Chucky: Goin’ To The Chapel

Summary

Things finally come to a head over the battle for Chucky Prime, played by Fiona Dourif.

This was one of the best episodes of Chucky in the whole history of the show, there were so many great moments such as the interactions between Nica, played by Fiona Dourif, and Andy, played by Alex Vincent, and Kyle, played by Christine Elise, in the Chucky support group as well as the flashback to Child’s Play 2 there are just so many rewards in this episode for long time fans. Also let me just take a moment here to say how Fiona Dourif is the underrated best actor in this show and her performance as both Nica and Nica possessed by Chucky are both great, the show needs to use her more.

In addition I am glad the show finally gave Father Bryce, played by Devon Sawa, his hero moment and had him try and help the kids, it was nice to not see him be a dick to everyone around him even if it was for only a few minutes. Moreover, his death has to be one of the most over the top gore kills of the series thus far, that is not a complaint by the way. I also thought the death of Jennifer Tilly in doll form was a hilarious highlight of the episode.

The one area wherein I thought this episode wasn’t great was with Lexy’s, played by Alyvia Alyn Lind, storyline about her drug addiction and suicide attempt. Honestly, I thought the whole thing was handled poorly, I feel like the show only gave Lexi a drug problem so that she has something to do this season moreover it never really hit true on an emotional level for me so I didn’t care about it and was just counting down the moments until we could get back to the actually interesting stuff.

Overall, the best episode of the second season by far.

4.5/5

Pros.

The rewarding moments for long-time fans

The deaths of Father Bryce and Jennifer Tilly

Fiona Dourif’s great performance

The flashback

It felt like a really good pay off

Cons.

Lexy’s breakdown is boring and makes you want to skip ahead in the episode

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Interview With Writer/Director David Bryant: Splinter

Written by Luke Barnes

I recently had the chance to interview Writer/ Director David Bryant about their new horror thriller film Thriller, which follows a guy, played by Bill Fellows, who sinks into the abyss after the death of his wife and child, and whilst there he believes something is watching him with the question then becoming is it a benevolent or malevolent presence. In this interview we discuss processing depicting mental health on screen, the metaphorical significance of Christmas, and the labour of love that is filmmaking.I hope you enjoy.

Q: What was your message with this film?

DB: On Splinter, as with many of my screenplays, I try to bring in a social aspect, something relevant and contemporary. I knew I wanted to base the film inside a single location, a house; So, why is someone trapped inside their own home? This is where I wanted to make the film about a mental prison. A man dealing with multiple issues from anxiety and OCD to agoraphobia but place him in a horror/thriller. It’s more an examination and depiction of the failing of someone’s mental state than a message. I prefer to pose questions than give a complete answer with my work, so people can discuss how they read the film compared to other people.

Q: How did you try to approach the topic of grief with this film?

DB: My whole approach to the film was to play it as real as possible. To create a genre film but stage it like a kitchen sink drama. This extended to how John, played by Bill Fellows, deals with his grief and loss. I felt this approach would form a stronger link to the character, an empathy that would bond you to him. Hopefully you feel his grief in a deeper way because of the down to earth depiction.

Q: In what way does Christmas play a role within the film?

DB: Christmas is a wonderful visual metaphor for family and joy. It instantly places you in a safe place. Then I wanted to twist that, a man trapped in a time capsule, literally it is “Christmas everyday”, but it’s not as fun as Wizzard told us! The tree and cards also give the film a sense of time and place and on a low budget, creates a more interesting environment.

Q: Would you call this film a Christmas film?

DB: Ah, the age old question. I think it falls into the category, though most of it is not set at Christmas. I think Christmas horror/thriller is a big market so I say a big YES. I have co-written a very cool Christmas anthology horror that I would firmly put as a Christmas movie plus a family non horror Christmas movie. I sound like the new Shane Black… Which would be nice.

Q: What is your favourite moment from the film?

