She-Hulk: Is This Not Real Magic

1.5/5      

Written by Luke Barnes

Summary

Jen, played by Tatiana Maslany, hits the dating game and Wong, played by Benedict Wong, is brought back for yet another cameo, as the show is clearly not strong enough to stand on its own.

My word this show is a mess. I was writing on Twitter the other day that I think that this show is the worst MCU project yet, it is certainly the most misjudged. Where to begin with why this was an awful episode? Maybe the dating montage that is cringe as hell and feels like it was written by a middle-aged person who doesn’t understand modern dating, worse yet by constantly stressing how the safe guy Jen brings home is so hot, she just comes across as totally shallow and unlikeable. In a modern context if a male character in a TV show did the same thing people would complain. I understand that She-Hulk dating in the comics is a funny side to her character but the humour of this storyline really didn’t work for me.

Yet another terrible decision this episode made was having Titania, played by Jameela Jamil, be an influencer. Just no. I am not even going to make a comics accuracy argument, but what I will say is again it reeks of a middle-aged person trying to write characters that the kids of today can relate to whilst being totally out of touch. It adds heaps to the bad cringe of the show.

Finally lets talk about Wong and Madisynn, played by Patty Guggenheim. I think the whole Wong magic storyline is naff as hell and was only done to keep Wong in the show as the creators know he is a fan favourite and people will keep watching for him, it is a crutch the show is using as it knows She-Hulk isn’t interesting without cameos. The budding relationship between Wong and Madisynn does feel gimmicky and I am not as on board with them as other people are, but I do think there is promise there if the show or wider MCU wants to develop them further.

Overall, I may stop watching this show as I truly believe it is the worst MCU content thus far.

Pros.

Madisynn and Wong have potential

It is unintentionally hilarious

Cons.

The dating storyline feels like a relic of network TV

Jen is creepy, forceful and shallow during the house dating scenes

The magic storyline is boring and stupid

It is painfully unfunny throughout  

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Rick And Morty: Solaricks

1/5         

Written by Luke Barnes

Summary

Rick And Morty return with such a low effort whimper that it makes you question why they even returned at all.

Honestly this episode was crap. I was looking forward to the new season starting and was hoping for a return to more breezy one off episodes rather than the heavy cannon focus we got towards the end of last season and boy was I let down.

This episode basically just goes over everything that happened in the season finale again just in case you had forgotten. That is all it does, no new adventure, some lame portal gun shenanigans is stuffed in as a b plot but even that doesn’t go far enough to be interesting. We get the tease of the evil Rick clone that killed our Rick’s wife and kid being out in the open, and the episode suggests that maybe our Rick will kill him but this just peters out into nothing.

In addition to all of those issues the episode is also majorly depressing and not particularly fun to watch in any way. The episode’s dialogue is basically just the characters saying how bad things are now and how they are sorry for letting things get this way which feels more aptly like the writers acknowledging their fault.

Overall, a terrible start to the season.

Pros.

Space Beth returns

Cons.

It is depressing

It just rehashes the last episode’s plot

It feels tired

It starts the season off on a bad note

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Interview With Writer/Director George Veck: Clogwyn

Written by Luke Barnes

I recently had the chance to interview writer/director George Veck about his new film Clogwyn which focuses on the destructive nature of gambling addiction and how it can destroy families. In this interview we discuss addiction, mental health and the need for further legislation regarding gambling, and its marketing. I hope you enjoy.

Q: What was your motivation for making this film?

A: To shed light on the sheer amount of people who despite having no background in sport or watching sport, end up gambling and how it can be those lesser fans who suffer most as they need a bet to enjoy the event.

Q: What was your message?

A: That anyone vulnerable who hates what they do with their life can be sucked into drink, drugs or gambling in the UK.

 Q: Do you think the government should do more to tackle gambling beyond what it is currently doing?

 Absolutely, the current level of restrictions on adverts during sporting events is appalling despite overwhelming evidence of the amount of sports fans who watch not for the love of the sport, but only due of the thrill of betting.

Q: What are the warning signs of gambling addiction and when should people seek help?

 It’s hard to detect initially but the secrecy of the person suffering will become apparent and the niggling feeling of being lied to. The deeper the person gets, the harsher the depression will be after they lose a bet, this is one sign to get help.

Q: Do you have any funny or interesting stories from the making of this short?

 This was a very international cast, with talent from Canada, US, Ireland, Wales, England, Denmark, Australia and New Zealand forming the cast and crew.

Q: Future Plans do you want to do a follow up or tackle any other issues in future films?

