Fool’s Paradise: Mocking The Disabled And Using Sexual Assault As A Punchline

Summary

Charlie Day plays a modern day version of a Charlie Chaplin character

There was a lot wrong with this film. In many ways it felt like the sort of film that Adam Sandler would put out say a decade ago, crude, stupid and very mean spirited. There is perhaps an assumption on Day’s part that because he is playing the character that is the butt of the joke and he is the one that put the film together then it makes it okay and less mean spirited, but I disagree.

The plot wants you to be entertained by, and find funny, the mistakes and misunderstandings of someone who clearly has learning difficulties, the film even clearly states that this man has the mind of a child. So right off the bat this film feels like it is mocking the disabled, but it gets worse, there are a number of scenes where this character is sexually assaulted and it is played for laughs. At no point across the film does this character show any knowledge of what sex is let alone a form of consent, yet these female characters force him into performing and that is supposed to be funny. It is seriously messed up and damaging.

It is a shame the film ends up in such a puerile place as it does have some good celebrity cameos, said cameos often steal the show and are funnier than anything else happening on screen. In terms of pacing a lot of these cameos are clustered together rather than being peppered in throughout the film which leads to them going a bit underappreciated as you don’t really have time to notice them all.

Overall, a horrible film that belongs in the bin of history.

1.5/5

Pros.

The cameos

A few funny jokes

Cons.

It makes fun of someone who clearly has disabilities

It features frequent sexual assaults and frame them as funny jokes

It is toxic

The cameos are not spread out well within the film

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, the ability for you to pick what I review next, bespoke film recommendation to fit you as a person and full access to my Patreon exclusive game reviews. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

Hypnotic: Ben Affleck Has A Terrible Agent

Written by Luke Barnes

Summary

Ben Affleck has mind powers and they are so good he has forgotten about them.

What happened to Robert Rodriguez? Honestly once upon a time he was my favourite director and I would rush out for each of his films opening weekend, but now he is just making fairly subpar family films and stuff like this.

I will admit the idea of Ben Affleck trying to find his lost daughter going up against a cult of people with mind control abilities is genuinely interesting and if the film had stuck to the that then maybe this review would be different. However, the film seems to want to compete with the mind games of a Nolan film and adds in twist after twist to such a point that any shred of promise is wasted and the film becomes incomprehensible. This film wants so badly to be a Nolan esque film but it just doesn’t have a smart enough script for it.

The ending is also incredibly terrible and feels like the most convenient writing I have ever seen in recent cinema. The ending makes no sense, but everything after the first half an hour is like that, and also tries to go for a happy ending even though nothing in the tone of the film or the narrative suggests that to be appropriate.

Ben Affleck is doing his usual moody dad routine, and that worked for me here and I think it fit the character well, better than it did in some of his other recent work. The acting is all fine, no one particularly sticks out for good or for bad.

Overall, if this is the quality of his contemporary output Robert Rodriguez should retire.

2.5/5

Pros.

The premise is sound

Affleck fits the role

It is watchable

Cons.

It is a stupid film that thinks it is an intelligent one

It makes no sense

The ending is truly awful

https://www.patreon.com/AnotherMillennialReviewer

The Book Club The Next Chapter: The Sequel No One Needed

Written by Luke Barnes

Summary

A group of old friends head to Italy for a bachelorette party.

I was in two minds about watching this film at all, the first was fairly abysmal and was nothing other than a cynical ploy to cash in on the Fifty Shades fad that was popular when the film was greenlit. However, I must say that this film faired better than the first and was watchable and even charming at times, now there were some pretty big issues with the film don’t get me wrong but it was at least more passable than the first film.

In a sense I applaud this film for trying to be a sex comedy film at times with older women. Within the landscape and our broader culture old women are far too often seen as sexless and grandmotherly ceasing to have needs of their own, so it was nice that this film tried to address that. Although it must be said that it does so with the grace of a wrecking ball, and rather than have a mature conversation about the sexuality of older women the film instead just crams as many groan inducing, in a bad way, sex jokes as it can into its runtime. It just feels a little juvenile, though it must be said it is handled with more class than something that Al Pacino or Robert De Niro would do wherein they would be doing gross physical comedy as well.

