Hacksaw Ridge: Mel Gibson Should Make Films For PureFlix.

3.5/5

Written by Luke Barnes

Summary

This film follows the life of army combat medic Desmond Doss, Andrew Garfield, as he serves during World War II without ever using a gun.

This was an incredibly uplifting film. Yes the violence and the death of war are grizzly and are on full display here, but underneath that is a story about a young man just doing what he thinks is right and saving lives, even when those same people call him names and abuse him for his beliefs.

I could have done without the constant religious framing of everything in the film, but hey it is a Mel Gibson picture so what do you expect? I understand the real life person this was based on was deeply religious and it is fundamental to the story, that is not what I am complaining about. What I am complaining about is the use of shots, to give an example the final shot of the film before it cuts to credits sees Doss being carried away on a stretcher, the camera is below and zooming out giving the impression that the stretcher is rising into the heavens- a saint ascending. This bothered me for two reasons one, the character doesn’t die and two, it is far too on the nose.  

Moreover, the writing in this film is not good at all. The opening scenes, not the ones when they are children but the ones which show Doss’s early courtship before he went overseas, are so painfully cringe that I almost had to skip through them. The line delivery is off by such a huge margin that I can’t place the blame solely at Garfield’s feet clearly something must have been bad in the script or even the direction.

That aside the performances for the most part were great across the board. I enjoyed Vince Vaughn as a drill sergeant and I thought once again Andrew Garfield shone brightly, proving his clear talent with ease.

Overall, a solid and uplifting war film.

Pros.

Garfield

It is inspiring

It doesn’t shy away from showing you the horrors of war

The ending

Cons.

The heavy handed religious metaphors

The dialogue and line delivery during the courtship scenes  

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American Horror Story: Thirst

2/5

Written by Luke Barnes

Summary

Harry Gardner’s, Finn Wittrock, daughter turns out to have an insatiable desire for blood which becomes troublesome quickly. This is compounded by threats from the other vampires/sea monsters, the police chief, Adina Porter, showing up unannounced and Harry’s agent, Leslie Grossman, coming to investigate.

This episode was the worst so far by quite a large margin. It shows a lot of the issues with the show with striking accuracy and precision, almost as though the creatives are trying to physically show us how far the show has fallen from grace.

There are a lot of needless scenes here, and in the series as a whole. An example of this is the scene where Harry goes to get some blood for his daughter and his victims turn out to be rapist murderers who try to rape Harry. Now, the fact that the victims are this adds nothing to the episode as a whole, Harry kills them and moves on and I was left wondering why include them in the plot at all why not just have it be a random person? Yes there is the argument of oh he is only killing bad people so maybe he can still be redeemed, but in the same episode he kills another man/group of people who have done no wrong, thus defeating that argument. To me if feels like it was chosen for shock value, to be edgy because they could, not because it improved the episode at all.

Another big glaring issue this episode highlights is the fact that we are three episodes into the series and there is yet to be a single likeable character. Many people had issues with the last season, but at least it gave us characters to care about, here most of the characters are either written to be unlikable or are so bland, stupid and dull that you find yourself growing to dislike them. Even Evan Peters is not hugely charming here, his character just comes off as a dick and not an interesting one at that.

Overall, this was a poor episode, and the second half of the season is going to need to work very hard to bring this show back to form.

Pros.

It was watchable

Leslie Grossman is a delight

Cons.

The rape subplot

None of the characters are likeable

A lot of it feels just done because they could and not because they should    

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Old School: Turns Out Todd Phillips Wasn’t Funny Even Before Woke Culture Made Him Quit Comedy

1.5/5

Written by Luke Barnes

Summary

Three middle aged men decide to relive their youth and go back to their partying days before they had kids- shockingly original I know.

Much like with my Wedding Crashers review where I pointed out how the film liked to make fun and trivialise male rape, I know this one is also going to be controversial. As you can see from my score I did not enjoy this film very much at all, it was charmless and worse still not even slightly funny.

