Jack Reacher: Closer To The Real Tom Cruise

Jack Reacher Never Go Back is an action film directed by Edward Zwick, based on the novel series by Lee Child. The plot this time around sees Jack Reacher (Tom Cruise), become wanted for murder after a military contractor betrays his employer. Furthermore, a young woman called Samantha (Danika Yarosh), appears on the scene who has a personal connection to Reacher thereby making her a target.

This film is just plain boring, there is no other way to describe it. The coolest bit of the film is the dinner fight scene in the first five minutes after that it quickly plunges off a cliff, do yourself a favour and turn this off after the five-minute mark.

The action is all very humdrum nothing special or memorable as we have come to expect of Cruise in recent years, all the stunts and fight scenes seem very tame and safe and fail to illicit anything more than an uninterested shrug from you.

Cruise’s performance here lacks all of the charm that made the first film so good, the character seems aloof at best and cold and almost sociopathic at worst. The character is given an emotional journey, but he seems no different at the end to how he was at the start. It is very underwhelming.

Overall, deeply generic, and not worth your time.

Pros.

Cobie Smulders has a very good scenes, sadly she is wasted for the rest of the film

Cons.

It has been done better before

The action is not exciting

Cruise seems bored

The film is badly paced, and you lose interest quickly

0.5/5

Reviewed by Luke

Bad Boys: Cars Need Cupholders

Bad Boys is a buddy cop action film directed by Michael Bay. The plot follows two Miami police detectives as they get wrapped up in a narcotics investigation that threatens them on both a personal and professional level.

Before watching this, the only Bad Boys film I had seen was the most recent entry For Life, however watching this film actually made me like that less. That is not to say this is a bad film quite the opposite to be truthful with you, watching this allowed me to see how all the jokes and other elements I liked in For Life where actually just repeated from this film; the unoriginality is staggering.

Say what you want about Bay, as a director he was at this prime in the 90s and this film proves that. This is everything you would want from a buddy cop action film, explosions, laughs, catchphrases…. well maybe not everything; this is no Lethal Weapon after all, but there is enough there to keep you entertained.

Will Smith and Martin Lawrence have a great comedic back and forth, no Gibson and Glover but few can aspire to that level of greatness. I think this film manages to nail the tone perfectly between silly and serious as it can by its nature go from a jokey scene between the partners to them witnessing an important death that still feels resonantly impactful, without being jarring in the transition.

Overall, is this as good as Lethal Weapon no, no it is not, but it is definitely on the high end of the buddy cop scale, there is a lot to love here as long as you aren’t too demanding. Smith and Lawrence are electric together on screen.

Pros

The humour

The switch in switch out tone

Smith and Lawrence

Cons.

Some of it is a little cliched

It is not as funny as it thinks it is.

3/5

Reviewed by Luke

The Highwaymen: Old Men Can’t Climb Fences

The Highwaymen is a period crime drama film directed by John Lee Hancock. The plot details the man hunt for the infamous bank robbing duo Bonny and Clyde from the point of view of the two Texas Rangers who were tasked with brining them down.

If you like crime drama films, as I do, then you will find some enjoyment here. The story of the final days of Bonny and Clyde is not one that has been overexposed in films before and there is something to explore there.

However, yes there was a but coming to that praise, these moments only take up maybe 30% of the film. The film seems to think that the narrative as a whole and its take on it, are both far deeper then they actually are. There are many lines peppered in throughout the film that are clearly supposed to make you think ‘hey this is a deep film, with some things to say about the world’, though instead they just come across as obvious and trite.

Moreover, there is no reason this film is on for over 2 hours, it comes across as unnecessarily arduous, with the slow pace only serving to ruin the film in the long run.

Overall, though the acting from Harrelson and Costner is okay and the shootouts are more than just basic set pieces, this film is not an easy watch as the pace and self-importance force you to lose interest quicky.

Pros.

The acting

The ending

Having the set pieces matter in narrative rather than just being things that happen.

Cons.

It is painfully shallow

It is incredibly slow

It is poorly paced, and that is what kills it.

2/5

Reviewed by Luke

Instant Family: Wahlberg Is On His Best Behavior

Instant Family is a comedy drama film directed by Sean Anders. The film follows a couple, Pete, and Ellie, (Mark Wahlberg and Rose Byrne), who decide to adopt three kids. The film follows the life of the new family and explores what the word family really means.

