Summary
The slasher film is defiled.
This film reads as being made by someone who hates slasher films. They don’t just hate them they have no respect for what they are or for those who like them. In this person’s opinion they need to be deconstructed and remade. This film lazily clings to slasher tropes whilst hating slashers with every fibre of its being.
It lacks the comedic campy charm of a slasher film, instead it tries for the pretentious air of an art house film but it fails to be anything more than puddle deep. This film thinks to reinvent the slasher genre by taking away any of the fun or joy of it and replacing it instead with long drawn out shots of someone walking, and I mean long scenes of walking. It’s solution to re-invent the slasher it appears is to make it boring.
Not only that but the traditional teens and silly young people that would make good fodder for our slashers and now replaced with clear adults who possess no charm and can barely act. These characters are at best grown worthy, with there being several scenes such as cancel culture’s not real and an incredibly unrealistic awkward and forced lesbian romance that came out of nowhere because it’s 2024 and we need that, these scenes make you realise that the writer lacks talent.
This film quite clearly thinks it’s more than it is, it is an example of everything wrong with art house cinema, a sad waste of talent and a film few will like.
Overall, a terrible charmless affair, that is cringey at best and dull at worst.
1/5
Pros.
It has one good kill
Cons.
The characters are awful
It is boring
There is no fun to be had
It has pacing issues
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