 I have just finished editing a short about domestic violence called disquietude which will be out soon as well as a short called Scarlett about cocaine addiction. Issues around mental health and poverty are what I want to portray in my films. I would love to explore gambling addiction as a theme again, hopefully next time as a feature film.

Q: After making this film do you have any advice for aspiring film-makers?

 To those from rural areas who worry about accessibility and finances, that with a carefully selected cast of willing actors and imagination you can make fulfilling films from the comfort of your home.

To check out Clogwyn for yourself then head over to Vecks Gems Productions or click on the link provided https://www.youtube.com/watch?v=fd-nuBL0MbE

If you have been effected by the topics discussed in this interview then please consider getting help or if someone you know is suffering people get them some help. Addictions are awful things and often people try and hide them and suffer in silence and we all need to do our best to recognise the symptoms and help to the best of our abilities.

If you enjoyed this interview, then please head over to my Patreon to support me, I offer personalized shoutouts, the ability for you to pick what I review next and full access to my Patreon exclusive game reviews. Check it out!

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House Of The Dragon: Second Of His Name

4.5/5      

Written by Luke Barnes

Summary

The question of who Rhaenyra, played by Milly Alcock, will marry continues to be an issue and Daemon, played by Matt Smith, wins a blood soaked victory.

I truly think that with this episode House Of The Dragon fully manages to live up to the high standard set by the peak of Game Of Thrones. The battle sequence towards the end of the episode with Daemon is truly a majestic feat of television and is as visceral as it is captivating. The episode really comes alive during this part.

I also enjoyed the focus this episode placed on the relationship between Rhaenyra and her father, played by Paddy Considine. I think it is nice to see such a progressive character on Game Of Thrones and it is heartening to see a character within this setting not force their daughter into an unhappy marriage. I think much like the Daemon sequence captures the action of peak GOT, these quieter court scenes also capture the other half of GOT at its best as well.

Overall, a fantastic episode of television, my only complaint is that we couldn’t have had more of it.

Pros.

The Daemon action sequence

The scope and intensity

The quiet court scenes

Putting a focus on the relationship between Rhaenyra and her father

The ending   

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Clogwyn: Don’t Throw Your Dreams Away

4.5/5      

Written by Luke Barnes

Summary

A man’s dream of starting a business in the UK are derailed after he becomes addicted to gambling.

I want to open this review by saying how powerful and important I think this short is. In our current world there are adverts for gambling everywhere, often with minimal government regulation, as such big gambling firms are in a prime position to make a killing from people without facing any real consequences as they ruin people’s lives and that is scary.

I think the plot of this film is a plight that many people will be able to relate to in one way or another, this isn’t superhumans battling it out in the streets or a war for an alien world it is something that has effected most people, most people have either been effected by gambling addiction or know someone who has and that’s why this film is so compelling.

My only negative in regard to this film would be that it could have been more in-depth. It shows most aspects to serious gambling addictions, but it could have shown more of the warning signs and highlighted further just how destructive it can be.

Overall, a powerful and moving short.

Pros.

The impact

It really hits home

It is very relatable

It is powerful and moving

You really feel for the characters

Cons.

It could have been a bit longer and more in-depth

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Orphan First Kill: Grey And Lifeless

2.5/5      

Written by Luke Barnes

Summary

Ester’s origins are explored with the help of a simply awful lighting and colour gradient combo.

Really this film shouldn’t have been made. They add in some new twists and turns here, but for the most part it can’t hope to compete with the twist from the first film that Ester, played by Isabelle Fuhrman, who everyone thought was a child was in fact a grown adult. Once you know that twist a lot of the places this prequel goes to are not very exciting.

Moreover, as I said in the above summary there is some really quite poor lighting and colouring choices in this film that makes vast parts of it hard to see or tell what is going on, furthermore this is only worsen by a grey hue that seems to stick to the film throughout giving it a dull and lifeless air.

However, it is not all terrible as the film for the most part is very watchable. In addition a surprisingly out of left field evil turn from Jessica Stiles makes for captivating watching, the film would be a lot wore without Stiles in it that’s for sure.

Overall, a very average film that didn’t really need to be made.

Pros.

Stiles

It is watchable

The ending

Cons.

Once you know the twist from the first film it takes a lot away from this prequel

The lighting and colour work is awful

The pace is aggressively bad

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Easter Sunday: Tame and Bland

2/5         

Written by Luke Barnes

Summary

A struggling single father, played by Jo Koy, heads home to spend Easter Sunday with his dysfunctional family.

When I saw the trailer for this film I was happy as I thought it could begin to fill the hole of Filipino representation within the industry, and while yes it is nice to see this group more widely represented it is just a shame that the film that is doing this important task is actually quite naff.