Now before I get into it I just want to say comedy is subjective so what makes me laugh might not be the same for you.

Within the first ten minutes of this film you had a random character busting out the F slur because it was the early noughties so why not right? It is disgusting and clearly just used to be edgy. This film is made by the same man who said you can’t do comedy anymore because everyone is too PC and it shows in nearly every scene. Not only does this film have a particularly strong homophobic undertone, but it also views all of its female characters as either nagging wives or sexual objects and nothing more.

I like Vince Vaughn so I gave the film an extra half a point, but even he can’t save this film. None of the characters are particularly likeable and each ‘comedian’ is doing the worst version of their usual shtick, Ferrell is screaming rather than talking, Wilson is melancholy and broody, and Vaughn is a sleezy party boy- which of those sound likeable? I’ll answer for you, none.

We also get a supporting performance from alleged sexual predator Jeremy Piven, which almost made me turn the film off.

Overall, maybe the reason Todd Phillips stopped doing comedy is because no one finds his sexist, creepy, homophobic jokes funny anymore.

Pros.

Vaughn is trying

Snoop Dogg

Cons.

The jokes

The homophobic comments

It is wildly sexist

None of the characters are likeable

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Vacation Friends: Crashing A Boat Isn’t A Big Deal

4/5

Written by Luke Barnes

Summary

Whilst on holiday in Mexico Marcus, Lil Rel Howery, and Emily, Yvonne Ori, meet a strange eccentric couple, played by John Cena and Meredith Hagner who end up changing their whole outlook on life.

I want to preface this review by saying that though personally I dislike John Cena for saying Taiwan isn’t a country and grovelling to the despotic Chinese government, he is actually funny here. I struggled with it a lot whilst watching, but I managed to put my feelings about Cena to one side and enjoy his performance in the film without reflecting on him as a person. Cena does do comedy really well, and here is no exception he gets a lot of funny lines.

I was pleasantly surprised by this film as I thought it was going to be a silly crude comedy, but in actuality there is a lot of heart, warmth and genuine human emotion to be found here. I found myself becoming sentimental at several scenes, said scenes do not feel forced in but rather organic and well used. I particularly like Cena in this aspect.

I think my issue with this film is that it does not give Ori’ Emily much to do at all and she is just the caricature of the girlfriend/wife stereotype. This is not true for all the female characters in the film as Hagner’s Kyla gets to have a lot of fun and break from traditional gender roles.

Overall, a sweet comedy film boosted by John Cena.

Pros.

Cena

Lil Rel Howery

It is sweet

It is funny

Cons.

Ori’s Emily is given nothing to do     

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What If: Doctor Strange Lost His Heart Instead Of His Hands

4/5

Written by Luke Barnes

Summary

Stephen Strange, voiced by Benedict Cumberbatch, goes on a hunt for answers after the death of his love Christina Palmer, voiced by Rachel McAdams, and what starts out with good intentions quickly morphs into something perverse.

I think this was a very high calibre episode, certainly up there with the murder mystery one and Captain Carter; maybe better. What I think this episode does so well is that it tells a very personal story but incorporates a lot of big themes and concepts into it, so as we focus our attention souly on the life and loves of Stephen Strange the MCU is also expanding all around us.

Another thing I enjoyed about this episode was that it finally gave Jeffery Wright’s Uatu something to do. I understand he is a Watcher and is forbidden to get involved with the events he sees, but they could at least give him something. Other than the narration each episode and maybe a shot of him watching he is basically absent from the show. This is rectified here as Uatu shows up during the events of the episode and talks to Strange as the episode ends, it finally gives him an active role.

Moreover, I also enjoyed the further exploration of the magical side of the MCU, and I thought the conjuring/consumption scenes during the episode were intriguing, especially as it pertains to the supernatural within the MCU, maybe Mephisto can appear yet.

