Chucky: Death On Denial

Summary

Tiffany, played by Jennifer Tilly, hosts a party for her children’s birthday but during the festivities things start to go awry.

I think this was easily the best episode so far this season for a number of reasons. Firstly, Tiffany and her ever further descent into madness and her relationship with Nica, played by Fiona Dourif, is easily becoming the best thing about the show and is also far more entertaining than any of the school stuff with the kids, plus we get the much waited for return of Kyle, played by Christine Elise, so that is easily an extra point in my book.

Secondly, when Glen/Glenda was mentioned at the end of last season I was slightly apprehensive about how the show was going to handle them, but I have to say Lachlan Watson does a terrific job as both characters and really is the standout star of the episode, they encapsulate the perfect personification imagining of what Glen and Glenda would be like in human form from how they are depicted as in Seed Of Chucky.

Finally, I really enjoyed the beginning and ending of the episode where Chucky, played by Brad Dourif, addressed the audience and did his little bit with WWE superstar Liv Morgan I thought it was quite funny and helped to juxtapose the more serious elements of the episode.

Overall, easily the best episode so far, mostly because it didn’t feature the kids very much at all.

4/5

Pros

The return of Kyle

Tiffany and Nica

Watson

The opening and ending Chucky bits

Cons.

Some of the guest stars other than Morgan were a little annoying

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Chucky: Hail Mary

3/5

Written by Luke Barnes

Summary

Chucky, played by Brad Dourif, is captured by the kids and turned good, meanwhile a bigger badder Chucky doll finds its way into the school and brings a new Chad-sense to his murdering.

I liked this episode more than the previous episode, I think the idea of a good Chucky is interesting and I like that it gives Dourif a chance to play against type, at least in terms of this series. I think the idea of another Chucky that is jacked is silly, but therein lies the charm of me its dumb but it’s the right kind of dumb.

Moreover, I preferred the more lively pace of this episode when compared to the previous week’s episode as it felt like more was happening and less like the series was playing for time. Plus this weeks murder is far better than last weeks, not only does it feel more rewarding the gore is also a lot better, Chucky giving a nun a heart attack last week was not as funny or as satisfying as they probably imagined it would be.

In a wider sense the series is getting better and I do like where they are heading with it, even if it is down from the fun week in week out craziness of the first season. Hopefully the second half of the season will be better.

Overall, an above average episode made better by the prospect of a good Chucky.

Pros.

Good Chucky

The stupid idea of Chad Chucky

It feels more lively

Cons.

There is still a lot of teasing and no delivering

The cliches are still there and are starting to effect the story

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Chucky: Sinners Are Much More Fun

2.5/5

Written by Luke Barnes

Summary

Chucky, voiced by Brad Dourif, arrives at a Catholic school.

To be blunt with you this wasn’t a very good episode. Very little happens and most of it is just set up for things happening later in the season, that is not to say the things being set up aren’t interesting but they aren’t present in this episode so it doesn’t bring it up.

Moreover, the whole school setting is proving incredibly cliché everything that you would imagine when you think of strict religious boarding schools is shown here and nothing is subverted or done in any form of clever way, its tropes through and through.

I am glad to see Devon Sawa return to the show this time playing Father Bryce and he certainly does manage to bring with him a certain level of gravitas, it is just a shame that his character is clearly being written again as a cliched trope, really just being there to bully the kids and do little else.

I think the wider world stuff is far, far more interesting than what is going on in the school and the idea of Nica, played by Fiona Dourif, and Chucky working together to take out Tiffany, played by Jennifer Tilly, is interesting and one that I will be keen to see how it plays out. Plus the arrival of Glen and Glenda will hopefully spice this season up somewhat.

Overall, a weak set up episode.

Pros.

Nica and Chucky working together

It is watchable

It sets up some interesting things for later on

Cons.

Teases and set up make this episode feel like filler

Everything to do with the kids at school is dull

Father Bryce is a cliché

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American Horror Story NYC: The Sentinel

3.5/5

Written by Luke Barnes

Summary

The killer is caught but the killing continues.