Something that hit me early on with the film and that opened things on a sour note was how much this film is a covid film. By that I mean that this film within the first few minutes must have mentioned covid at least twenty times, and again I feel like this is done as when the film was being made the pandemic was a big news item, however, now upon release it just serves to date the film.

Both of those issues exist alongside the various technical issues that plague this film such as convenient writing, a generic plot, pacing issues and over sentimentality, but you would expect those sort of issues with a film of this nature so I won’t spend time addressing each in turn, just trust me they are there.

Overall, hopefully this is a closed book now.

2/5

Pros

It is watchable

It opens a much needed conversation on the taboo of older female sexuality within media

Cons

It turns an important conversation into a series of sex jokes that are never funny

It is generic, dull and at times the pacing is trying

The reminder of the pandemic

https://www.patreon.com/AnotherMillennialReviewer

iCarly: iBuckled

Written by Luke Barnes

Summary

Carly, played by Miranda Cosgrove, finally comes to terms with her feelings for Freddie, played by Nathan Kress.

Yes folks they are finally doing it, after constant hints since the revival the show looks set to soon make Carly and Freddie a couple, or will it? I think this can go one of two ways either they get them together soon and have the awkward nature of their romance play out this season, which is what I want, or they drag it out throughout the whole season, which I think after all the hints in the second season would just be irritating.

This episode on the whole was a fairly mixed bag, I liked a lot of the Carly/ Freddie stuff and the jokes therein, I thought there was a number of laugh out loud moments towards the end of the episode, but I also thought there were a number of really awkward and cringe moments in the episode as well. The whole reality show sequence is bad and it makes no sense that Pearl, played by Mia Serafino, would just sit there as everyone is talking about how Freddie and Carly should get together.

The subplot about Freddie’s mm getting engaged was fine, but honestly when thinking about the episode I barely remember the subplot at all that’s how forgettable it was.

Overall, it is nice to see Carly and Freddie finally seem as though they are getting together.

3.5/5

Pros.

Carly and Freddie

A number of good jokes

Josh Peck shines

The ending

Cons.

The teasing and the will they wont they stuff

Some cringe moments

https://www.patreon.com/AnotherMillennialReviewer

Across The Spider-Verse: Spider-People Overkill

Written by Luke Barnes

Summary

Miles Morales returns to the Spider-Verse.

I was very excited for this film going in, but have to say I was a little disappointed with what we got.

First the positives, I thought the character work was great particularly as it applied to parent child dynamics and the idea of finding a home/family, in this regard the film really nailed some deep emotional scenes that were genuinely moving. I also liked the addition of all the new Spider-People especially Spider-Man India, I did think they went a little cameo mad especially when they got to the clubhouse near the end of the film, but for the most part I liked seeing all the different variants I remember from the comics. Of course another pro of the film was the animation, which was incredible and a real feat to behold, the fact that the animators were able to blend so many different styles of animation so seamlessly together in one film highlights the artistry of Sony Animation and is really a big boon for them.

Now despite all of that, this wasn’t a perfect film. I disliked the act structure and thought it felt like one of the Hobbit films, this was mainly due to the fact that it didn’t have an ending or third act but rather one long second act that will then lead into the next film. I understand this film was written to end on a cliff-hanger, but I think that it could have had a degree of resolution within its own narrative as well as doing this rather than just abruptly cutting away. Due to this structure decision the film feels like it has quite bad pacing issues. I also didn’t like what they did to Miguel O’Hara, and admittedly this one hit me harder than most as outside of Peter Parker Miguel O’Hara is my favourite other spider-person, I think making him a villain was a bad call. I understand that in the third film it will be revealed that he was taking orders from/ coerced to work for Morlun and the Inheritors and he will redeem himself, but I just think that by making him so outwardly villainous here it takes away from a lot of his heroic potential in the future.

