Death Trip: Why Can’t We All Just Love Our Neighbor

Death Trip is a horror film directed by James Watts. The plot sees a group of friends go and stay at their parents cottage, whilst staying there they start to learn troubling secrets about the neighbours, and after a while one of the number is found mutilated. The friends now find themselves trapped in a hostile environment.

The mystery of what is going on here, which I won’t ruin as this is fairly new, is one of the best I have seen in years: it really had me going, I thought I figured out what was going on early into the film, but boy was I wrong.

I found this film quite scary, which is surprising considering that the home invasion/ evil neighbours sub-genre has been done to death several times over at this point. I ended up liking and becoming attached to the characters, so when they faced annihilation it felt all the more weighty and made me very tense. The threat is very real and present throughout, even in scenes that seem happy and light there is always a little bit there.

My one issue with this film, only a slight one, is that there are a few pacing issues mainly in the beginning of the film that make it a bit of a slog, luckily the film picks up after the first twenty minutes, so it isn’t that bad.

Overall, an interesting take on the sub-genre.

Pros.

The story doesn’t go where you are expecting it to

The characters are feel real and relatable

A palpable sense of threat

Doing interesting things with the genre

Cons.

Pacing issues mainly in the first twenty minutes.

4/5

Reviewed by Luke

Flora and Ulysses: Saving The World One Donut At A Time

Flora and Ulysses is a family comedy film directed by Lena Khan. The plot focuses on young comic book fan and life cynic Flora (Matilda Lawler), who one day saves the life of a squirrel after it has an unfortunate accident with a robot hoover. Said squirrel (later called Ulysses), and Flora form a tight bond and, oh yeah and since its rebirth the squirrel now has super powers- that’s kind of important.

In describing this film on twitter the other day, I called it “the Paddington of 2021”, or something to that extent, and truly that is the biggest compliment I can bestow on this film. It is such a happy, enjoyable good time that you can’t help but fall in love with it.

Firstly, the narration and the dialogue are fantastic, not only are they often punchy they also make a few salient points about society- it is surprisingly sharp. Moreover, if you’re a comic book fan, such as I, then you will get extra enjoyment from this film and there are so many references and shout outs to very comics specific things that serve as loving easter eggs for long time fans of the medium.

As far as child actors go Lawler is actually terrific, she sells everything just as she should and does not overact/ or as child actors often do, underact. She fits the role perfectly. Moreover, her friendship with Ulysses might be one of the cutest things you have ever seen, it is so adorable and heart warningly wholesome that it made me want to own a pet squirrel.

Ben Schwartz play’s Floras dad and carries on this recent strong streak of films, seriously check out some of his recent offerings outside of this and Sonic he is really proving himself to be a talent to watch out for.

Overall, maybe the best Disney + original outside of Marvel and Star Wars- yes, even better than Soul.

Pros.

Flora and Ulysses

Ben Schwartz

The script

The comic book references

The ending

Cons.

None

5/5

It is pure wholesome goodness

Reviewed by Luke

Son Of The South: Anyone Can Be A Hero

Son Of The South is a biographical drama film directed by Barry Alexander Brown. The plot retells the early life of civil rights activists Bob Zellner (here played by Lucas Till), showing his early struggles and triumphs.

There have been many films where Till has been good, but he never stood out enough with a film to deserve awards and to break through into wider Hollywood, this however is that film. Till deserves awards for this one, this is his breakout film or should be at least.

This film was near perfect in every way, there was only one slight issues with it, can you guess what it is? Anyone who has been following my reviews for a while know damn well how I feel about Lucy Hale, (she can’t act and ruins any film that features her prominently, with Fantasy Island being the one film that made me question that statement), and the same could have been true here: thankfully after the first half an hour this film ditches here. Her half an hour performance isn’t good, but that almost goes without saying.

This film is important as it shows that no matter where you come from in life, you can help to better the world. Zellner’s own grandfather was in the Klan and threatened to kill him for helping the civil rights struggle, but despite his family Zellner went on to help change history. We truly can all be heroes.

There were a number of powerful scenes here, including the lynching scene and the riot at the bus station, that hit hard and leave an impact; this was not long ago in our history and have we come all that much further since? Really? So a mixture of despair for the monster that is the human race, but also a hope that the good can beat the bad in our world to a point where words like the Klan and White Supremacy lose their meaning and can be forgotten about permanently.

Overall, I can’t recommend this film enough, please watch it.

Pros

Lucas Till

The powerful message

The emotional impact

It leaves you thinking after watching

Cons.

Lucy Hale

4.5/5

Reviewed by Luke

The Reckoning: A New Action Hero Is Born

The Reckoning is a adventure horror film directed by Neil Marshall. The plot sees Grace (Charlotte Kirk) be accused of witchcraft after she turns down the sexual advances of her landlord, following her husband’s death. Needless to say she is horribly and violently tortured by the local Witch Finder General (Sean Pertwee), but Grace stays strong and refuses to confess.

