy film directed by Emma Seligman. The plot sees Danielle (Rachel Sennott), attend a Shiva which is packed with her family and people from her past, including her ex-girlfriend, if that wasn’t bad enough her sugar daddy is also there.

I’ve seen some people imply that this is a social horror film, and I can see where they are coming from, as I was watching this I was getting stressed especially as the drama escalated and escalated- my social anxiety was not thanking me for watching this film I’ll tell you that.

I think this film perfectly executes what it sets out to do, moreover, I think this film manages to capture the horror of the day to day, and weaponizes awkward cringe to the point of it being terrifying.

The characters are all perfectly formed, layered and deep and as nuanced as any person you would meet.

Overall, one of the most stressful and cringe (in a good way), films you will ever see. Definitely worth the watch.

Pros.

The characters

The interaction

The awkwardness

The premise and the execution

Cons.

It may be too awkward for some

4.5/5

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Happily: That Couples That Annoys You With How Perfect They Are, Aren’t So Perfect

Written by Luke Barnes

Happily is a dark comedy thriller film directed by BenDavid Grabinski. The film follows a perfect couple (Kerry Bishe and Joel McHale), who never argue, always agree and never cease to irritate those around them. However, one day a stranger (Stephen Root) arrives at their door to tell them that they are genetic abnormalities, and that he won’t leave until they take a syringe of fluid that will make them just like everyone else. Naturally they kill this man and then go on a staycation with their friends.

This was a bizarre film, and you only begin to understand and appreciate a lot of its subtler details if you watch it a few times as there is a lot going on. I think this is a bold stylistic piece with all kinds of visual influences on display, and a plot that defies genre categorisation; I gave it a try, but it is so much more.

That is not to say this film is perfect, as it isn’t, the ending didn’t ring true to me and felt like an anti-climax; especially after the emotionally charged scenes that lead up to it. Furthermore, the tone frequently clashes as the film struggles to find how to approach its narrative. There will be scenes with levity in them that really don’t need it, and then scenes that do need a line to lighten the mood go without; it is an odd mishmash a lot of the time. Tonally this film is a quagmire.
I thought the wider world of this film and its concepts were riveting and I would love to see a follow up film, or other films set within this same universe, to explore these ideas in further detail. The idea of this agent, or god like character, who can’t die and who works for a higher authority is very tantalising and is begging for further exploration.

Overall, a hell of a concept and an idea, sadly the execution is lacking. However, a follow up in this universe could fix a lot of this films ills.

Pros.

The concept

The world

The characters

Cons.

The inconsistent tone

The ending

3/5

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I Care A Lot: A Sociopathic Super Heroine

Written by Luke Barnes

I Care A Lot is a dark comedy film directed by J Blakeson. The plot follows the efforts of Marla Greyson (Rosamund Pike), a court appointed guardian, who defrauds those in her care for personal gain. However, one day she picks the wrong target and invokes the ire of a mob boss.

I did not care for this film at all.

The only pro I can give for this film is that, as usual, Pike is on excellent form and gives one hell of a performance. However, there character is unlikeable and there is really nothing the audience can connect to in her. This isn’t necessarily a bad thing, as you don’t always have to like the protagonist of the films you watch, but it becomes an issue when we are supposed to care about her survival. Personally, I found myself relating more to Peter Dinklage’s mob boss character.

Moreover, the writing is incredibly unbelievable to the point of Marla almost becoming a sociopathic superhero at times. We are supposed to view Marla as a crafty predator, who outwits her opponents, however in a physical sense she is shown to just be a regular human and yet she can’t seem to die; literally she survives definitive death after definitive death, and it gets a bit laughable after a point.

Finally, the narration seems to think it is clever and deep, yet it comes off as just the opposite of that and if anything a little try hardy. Not everyone can be American Psycho, stop trying.

Overall, Pike is giving the performance of her career so far, sadly it is in a deeply unlikeable film.

Pros.

The premise

Pike

Cons.