Right off the bat I will say that you have seen this before, the storyline has been mined for all it is worth and you know exactly what is coming right from the first minute: it is insanely predictable. However, despite this the film still manages to nail its core emotional beats and as such you become invested in the story and the lives of these characters: the final showdown in the court room is rather moving.

You can see that Wahlberg is struggling to deviate from his tough guy persona here, unlike Byrne he struggles more with the emotional scenes and is less believable as a result. However, he does have a few good moments that warm the heart, such as the scene he scares with teenage wild card Lizzy (Isabela Moner), when they smash things up together.

With that in mind I would say Moner is the star of the show here, she nails both the comedy and the heart and hers is the character that feels the most realised and explored. Moner brings more to the role that just the usual teenage moodiness and actually makes the character compelling, even managing to upstage Wahlberg and Byrne at times.

Overall, though this film is nothing new its huge heart is enough to win you over.

Pros.

The heart

The ending

Isabela Moner

Cons.

Wahlberg feels out of place

It is very obvious and predictable

3/5

Reviewed by Luke

Blithe Spirit: Move, Change Your Number, Die, You Can Never Really Escape Your Ex

Blithe Spirt is a comedy film directed by Edward Hall. The plot follows author/ screen writer Charles Condomine (Dan Stevens) who after performing a mocking séance accidentally brings back his dead first wife Elvira (Leslie Mann), much to the chagrin of his current wife Ruth (Isla Fisher). The three have to find a way to live with each other.

I had been looking forward to this film for a long time, and when I saw it, it met my expectations. The main strength of this film is its charm, all of the character have moments that make you laugh and cheer, which work mainly because of the overwhelming charm of the film.

The humour was not laugh out loud funny, but it did have me smiling consistently throughout. I enjoyed the premise and thought that the idea was quite ingenious, I also thought the rules came up with for ghosts and how they could and couldn’t interact with the living were fascinating.

Furthermore, I thought Dan Stevens was a perfectly fine lead but that he was outdone at every turn by Mann and Fisher, really this was there movie. I loved the interplay between the characters, even though by the logic of the film one cant see the other, I thought the actors had great chemistry and whenever the two shared a scene together I thought it popped fantastically.

Overall, an entertaining good time.

Pros.

Mann

Fisher

The premise and the execution

The world and the rules of the ghosts and the afterlife

Cons.

Judi Dench was underused

It wasn’t funny

3/5

Reviewed by Luke

Storage 24: Then There Were Aliens

Storage 24 is a British science fiction horror film directed by Johannes Roberts. The plot sees recently single Charlie (Noel Clarke),as he goes to the storage unit he used to share with his ex-girlfriend Shelly (Antonia Campbell-Hughes) to collect his belonging. Whilst these not only is there an awkward reunion between the ex-lovers, but there is also an alien hunting them down.

When someone says cheap British horror this is the first film that comes into my head, and I don’t mean that in a good way. It looks awful and having one setting is not inherently a bad thing but when you do nothing with it and you make it become repetitive then it is.

The only pro I have for this film is the creature design looks good. It is not until late into the film that we get a good look at the creature, but when we do it is impressive to behold, it looks like a cross between the creature from the black lagoon and an elder god.

The acting is very average, the actors are good, (at least Noel Clarke and Laura Haddock are), but here they are given nothing to do, they are just going through the motions, none of them convincing, for about an hour and a half before a ridiculous ending.

Overall, this is so generic it is almost painful.

Pros.

The creature the design

The ending is so bad it is almost laughably good

Cons.

The performances aren’t good or convincing

The setting is repetitive and underused

The premise is dumb and ridiculous

It is predictable

1/5

Reviewed by Luke

The Call: Who Lived In Your House Before You

The Call is a South Korean thriller film directed by Lee Chung-hyun. The plot revolves around two girls who live in the same house decades apart and who communicate with each other through a phone line. Through these conversations they manage to change the past and the future, however it comes with a cost

This film has one of the strangest tones I have ever seen, I don’t know if this is a feature of South Korean cinema and if it is then this comes down to my own ignorance, but I think it is just poorly done. There are moments in this film that are clearly trying to be scary and menacing, however, moments later their will be a joke, or a quirky line and it will destroy any of the tension in the scene.

The performances are okay, again nothing to write home about. They are believable enough, yet they don’t have any standout moments, in the history of horror/thriller movie protagonists they are just yet another forgettable face.

