Puss In Boots The Last Witch: Don’t Fear The Reaper Fight Him

Written by Luke Barnes

Summary

Puss In Boots, voiced by Antonio Banderas, is back after a long wait and is facing the end of his life, is retirement on the cards or one last tale of glory?

I was very pleasantly surprised by this film, the first Puss In Boots was very much meh and on the duller side of meh at that and lived firmly in the shadow of Shrek. However, this film has so much going for it, whether it is the genuinely quite stunning at times animation, or the character of the Wolf/Death, voiced by Wagner Moura, who is downright menacing and is also a fantastic on-screen presence.

I thought the story did justify the need to come back and revisit these characters and that the tale on the whole was surprisingly mature and sombre, it was a reflection on life, love and making the most out of the time you have left. The ending was basically just a massive tag for Shrek 5 Now With Teenager Ogres, and though I should be angrier about how blatantly this is done I think I am fine with it.

The main area where for me this film let itself down is with the supporting cast, they bring back Selma Hayek as Kitty Softpaws, Puss’s partner in crime and love interest, but they give her little new to do and that is without getting into Florence Pugh’s Goldie and the massively wasted opportunity that was. In my mind a lot of the backstory and dynamic between Goldie and her Bear family was most likely left on the cutting room floor and that is a shame, no one would begrudge this film being a few minutes longer.   

Overall, a surprisingly needed sequel that does some really interesting things with its animation.

4/5

Pros.

Death

The surprisingly adult tone

Puss’s arc and journey throughout the film

The ending

Cons.

The side characters are wasted

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Star Wars The Bad Batch: Spoils Of War

Written by Luke Barnes

Summary

Clone Force 99 are back with a mission that sees them return to the base of the infamous Count Dooku.

I enjoyed this episode through a nostalgic lens as it showed us Dooku’s castle from Clone Wars in a way it had never really been presented to us before and we saw new depths and layers to it.

I also liked the fact the Clones are talking about doing more and joining in more formally with the Rebellions efforts, I think in many senses this is the show setting things up for later in the season, but it is an interesting tease as it could go in so many different ways and could end up in a return of some of our favourite characters.

My criticism of this episode would come from the fact that it was a little slow, the action side of things definitely favours the part two of this two parter, but that is not to say that this episode is boring as things do happen just not as many as you would like.

Overall, a solid start to the season that opens a number of interesting doors.

3/5

Pros.

Talking about being involved in the wider Rebellion and teasing things to come

The return to Dooku’s castle

It is good to see the characters back in action

Cons.

It is a little slow at times and the action is a thin

There is some pacing issues with the episode as the relatively short runtime turns into a slog

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The Pale Blue Eye: Satan Riding Large In Rural New York

Written by Luke Barnes

Summary

A man, played by Christian Bale, investigating a string of grisly murders finds unlikely assistance from a young Edgar Allen Poe, played by Harry Melling.

There is plenty to enjoy about this gothic mystery film though I don’t think anyone would call it perfect by any means either. The atmosphere and central two lead performances certainly create an engaging world, and Bale as always delivers masterfully, however it is with the mystery that things begin to come unstuck.

The mystery itself is not bad, I didn’t see it coming and the twist did feel satisfying at the time it was revealed, however, since then the twist has started to feel far too familiar it is a twist common to this sort of film and narrative and though it does work within the context of the film I criticise it for its over familiarity.

Moreover, I think as with many films the greatest thing going against this picture is its pacing which is nothing short of abominable. The film feels very exciting in the first and third acts but the second feels like an incredibly long slog and becomes more of an endurance test than anything else. Though I will say you should stick it out as the third act is quite lively.

Overall, the cast, atmosphere and mystery do bring something special to this film, however, the familiarity of the twist and the awful pacing make it a taxing watch.

3/5

Pros.

Bale and Melling

The atmosphere

The mystery

Cons.

Though the twist works it feels far too overly familiar and lazy

The pacing is simply awful

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The Craft: Hormones And Magic

Written by Luke Barnes

Summary

A group of teenage witches go to war after a new girl, played by Robin Tunney, enters their number and begins to clash with the power structure.

I think this film is in many senses a classic, and an underrated one at that. The tone is just right as it feels frightening at times and there definitely are proper horror moments here but there is also the teen aspect of it all and the coming of age stuff, which do blend well. The worry would be that the film would lean far too heavily into teen issues and be like a supernatural mean girls and lose its horror credentials, but in actuality the film manages to do both.

