Lily’s Ritual: Seedy and Creepy

One of us was able to see this at a film festival in Spain last year, and after things stopped getting in the way they were able to write up a review.

Below is that review.

A young woman is inducted into what she thinks is a wiccan sisterhood but it turns out to be something more sinister.

This film was enough to make you uncomfortable, not in the ways the film wants you to be uncomfortable but because it felt like a creepy old man directing and recording a group of young women in various states of undress and wetness, in terms of their clothing.

Moreover after the twist happens, the demon is interesting and the blood effects work. However the end wherein it is dancing around is just a little too pretentious, it is as though this film thinks it’s art.

Overall the film couldn’t decide if it wanted to be soft core or an art film.

0.5/5

Pros.

It’s short

Cons.

It’s creepy

It’s pretentious

It’s poorly acted

It’s dull

The twist is fairly obvious

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They Will Kill You: Landlords are Satanists

So in this outlets commentary on the killing fields for our latest cinema issues article we thought that this film would be totally eclipsed by Ready or Not 2. However, upon watching this film easily is the better.

Both films have the annoying sister gimmick, however, this one has far less time with them needing to coddle each other and talk about their feelings.

Asia is much cooler and more badass than Grace who rather than turn into a hardened survivor they just tread as a “mess”. The action in particular is great in this film and is well choreographed for the most part.

The Satanist stuff towards the end gets a little convoluted herein, but for the most part it works well as flavouring. It is again very similar to Ready or Not but it manages to be different in that the Devil figure behind the forces in this film takes a more active role. It must be stated the gimmick of immortality makes the stakes feel a hell of a lot lower.

Overall, a good film if a little flawed at times in terms of premise.

1/5

Pros.

Zazie Beetz is great

The action is good

The ending is amusing

Cons.

The pacing

The sister stuff as well as the immorality are plot issues

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Ready Or Not 2: No One Is Looking For This

Summary, Samara Weaving is back to play hide and seek.

This film was incredibly disappointing and not needed. Firstly the film did away with a lot of the humour of the first film, and for the most part was a more serious affair, mistake number 1. There was some humour but it was far more few and far between.

Secondly, the relationship between Weaving’s character and her sister played by Kathryn Newton was irritating. In the middle of being hunted they would stop and have a spat about who left who in the orphanage, it made no sense they would do that. Also the drama between the sisters and the need for them to work through it has been done to death. You’ve seen it in a number of films and done much better than this.

Thirdly there were whole shots wherein you just knew they were doing it so teen girls on Tiktok would go “yaaaas slay queen aesthetics”, these shots didn’t actually do anything to advance the plot but were done to appeal to the former Tumblr these days the blue sky crowd.

Overall, whilst this film slightly expands on the world of the film and you could argue that as a positive in nearly every other way it’s a regressive sequel that harms the first for having been made.

1/5

Pros.

It expands out the world

Cons.

The ending is bad

The humour is toned back

The sister stuff is boring and repetitive

The stuff for aesthetics

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House Of The Long Shadows: Attempting Welsh Accents

Summary, a manor house in Wales sees some horrific goings on.

It was nice to see this love letter to Hammer, however it did waste the talents of the returning cast of legends. None of them were starring or given all that much to do.

The slasher aspect had appeal, as seeing Peter Cushing, Vincent Price and Christopher Lee together in a slasher film is a new concept for the three. However the ending of the film ruined that by having a screw the audience flavour.

The ending of the film had two twists firstly all the slasher antics were the actions of the lead’s publisher and then after that the whole story including the publisher twist was all in the lead’s book that he was writing. This removed all the stakes and made it lame.

Overall, it edges a positive score more because of the cast than anything else however, the ending really ruins it’s chances of getting any higher.

3/5

Pros.

The cast

The unique premise

It is well paced

Cons.

The ending

The twists

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Scarlet: Even The Afterlife Can Appreciate J Pop

A Princess from long ago has her quest for vengeance interrupted by a medic from the modem era.

This wasn’t a perfect film by any means there was clear tonal issues and a mismatch in some scenes where the film felt a bit confused, however, it was still far better than anything western animation has put out in years.

This is centrally a two fold issue, firstly Scarlet looks a hell of a lot better than things like Hoppers, the animation style looks sharp and vibrant, whereas Hoppers looks like A.I slop 3D animation, that looks the same as many other films.

Then secondly you have the themes this had themes of love, war and acceptance, it had widely universal themes that many people can connect to, whereas something like Hoppers has left wing messaging seeded into its soul.

Watching this film you get a little angry, not at it, at how good aspects of this film are such as the animation such as the story and themes and it makes you think just how generic and bad western animation has become.

Overall, a film that whilst tonally confused at times has a lot of heart and wonderful animation.