My one complaint of the episode would be that it ends on rather a down note and that it leaves you feeling depressed, but I suppose that was the point.

Overall, a deeply personal look into the mystical side of the MCU

Pros.

Expanding the mystical side of the MCU

Making Doctor Strange feel more human

The emotion

Finally giving Uatu something to do

Cons.

The ending is depressing

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Shang Chi And The Legend Of The Ten Rings: Now We Have Dragons In The MCU

4/5

Written by Luke Barnes

Summary

Shang Chi, Simu Liu, must confront his past and his family in order to save the planet. A world of martial arts, dragons and family drama is explored.

Sadly Fin Fang Foom is not in this movie, I even waited till the very end to see if we were going to get a tease, we don’t. However, that is not to say their aren’t any dragons in this film we get two: The Great Protector and The One Who Dwells In Darkness, or something like that. Can I just pause for a moment and say how cool it is that the Marvel Cinematic Universe now has dragons in it. I very much enjoyed seeing this new magical world being explored and opened up, I can’t wait to explore it more in a sequel.

In terms of acting I think Simu Liu makes for a very capable leading man being both funny and charming throughout. Ben Kingsley returns to reprise his role of Trevor Slattery from the third Iron Man film and easily makes up for the sins of that film and lands some of the best jokes in the entire MCU. Continuing on that note this is easily one of the funniest films in the MCU and the comedy really enhances the film and adds a lot to it.

My one complaint of the film would be that the fight scenes aren’t very impressive. Watched in a vacuum without other films, without all the hype, someone might think these fight scenes were cool and impressive. However, in context of the genre, or at least the genre they are trying to emulate they are about five years out of date. Whilst the fight scenes are more intense and better structured than most in the MCU, when compared to something like the IP Man films, The Raid or even John Wick they feel like poor copies of other fight scenes done better elsewhere, and that is a big disappointment.

The breakout star of this film is easily Meng’er Zhang, she manages to out-badass Shang Chi himself and the final post credits scene promises something very exciting for the characters future. I personally found myself connecting more with her emotional journey and family baggage than I did with Shang Chi but that is not to say both weren’t well done.

Overall, a good Marvel film but an average martial arts film.

Pros.

The mystical side of the MCU is expanded further

Meng’er Zhang

Simu Liu

The comedy

Cons.

Pacing issues

Average fight scenes    

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The Nest: If Someone Who Lives In The American Suburbs Can Suddenly Afford An English Manor House They Are A Con Man

2.5/5

Written by Luke Barnes

Summary

An entrepreneur, Jude Law, and his American family have their lives drift off course when they move into an English manner house.

This film is a mixed bag.

On the positive side the film is helped along greatly by strong performances from its two leads, Jude Law and Carrie Coon. Both give strong emotional layered performances that are effecting on multiple levels. I would say Coon is the real star of the show but not by much, her scene with the dug up remains of her horse is incredibly powerful.

However, on the other side of things the plot is incredibly predictable and deeply overly familiar. Truly you have seen this film before, I accurately guessed several key elements of the film early on as it was blindingly clear. What threw me however was the odd mentions to the supernatural here and there, that lead you to believe that this might be more of a classic British manner ghost mystery: it is not, and these lines are just throw away.

If you simply want a character drama about a family’s life falling apart set of a decaying English manner house then you will be happy enough with this.

Overall, the acting helps to push this film forward, but the incredibly familiar narrative holds it back.

Pros.

Jude Law

Carrie Coon

A strong emotional resonance

Cons.

It is overly familiar

You can easily predict what is going to happen next

The character journey’s don’t seem to lead anywhere

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Snatch: Brad Pitt’s Best Performance?

4/5

Written by Luke Barnes

Summary

A couple of young gangland thugs, Jason Statham and Stephen Graham, must recruit a traveller boxer, Brad Pitt, to fight for them after he puts their other fight in the hospital over a caravan dispute.