Before this film I had not really seen Koy’s stand-up before, so was unfamiliar with what to expect; I am more of a Marc Maron type personally. What I found watching was that Koy wasn’t very funny, I don’t know if I just don’t gel with his comedic stylings or whether the material for the film was bad, but what I do know is that whilst watching it I didn’t laugh more than once or twice in the film’s whole runtime.

In many respects this film reminded me of the cinematic comedic vehicles that the likes of Chris Tucker, Eddie Murphy and Mike Myers used to get, however, I would say the big difference here is that Koy semes to find it hard to keep the film going. I would argue and perhaps I am wrong, as like I said before I was unfamiliar with him before this, that he may not be a strong enough comedian to anchor a film like this.

Overall, watchable, but not very funny.

Pros.

It is watchable

One or two funny jokes    

Cons.

Most of the jokes don’t land

It is badly paced

Koy doesn’t seem a strong enough comedian to anchor this film

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Me Time: Hart Brings The Heart

3/5         

Written by Luke Barnes

Summary

Kevin Hart is an untight family man you needs to learn to cut lose, enter his old friend Huck, played by Mark Wahlberg.

On this the face of it this is an incredibly by the numbers comedy film, in almost everyway you have seen this before, Mark Wahlberg himself has made this exact same film before in fact. However, no one ever said a comedy film had to be the height of originality, the real question is, is it funny?

In terms of humour the film is more hit than miss, there are a number of memorable gags but for the most part its fairly weak stuff. For those of you out there who might be hoping for some raunchy material the film is far more family friendly than I was expecting it to be.

I think the best thing about this film and its biggest selling point is Kevin Hart. Hart is doing very well in this family comedy circuit where he plays a dorky family man looking to break loose, I think Hart brings a real sense of heart and soul to these roles that makes it hard not to root for him, with a different actor in the lead this film would be a lot worse for sure.

Overall, nothing revolutionary but watchable with a boost from Hart

Pros.

Hart

It is watchable

It has some wholesome charm

Cons.

Fairly low energy Wahlberg

It is nothing you haven’t seen before   

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The Rings Of Power: My Experience And Why I Won’t Be Reviewing It, Beyond The First Episode

1.5/5      

Written by Luke Barnes

Summary

A new Middle Earth saga begins, one that will leave few happy.

So this will be part review part what went wrong. If you can’t already see, I didn’t enjoy my time with the show.

Let’s get the obvious low hanging fruit out of the way first, yes there is a lot of quiet clear forced diversity in the show, as that seems to be the only thing Hollywood wants to do these days, and yes all of the male characters that Galadriel, played by Morfydd Clark, comes into contact with are weak and stupid and whilst both of these things are mildly annoying I would not say they are the main issue.

I think the thing that made this first episode so hard to watch, indeed I had to watch it in parts because I could only stomach about 20 minutes of it at a time, is the pacing. The pacing is simply awful, not only does very, very little happen but the episodes are on for way too long and drawing out the episodes only further highlights how empty they are.

Honestly, I don’t think this show needed to exist, I think Amazon made it to try and have their own Game Of Thrones after The Wheel Of Time didn’t turn into what they wanted it to be, and I think that is very clear in every frame. For the record I don’t think this show will ever hold a candle to Game Of Thrones unless they make drastic changes to it, which they won’t.

Overall, sadly this show was what a lot of people feared it might be, needless.

Pros.

The visuals are good but you would expect that for the money spent

Clark makes a good Galadriel

Cons.

The forced in identity politics

The pace

The lack of anything really happening

It doesn’t justify its existence

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Fisherman’s Friends One And All: It Is Okay To Not Be Okay

5/5         

Written by Luke Barnes

Summary

The Fisherman’s Friends must deal with a changing world and the price of fame as they return for another outing.

This was a nigh on perfect film, it had everything you would want, humour, heart and soul. It made me both laugh and cry. It feels like such an authentic film, which yes is boosted by the fact that it is based on real events but also because of the fact that this feels as removed from Hollywood as you can get, though not quite low budget indie film level.

Moreover, I really appreciated and enjoyed the focus on men’s mental health. I thought the speech that Jim, played by James Purefoy, gave about it being okay to not be okay was really important, as on a personal level I know men who struggle with their mental health but feel like they can’t talk about it or get help for it as such it is nice to see the message being spread that it is okay to ask for help and to cry.

In addition the cast across the board is great, but Purefoy is the anchor of the film and really sells the emotion and the passion. I think without Purefoy this film wouldn’t be half as good.

Overall, a lovely film that as many people as possible should see.

Pros.

Purefoy

The focus on men’s mental health

The shanties

It feels like a sequel that deserves to exist

The end credits scenes with the real people

Cons.

None

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