3.5/5

Pros.

Spider-Man India

Miles

The animation

The emotional beats

Cons.

The pacing issues

The ending

https://www.patreon.com/AnotherMillennialReviewer

Ted Lasso: Season 3 Overview

Written by Luke Barnes

Summary

The friendly American football coach, played by Jason Sudeikis, goes home.

The final season of a much beloved show like Ted Lasso was always going to be sad and this was sad but it was also disappointing. As the credits rolled on the final episode of the third season I released that in a sense the show had peaked with the second season and maybe should have ended there.

Though I enjoyed most of the character work this season did, and the endings that most of the characters got, I also thought that at times it was overly indulgent. By that I mean it would go to a place of being overly sentimental, it would spend vast sections of episodes dedicated to the fate of a very minor character in the scheme of things and yes whilst it may have been well done it felt like filler as the actual story of the season was relatively short.

Moreover, the decision to make Ted sad, which really was a second season development, came back to hurt the show as it could no longer really pull off the quaint small town charm and positivity that had worked in the first season so well. Giving the character depth and complexity was a good thing and I am not saying he should have stayed a one note caricature but I think they took Ted’s sadness too far, so much so that it gives the third season a real sense of heaviness that sits within until its closing moments.

Overall, the third season was still good don’t get me wrong, but it was a noticeable step back from the other seasons and clearly evidenced at times the need for the show to end as it was becoming long in the tooth.

3/5

Pros.

It does some good character work

It has a number of sweet moments

It has some of the same charm as the earlier seasons/

Cons.

It is overly sentimental at times to the point of feeling indulgent

There is a lot of what can only be described as filler

https://www.patreon.com/AnotherMillennialReviewer

Reality: The US’s Further Edging Towards Fascism

Written by Luke Barnes

Summary

The story of Reality Winner, here played by Sydney Sweeny, and her arrest.

This film made me angry. It so perfectly points out and captures the American hypocrisy with their love affair with free speech only ever extending out to what they agree with. I think the film wants you to be angry at what happened to Reality, who at the end of the day was leaking information that was in the public good, not selling nuclear secrets to the North Koreans.

It is a thoroughly uncomfortable watch from start to finish as the film ramps up the tension and the claustrophobic nature of the raid. You like Reality within the film feel the walls closing in and increasing escalation.

Sweeny is terrific here and really gives a layered and nuanced performance, I think there is something so heart breaking about the fact that her life is over essentially and she just wants to make sure her animals are okay. Perhaps it is because I am not American and am fairly detached from their news cycle, but this film made me feel bad for Winner in real life and think that the US government want to bully their own citizens into maintaining this image of them being infallible when that just isn’t true.

Overall, this is a great anti-US protest peace illustrating the US’s increasing slip into being an authoritarian fundamentalist nightmare.

4/5

Pros.

Sweeny

The tension

The emotion

The core of the story and the message it has

Cons.

It is unpleasant to watch at times

https://www.patreon.com/AnotherMillennialReviewer

Star Wars Visions: The Bandits Of Golak

Written by Luke Barnes

Summary

A brother and sister duo try to escape Imperials and Inquisitors whilst fleeing the Galactic Civil War.

There isn’t a whole lot wrong with this episode, it has some okay action and at times knows how to use its tension, but I think that is just it, this is an episode of half measures it is fine but doesn’t push for more than that.

I think the major issue with this episode is that the plot idea has been done before and done better, not the exact same plot but the idea of force sensitives having to run away from the Empire whilst being hunted down and having to make sacrifices to go into hiding. I feel like I have seen the episode so many times before in different areas of Star Wars media and for me that is a problem.

