Obi-Wan Kenobi: Part VI

4.5/5      

Written by Luke Barnes

Summary

Obi-Wan Kenobi, played by Ewan McGregor, and Vader, played by Hayden Christensen and voiced by James Earl Jones, face off once again, and Reva, played by Moses Ingram, goes to hunt down the child of Anakin Skywalker.

For the most part a great final episode. There were a few things that I would nit-pick, such as the Grand Inquisitor, played by Rupert Friend, still looking naff, or the fact they undercut what should be a very impactful moment with a meme reference, but those aside this episode is firing on all cylinders.

The fight between Vader and Obi-Wan was well done and fairly cool, I wasn’t so keen that it was the memory of Leia , played by Vivian Lyra Blair, that returned his strength not his memories of Anakin or even of both the children, but that is just personal taste. I thought it was a bit of a forgone conclusion that Kenobi would beat Vader, but I enjoyed his defeat all the same Christensen gave a great performance.

The Reva sub-plot I thought tied things up nicely, it redeemed her to a degree and had her survive to go off and have her own adventures as possible a light side Jedi again. I really thought these last two episodes really brought Reva into her own, it was just a shame that she was written so one notedly beforehand.   

Finally, I just want to touch on the Qui-Gon Jinn, played by Liam Neeson, who does a make a return here and boy oh boy what a return it is. Seeing Neeson back really made my day, a great way to end it.

Do I think we need a second season? No not really, I say leave it here and maybe have the comics fill in the rest, Star Wars as a brand really needs some new characters and new stories, the past as they say should die.

Overall, a strong season finale.

Pros.

The Vader fight

Redeeming Reva

Qui-Gon’s return

The emotion

It really brought the series together

Cons.

A few nit-picky concerns and issues  

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The Boys: Herogasm

5/5         

Written by Luke Barnes

Summary

Spoilers

What an episode, The Boys and Soldier Boy, played by Jensen Ackles, take the fight to Homelander, played by Anthony Star and we get to see Herogasm in all its glory.

I will get my one little nit-pick out of the way now. I would have liked Herogasm to be a bigger deal and more of an event, like it was in the comics, than what we got. I am not saying what we got wasn’t hedonism in the extreme, but I would just have liked it to be grander, I suppose maybe Amazon stepped in and said, ‘steady on’.

That aside this was a great episode. The fight between Butcher, played by Karl Urban, Soldier Boy, Hughie, played by Jack Quaid, and Homelander was great. Like I accurately predicted in my previous reviews Homelander loses, and it will be this and his public shaming at the end that will lead to him going full on monstrous and no doubt declaring war on America like he does in the comics.

I also liked seeing the character growth of both M.M, played by Laz Alonso, and A-Train, played by Jessie T. Usher, part of me wanted to see A-Train get killed by Hughie for comics accuracy but I actually thought the scene wherein A-Train gets emotional and apologizes was incredibly well done and touching. I do wonder if this is it for A-Train as when he uses his powers again he seems to have a heart attack, if it is the end I think he went out on a hell of a high. With M.M I thought seeing him go to town trying to hurt Butcher felt very therapeutic and much deserved, I also thought him being the hero rather than getting his revenge really does show the best of him and why he is the heart and soul of the team.

Finally, the b story with Frenchie, played by Tomer Capone, and Kimiko, played by Karen Fukuhara, was very sweet and continued to extent out their character dynamic. I look forward to seeing them as a couple even if I do think it will be short lived.

Overall, a spectacular episode of TV.

Pros.

The Homelander fight

Jensen Ackles continues to shine

The ending

Seeing a TV version of Herogasm

The character work

Cons.

Herogasm could have been a little more outrageous

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Crimes Of The Future: Where We Are All Heading

3/5         

Written by Luke Barnes

Summary

In a future where humans are evolving to eat plastic, a war is being fought over what makes someone human as well as notions around monstrosity.

Honestly this film will not be for a lot of people. I myself had a fair amount of issues with it such as: it was far too long, it sometimes came across as pretentious and smug and thought it was a bit more intelligent than it actually is, and of course there is a scene where you see a child’s penis. No scene in any film should show a nude child, just no.

However, despite that opening painting a rather damning picture, I don’t think this film is all bad and I do think that there are some trace amounts of greatness in here. In many ways this can be seen as a traditional Cronenberg film, or certainly as the director returning to his roots. The body horror aspects are all very inspired and well done and as such the film stands out in the modern horror landscape, however, there are a few times wherein the gore and the viscera became a little too much for me; what can I say I don’t like live surgery scenes and there are a lot of them here.