I think the performances are strong across the board, though I would say if I was forced to pick that Fairuza Balk probably gives the best performance as she plays Nancy with such maliciousness, but at the same times keeps her as a somewhat pitiable figure, at the end of the film we are both relieved that she is locked away, but also saddened by it. That speaks to the power of the performance that she is able to illicit two completely separate feelings from the audience.

I think the main issue with the film is how dated it feels and in the same breath how bad the CGI is, both do hold the film back to a degree and could have been done better, but hey it is still a hell of a lot better than the terrible sequel that we got in recent years.

Overall, a strong teen horror film.

4/5

Pros.

The horror

The teen issues angle

The performances

Balk specifically

Cons.

It feels incredibly dated and the CGI isn’t good

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The Secret Life Of Walter Mitty: Jumping On A Fish Boat And Heading Out To Parts Unknown

Written by Luke Barnes

Summary

Walter Mitty, played by Ben Stiller, is a boring office drone, who spends half his life in a day dream until one day adventure comes calling.

I enjoyed this film quite a bit, I found it to be uplifting and an incredible force for positivity which in these dark days we all need. It certainly isn’t an original premise, both because it is based on a book, and also because the idea of the stiff finding his spirit of adventure has been so done to death over the years, though Stiller certainly tries to put his own spin on it.

Having watched many, and I do mean many, of Ben Stiller’s films over the years I have to say this is one of his best and certainly more nuanced: think The Royal Tenenbaums Stiller. There is a certain degree of emotion to his performance that will make many people sit and reflect on their own lives, Walter Mitty feels like the ultimate everyman but that is the point. I also thought that Sean Penn was great even though he only had an incredibly small role.

I will say that this film leans more towards being an earnest yet uplifting drama and take on human life and the spirit of adventure rather than a Ben Stiller comedy film. It really isn’t goofy and the laughs are not forthcoming a lot of the time and that is okay, in a sense stupid dumb jokes would break the wholesomeness of the film in a sense.

Overall, a sweet life affirming film that is only let down by a fairly generic plot.

4 /5

Pros.

It is truly feel good

It reminds you of the good in the world

Stiller is fantastic

It is paced to perfection

Cons.

The plot does feel a little familiar to a lot of other projects

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The Jonestown Haunting: The Title Speaks For Itself

Written by Luke Barnes

Summary

Jonestown, a terrible real world tragedy is exploited for a lazy supernatural horror film.

I have watched quite a few of Andrew Jones low budget horror efforts and I question who is funding him to carry on making these films, whoever it is is wasting their money.

Honestly for me I found it very hard to get past the premise, its feels incredibly exploitative and in bad taste. I know there are films made about the Nazi’s that again trivialise the evil they committed by adding in ghosts and ghouls but that feels further back in the past and more remote, moreover in many of those films it is not as blatantly tasteless and badly handled as it is here.

Worse yet the horror is a mixture of deeply obvious jump scares and scenes that are just dark enough that one of the production team moving can be mistaken for a ghost, that is the level of budget clearly given to this project.

Overall, this film disgraces low budget horror by not doing something new or inventive, but rather exploiting a real world tragedy in the most tasteless way possible.

0.5/5

Pros.

It is mercifully short.

Cons.

It feels exploitative

The scares are awful

The acting is dire

It is so unoriginal

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Music And Lyrics: Deeply Out Of Tune

Written by Luke Barnes

Summary

A washed up musician, played by Hugh Grant, must team up with an aspiring but timid writer, played by Drew Barrymore, in order to write a song for a competition that could put him back on top.

For Hugh Grant this is as far away from his heyday in films written by Richard Curtis as you can get in terms of quality, though maybe Mickey Blue Eyes was worse. There is little to be excited about in this film as there is nothing new here, it is just Grant playing a role that we have seen him play before, that’s not exciting.

Whilst an argument can be made that Barrymore and Grant have good chemistry and that certainly helps the film, the sometimes quite incredibly toxic dialogue hurts it beyond repair. Grant’s character in this does not come off as one we want to root for but rather a bit of a tosser and that is amplified by the often quite corrosive statements made by the film.

