One Of Them Days: Yet More Stereotypical Black Women

A film chocked full of stereotypes.

This film would have been considered incredibly racist if it was directed by a nonblack person. Increasingly certain parts of cinema are defining a black woman as either wise and sage or like they are here, it is two separate stereotypes that are continuing to put these women in a box. The worst thing of all is that here these women couldn’t get anymore stereotypical unless they randomly broke out into jive every few minutes, and the writer of this project is herself a black woman, so she is perpetuating a racist stereotype against other black women.

The film itself is allergic to originality and is the same thing we have seen countless times before two sort of losers have to fix a problem, here it is getting rent money, and hijinks happen along the way. Again these hijinks further the stereotypes I was previously discussing as the two leads, played by Keke Palmer and SZA, constantly get into fights with various groups of people, which again feels like it is leaning into stereotypes.

None of the performances were very good either, I didn’t feel any warmth to any of the characters.

Overall, very much January fare.

0.5/5

Pros.

It is short

Cons.

It stereotypes black women

It is generic

It isn’t funny

It has pacing issues

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Merry Good Enough: Not Really Good Enough

Summary

A mother, Susan Gallagher, goes missing on Christmas.

So this is a holdover from my 2024 Christmas viewing season, as I am now writing about it in late January, it slipped through my net regarding posts to release and I had forgotten I had seen it for a while on top of that. That should say all we need to about the film leading in.

However, I imagine you want more. So basically this is a film about a mother who feels underappreciated and runs away both because she wants to escape her children but also because she wants to know they care. This bizarre dichotomy is made only the more strange by the fact that she does not live with her children so why does she need to escape them, one whom she quarrels with comes around every week but she still has the rest of her week to herself. Anyway logic aside.

The kids air family grievances and have to come to terms with the fact that there parents are not perfect people, a thing that most already know by their mid-teens, but hey these folks have to figure it out as adults as they are all clearly quite sheltered.

There is some charm and some relatability but ultimately you cannot form a bond with any of the characters as the writing is just so poor, they don’t feel like people but rather archetypes.

Overall, a fairly forgettable Christmas dramady.

2/5

Pros.

It is watchable

It has a few warm moments

Cons.

It is poorly paced

It is forgettable

The characters feel like characters

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A Real Life: This Is Why Folk Hate Americans Abroad

Summary

A guided tour of Poland takes a turn for the emotional.

This was a perfectly fine film, but I am left wondering how it was nominated for awards. In my estimation the only reason this got nominated for anything is because the awarding bodies, acutely aware that they have been demonising jews and Israel for the year need to do something to cover themselves in the face of antisemitism accusations, so they do this: much as a racist may remind you they have a black friend.

I thought narratively it was no great shake due to the fact that the reveal was obvious. We have seen the formula of successful friend of family member, here Eisenberg, meets with less successful or wash out friend of family member, here Culkin, for the latter to turn out to be on the verge of suicide or some form of trauma and for the former then have to give them a reason to live again. Film’s as different to this as The World’s End did this narrative.

Moreover, Culkin’s character which was supposed to be sympathetic just wasn’t. He seemed to be an awful person with few redeeming qualities, a perfect example of this is when he berates the guide for giving information. The others or his tour may well have wanted to hear it but because he didn’t he behaves unilaterally. The fact they have a scene later when the tour guide thanks him makes it all the worse, as this scene feels like it is there in order to excuse the character rather than how people would actually behave. There are not enough scenes where you feel warmth towards his character to make you feel anything when the truth about his trauma comes out.

Overall, I am a fan of Eisenburg and will always show up to his projects, however, the writing in this one was a little cliched and weak.

2.5/5

Pros.

There are some fun moments

It does have an emotional core, but that doesn’t make you empathise with the characters

The central duo have a believable familial friendship

Cons.

Culkin’s character is insufferable

The reveal is obvious

The supporting cast are wasted

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Wallace and Gromit Vengeance Most Fowl: Keep Out Of Yorkshire

Summary

Wallace, voiced by Benjamin Whitehead, and Gromit are back and this time they are dealing with smart technology.