Moreover, I think the performances across the board were also terrific. This is highlighted with gusto by a very game Viggo Mortensen and a surprisingly unsettling Kristen Stewart. I think that the characters and world created are so intriguing that it allows the film to get away with some of its worse sins. I also really enjoyed the originality of the premise as I felt like I hadn’t seen this before.

Overall, very much a film made for a niche audience, but one you should experience for yourself all the same.

Pros.

The performances

The world

The premise

Cons.

It is too long and at times overly pretentious

Showing child nudity

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Jerry And Marge Go Large: Bryan Cranston Is The Ultimate Dad

3/5         

Written by Luke Barnes

Summary

After retiring from this job Jerry Selbee, played by Bryan Cranston, and his wife Marge, played by Annette Bening, decide to take advantage of a mathematical flaw in their local lottery and win money to help the town to stay afloat.

This film is deeply forgettable. Clearly this film wants to be the feel good film to cheer us all up in these dark times, and that is admirable, however really it is just incredibly generic. I think the acting weight of Cranston and Bening really do help to pull it up, without them giving deeply earnest performances I would have scored this film lower, much lower.

I understand it is based on a true story so there is only so much they can do with creative license, but this film feels like about a hundred other all American films, where the nice humble small town Americans get rewarded. In many ways without even watching this film you can accurately predict where the plot is going and how things will end up.

Moreover, I have looked into the true story this film is based on and can’t see any mention to the entitled college kids who become the villains to these simple down to earth folks. The whole narrative is so cliched and laughably bad, I don’t know why the film needed to include it in the first place.

Overall, fine. Cranston and Bening do a hell of a lot of good work, without them this film would just be forgettable schlock.

Pros.

Bening

Cranston

It is watchable

Cons.

The evil college kids

It is incredibly cliched and generic   

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The Boys: The Last Time To Look On This World Of Lies

4.5/5      

Written by Luke Barnes

Summary

Soldier Boy, played by Jensen Ackles, returns to the States to settle some old scores and the Boys smell a team-up.

I thought this was one of the best episodes of this season so far. It was massively depressing for a number of reasons, but that didn’t bother me much as I have read the comics series and feel like I know where a number of these storylines are going, and am excited.

I thought the prospect of the Boys teaming up with Soldier Boy to fight Homelander, played by Anthony Starr, is really interesting. I think it is likely going to be this and Homelander possibly losing his powers during the battle that will likely lead to him going fully off the deep end. In that vein I thought Homelander appointing himself head of Vought and trying to get his fellow Seven members to take over different departments was incredibly in character and darkly hilarious.

The two things I wasn’t keen on and that keep it from being a 5 in my opinion is the continued relationship drama between Hughie, played by Jack Quaid, and Annie, played by Erin Moriarty, that feels very cliched and needless. I understand in the comics there relationship is often on the rocks but I think this season has really turned up the drama higher than it needs to be. The other thing I didn’t like was the Seth Rogen cameo, it wasn’t funny and just felt tired.

Overall, a near perfect episode, who would have thought The Boys could pull off a musical number.

Pros.

Ackles

Getting to meet the Legend

The musical number

It got political and I thought handled it really well

Cons.

The needless relationship drama

The Seth Rogen cameo

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Star Trek Strange New Worlds: The Serene Squall

3/5         

Written by Luke Barnes

Summary

After beaming onboard a vessel supposedly in distress Pike, played by Anson Mount, and co find themselves taken prisoner, whilst at the same time those remaining on the Enterprise must fight off against space pirates.

I thought this was a serviceable episode, it is not so much that it is a bad episode but it certainly is a step back from the last few. The space pirate plot feels very generic and been there done that, I understand the final tease of Spock’s’ half sibling might lead to interesting things in the future, but for what it was it was fairly forgettable.

I enjoyed seeing Pike lead a mutiny aboard the space pirate vessel and I thought that this part of the episode was tonally spot on, it let Pike have his heroic moments but also balanced that with some levity. I thought that once again he and Rebecca Romijn’s Una had fantastic chemistry.

What I thought was the weakest part of the episode was the Spock, played by Ethan Peck, subplot about his human side effecting his and his wife’s relationship and sex life with a number of different characters being brought it to be potential other love interests for him. I just thought that tonally this didn’t really fit at all and felt like they were trying to force in a love triangle for the sake of it.

Overall, a fine episode but not one that will be remembered long after watching.

Pros.

Pike continues to shine

It is watchable

Some good action

Cons.

Spock’s relationship drama

The villain was fairly obvious and nonthreatening

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The Starling: A Favourite Film Of Guantanamo Bay

0.5/5      

Written by Luke Barnes

Summary

A couple cope after the sudden death of their child.

