Saint Maud: The Lord Making You FEEL

Saint Maud is a British psychological horror film directed by Rose Glass. The plot sees clearly unhinged Maud (Morfydd Clark), begin caring for faded American movie star Amanda (Jennifer Ehle). As she is performing her duties as a private care nurse she can’t shake the feeling that she was made for more and that God is communicating through her or to her in some way. As her ‘connection’ with some form of higher being intensifies so does the horror.

I would say that this film is going to be very stark with viewers, you will either love it or you will hate it. That said however, I find myself somewhere in the middle. Though I think the premise and the story is well told and intriguing, I think structurally and as a horror film it is disappointing.

So, this is very much like Robert Egger’s The Witch, use your enjoyment of that film as a barometer for this. By that I mean it is incredibly slow, it builds and builds itself over time and then explodes in the final ten minutes into an all-out wild spectacle. I found myself bored by it for the majority and then these last ten minutes scared me and made me take notice.

I think the concept is interesting, the idea of is Maud really communing with some kind of higher power/ demon or is she just losing her mind has been done before, but never in as much detail as this. The film never gives you a definitive answer one way or the other it is entirely on you to decide. I enjoyed this aspect of it.

Overall, your enjoyment of this will come down to your horror sensibilities. I saw people leaving my screening mid film. I enjoyed what it was trying to do, however I found it to be a disappointment ultimately.

Pros.

The ending

The showdown, you know what I mean

The premise and the interesting plot

Cons.

It is not scary

It is very slow

3/5

Reviewed by Luke

Leaving Las Vegas: The Life Of A Hollywood Screen Writer

Leaving Las Vegas is a romantic drama film directed by Mike Figgis. The plot sees disgraced, alcoholic screen writer Ben Sanderson (Nicolas Cage), retire to Las Vegas to drink himself to death. While there he meets prostitute Sera (Elisabeth Shue), and the two form a doomed romance.

For those looking for a wild Nicolas Cage film you won’t be disappointed here. There is plenty of Cage’s trademark strange sensibilities, but in a more subdue way. Cage delivers quite a dramatic powerhouse performance here; he is utterly captivating to watch.

The same can be said for Shue. This might be by favourite performance from her so far, (that I’ve seen), I truly bought that her character loved Ben and was just desperate to find someone who cared about here and didn’t just want to use her. I thought the romance between Ben and Sera was the definition of bittersweet, it was touching and felt like a slap to the face but one that you were happy to receive.

My one note would be that though it is brilliantly done it is incredibly, unrelentingly bleak. This film is a tragedy through and through and is quite upsetting. A warning to you there. I would say it is the sort of film that you need to watch something happy afterwards for sure.

Overall a heart-breaking masterpiece that deserves to be experienced as it has so much to say about the human condition, even if it is depressing in the highest degree.

Pros.

Cage

Shue

The comments on the human condition

The romance

Cons.

It is hard to watch at times and it does not apologies for that

4.5/5

Reviewed by Luke

Inheritance: Being Locked In An Underground Bunker Would Be Better Than Watching This!

Inheritance is a thriller film directed by Vaughn Stein. The plot revolves around Lauren (Lilly Collins), discovering that her recently deceased father has been keeping a man locked in a bunker on their property. She decides to get to bottom of this dark family secret.

Why cast Patrick Warburton, a veteran actor to have a nothing two-minute cameo? Warburton play’s said deceased father, who dies at the very beginning of the film, and doesn’t really come back in anything meaningful way, they could easily have had Lauren find another tape to have more of him, but no. It is a huge missed opportunity.

You have seen this film before, there is nothing original about it at all. There is a twist towards the end of the film, I won’t tell you what it is, but I bet you can guess what it is. I was hoping when I put this on that maybe the filmmakers were going to do something interesting with the man locked in the basement concept, but they don’t. It’s all just very average.

The one pro I will give this film is that Simon Pegg is good as the man in the basement Morgan Warner. I enjoy seeing Pegg experiment with playing darker characters that are more outside of his wheelhouse and this is an example of that. I thought even though the way they took his character was super obvious that Pegg still managed to completely nail the role and be captivating whenever he was on-screen

Overall, deeply generic and played out entirely as expected

Pros.

Simon Pegg is giving it his all

Cons.

They waste Patrick Warburton and most of the other cast members

Lilly Collins is entirely forgettable

It is incredibly predictable

You have seen this before and better

1/5

Reviewed by Luke

The Lobster: To Love Or To Transform?

The Lobster is an absurdist dystopian dark comedy film directed by Yorgos Lanthimos. The plot follows David (Colin Farrell), a man who moves to a special singles hotel once he finds out that his wife is cheating on him. Said hotel gives singles a set amount of time to find ‘the one’ or face being killed and turned into an animal.