DB: I’d call the film a slow burn that builds to a crescendo. I like when Bobby enters the story. It’s the most visceral and violent moment. The finale with Michael and Bill I really like too. Bill certainly enjoys playing off another actor whether Michael McKell or Jane Asher.

Q: Any funny stories from production?

DB: It was a small shoot, just a three man crew most of the time and shot over several weekends so not a lot of time for hi-jinks. Wish I did have a funny story, just tales of hard bloody work.

Q: What does the future hold for you, any other films in the works?

DB: I hope I get to make more movies. I’m working on several feature screenplays including a sci-fi UFO horror, a pirate horror and a Western horror and have numerous completed scripts ready to send out that have placed in screenwriting competitions. I work mostly in genre and have two projects I am working with producers on to develop; Flesh & Blood, a vampire story and a female led revenge thriller, Scavenger. I want to move on to a higher level and both these films have a real cinematic feel. We just need funding! I’m also open to offers of writing or directing!

Q: Any words of advice for future filmmakers?

DB: My advice is always to not wait. Many filmmakers think they need a million dollars to produce this incredible film that will catapult them to legendary status. It can happen, but not often. So I suggest you practice your craft. Learn the art of screenwriting by reading and writing dozens of shorts or features. Get a camera, find a few actors and go make a short film. There is a lot of pressure filmmakers put on themselves that everything they make has to be outstanding- it won’t be, and if you see getting out and shooting your film a chore, maybe filmmaking is not the life for you?

If you would like to check out Splinter for yourself it is currently out now on iTunes and Amazon Prime in the US and Canada with it coming to the UK and other territories next year.

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Splinter: The Darkness Stares Back At You

Written by Luke Barnes

Summary

After the death of his wife and son John, played by Bill Fellows, sinks into himself. Whilst gazing into the abyss he begins to feel as though someone or something is watching him.

I thought this film was a smart psychological thriller, it played with you in all the right ways whenever you started to feel like you knew what was going on it then veered in a completely different direction and kept you guessing. The way the film approaches ideas of grief and mourning are also really well formulated and written as it brings a sense of grey tinged moral nuance to things and reflects deeply on a shared sense of emotion that most people can on some level relate to.

In terms of the scares/ thriller aspects of the film I thought they landed really well. Like a lot of good horror films Splinter is very focused on building and establishing an atmosphere, that feels just the right amount of oppressive, throughout the film and doesn’t waste its time stuffing in tons of jump scares.

The performances across the board were strong with Fellows being the obvious standout as the haunted man, the man out of touch with time and reality, the man lost in his grief. Fellows gave a very believable emotional performance that really powered the film forward.

Overall, a good film with an intriguing premise, definitely one to watch.

4/5

Pros.

The themes and message of the film

How it plays with grief

Fellows

The ending

Cons.

The pacing dropped a little bit in the mid-second and it started to lose me a bit

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Chucky: He Is Risen Indeed

Written by Luke Barnes

Summary

Good Chucky, voiced by Brad Dourif, finally turns bad and there is a traitor inside the School’s ranks.

The Colonel is easily the best thing about this episode once again, and his killing of Chad Chucky with the communion wafer is both shocking and a good use of the setting. It is a shame he gets killed off so quickly, but it does give Andy, played by Alex Vincent, a nice hero moment after he was rendered fairly helpless in the previous episode.

The defecting of Good Chucky and the death of Nadine was a mixed bag for me, it was sad to see Good Chucky turn bad as it could have been interesting for the wider universe of the show if he had stuck around longer and then the question of could Chucky be redeemed ever could have been tackled, but it was fairly obvious he was going to fall to the darkness. The death of Nadine didn’t hugely hit me as much like with the Colonel she wasn’t set up enough to have her death be impactful, if she had survived into the next season and died then that would have hit harder.

Overall, a good episode as exciting things are happening, but the impacts are a little stunted.

3.5/5

Pros.