3.5/5

Pros.

The heart

The story

The animation

The pacing

Cons.

The tonal confusion

The bloodless violence

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Project Hail Mary: Grogu 2.0

A school teacher helps his government and then is drugged and forcibly sent on a suicide mission.

This was a flawed film, in that it could comfortably have been 2 hours, there was no need for it to be as long as it was and a hell of a lot of it was filler scenes.

Rocky is easily the heart of the film and all of the scenes with him make the film, including the emotional payoffs. One would say that Rocky upstages Ryan Gosling across the course of the film repeatedly, and Rocky does at times have that sort of Baby Yoga energy.

In terms of being a hard science fiction film, the Martian is a lot better as it has a tighter focus and is less meandering, Interstellar is better as well. However, there is some appeal in that aspect here, it simply isn’t better than some of the other films in the space.

Overall, a competent film but nothing that will knock your socks off. Rocky will be a fan favourite.

3/5

Pros.

Rocky

The ending

It has appeal as a hard/realistic science fiction film

Cons.

The pacing is bad

It has been done better before

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How To Make A Killing: The Most Generic Film Of 2026

Summary, a man decides to kill off his relatives to inherit some money.

Incredibly generic would be the best way to describe this, this fable of where chasing wealth gets you is one you have seen about 1000 times before and many times done better than here.

Almost every single character in this film is intensely dislikeable, if you’re supposed to root for Powell’s everyman that would be news to us. In many senses it reflects the worst parts of American culture where everyone is just obsessed with money, whether they have it or not it’s seemingly all anyone can ever think about.

It is the sort of film that shouldn’t have made it pass the idea stage, let alone taking up space that could instead be given to other films.

Overall, Margaret Qually deserves better than this.

1/5

Pros.

It’s short.

Cons

You have seen this before

It is dull

It is stale

The ending makes the whole thing pointless

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The Secret Agent: The Most Interesting Academic Ever

Summary, after becoming on a corrupt government minister’s hit list. A university professor must go into hiding.

The biggest compliment for this film is the tone, it could have been a lot bleaker than it was. Whilst it wasn’t happy go lucky, it did manage to balance the grit with a more optimistic tone of displaced people creating a community.

The tension across the course of the film about whether the lead will be caught or not, creates wonderful stakes that carry through the film, making you invested in the ending. Sadly they decide to just have him die off screen which is anti-climatic.

There is also some more absurd stuff that comes out of nowhere and contrasts with the broader tone of the film. This should have been removed from the film, the metaphorical intent is clear but is just feels far too out of the blue.

Overall, an incredibly strong and likable film.

4/5

Pros.

The pace

The tone bar one absurdist scene

The performances

The ending, bar the death.

Cons.T

The absurdist sequence

The death happening off screen

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The Testament Of Ann Lee: Shaking Your Way To The Lord

Summary, Ann Lee, Amanda Seyfried, believes herself to be the female reincarnation of the Messiah during the period of the Great Awakening.

This film will be divisive, it was an art film in the truest sense, it is pretentious and it likes symbolism. That will put people off. It is a musical about a very depressing subject matter, and has uncomfortable sexual moments throughout, this will put off people. Then there is the fact that it’s about the Shakers, a Christian sect, and other types of Christians might find some of the things in this film to be heretical, which will put people off. If you make it through all that you’ll find an interesting and original film.

Yes the accents were God awful, but the film tried to do something a bit different, and take what could have been a very heavy and depressing story and make it more engaging and compelling.

The music also oddly works.

Overall, this is a win for Ms Seyfried.

3.5/5

Pros.

It does something different

The music

It is an interesting story

The sheer art-cinemaness of it

Cons.

The pacing

There are a lot of things that can put you off the film

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The Bride: The Most Brutal Curb Stop Since American History X

Summary, a new take on the Bride of Frankenstein.

It seems no matter where you go people didn’t like this film, to some it is too feminist, to others the Bride is unlikeable etc. Regardless, this film was an enjoyable take on the character.

Jessie Buckley’s manic monologues were a bad choice for sure, but her character wasn’t unlikeable or too feminist as others say. She was a real person who had suffered greatly at the hands of the world and wanted someone to pay, she developed a real love for Frankenstein, Christian Bale, over the course of the film and this was quite affecting on screen.

Stylistically the film was all over the place, and tried to be an art film and also something more commercial, not realising you can’t be both. It was very apparent as you were watching, that it was made by an early career director, but everyone has to start somewhere and this was perfectly serviceable.

Overall, not as bad as you’ve heard, but surely not one to rush out to either.

2.5/5

Pros.

The style mostly works

The Bonnie and Clyde feel of it

The ending

Cons.

The odd monologues

The pacing was off

It felt totally confused at times

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