I think this film really shows the best of Guy Ritchie. It is snappy, brutal and comedic in a snarky dark sense. Moreover, it highlights some of the best British acting talent at the time, Graham, Lennie James and Jason Flemyng; not even I will make a case for Statham being an ‘acting’ talent.

However, the clear standout of this film is easily Brad Pitt. Pitt sinks into the role so well you begin to question whether he might actually have been an Irish traveller all along. He entirely leaves behind any Hollywood airs and graces and truly becomes the character, this may be one of his best performances for sure.

The best thing about this film is how well it flows; the pacing simply is top notch. All of the separate stories are woven together in such a way where they all end up at the same point and nicely compliment each other along the way. Furthermore, the film never inflicts a slow moment upon us it is go, go, go keeping us entertained and giving us a few good laughs along the way as well for good measure.

The only thing I could criticise it for is that the ending is too neat, and I would have preferred a little bit more ambiguity or perhaps even a few unanswered questions, though that is just my personal taste.

Overall, an incredibly strong British crime film and maybe the best film of Brad Pitt’s career.

Pros.

Brad Pitt

The best of British’s talent

A few good jokes

Incredibly well structured and paced

Cons.

The ending was a little neat for my taste  

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iCarly: iReturn To Webicon

2/5

Written by Luke Barnes

Summary

Carly, Miranda Cosgrove, and co go to an awards ceremony only to end up trapped in a forest with Carly’s ex.

Yikes…. Bar the incredibly sexist episode, oh wait there have been a few of those, anyway those aside this is probably the worst episode of the revival series so far.

Why? Well because the premise breaks down to a few out of date jokes about Fyre Fest, and a pointless love triangle that maybe has Carly get back with someone who treated her like dirt, because that is a healthy message to send out to your young fans.

Moreover, the B plot about Freddie, Nathan Kress, and his app is just boring. It really feels like the latter half of the series did not know what to do with Freddie and instead got hung up on the app storyline for some reason. This is a shame as the earlier parts of the series really gave Freddie a lot of great character work.

The only positive thing I have to say about this episode is that I like the romantic pairing of Harper, Laci Mosley, and Double Dutch, Poppy Liu. I think the two have great chemistry and it will be a benefit for the series going forward to watch the two play off each other. Also I am always a sucker for a good romance arc.

Overall, a good episode for Harper, but pretty bad for everyone else.

Pros.

Harper and Double Dutch

A few funny moments

Cons.

The Freddie’s app side plot is dull

The Carly love triangle sends a bad message

Fyre Fest was several years ago, move on

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The Bronze: Does Anyone Really Care About Third Place?

2/5

Written by Luke Barnes

Summary

Hope Ann Gregory, Melissa Rauch, is a former Olympic bronze medallist who now spends her days in an American small town with her adoring public. However, after her life reaches a breaking point she ends up coaching the next generation of Olympic talent, much to her annoyance.

Usually I enjoy films under the Duplass Brothers Productions banner, but this was a rare misfire for me.

My problems with this film begin and end with the central character. There is nothing likeable about Hope, though in the beginning that is kind of the point even by the end of the film when the character journey is supposedly complete she is still a trash person and that makes her very hard to root for as a character. She does have a few funny lines, but it really doesn’t make up for how nasty the character is considering we are supposed to like her.

Moreover, the comedy of the film didn’t really work for me either. As I said Rauch has a few funny lines that work, but widely most of the jokes aren’t good and end up falling flat. A few are particularly bad eye rollers.

The ending also didn’t work for me. This is mainly due to the fact that it did not feel earned, the character does not feel like she has gotten to a place where she would do what she does in the end, frankly I find it unbelievable and that proves poor writing.

Overall, a weak comedy film.

Pros.

It is watchable

Rauch has a few funny lines

Cons.

Most of the jokes don’t land

Hope is a deeply unlikeable lead

The ending   

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