I enjoyed that they finally caught the serial killer and brought him to justice, now hopefully we can tackle the two other major elephants in the room, the supernatural Big Daddy killer and the quickly spreading AIDS epidemic two things which are far more interesting that just a bog standard serial killer narrative.

I thought Russell Tovey’s Patrick is the shining star of this episode and his fiery speech as he leaves his employment at the police force is definitely a fist in the air sort of moment. I am intrigued by the fact that he is seeing visions of Barbara, played by Leslie Grossman, and hope that they further explore his connections to the supernatural killer that took her life.

I again found this episode a little slow at times and do think they are dragging out the season and that it would have been better with fewer episodes.

Overall, a good episode but one that highlights the wider pacing issues with the season as a whole.

Pros.

Finally catching the killer

Tovey

The visions of Barbara

They can now focus on the bigger picture

Cons.

Pacing issues

A fair number of slow moments that indicate padding and filler within both the episode and the season.

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Wednesday Series Overview: A Family Reunion

Written by Luke Barnes

Summary

Wednesday Addams, played by Jenna Ortega, is given her own show wherein she is sent off to boarding school.

I think this is the best series Netflix has made in a long time. Yes, there are similarities between it and Riverdale, though this is infinitely better written and less gratuitous, because both are teen shows set primarily with dealing with teen issues and occasionally otherworldly hijinks.

However, where the two differ is that this show has far more going for it than Riverdale ever did and an appeal that vastly goes beyond the teen girls that Cole Sprouse brought in, and is something everyone can enjoy. There is enough member berry goodness, with the returning Christina Ricci and the references to the now classic films that it can bring in old fans whilst also offering something new to bring in fresh crowds.

Tim Burton’s dark sensibilities are but to great use here and the tone for the series feels both very in keeping with his aesthetic whilst also appropriate for the source material. I think the best thing that Wednesday has going for it is its characters and the writing as a whole, the former being instantly memorable and easy to warm to and the latter feeling like a natural continuation that also is devilishly funny.

Overall, this is the sort of teen programming we deserve.

Pros.

Ortega

The characters

Ricci

The ending of the series and the similarities with Harry Potter

It is very funny

Cons.

It could have done with being a few episodes longer

4.5/5

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Witchfinder General: Those Who Claim To Be Holy And Righteous Often Aren’t

2.5/5

Written by Luke Barnes

Summary

A sadistic witchfinder general, played by Vincent Price, makes life hell for residents of one British village.

There are things to like about this film, such as the distinctly British folk horror feeling that permeates almost every frame of the film, to the decidedly gothic and sinister sense of horror that makes us question all we know about witch hunters and also highlights the darker aspects to the witch trials in terms of morality.

However, for me personally I found this film quite slow going. The pace was really quite oppressive at times, and no I am not some TikTok child with a few second attention span I have watched many other longer films than this it is just the way this one is paced that is the issue. Things take a long time to get going and when they do they all follow a fairly predictable and entry level plot pattern that leads to a very obvious ending.

Overall, though I appreciate the folk horror elements, I find the slow pace and the predictability make this film hard for me to get on board with.

Pros.

The gothic sense of horror

The distinctly British folk horror elements

It is watchable

Cons.

The pace

The predictability

The ending

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American Horror Story NYC: The Body

4/5

Written by Luke Barnes

Summary

The killer is finally tracked down.

When I realised that this episode was going to have the main characters find out who the killer is I was somewhat surprised as there is still a ways left to go in terms of the number of episodes still left in this season, however, despite finding out who the killer is this episode they don’t catch him really quite the opposite.

I liked the fact that the world keeps being broadened and new facets like this idea of the mob working within the gay community are being explored. I thought bringing back Henry, played by AHS veteran Denis O‘Hare, was a really smart move as this new angle gave him a lot more to do and he really shined in this episode as did Zachary Quinto’s Sam.

My one issue with the episode and also this mid part of the season more generally is that there seems to be some filler being placed in to pad things out. Like there is no need for this episode to stretch on in the way that it does, it is possible for them to find out who the killer is and have the show down in one episode it doesn’t need to be spread across two, but I suppose that is the curse of cable TV.

Overall, a good episode that really sets up an interesting conflict for the next episode.

Pros.