This is truly a bizarre sort of film and I mean that as a compliment. The dystopian ideas herein, I have never seen imagined before and as a result of that this film feels wholly fresh and original, praise that I can’t give to many films these days.

This film has a wonderfully off-kilter sense of tension and threat that seems to reveal itself at the most unexpected of times. It can be quite a mild breakfast scene, that yes is a little strange but is not that out of the ordinary, but then someone gets their hand burnt in a toaster for touching themselves, just out of nowhere.

Farrell is strong here his performance easily makes the film. His David is a character who is hard to form a mind on, sometimes he is the stereotypical protagonist, a rootable figure that you want to see do well, but then sometimes he seems to far darker and more loathsome than that.

My one complaint of this film would be that the second act, when David runs away, stretches out for a bit too much and feels poorly paced. This isn’t helped by the fact the second act of the film also stuffs in a lot of information that somewhat ruins the genius simple premise.

Overall, a must watch for the sheer originality alone.

Pros.

Colin Farrell

The premise

The originality

Olivia Coleman

Cons.

The second act has far too much going on and also far too much bloat.

4.5/5

Reviewed by Luke

West Is West: Cultural Identity

West Is West is a British comedy drama film directed by Andy DeEmmoney. The plot follows up on the events of East Is East several years later with Sajid (Aqib Khan), now fully grown and in a full-on rebellion against his and his father’s culture. So in an effort to straighten out his final son George (Om Puri), takes Sajid to Pakistan with him, to try and get his son to embrace the culture and become what he wants him to be.

So, normally I am adamantly opposed to belated sequels I find them to be needless and serve no purpose beyond exploiting a vaguely known IP for some quick cash. That, I am happy to report is not the case here. This film feels like a genuine follow up to the first film that furthers the characters and the arcs set up, allowing us to see these characters more clearly.

I found this film to be quite touching at times. I liked that it explored George’s two identities, showing how both can’t exist and that he is basically a man of two lives or two worlds. I thought George having to confront the family that he has left for thirty years made for a genuinely brilliant emotional scene that worked on multiple levels. Puri of course shines in the role.

I think this film does really interesting things with the idea of cultural identity. Suggesting that it might not be a fixed concept, more so an adaptable ideal.

Overall, a very worthy follow up that carries the first one on nicely

Pros.

The focus on George

Showing George’s first wife and the emotion of their scenes together

A legacy sequel that justifies it existence

A beautiful concept and message

Cons.

A large amount of George’s family from the first film do not return for this.

4.5/5

Reviewed by Luke

Bottle Rocket: Anderson Before He Became His Quirky Self

Bottle-Rocket is a comedy crime film directed by Wes Anderson. The plot follows a trio of Texan friends who try to pull of a series of crimes to disastrous all-around results.

I find Wes Anderson films are at their best when they full embrace the kitsch eccentric Anderson aesthetic, and this one doesn’t do that. It is by far the most straight lace of all of Anderson’s filmography thus far. I found it to be a little rough around the edges, though I did find that added to the charm as the film progressed.

The Wilson Brothers were on top form here and I found them both to be quite compelling, I thought the interplay their characters had added nicely to the film and created a believable bond. Of the two I would say that Luke outperformed Owen, as Owen’s character is a little overdone, he is played up to a ridiculous extreme.

I thought the side stuff and world building elements were used well, and clearly set a pace for what we come to see of Anderson in the future. I enjoyed the romance between Luke Wilson’s character and Lumi Cavazos’ Inez, I found it to be a good emotional core for the film as well as his character. The two had believable chemistry and you want to see them end up together.

Overall, it is a rough start, but still a film that shows a lot of promise

Pros.

The Wilson Brothers

The world and the dialogue

The romance

Cons.

Lacking the Anderson eccentric

Owen Wilson’s character is a little overplayed

3/5

Reviewed by Luke

On The Rocks: The Most Bill Murray

On The Rocks is a comedy drama film directed by Sofia Coppola. The plot follows Laura (Rashida Jones), a woman going into midlife who begins to think that her husband Dean (Marlon Wayans), might be cheating on her. She recruits her philandering father Felix (Bill Murray), to help her get some answers: the investigation is on.

This might be the most Bill Murray film ever made, if you have ever seen any of Murray’s films or are a fan of him generally then you will know what I mean. The eccentricities that normally colour Murray’s various performances are turned up to eleven here, resulting in a glorious performance.

The film has a lot to say about aging gracefully, finding new drive in life, and asking for forgiveness all of which are touched on and beautifully developed over the course of the narrative. The relationship between Laura and her father, who left when she was young after cheating on her mum, is strained and turbulent and their arc together is beautifully resolved.