I think the story is well done and fits nicely into the genre. It won’t win any prizes for writing though, as the Me Too metaphor is a little too on the nose and has about as much subtly as a Michael Bay explosion. I understand that Marshall and Kirk wanted to use this film to take aim at some of their Hollywood enemies, and that is far enough, but don’t claim that is has nothing to do with that when it very clearly does.

The costume design is strongly done and the scenes with the Devil in them, yes that’s right whilst on the inside Grace is tormented every night by the Devil demanding her soul, are easily the strongest from a design perspective of the film. Looking at the Devil character here reminds me that Marshal has always handled creature design well: with some of the best examples of my point being Baba Yaga (Hellboy), and the werewolves in Dog Soldiers.

Kirk is a strong lead, and a believable ass kicker. I thought from an empowerment perspective, that she was yet another sorely needed female action hero, with the final scene of this film begging for the sequel treatment. We need to see Grace reunited with her kid after all, or maybe just hunting down some more evil doers- I’d happily watch either.

Overall, top tier Marshal even if the metaphor is a little too on the nose. Marshal really is one of the most underrated directors working today.

Pros.

Kirk

The creature design

The ending and the sequel set up

Sean Pertwee

It is more of Marshal doing what he does best

Cons.

The Me-Too Stuff is way too on the nose, and obviously inspired.

4.5/5

Reviewed by Luke

A Glitch In The Matrix: You Will Never See The Matrix The Same Way Again

A Glitch In The Matrix is a documentary film directed by Rodney Ascher. The film servers to analysis the simulation debate, looking at first hand accounts as well as ‘scientific evidence’ for whether we are indeed living in a simulation.

There is no way to watch this without getting a strong feeling of existential dread, the very idea makes a chill creep up the spin. Much like Bliss the Owen Wilson film that I watched recently, which shares a very similar topic of analysis, there is something about simulation theory that sticks in the mind long after being exposed to it.

It has to be said that this documentary is in no way scientific, they don’t really have evidence more first-hand observed experiences and unproven ideas, more over they don’t have any one voicing opposition to the ideas laid out, so can be seen as leading.

I enjoyed watching it though and I found the topic fascinating, there is a lot of things to ponder once the film ends that’s for sure, and it made me second guess a few things, but mainly it made me want to read a Phillip K. Dick novel.

Overall, an interesting watch even if it did not mange to change my mind.

Pros.

An interesting subject

A lot to think about

It has given my a renewed interested in Phillip K. Dick

Cons.

It is not scientific

It is depressing

3/5

Reviewed by Luke

The Flight Attendant: Life After The Big Bang

The Flight Attendant is a comedy drama series based on the book of the same name by Chris Bohjalian. The series revolves around Cassie (Kaley Cuoco), a dysfunctional alcoholic flight attendant, who get caught up in a murder after her one-night stand ends up dead, Cassie ends up at the top of list of police suspects and she must set out to find who really killed this person and clear her name.

So when I put this series on I was not expecting much, I thought it would just be like every other crime thriller tv series- generic. However, I was surprised to find out how much I enjoyed this show to a point where I was actively looking forward to the next episode and thinking about it when I wasn’t watching it.

This is Cuoco’s first big series after The Big Bang Theory yes she is in Harley Quinn, but that is a preestablished franchise and IP and also animated so less on her performance, as such all eyes were on her here. I have to say I was not always convinced by her acting in the BBT, but she really knocked it out of the park here, she fully sold the mania and the downward mental decline her character was going through allowing for me to completely see her as the character with any ideas of Penny disappearing.

The ultimate mystery of the series is handled well, it is not who you originally think it is, and the series goes in a few ways that surprise you. I also enjoyed how, whilst trying to solve the central narrative mystery the series also sets up lots of smaller little mysteries that will pay off when the show comes back for season two.

The wider supporting cast were also excellent Michiel Huisman, Zosia Mamet and Rosie Perez all have strong sense and interesting arcs.

Overall, one of the best series of last year defiantly not one to sleep on, make it your next binge.

Pros.

You can’t stop watching it

It is compelling

Cuoco

Huisman

The mystery and those yet to be revealed

Cons.

None

5/5

Reviewed by Luke

Seberg: Leading To Tragedy

Seberg is a political thriller film directed by Benedict Andrews. The plot serves to tell the real-life story of Jean Seberg (Kristen Stewart), an actor who got a bit too close to black civil rights movements and so became the target of vicious harassment from American law enforcement, which lead to tragedy.

Kristen Stewart is one of those actors who can either be really good or really bad and struggles to find a middle ground, however here she is dazzling. Her portrayal of Seberg is both empowering and heart breaking, Stewart manages to capture her so perfectly that it gives me hope for her upcoming Princess Diana film.

Stewart and Anthony Mackie (who plays Civil Right leader Hakim Jamal), have such amazing chemistry that you can’t look away for a second they are on screen together.

Vince Vaughn is also in this film as sadistic FBI agent Carl Kowalski, and once again he shines in the dramatic role proving her far more than just a funny man; if you are not already aware of the Vince Vaughn renaissance going on, you are now.