O’Hare

Quinto

The killer’s identity is finally revealed

The ending and the set up

Cons.

A little bit of padding for time

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Interview With Writer/Co-Director Adam Leader And Co-Director/DOP Richard Oakes: Feed Me

Written by Luke Barnes

I recently had the chance to interview Writer/ Co-Director Adam Leader and Co-Director/ DOP Richard Oakes about their new horror comedy film Feed Me, which follows a guy in his quest to kill himself by Cannibal. In this interview we discuss processing trauma, finding love whether in others and or yourself and cannibal horror films.I hope you enjoy.

Q: What Was Your Message With This Film?

AD: We wanted to tell a relatable story of grief and trauma through the power of shock, gore and comedy; something we love. We wanted to make a movie that, first and foremost we were fans of so that no matter what, we could be proud when the world saw it.

RO: There are a few messages in this film, Learning to love yourself when you have low self-worth and guilt is one that resonates with me. It’s amazing what a difference to your life a little self-respect and understanding can have.

Q: What Was Your Favourite Moment From The Film?

AD: For me, it’s the final dream sequence in the woods where Jed and Olivia profess their love for each other. Liv is a figment of his imagination; and what Jed always perceived to be the devil on his shoulder fuelling his tumultuous journey, turned out to be his inner voice motivating him to fight for his life; she was his arc. That scene alone is like a massive breath of fresh air for Jed; his arc comes to this bittersweet conclusion that allows him to finally be at peace with himself before it’s too late.

RO: I Think I like the scene when Jed Finally stands up to Lionel and Lionel shows his true colours to Jed. It’s when Lionel unveils his true nasty. From there to the end is really special to me as Lionel’s character falls apart.

Q: How Inspired Were You By The Real Events?

AD: The fact that a man responded to an advert for being eaten alive and went ahead with it was inspiration enough. That in itself is so bizarre that we just had to use it as the premise for FEED ME. It’s ironic how the most unbelievable part of this movie has actually happened in real life.

Q: To What Extent Is This Film A Metaphor For Moving On And Dealing With Loss?

AD: If you lose the comedy, you’re left with an underlying subtext entirely focused on low self-worth & grief and how one overcomes it. The interesting part is how two traumatized people who are similar in so many ways can connect so well, yet go in completely different directions for better or worse, much like real life.

RO: Yes it’s about dealing with the internal demons that plague you through loss and overcoming the self-destructive nature that inevitably follows the loss of a loved one, again letting go of guilt and learning to love yourself again.

Q: What Is Your Favourite Cannibal Film?

AD: Of more recent times, it would have to be the new Dahmer series. That’s the best thing I’ve seen in a long time, let alone this year. Evan Peters is God.

RO: I would have to say Alive, it’s a fascinating film that I watched as a Kid that shows the real triumph of the human spirit against unbelievable odds and circumstances

Q: How Did You Manage The Tone Between The Comedic Elements And The Darker Ones?

AD: By wearing our hearts on our sleeves with the direction and being fully open to giving the actors the floor to experiment. From the get-go, we wanted this movie to be sprinkled with our sense of humour. It’s who we are as people, and to abstain from implementing our own personalities into our art would have resulted in a mediocre movie that lacked integrity.

RO: Like Adam said, the Comedy is very much a part of who we are and we wanted to stay true to that. The balance just came as a natural result of the way we wanted to pace it.

Q: Do You Have Any Funny Stories From Production?

AD: Neal Ward running naked through the set searching for a blood pump sticks out for me.

RO: One scene was so funny that I laughed so hard that a little wee came out.

Q: Future Plans, Sequels, Spin-Offs and Other Projects?

AD: A sequel is doubtful but there’s another project in the works that’ll hopefully see the light of day in 2023. Somebody did float the idea of doing a spin off about the two cops. I think that’d be amazing and I’d love to do a miniseries on those two bozos never solving anything.

RO: We have thrown a few sequel or prequel ideas around, but to be honest we are not really those people. I guess it also depends on demand. If FEED ME ever became cult status and there was a market for a sequel you never know.

Q: Do you Have Any Words Of Wisdom For Filmmakers Who Are Just Starting Out?