My two complaints with this film are both of a similar vein. This film is far more into the drama aspect then it is the comedy aspect of its premise. Yes, it has a few jokes and comedic situations, but the drama and the comments on life take centre stage. As a result of that we see more of Jones’ dramatic chops which are strong, but we don’t get to see much of her comedic side. Which is a real shame as Jones can be and has been very funny in things in the past before, sadly here she is playing the straight woman to a zany Murray. Moreover, Jenny Slate also features in this film, more as a recurring bit than a characters, and is also underused.

Overall, not a film that is going to set the world on fire, but a very enjoyable film with a surprisingly large amount to say.

Pros.

Bill Murray

Marlon Wayans

Rashida Jones (In a dramatic sense)

The comments on life and parent child bonds

Cons.

It doesn’t let Jones be funny

It underutilised Jenny Slate

4/5

Reviewed by Luke

All Joking Aside: Finding Your Start

All Joking Aside is a comedy drama film directed by Shannon Kohli. The plot follows young stand up comic Charlene (Raylene Harewood), who has repeat run ins with faded former comic Bob (Brain Markinson), leading to an emotional journey.

This film feels very raw, it knows what it is and what is trying to do, and it achieves that. We see Charlene as she struggled to survive in this new big bad world of comedy and comes out kicking on the other side. Charlene might be my favourite lead character of a 2020 film so far, as she is so incredibly relatable. Everyone has been in her position at some point in their life, starting something new, being unsure of yourself, she is a good audience standin.

This film feels very similar to Funny People. Which is both a compliment and a critique. The critique I would hope is fairly obvious, similarity is not a sign of originality. Though the compliment is a little more abstract, I found the balance between comedy and drama to be managed to a perfect degree much like the aforementioned Adam Sandler film. It has a tragic sense of whimsy to it that really leaves and impact on you as you watch it and that stays with you long after.

Overall, though this film might feel a little over familiar at times it is also funny, touching and crucially well done. Well worth a watch.

Pros.

The heart

The comedy

The journey

Harewood

Cons.

A little too similar to other films

4.5/5

Reviewed by Luke

Intrusion: Disconnected: The Final Girl After The Final Showdown

Intrusion: Disconnected is a horror thriller film directed by Kyle Cates. The plot sees Holly (Katie Stewart), a survivor of horrific violence, become convinced that the man who tried to kill her has returned from beyond the grave as the local unexplained death toll starts to rise around her.

This is an unsettling watch, there is just something about it that made me uneasy. We are never quite sure as to Holly’s mental state, and as such we get sucked up in her own paranoia with her. The killer almost becomes a mythical figure as he stalks her every waking moment, very much like a more real version of Freddy or Jason.

I thought Stewart did a great job here. She was a very rootable lead, she was easy to cheer for and it was an inspired choice to focus on what happens to ‘the final girl’ after the showdown; with regard to the mental tole and effect that has on their life. We see Laurie Strode after Halloween, but her mental state and the effect her life or death confrontation had on her life going forward is glossed over.

I found this to be a harrowing watch through and through.

Overall, I enjoyed the performances and the very real threat of the killer that also felt somewhat mythic. It is unsettling to watch; My only issue is that this film has some pacing issues and some parts of it drag on and on and make you lose interest.

Pros.

Katie Stewart

The real sense of threat

It is unsettling

I enjoyed the mental health focus

Cons.

It has pacing issues throughout; it could have been structured a lot better

4/5

Reviewed by Luke

Juliet, Naked: Always Check Your Email Because A Famous Singer Might Have Emailed You

Juliet, Naked is a romantic comedy film directed by Jesse Peretez. The plot follows Annie (Rose Byrne), a woman who is in an unhappy marriage and who is bored with her life. Her husband Duncan (Chris O’ Dowd), spends every waking minute obsessing over a has been singer from decades prior.

One day after commenting on her husband’s blog, Annie receives an email from said has been singer Tucker Crowe (Ethan Hawke), and he and Annie strike up and unlikely romance.

I have seen a lot of romantic comedy films in my time and I have to say that this was on the better end of that scale. It has no icky or troublesome moments; it had good wholesome themes and ideas and was underpinned by a sweet starting over again romance that you couldn’t help but cheer on at every turn.

Byrne had the right amount of Bridget Jones in her performance to make her be instantly rootable and loveable to the audience. I thought the narration of the emails was a nice touch as it allowed us more access into both Annie and Tucker’s headspaces, it was very You’ve Got Mail.

O’Dowd has the right amount of pompous annoyance as to pull off the obsessed fanboy well. Right from the off we know that he and Annie are poorly suited, to put it mildly, and it is plain to see he neglects her making him a very easy to hate antagonist. O’Dowd is really coming into his own playing petty jerk villains in British films.

Overall, a sweet wholesome romance film that is destined to become a classic of the genre.

Pros.

The romance

The wholesomeness

Rose Byrne

Ethan Hawke

Cons.

O’ Dowd is a bit too annoying

4.5/5

Reviewed by Luke