So I like Aardman, and I think the studio is talented but I really think it depends on the project, for example all of the Wallace and Gromit films are good, as is Robin Robin and the first Chicken Run, however things like Early Man, The Netflix Chicken Run, Shaun The Sheep and their segment for the second season of Star Wars Visions are bad. It is a mixed bag.

With this film I would argue it is watchable and has its moments but isn’t as strong as any of the other film films in the series particularly Wererabbit. I just found the inciting incident to be a little bit gimmicky, the smart gnomes felt a bit like taking a franchise that felt like it was set in the past, by design and that added to it, and then forcing in modern tech in a desperate attempt to seem trendy.

Bringing back Feathers McGraw was a good decision and the ending fight atop a train bridge was a lot of fun, as was him escaping to Yorkshire. It was a joke that only certain people may have gotten but it landed for me, I would have liked to have seen more of him throughout the film rather than wasting so much time with the gnomes.

Overall, good but not a patch on Wererabbit

3/5

Pros.

It is watchable

There is still a charm there

The ending

Cons.

It wastes too much time

The smart gnome feels gimmicky

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Our Little Secret: Hide The Snow Lindsey Lohan Is Around

Summary

The woman who tried to abduct a Syrian child back in 2018 is back, look it up, as Lindsey Lohan continues her ill-fated string of Netflix Christmas releases.

This time around it follows a couple who broke up as one of them simply couldn’t move to London for a bit, and now they are with new people, and yet they run into each other at Christmas party and realise they are dating siblings in the same family. Hijinks ensue.

A lot of people have made fun of this film for the fact that everyone in it looks like they have been covered in fake tan in much the same way people used to get slimed at the Kids Choice Awards. However, the real issue is that Netflix was so cheap they used Lohan and Ian Harding, the film’s male lead, to play younger versions of themselves rather than hire younger actors and its horribly jarring.

The film lacks the charm of a Princess Switch and instead feels incredibly tame, even by Hallmark standards this film would be looked at as incredibly safe. The central romance feels off as well, chiefly the main thought I had during this film is that Lohan should just retire and enjoy her life like Cameron Diaz, what she is doing isn’t acting it is just her playing a safer and more Christian version of her character from the Parent Trap aged up.

Overall, Netflix has embarrassed themselves again.

1.5/5

Pros.

It is so bad it is funny at times

It is inoffensive

Cons.

It is slow

It is boring

The romance doesn’t work

Lindsey Lohan is miscast

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Dear Santa: Jack Black Goes Lame

Summary

The tamest adult comedy film ever.

So I was surprised to see the age rating of this film on Paramount Plus as I was sure that it was family friendly. It is a film about summoning the Devil, Jack Black, and it is about as scary and edgy as having an egg and cress sandwich that has an uneven number of pieces of cress on it.

They try to clear this up later by saying Black is not actually the Devil, rather a demon, but that still doesn’t explain in any way the tameness, honestly nothing even remotely adult happens and I have no idea how it got the rating it got.

Moreover, the ending which sees the couple’s dead kid resurrected as a result of a Christmas good deed granted by a demon, is all kinds of messed up. The religious stuff to one side for a moment, the idea that for any parents who may be watching that they can just wish their kid back is just cruel and it reminds them of their pain and loss and how in reality that won’t work. It just feels very much in bad taste.

Overall, a weak and disappointing Christmas comedy.

1.5/5

Pros.

It has one good laugh

It is short

Cons.

For the most part it isn’t funny

It is too tame

The ending is weird and uncomfortable

Black feels miscast

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Nutcrackers: The Season Begins In Earnest

Summary

Ben Stiller goes heartfelt for Christmas.

So David Gordon Green has been in a run of bad luck recently, the third Halloween Film, the first and last of his trilogy of Exorcist films and then this. This film does have some charm but reads a little like the more earnest comedies of about ten years ago mixed with Wes Anderson. In execution I would say it is derivative in intent but I would say that it doesn’t do it well enough to be even close to other similar films.

Honestly this is a film we have all seen too many times before, Ben Stiller plays an uncle called in to watch over his nephews after the death of their mother. It is only supposed to be for a few days until they find them a home, but can you guess what folks? He never leaves. Who could have guessed that. The fact of the matter is the film sets up Stiller’s character as this workaholic who lives for his job and yet he is all too quick to just give it up later in the film when they move in a different direction, this workaholic doesn’t even fight for it.