AD: Make films for you, not for others and be prepared for an uphill struggle; filmmaking is all about problem solving. Anything worth doing is never easy, but the personal reward dominates any salary in a career you’re not truly passionate about. Money doesn’t buy happiness; being open, honest and true to yourself does.

RO: START! I have lost count of the people who have told me they are working on a film but are waiting for the perfect conditions etc. These people never make a film. Myself & Adam are very much doers and we will break down barriers preventing that from happening rather than using every little hiccup as an excuse not to start.

If you would like to check out Feed Me for yourself keep an eye out for it on all good VOD platforms

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Bones And All: Everything Wrong With Modern Cinema, A YA Film That Thinks Its High Art

0/5

Written by Luke Barnes

Summary

A young cannibalistic couple travel the US together.

Please if you will listen to just one piece of advice from a stranger on the internet today let it be this, don’t watch this film. It is just a horrible time at the cinema as it imparts the message that life is just terrible and the only way out is by your own hand as everyone you love will disappoint you and those who don’t will be taken away. There is so much darkness in this film that there is just no need for it to exist, the world is already a dark place.

Moreover, the narrative is very smug and self-indulgent thinking itself to be high art when in actual fact it is more closely resembling angst ridden YA fare, this is certainly reflected in the paper thin central romance that feels like it was written by an emo on Tumblr. Worse yet the narrative is self-defeating as the central idea of the film is Maren, played by Taylor Russell, needs to find her place in the world, yet when she finally does at the end of the film it is then taken away and she has to do it all over again showing that there was no point to the whole film.

The film also greatly fetishizes the cannibalism and has it be akin to sex at times, which feels uncomfortable from the off and never really goes away. Speaking of the film has a sex scene between Timothee Chalamet’s Lee and another man and never really addresses it or speaks about it or allows Russell’s Maren to respond to it, it is a very odd inclusion which makes the central romance narrative seem off.

Finally, if this film is seen to be an indicator for upcoming acting talent then I might just hang up my reviewing now and bid farewell to cinema for good as both of the central performances are just awful. Taylor cannot emote for one single second and other than looking shocked once or twice has the same glazed over expression for the whole film and Chalamet plays a cliched wrapped up in an emo phase. When will the internet learn that Chalamet will never be a movie star like those of old because deep down everyone knows he can’t act and that once his legion of lust fans dry up so will his acting roles.

Overall, possibly the worst film of the year.

Pros.

None

Cons.

The film is manically depressing and an unpleasant watch from the outset

It has awful paced and is on for far longer than it needs to be

It is smug and seems to think of itself as high art when in actually it is a bad YA film

The acting is awful all round

It fetishizes cannibalism

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The Menu: A Memorable Dining Experience

4.5/5

Written by Luke Barnes

Summary

An exclusive dining experience goes badly wrong.

I thought this film was genuinely great on a number of levels. Most notably for me was the biting social commentary which had me both appalled at what Ralph Fiennes’ evil chef character was saying but also in some senses agreeing with him. I liked that this film had a very clear socio-economic/political message to it and wasn’t afraid to tackle it openly, moreover, rather than force its message down your throat to the point of choking you it approached it with a surprising amount of nuance which I really appreciated.

Additionally, this film is aided by being incredibly funny. This film had me laughing out loud quite often, its sense of humour is often jet black but it really worked for me. Whether it was the name cards for various different dishes or the way Nicholas Hoult’s Taylor was so mercilessly taken down the film was a laugh riot.

I think the film did its best to see to its supporting cast and give everyone a moment to shine, bar Arturo Castro who is terribly wasted, but really this film is about the interplay between Anya Taylor-Joy’s Margo and Fiennes Slowik and there is where the film really comes alive. Both actors are on top form, it goes without saying, but Taylor-Joy really shines and her scream queen credentials get yet another notch.

My only slight issue with the film was that the ending was rather predictable, not just that but also overly familiar. That is not to say that the ending didn’t work for the film, but rather than it was incredibly obvious where it was heading. I would have preferred something either more subversive or more shocking.

Overall, one of the best films of the year for sure.

Pros.

Fiennes

Taylor-Joy

Hoult

The humour

The social commentary

Cons.

The ending was a little weak

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