I also think that it is time to stop having all these survivors of Order 66 as it totally ruins the moment within the lore. Order 66 was impactful as it killed off most of the Jedis, it was a big deal, to have more and more of them surviving just takes away from it. Before you say it I know this show isn’t cannon, but I just wanted to say as it plays a role in the narrative of the episode that it is a plot crutch I am not enjoying from current year Star Wars. If they want to have more Jedi they could establish that there was a temple of some kind in the Outer Rim or beyond that was a splinter group from the main order and which didn’t get involved in the Galactic Civil War for whatever reason. That way you can have more new Jedi’s pop up without the question being where were they in the original trilogy.

Overall, a fine episode if one that felt very, very familiar.

2/5

Pros.

The action was okay

It was watchable

Cons.

The lazy plot crutch of another surviving Jedi

I feel like I have seen it before

The emotions weren’t developed enough to be impactful

https://www.patreon.com/AnotherMillennialReviewer

Rabbit Hole: Season Overview

Written by Luke Barnes

Summary

Kiefer Sutherland finds his post 24 hit, in a paranoid thriller series all about narratives and optics.

I was taken by this show from the first episode, it is an immediate hook kind of show. The twists and turns are numerous and frequent and you never quite know what is going to happen next, the show pushes this further by playing around with the idea of unreliable narration and suggesting that we cannot trust what our eyes are showing us.

The themes and ideas of the series such as the ability to shape optics and media narratives and how the right line or even posture can greatly change the outcome of an event feel very timely within the current climate, and should give food for thought to us all.

I think the show wraps up quite nicely and doesn’t need to come back, though they do tease more in the final episode. In many senses if they left it here it would be a near perfect mini-series. My only issue with the show is the romance they force into between Kiefer and one of his associates which feels a little gross, as she is much younger than him, and also needless and unbelievable.

Overall, a good replacement for Homeland

4/5

Pros.

The tension

The twists

The timely nature of it

Sutherland

Cons.

The forced romance

https://www.patreon.com/AnotherMillennialReviewer

The Little Mermaid: The Opening Salvo Of The Summer Movie Season

Written by Luke Barnes

Summary

The Little Mermaid gets the live action remake treatment.

So I went into this with pretty low expectations and thinking it wasn’t really going to be my sort of thing but I ended up enjoying it a lot more than I thought I would. I will preface this review by saying that I haven’t seen the animated original so I wasn’t attached to one version of this story.

I want to say right off the bat that Halle Bailey is a great Ariel and really helps the character to feel likeable and rounded in a live action format. On top of that she also has a very believable and strong romantic chemistry with the male lead, played by Jonah Hauer-King, which helps the film to really work as a date movie. Bailey of course also has a great singing voice and pulls off all the songs truly very well, or as well as can be done with the woeful new songs.

However, the strong cast doesn’t extend across the board Awkwafina is terribly miscast as Scuttle and has a groan inducing rap sequence that also doubles as one of the terrible new songs I mentioned earlier. It is such as a shame the film felt the need to introduce a few new songs as the old ones are still great and are what the audience want, but hey they have to have new songs to try and enter them into awards races later in the year. Awkwafina’s miscasting is somewhat offset by Daveed Diggs as Sebastian who is damn near perfect casting and who makes that Crab the stand out character of the whole film, bring on the Sebastian Disney + show I say.

A final point I want to flag up is that the effects and pacing of this film are both noticeably off and that on a technical level these things hold back the film. The underwater effects look bad and unfinished and I know Disney has bad relations with effect houses but they clearly needed to fix this if they want to improve their CGI, because at times the CGI hear was shocking, especially compared to what The Way of The Water was doing at the end of last year. Moreover, the extra story for Eric and a few other characters is nice but it really doesn’t need the film to be an extra half an hour longer than the original, at the length it is being shown at this film has a second act that drags by at a glacial pace.

Overall, a better live action remake than most of Disney’s others

3.5/5

Bailey

The classic songs

The romance

Digg’s Sebastian

Cons.

The effects and pacing

Awkwafina

The new songs

https://www.patreon.com/AnotherMillennialReviewer