The audience has no way to connect to the character

You don’t care about the character, so it takes away from any tense or life and death sequences

The narration is not as smart as it thinks it is

Marla basically has superpowers as the result of bad writing

1.5/5

Addams Family Values: The Goth At Your Summer Camp

Written by Luke Barnes

Addams Family Values is a family, fantasy, dark comedy film directed by Barry Sonnenfeld. The plot sees the Addams family welcome a new member into their family. Meanwhile Uncle Fester (Christopher Lloyd), is seduced by black widow Debbie (Joan Cusack), and the family has to fight to get him back.

This is very much more of the same, if you enjoyed the first film you will enjoy this. If I had to pick between the two films and say which was better I would probably pick this one, as the story is slightly more engaging and the idea of the Addams children going off to summer camp is bound to inspire at least a few chuckles. Though I preferred it more than the first, I would not say this was technically, filmmaking wise, better

I thought both of the of the storylines here were well done and entertaining, there are a few slow moments here and there, but these are only minor and really don’t affect the film hugely.

I found the Addams brood to be just as likeable as they wear in the first film, with a young Christina Ricci as Wednesday being, of course, the standout; Ricci really should come back for the Wednesday live action show that Tim Burton is working on, I’ll be disappointed if she doesn’t. My one criticism on this front would be that, as characters I don’t feel like they really progress, the arcs they go through are incredibly limited, and where the characters start at the first frame of the first film to where they end at the last frame of the second film is virtually indistinguishable- there really is no character growth.

The humour this time around still made me laugh, but perhaps not as much as in the first film and I did notice that more of the jokes feel flat.

Overall, more of the same.

Pros.

Ricci

The Addams are still fun to watch

The summer camp plotline is a lot of fun

Cons.

The characters don’t really progress

The humour is a little weaker this time around

3/5

Spontaneous: Exploding Into Red Goo

Written by Luke Barnes

Spontaneous is a science fiction romantic black comedy film directed by Brian Duffield. The plot sees two teens (Katherine Langford & Charlie Plummer), fall in love as a mysterious virus is spreading between themselves and their peers that causes one to spontaneously explode.

Much like Love and Monsters this film has a huge heart. The emotional stakes for this film are damn near perfect, you become really quite invested in their relationship, and my my how you are played with thereafter.

Langford and Plummer have strong chemistry, and make for a believable on screen couple, also where other films fail to capture the snarky teen well, or make it incredibly cringe worthy, this film manages actually do it justice. I think the, lets call it teen dialogue, of this film was quite on point and made me laugh several times with its wit.

I am careful to say too much about the film for fear of spoiling it, but I will say this: be prepared for a ride on an emotional roller-coaster

Finally, I just want to spotlight the premise itself which is surprisingly hilarious in a dark macabre sort of way- it makes you laugh and then feel very bad for laughing

Overall, a wonderfully original film and a touching romance.

Pros.

The leads have good chemistry

It is funny

The premise is novel

Good emotional stakes that make you invest

Cons.

It really does an number on your emotions

4.5/5

Me You Madness: Next Time You Have A Mid Life Crisis Buy A Car, Don’t Rip Off A Book and Make A Terrible Movie

Me, You Madness is a dark comedy film directed by Louise Linton. The plot serves to rip-off in near ever aspect Brett Easton Ellis’s American Psycho, but with a lame rom com subplot forced in because that’s what the book needed right? But hey guys it’s fine because the film calls out its own similarity to Ellis work but says it a female take and that women are having a moment in Hollywood right now, in perhaps one of the most obnoxious bits of voice over ever, so it’s fine. Drawing attention to how poorly written your film is makes it well written right?

This is a vanity project on the part of Linton plain and simple. Honestly the amount of sexual scenes and scenes where Linton’s character is half naked is a little off putting, if she wasn’t the director I would say it was exploitative, but as it is her and she is putting herself constantly on display like this I would say it is just desperate. Everything from the needless over sexualisation to the glib narration, that seems to think it is far more clever than it actually is, just reeks of someone saying, ‘pay attention to me’, it is sad.
Moreover, Linton’s performance in her vanity project isn’t even good: which makes it all the more pathetic. Linton can’t seem to maintain an accent for more than five seconds at any time during this film, one minute she is trying to do an English accent, then Irish then American. Make up your mind and stop wasting my time.