The Colonel continues to have a lot of good moments

Andy gets a lot of good hero moments

It is very watchable

Fun things are happening

Cons.

Nadine’s death doesn’t hit as hard as it could have done

The Colonel is gone too soon.

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Christmas Bloody Christmas: A New Christmas Classic Is Born

Written by Luke Barnes

Summary

A military grade robotic Santa Claus goes on a rampage.

I am very much a fan of the rising talent that is Joe Begos, VFW was fantastic and Bliss I was less keen on but there was still a lot of talent there, but this I think might be his best film yet. There is something so undeniably fun about this film, yes the premise is a little like Terminator minus the science fiction stuff, but that doesn’t take away the gory spectacle we are treated to.

In addition the early part of the film before the slashing even really begins is incredibly strong and that speaks to the strength of both the writing and the characters created. Riley Dandy is fantastic as the lead and is instantly likeable, her and Sam Delich also have great chemistry together and play off each other really well. I ended up caring so much about them as a couple that I was actually sad when his character died and they were parted from each other. The film does all of that emotional work before the first act is even over, that is no mean feat.

I really do hope that Begos and Co bring this back for a sequel with a juiced up robo Santa Claus now even angrier, and have Dandy back as the Ripley of this burgeoning franchise. I think this will probably be a new Christmas classic for me and something that I come back to every year.

Overall, a great film, watch it.

4.5/5

Pros.

Dandy

The gore

The threat

The mania of the final showdown

The commentary, comedy and good back and forth at the start of the film

Cons.

Robbie’s death still makes me sad now when I think about it.

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Chucky: Doll On Doll

Written by Luke Barnes

Summary

Chad Chucky and Good Chucky, voiced by Brad Dourif, face off.

I think following on from last week’s episode this was definitely a step back, though the episode was not all bad.

I enjoyed the fight between the two Chuckies, however, I thought the idea of Good Chucky slowly starting to turn bad again was super obvious as it would break the status quo of the show to have Good Chucky permanently amongst the heroes roster for this universe, he always needs to be evil. The crucifixion turned raising from the dead was a nice touch though.

I also liked that Andy, played by Alex Vincent, makes a return right at the end of the episode, I knew the series wouldn’t just kill him off, hopefully he can be a larger part of the last few episodes of the season. Moreover, I thought the Colonel was chilling certainly an interesting take on Chucky and a fun persona to follow, hopefully they are not just one and done.

I would say what held this episode back for me is the very obvious fact that it is a filler episode more content with setting things up for later in the season then delivering for this episode in particular, when thinking about it it is hard to say very much of anything happens in this episode.

Overall, a few neat moments and its nice to see Andy return but other than that a fairly dull episode.

3/5

Pros.

Andy is back

The Chucky fight

Seeing the Glen/Glenda doll return

Cons.

The Tiffany stuff grinds the plot to a standstill

It feels very filler esque

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Chucky: Death On Denial

Written by Luke Barnes

Summary

Tiffany, played by Jennifer Tilly, hosts a party for her children’s birthday but during the festivities things start to go awry.

I think this was easily the best episode so far this season for a number of reasons. Firstly, Tiffany and her ever further descent into madness and her relationship with Nica, played by Fiona Dourif, is easily becoming the best thing about the show and is also far more entertaining than any of the school stuff with the kids, plus we get the much waited for return of Kyle, played by Christine Elise, so that is easily an extra point in my book.

Secondly, when Glen/Glenda was mentioned at the end of last season I was slightly apprehensive about how the show was going to handle them, but I have to say Lachlan Watson does a terrific job as both characters and really is the standout star of the episode, they encapsulate the perfect personification imagining of what Glen and Glenda would be like in human form from how they are depicted as in Seed Of Chucky.

Finally, I really enjoyed the beginning and ending of the episode where Chucky, played by Brad Dourif, addressed the audience and did his little bit with WWE superstar Liv Morgan I thought it was quite funny and helped to juxtapose the more serious elements of the episode.