The film as a whole seems a little overfamiliar as well. Clearly, this film has been inspired by Japanese horror hits of the last 20 years though it can’t hope to replicate their eeriness. The film is based on a British, Puerto Rican film called The Caller, and that film also seems derivative.

Overall, the tonal inconsistencies ruin this film and stop it from ever being scary.

Pros.

It has a few scary moments.

Cons.

These are ruined by an inconsistent tone

The leads are forgettable

It does not make any sense

It feels overly familiar

1/5

Reviewed by Luke

Green Book: Driving Don Shirley

Green Book is a comedy drama buddy film directed by Peter Farrelly based on the real-life friendship of jazz pianist Don Shirley (here played by Mahershala Ali), and bouncer Tony Lip (here played by Viggo Mortenson). The film covers their initial meeting, and how through a tour of the American South the two bonded and effected each other’s lives.

Best picture winner? No. Good film? Yes. So, I went into this film expecting it to be very, very good considering the awards it has won and it is good there is no doubt about it, but it is not Best Picture good.

My main issue with this film is that it is often a bit too overly sentimental. Emotion within film is a fine thing, there are times when this film gets its emotional tone just right and the scenes feel weighty and important without feeling overdone, but there are also times when the emotional beats are just a little too much, a little forced and in those instances they feel cringey.

The friendship between these two characters is the crux of the film, and in that regard I can say that this film is a smashing success. Both Done Shirly and Tony Lip feel like well rounded and fleshed out characters, and the friendship between the two feels explored and nuanced; it is nice and heart warming to see this friendship feel like it is organically growing over the course of the film rather than feel forced.

Mortenson and Ali are both terrific and both have many dramatic scenes were they shine, and also a few comedic ones too, though Ali steals the show in those.

Overall, a nice heart-warming film that reminds you of the power of humanity and friendship, though it should not have won Best Picture.

Pros.

The friendship

The characters

The emotional journey

Good heart and a few laughs

Cons.

Sometimes feels a bit too overly sentimental

4/5

Reviewed by Luke

The Girl In The Spiders Web: Can The Spider Hurry Up

The Girl In The Spiders Web is a thriller film directed by Fede Alvarez based on the Millennium book series written by David Lagercrantz. The plot sees Lisbeth Salander (Claire Foy), as she battles against a mysterious criminal organisation that has ties to her past.

I understand this property is well respected, the book this film is based on is held in high esteem: I have not read it myself so I can’t say, but what I will say is if the plot of this film is any indication for the story and plot of the books they had been vastly over credited.

There was nothing here that I had not seen done better before elsewhere. Most of the twists and turns were painfully apparent from the get-go, and quite frankly I was bored watching it: there were big stretches within this film when I was desperately hoping for something interesting to happen, but it never did.

Foy is fine, is fine she has been a lot better elsewhere, but she is not out right terrible. The acting front much like everything else in this film is very meh, the one good performance and it is more a result of a styling and costume rather than actual acting is Claes Bang, as a villainous enforcer who has a great presences and a few interesting action moments.

Overall, deeply underwhelming.

Pros.

Claes Bang

Cons.

The performances are average

The script is boring and lazy

The plot is predictable

The action is fairly weak and run of the mill

1/5

Reviewed by Luke

Are We There Yet: You Have To Be Super Human To Look After Kids, Literally

Are We There Yet is a comedy film directed by Brian Levant. The plot follows Nick Persons (Ice Cube), a man who has to drive the kids of the woman he wants to date across country: the twist is that these kids hate all the men their mum dates and actively try and sabotage him.

Ice Cube as an actor in my opinion is a mixed bag, sometimes he can be great other times he can be awful, see the Ride Along movies for proof of the latter. However, this may be my favourite performance from him yet. He plays Nick with all of this usual attitude and toughness but shows enough warmth and heart to make the kids and us the audience fall in love with him as well. I dare you to not tear up during the scene when he is saying goodbye to the kids.

The humour of the film was more hit than miss for me. Not every single one of the jokes made me laugh, but more than a few did. Ice Cube had some great moments such as the horse scene that are hilarious, and Tracy Morgan as the talking bobble head also had a number of funny moments.

Overall, I found this film to be far more charming than I thought it was going to be, it made me laugh, it made me cry and it impressed me by not having insufferable child performances.

Pros.

The heart

The humour

Ice Cube

Tracy Morgan

Cons.

A bit too reliant on slapstick comedy

4/5

Reviewed by Luke