Moreover, the film features Ed Westwick as the male lead who has been the subject of several sexual assault accusations, so the film has that going for it: though to be fair he has not been found guilty and a court has ruled in his favour.

Overall, one of the worst, most needless films I have seen in a long time. This film feels like it was written by a twelve-year-old who was just beginning their edgy phase.

Pros.

Really none.

Cons.

The rom com subplot is lame

This reeks of a vanity project for Linton

Linton repeatedly exposes herself in various different ways to a point that it could be called exploitation if it wasn’t her as the director

It steals from American Psycho and thinks its fine because they reference it

It is incredibly vapid, and the narration is dumb, having as much intelligence as a can of beans that has been set on fire.

0/5

Reviewed by Luke

The Family Fang: And You Thought Your Family Was Messed Up

The Family Fang is a comedy drama film directed by Jason Bateman. The plot follows the dysfunctional Fang Family as they are forced back together again, causing old issues to be readdressed. The parents of the family are performance artists who forced their children into a number of uncomfortable and awkward situations in service of their art and that has led to a hate-filled rift between the parents and the children. It is based on the novel of the same name by David Linday-Abaire.

This is Bateman’s second direction effort, he also co stars alongside Nicole Kidman, and it marks a very noticeable shift in his direction sensibilities. If you look at Bateman’s first effort Bad Words it is certainly an off colour, off key comedy film that feature dramatic elements, however it is still a comedy film first. Whereas this film is very much a drama film, with a few moments of darkly humorous relief, following this through into Ozarks you can see how Bateman is moving further and further away from traditional comedy, and is instead pushing into much darker territory.

It is with that in mind, that I advise you not to watch this film as a comedy film as that is a miscategorisation, but to understand and watch this film for the drama film it is. As a drama film this film is sublime, it examines parents and children and how the two are intertwined. Should everyone and anyone be a parent? When does it become self-serving? What can a parent do to a child and then ask for forgiveness for?

The performances from Bateman, Kidman and Christopher Walken are all terrific, they perfectly capture different elements of the broken family paradigm and reflect them outwardly. Walken particularly shines here as an antagonist, his character scenes with the kids are both heart-breaking and infuriating and strongly performed.

I find myself being reminded of Captain Fantastic

Overall, a very strong drama film miscategorised.

Pros.

The performances

The concept

The examination of the effects of parenting

Cons.

It is poorly paced

The ending doesn’t feel as satisfying as I would like

3.5/5

Reviewed by Luke

The Voices: A Human Body Takes A Surprisingly Large Amount Of Tupperware Containers To Hold

The Voices is a black comedy horror film directed by Marjane Satrapi. The film follows the life of Jerry Hickfang (Ryan Reynolds), a mild-mannered office worker who is just trying to live his best life. However, Jerry hears voices particularly the voices of his cat and his dog and sometimes these voices lead him astray, such as when they encourage him to become a serial killer.

I have tried to watch this film before but watching it this most recent time I decided that I would stick it out until the end. Now, before I get into it I just want to say that I know comedy is subjective and black comedy even more so, however this film was just a bit too much for me in two regards.

Firstly, the cringe, there are multiple scenes in this film that are crawl up into a ball and die kind of cringe. Any scene when Jerry is trying to hit on women is particularly bad cringe to a point where it made my whole-body cringe, I think they over did it a little bit.

Secondly, this film is depressing, and you will leave it feeling bummed up. I understand that this is a dark comedy about a morbid subject but damn, this film is hard to get through. It made me laugh once or twice but for the most part it just made me feel sad. Particularly the ending.

The performances from Reynolds, Gemma Arterton and Anna Kendrick are all okay, I cant fault the acting though I will say no one blew me away with their performance.

Overall, this may just come down to comedic sensibilities for me this film was a bit too much, you might disagree with me and think it is hilarious: comedy especially dark comedy is very hard to judge.

Pros.

The premise is interesting

The acting is okay

Cons,

The cringe is too much

It is depressing

It feels familiar

2/5

Reviewed by Luke