A Man Called Otto: The Perfect January Film

Written by Luke Barnes

Summary

Tom Hanks plays a curmudgeon who after losing his wife seals himself off from the world, until his new neighbours give him a reason to live again.

This is one of those films that you will watch once and enjoy but then likely never watch again. I don’t think that is inherently a bad thing, rather I think this film has a powerful message and conveys it beautifully and it will reach those who need it, when they need it and it doesn’t need to do more than that.

In many sense this film is the perfect January film it is both sad and at times manically depressing but also hopeful and life affirming. Many of us who find January an incredibly hard month for a lot of different reasons, need the positivity this film brings and for them it will be a boon.

I really enjoyed Tom Hanks here I thought he played the role really well and as the film progressed it was incredibly hard not to root for him. The flashbacks were incredibly moving and affecting, but I won’t talk about them as they made me get upset in the cinema and I can feel the same emotions stirring as I sit here and write out this review, suffice it to say you will be wiping away a few tears in this one.

Overall, a beautiful film but one that will never stand a rewatch.

4.5/5

Pros.

The message

The emotions

Hanks

The ending and its feel good properties

The supporting cast

Cons.

It would be hard to watch again

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The Last Of Us: When You’re Lost In The Darkness

Written by Luke Barnes

Summary

Yet another post apocalypse narrative but this time based on a popular, if deeply overrated video game.

The Last Of Us was never my favourite game, hell it wasn’t even my favourite Naughty Dog game, it was very okay and in many senses that is how I felt about this first episode. It was alright, but no different than any other piece of post apocalypse fiction that you have ever seen before.

If you have played the first game, this episode is a pretty faithful recreation of the opening sections of it. I wouldn’t say it is shot for shot the same in terms of adaption as say something like The Sandman was, but it comes pretty close.

I think Pedro Pascal is a very good Joel, truth be told he was the only reason I tuned into this at all.  I think Pascal’s skill as an actor is really highlighted in the scene wherein he loses his daughter, that is a haunting scene in both the game and this first episode. Pascal really nails the emotion here and delivers in the way you would want him to.

My issue with this episode is Ellie, played by Bella Ramsey. Frankly put I think she has been miscast, and was only cast based on the popularity of her character in GOT, she doesn’t feel or remotely look anything like Ellie from the games and it takes you out of it. In the scenes wherein she is chained up in the Firefly safe house and is interacting with her jailors it comes through incredibly clearly that she is acting it feels in no way natural and this when compared to Pascal’s performance really highlights a juxtaposition in acting quality.

Overall, the first episode was on the better side of fine, Pascal brings a lot to the show and it was impressive how close they were to matching the games, but Ramsey is miscast.

3.5/5

Pros.

Giving us Joel and Tess as a couple

It is quite close to game accurate

Pascal is terrific

The emotions really hit

Cons.

Ramsey is miscast and unconvincing

The episode is bloated

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An Interview With Writer/Director/Actor Shaun Rose: Toga

Written by Luke Barnes

I recently had the chance to interview Writer/ Director/Actor Shaun Rose about their new drama film Toga, which follows a videographer, also played by Rose, as his work brings him back to his home town. In this interview we discuss, home towns, sequels and the hate received from shortening a town’s name.I hope you enjoy.

Q: What was your message with this film?

SR: Overall I feel that with this film and its predecessor, “Upstate Story”, I’ve tried to show that change or personal growth continues even after our transition from childhood to adulthood. Being an adult isn’t easy by any stretch of the imagination and we often find ourselves in tough spots or holes and we have to find a way out of them.

  Q: Why is returning to a home town always such an emotional significant moment?

SR: It’s largely due to the memories you have in the sense of what you were, the things you did and what has happened since. All of the changes can really make for a highly emotional experience.

Q: How would you describe the lead character’s emotional journey during this film?

SR: In the beginning he’s largely in a better place than in “Upstate Story.” It’s a very large improvement for him by comparison. He still has problems though and he’s aware of them, but doesn’t have that drive to fix them. The journey to town changes all of that. 

Q: What emotions were you hoping to illicit from your audience here?