The message of this film is poignant and as timely now as it was then.

Overall a tragically beautiful film and one of Stewart’s best.

Pros.

Stewart

Mackie

Vaughn

The message

The heart-breaking ending and its emotional weight

Cons.

None

5/5

Reviewed by Luke

Brotherhood: Nudity Over Transformative Life Experiences, How To Cheapen A Series With The Final Installment

Brotherhood is a crime film directed by Noel Clarke. The plot serves as a continuation of the previous films Kidulthood and Adulthood serving to be the final film in the series. The plot sees Sam (Clarke), brough back into the game for one final showdown after his brother gets shot.

So this film pushed things a bit too far, by that I mean the running theme throughout this series is how bad this life is serving to discourage people who want to pursuit this kind of lifestyle, however this film glorifies a life of crime and undermines the whole series.

Moreover, this film moves fully away from the drama genre and tries hard to become an action film, which it does well, but it just shows how far this film has moved away from its roots. Personally, I enjoyed the gritty violence and one-upmanship in this film, it reminded me of great 00s crime films like The Business which is a pro for sure.

Likewise, I thought the ending of the film felt satisfying both as an ending to this film and as an ending to the series as a whole: it felt very much like Sam’s Character arc from the first film had gone full circle in a very real and believable way which was nice to see.

A final note about this film is that I felt the level of nudity in it felt too much at times, maybe even slightly exploitative. Clarke really does distract from the good points and clever writing of this film by having naked women constantly on-screen to keep the attention of every teenage boy in the audience, and honestly it really does cheapen the film.

Overall, a flawed but fitting end to the series.

Pros.

The ending

Closing the arc

The gritty violence

Clarke

Cons.

It glorifies while seeking to dissuade

The nudity

3.5/5

Reviewed by Luke

Eagle Vs Shark: Which Came First?

Eagle Vs Shark is a New Zealand set romantic comedy directed by Taika Waititi. The plot follows the romance of Lilly (Loren Horsley) and Jarrod (Jermaine Clement), with a subplot about Jarrod’s quest to track down his high school bully and beat him up.

As far as Waititi’s film goes this is oddly off beat and almost sad, the wackiness of something like What We Do In The Shadows is a million miles away from this film instead it shares more in common with the darker more upsetting moments in JoJo Rabbit or Hunt For The Wilderpeople. I left this film feeling depressed.

The central romance has quite a few troublesome elements, in that Jarrod treats Lily like trash for most of the film, even dumping her abruptly to run of with his dead brothers girlfriend: the apology for his bad behaviour at the end of the film does not make up for it, and really they shouldn’t be together. However, as far as toxic messages within romantic comedies go, this film is on the better side of the scale and isn’t as offensive.

There are odd stop motion sequences peppered in throughout the film that I am not quite sure how I feel about. On the one had they fit in with Waitit’s quirky sensibilities, however they also feel quite unsettling and troubling for reasons that I cant quite put my finger on, there is just something about them.

The one positive I can find for this film is that the humour worked for me and I found myself laughing quite a bit.

Overall, this film really didn’t jive with me at all which is surprising considering that for the most part Waititi and Clement can do no wrong.

Pros

It has a few laugh out loud funny moments

Cons.

It is a bit too melancholic

The animation is weirdly unsettling

You don’t want the characters to be together in the end

It leaves you bummed out.

1/5

Reviewed by Luke

Barb And Star Go To Vista Del Mar: Cutting Lose At Forty

Barb And Star Go To Vista Del Mar is a comedy film directed by Josh Greenbaum. The plot sees recently unemployed middle-aged friends Star (Kristen Wiig) and Barb (Annie Mumolo), decide to visit Vista Del Mar on holiday, very much like the title suggests.

This is a very odd film, it is not quite romantic comedy, not quite a musical and not quite a comedy either- it is something else. Upon watching the first act, I was expecting to be writing a bad review, however, as the film went on it grew on me more and more.

I am mixed on this one, I did not think the film was funny at all, like nearly every time it is trying to be funny it fails, the only time it is funny successfully on purpose is during its songs (which are actually quite good and easily the highlight of the film), the few laughs to be had during this film were found there. Ultimately, it depends what you find funny, as I often say humour is subjective, if you have found yourself laughing and Kristen Wiig’s style of comedy before then you will laugh at this- as it is the same old same old.

The romance elements are likewise as odd as the rest of the film, seemingly trying to be as absurd as possible though I will say in this respect Jamie Dornan exceeds. Truly this might be the film that finally lets Doran move past his overly serious Mr Grey, and his failed leading man career and reminds audiences that he can still be fun. I enjoyed the romance between Dornan’s character and Wiig’s and I though it was easily one of the strong points of the film.

Overall, a very specific, very niche kind of film that will split audiences.

Pros.

It grows on you

Jamie Dornan

The songs

Cons.

It is not funny

It is very niche and very specific

It feels familiar

It would have worked better as a short film or a sketch

2.5/5

Reviewed by Luke