For me the worst sin committed by this film is the pace which borders on tedious at times, it doesn’t go over but it comes damn close.

Overall, one of Grant’s weaker rom-coms and proof of why he needed to get out of the genre.

2/5

Pros.

It is watchable

Grant and Barrymore have good chemistry

Cons.

It has a toxic message

It has pacing problems

It is a weak rom-com in multiple senses

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Memento: Finally Tattoos Serve A Purpose

Written by Luke Barnes

Summary

A man’s, played by Guy Pearce, quest for vengeance is disturbed by his amnesia and inability to form new memories.

Ah this takes me back to a beautiful time before Christopher Nolan thought he was the saviour of cinema and before his ego eclipsed the sun causing us all to live in darkness. Despite what some of my long time readers might think, I did used to enjoy Nolan’s films I think Interstellar is a brilliant film on a lot of levels, but the way he behaved in the pandemic with Tenet really did sour me on him. Anyway, my personal ramblings aside this is a great film, not quite Interstellar good, but certainly in the top half of Nolan’s filmography.

I particularly enjoyed how this film plays with its narrative and tries to do something new with it, for the time this film released in this was really quite revolutionary. Moreover, the mystery that it all leads to is very satisfying and well-constructed, I found myself having my expectations played with and challenged at multiple different turns.

My issue with this film as with a lot of Nolan’s work is the mixture of extreme pacing issues and a sense of smugness that pervades the work and taints it. Much like James Cameron Nolan seems to struggle to keep his films succinct and instead has them outstay their welcome, and that is not to say the ending of this film is bad, rather than there are a number of slow moments towards the end of the first act and throughout the second, it is in these moments the film lost me slightly.

Overall, definitely a good film, but one that comes to symbolise a lot of later issues with Nolan as a filmmaker.

4/5

Pros.

It does something different

A compelling mystery

It subverts your expectations in a way that doesn’t feel insulting

Guy Pearce is a good lead

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Daddy Day Care: The Adventures Of A Stay At Home Dad

Written by Luke Barnes

Summary

Eddie Murphy becomes a stay at home dad and then decides to turn his home into a day care centre.

This film was by no means awful, as some of Murphy’s later films are, but it was simply incredibly familiar and frankly lame. The plot of the film was so formulaic and played out that you knew exactly what was going to happen and when, and all of this was obvious from the jump, there were no surprises.

The humour was obviously for a younger audience a lot of slapstick and some gross out jokes these didn’t really land for me, but they did have a few more adult jokes that landed and made me laugh. On the whole I would say far more misses than hits.

However, what really does end up saving this film in my view is Eddie Murphy himself. Murphy brings a lot of charm and heart to the role and this helps to elevate the film beyond mediocre and into better territory. The end realisation that he was actually doing it to be closer to his own son all along and that it was better than the cushy advertising job he had before would had felt generic and dull with another actor but Murphy really sells it.

Overall, Murphy really does put in a lot to get this one over the line.

3/5

Pros.

Murphy

The heart

It is watchable

Cons.

More misses than hits with the jokes

It is incredibly predictable

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True Lies: Abducting Your Wife And Forcing Her To Almost Cheat As You Think She Is Cheating On You

Written by Luke Barnes

Summary

A husband, played by Arnold Schwarzenegger, and wife, played by Jamie Lee Curtis, become tied up in the spy game.

An Arnold Schwarzenegger action film whilst he was still roughly in his prime is an inherently appealing prospect, however, this film feels deeply rooted in the Nineties and I don’t mean that in a good way. In many senses a lot of the cliches and toxic ideas of the decade do bleed through, the way Schwarzenegger’s character treats his wife is incredibly dated and borderline sociopathic yet the film wants us to think it is okay and justified.

The action of the film is fun in an over the top extremely macho sort of way, Schwarzenegger can break men’s necks with just a quick snap of the neck no struggle at all. Though I would say that the poor CGI does mean that some of these action sequences age poorly and come off looking like an early video game.

In terms of performance Schwarzenegger seems to be having a lot of fun, but Jamie Lee Curtis is incredibly one note and plays the bored yet still loyal housewife cliché, her character lacks any kind of depth.

Overall, fun but incredibly dated.

3/5

Pros.

Schwarzenegger

The over the top action

It is unintentionally hilarious

Cons.

Curtis

Incredibly dated

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