Boy this film was badly on quite a number of different levels. However, I think one of the roots causes of this film being awful was the casting of Melissa McCarthy. Some people would argue that like Adam Sandler that McCarthy cam be good in the odd dramatic role here and there, the same people would point to her performance in Can You Ever Forgive Me? However, I would argue that her performance in that film was nothing more than a fluke, and that by and large she is only capable of giving one kind of performance loud and obnoxious, and that is true in whatever film she is in comedic or dramatic. It certainly is true here.

It has to be said though that the failings of this film cannot be entirely blamed on McCarthy, as the script is also frequently terrible, being not only overly sentimental but also incredibly tonally off at times. There is a scene in this film wherein the message seems to be that it is okay to be angry at suicidal people for being that way which sends a hell of a bad message even if that is not how the writer intended it to come across.

Overall, the film is incredibly generic, it is the very definition of the kind of trash we have collectively come to expect from a Netflix original over the years.

Pros.

Timothy Olyphant is always great and a welcome presences

Cons.

McCarthy

It is very generic

It has a bad message

The tone is all wrong

It borders over-sentimentality

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The Warriors: Shirtless Street Gangs

3/5         

Written by Luke Barnes

Summary

A street gang from Staten Island must get back home after a get together of all the New York gangs goes awry and they become hunted.

To many this is a classic cult film and whilst this didn’t hit me in the same way something like Battle Royale did in that regard, I did find a lot to like about this film.

To get the negatives out of the way first I didn’t like the pacing off this film, it felt far longer than it actually and does drag in places. Moreover, the performances are a deeply mixed bag some of them are good but some are laughably bad, to the point where there is no way you can imagine them as gang members.

In terms of what I enjoyed, I liked the style of the film I thought it was very distinctive and had almost an apocalyptic feel to it that I thought worked really well. Furthermore, I also thought the film communicated great threat during its runtime, as such you were worried for the fate of the characters as danger seemed to lurk around every corner.

Overall, not perfect but very much a snap shot of a point in time.

Pros.

The style

The ending

The threat

Cons.

The pacing

Some of the performances were quite bad

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Star Trek Strange New Worlds: Lift Us Where Suffering Can’t Reach

4/5         

Written by Luke Barnes

Summary

The Enterprise gets tangled up in an ethical quagmire after saving a ship in distress.

I thought this was yet another good episode of Star Trek. I particularly enjoyed the moral dilemma between should the crew interfere with how this other civilisation operates or should they let them kill a child and not get in the way and cause a conflict, it felt like older series of the show. I also like how dark they were prepared to go with it having the kid being effectively tortured by the machine, before he is inevitably saved, it was surprisingly twisted and mature.

I liked that Pike, played by Anson Mount, got centre stage here he really made the most out of every scene he got. Mount continues to be fantastic in the role and prove what a skilled and capable actor he is, hopefully we have some more Pike centric episodes coming up in the rest of the season.  

My main issue with the episode was that the new character, at least to me as I don’t watch the other modern Star Trek shows, with whom Pike had a history was really written as being incredibly one dimensional. She was a generic love interest and then she turned out to be the villain in the end, with almost an air of the psycho girlfriend cliché to her that felt more than a little sexist.

Overall, I think that this current Star Trek show is really starting to hit its prime and come into its own.

Pros.

The ethical conundrum

How dark it gets

Mount is fantastic as Pike

There is no needless filler

Cons.

The villain ends up feeling like a sexist cliché

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Gods Favourite Idiot: Possibly The Antichrist

0/5         

Written by Luke Barnes

Summary

Clark, played by Ben Falcone, is hit by angelic lighting and later told that he is to be God’s messenger tasked with stopping the apocalypse.

This is hot garbage don’t watch it.

In the not too distant past Netflix made a statement which basically boiled down to they were going to focus on making quality programs rather than lots of trash, did this show miss that memo?

If you thought the films made by Ben Falcone and his wife Melissa McCarthy were bad then boy howdy you haven’t seen anything yet. With one of their films you at least get the reprieve that it is only on for two hours tops, however, this is on for a lot longer and wants you to feel every horrible minute of it.

There are so many ways in which this show sucks, such as having the comedy be lazy, bland and dry. Think about a Melissa McCarthy film from the last ten years, think about the kind of jokes you would expect and then turn it up to the max. Not only does this show stretch its jokes so thin that it kills them but it is also trying so hard to be funny and to appeal to younger audiences that It just comes off as desperate.

Worst yet neither of the two central characters are in any way likeable, Falcone’s Clark is incredibly bland and feels like a cliché of the timid man in almost every sense, whereas McCarthy is driving around a modified rascal shouting at people and demanding special treatment from those around her… Need I say more?

Overall, awful, just awful.

Pros.

None

Cons.

McCarthy

Falcone

It isn’t funny

The characters are deeply unlikeable

It is terribly paced

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