I think my major issue with the film is that the emotion just doesn’t feel genuine at any point. It feels insincere and in a film like this that is important.

Overall, it is clear what they were going for but it just didn’t stick the landing.

2/5

Pros.

It tries to be earnest

It does have a couple of sweet moments

Cons.

The emotion doesn’t feel real

It has pacing issues

The character motivations are bad

It has been done before

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Only Murders Season Four Overview

Summary

We are back for yet another season.

By no means do I think this season of Only Murders is bad, it is still very watchable. However, there is an unmistakable whiff of decay coming off it, what I mean by that is the first two seasons felt relevant and necessary, the third felt like a sort of sendoff, the fourth almost feels like a needless parody of the show itself.

I think the big issue with this season was the fact that the mystery doesn’t make a whole lot of sense, it basically boils down to most of the season being a misdirection relating to a guy who killed himself and hid it to avoid having his friends get kicked out of rent controlled apartments, and then in the final moments of the penultimate episode they just reveal who the killer is. It feels like the misdirection sub plot gets far too much time for how important it actually is to the murder mystery.

There are some worthwhile moments such as Charles’s, Steve Martin, sub plot regarding him coming to terms with the murder of a close personal friend of his. Or the inclusion of the actors playing the central trio who do make for good comedic foils for them.

Overall, whilst there is still some good here it does feel as though it is being kept going for the sake of it at this point.

3/5

Pros.

The Charles sub plot

The actors

It is still very watchable

Cons.

It feels like it has gone on for too long

The misdirection is too much

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Rick And Morty Season 7 Season Overview

Summary

Rick and Morty matures.

After the end of season 6 I had taken somewhat of a break from the show, and so returning now I didn’t know quite what to expect especially with a new voice actors.

However, I found it to be far more of a meditative and contemplative of a season than I was expecting it to be. What I notice was a more overt shift in Rick’s character, he cares more about his family than ever before, this season really feels very therapeutic for Rick as a character.

I found the wrapping up of the prime Rick storyline to be interesting, I am glad they didn’t drag it out. I thought bringing back evil Morty in more positive role was an interesting choice I am surprised they went there, however, after seeing it I am glad they did.

Another thing I noticed is that this season has a number of one off episodes yet they feel from connected to the other episodes, there is not this question, this battle between continuity random silly fun to wed here in a much more fluid way. I think this is reflective of the writing evolving with the show.

This season certainly brought me back to the fold, however, I would say that it was surprisingly sparse on things for the wider family and side characters to do, it was a very Rick and Morty season. Whilst I like the focus being on these two I do also like to see the family developed and explored so that was missed.

Overall, a solid season with good character work

4/5

Pros.

Rick

Morty

Blending continuity with serialization

The more mature themes

Cons.

A lack of family centered episodes

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Velma: Mindy Kaling’s Career Just Won’t Die

Summary

Velma, voiced by Mindy Kailing, cannot do us all a favour and die and so has to come back as a snarky and thoroughly unlikeable ghost.

Bitter is the word I would use to describe this special, bitter was a word that encapsulated the whole of Velma’s run. Now I know that it was possible but unlikely that win they filmed this they knew it had been cancelled, but it feels as though this special is aware of its cancellation and wants to get in as many jabs as it can in order to settle scores.

We get a repeat of all of Kailing’s classic lines, such as how she fetishes white guys whilst also having all her characters be super liberal and hate them. She is quirky and insecure yet demands to be the centre of attention all the time. Finally who could forget making the whole affair as sordid and needlessly unpleasant just for the hell of it. It was always clear that Kailing and co had no respect for the source material when they made this show but once again we get that point hammered home for us.

Does this special serve as a fitting end for the series? No, ultimately it chooses to go out flipping everyone, audience included, off one last time rather than trying to set out any meaningful closure for the characters or hint at somethings yet to come.

Overall, this special was just as hateful as you would expect. All I can say is at least it is over now

0/5

Pros.

None

Cons.

It shouldn’t exist

It is hateful

It doesn’t offer an ending or any kind of closure

It is obnoxious

It is unfunny

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