Overall, easily the best episode so far, mostly because it didn’t feature the kids very much at all.

4/5

Pros

The return of Kyle

Tiffany and Nica

Watson

The opening and ending Chucky bits

Cons.

Some of the guest stars other than Morgan were a little annoying

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Chucky: Hail Mary

3/5

Written by Luke Barnes

Summary

Chucky, played by Brad Dourif, is captured by the kids and turned good, meanwhile a bigger badder Chucky doll finds its way into the school and brings a new Chad-sense to his murdering.

I liked this episode more than the previous episode, I think the idea of a good Chucky is interesting and I like that it gives Dourif a chance to play against type, at least in terms of this series. I think the idea of another Chucky that is jacked is silly, but therein lies the charm of me its dumb but it’s the right kind of dumb.

Moreover, I preferred the more lively pace of this episode when compared to the previous week’s episode as it felt like more was happening and less like the series was playing for time. Plus this weeks murder is far better than last weeks, not only does it feel more rewarding the gore is also a lot better, Chucky giving a nun a heart attack last week was not as funny or as satisfying as they probably imagined it would be.

In a wider sense the series is getting better and I do like where they are heading with it, even if it is down from the fun week in week out craziness of the first season. Hopefully the second half of the season will be better.

Overall, an above average episode made better by the prospect of a good Chucky.

Pros.

Good Chucky

The stupid idea of Chad Chucky

It feels more lively

Cons.

There is still a lot of teasing and no delivering

The cliches are still there and are starting to effect the story

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Chucky: Sinners Are Much More Fun

2.5/5

Written by Luke Barnes

Summary

Chucky, voiced by Brad Dourif, arrives at a Catholic school.

To be blunt with you this wasn’t a very good episode. Very little happens and most of it is just set up for things happening later in the season, that is not to say the things being set up aren’t interesting but they aren’t present in this episode so it doesn’t bring it up.

Moreover, the whole school setting is proving incredibly cliché everything that you would imagine when you think of strict religious boarding schools is shown here and nothing is subverted or done in any form of clever way, its tropes through and through.

I am glad to see Devon Sawa return to the show this time playing Father Bryce and he certainly does manage to bring with him a certain level of gravitas, it is just a shame that his character is clearly being written again as a cliched trope, really just being there to bully the kids and do little else.

I think the wider world stuff is far, far more interesting than what is going on in the school and the idea of Nica, played by Fiona Dourif, and Chucky working together to take out Tiffany, played by Jennifer Tilly, is interesting and one that I will be keen to see how it plays out. Plus the arrival of Glen and Glenda will hopefully spice this season up somewhat.

Overall, a weak set up episode.

Pros.

Nica and Chucky working together

It is watchable

It sets up some interesting things for later on

Cons.

Teases and set up make this episode feel like filler

Everything to do with the kids at school is dull

Father Bryce is a cliché

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American Horror Story NYC: The Sentinel

3.5/5

Written by Luke Barnes

Summary

The killer is caught but the killing continues.

I enjoyed that they finally caught the serial killer and brought him to justice, now hopefully we can tackle the two other major elephants in the room, the supernatural Big Daddy killer and the quickly spreading AIDS epidemic two things which are far more interesting that just a bog standard serial killer narrative.

I thought Russell Tovey’s Patrick is the shining star of this episode and his fiery speech as he leaves his employment at the police force is definitely a fist in the air sort of moment. I am intrigued by the fact that he is seeing visions of Barbara, played by Leslie Grossman, and hope that they further explore his connections to the supernatural killer that took her life.

I again found this episode a little slow at times and do think they are dragging out the season and that it would have been better with fewer episodes.

Overall, a good episode but one that highlights the wider pacing issues with the season as a whole.

Pros.

Finally catching the killer

Tovey

The visions of Barbara

They can now focus on the bigger picture

Cons.

Pacing issues

A fair number of slow moments that indicate padding and filler within both the episode and the season.

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