SR: I’ve always tried to tell my stories as realistically as possible for the sake of connecting with audiences. Being able to relate to a character on deeply personal levels I feel makes for a more impactful viewing experience.

Q: What made you want to make this film?

SR: Doing an “Upstate Story” sequel was always part of the plan. Both films act as a reflection of who I am as a person and what I’ve gone through the last few years of my life. It’s tough to make a film, but I think writing what I know best has made the process a little easier. 

Q:Do you have a favorite moment and or any funny stories from the production?

SR: Some of the local hate I’ve received over the title alone has been frustrating. At times, it has also been comical if you think about how pathetic it is. Shortening the town name from Saratoga Springs to “Toga” has brought me a lot of heat from others. All other things I’ve experienced will be covered in a “behind the scenes” documentary I’ve also been chipping away at. I don’t want to spoil too much of anything.

Q: What are your future plans, do you have another film in the works?

SR: I have a few in the early writing stages. Even another film in the Ellis Martin saga. If you want to call it that. In the near future and hopefully before the end of 2023 I’ll have the documentary “Not Saratoga” finished. I’m in no big hurry though. 

Q: Do you have any words of advice for young filmmakers who might be reading? 

SR: If you want to make a film, go ahead and do it. If you’re working on a no budget film be prepared to wear a lot of hats. Do your research on those roles too. Prepare yourself for many sleepless nights. 

If you would like to check out Toga  for yourself it is currently out now on Youtube

https://m.youtube.com/watch?v=h64_fy-bB-M

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Toga: A Return

Written by Luke Barnes

Summary

A videographer, played by Shaun Rose, begins scouting new locations for a filmmaker only to be brought back to his home town, going on an emotional journey in process.

I will open this review by saying that I haven’t seen Upstate Story which serves, I am lead to believe, as a part one of sorts to this story. As such I may not fully comprehend the character journey between films and my review can be seen as solely reflective of this film and not relating to the wider series or quasi saga.

I found this film to be quite effecting, something about the idea of home towns can and often do stir up both a sense of nostalgia but also haunting and as such returning to them after a long absence can be a very mixed experience. I found that this film really captured the emotional nuance of that, and had the home town itself almost function as a narrative act centre piece.

Additionally, I found the performance by Rose himself was simply captivating, throughout the run of the film I couldn’t look away in many senses I was transfixed by his life and journey, not necessarily because they were in any way fantastical but rather because they were so relatable and human. The writing of this film is truly magnificent.

Overall, very much an enriching watch.

4/5

Pros.

The emotional nuance

The writing

Rose’s fantastic performance

The pacing

Cons.

I felt like I was missing something, but likely that is because I jumped in at the sequel

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Nanny: The American Dream Is Dead

Written by Luke Barnes

Summary

An undocumented Senegalese immigrant, played by Anna Diop, works hard to try and bring her young son to the US, but all the while something seems amiss.

I will say quite upfront this is not a horror film, there are vague supernatural elements that really never amount to much at all, but this is in fact a drama film concerned with notions of trauma and mental health rather than anything else. As such if you go in expecting scares, as I did, you will be disappointed as this film isn’t scary but is instead manically depressing.

I enjoyed the film for what it did with time, often moving around and back and forth between things without any notice to the audience, and also for the use of African themes and mythologies in its horror, often the genre gets very bogged down with western Christian themes and monsters and it is nice to see something else for a change.

I also thought the performances were strong across the board with Diop and Michelle Monaghan being particularly fantastic, both convey the darker aspects of motherhood well and bring a wide emotional range to their respective performances.

Overall, strong performances and fresh mythology clash against a deeply predictable twist and a lack of scares.

2.5/5

Pros.

Diop and Monaghan

The focus on African mythology

It tries to do something fresh

Cons.

The twist is incredibly obvious

It is depressing

There are no scares

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Unbreakable: Ageing Poorly

Written by Luke Barnes

Summary

A train crash survivor, played by Bruce Willis, realises that he has superhuman powers and then enters into a twisted power game with a disabled comic store owner, played by Samuel L. Jackson.

This is one of those films that a lot of people really like but that I have never been able to get into. When looking at Shyamalan’s wider body of work it is his forays into superhumans that really lose me, with the exception of Split, that and his dreadful After Earth.

My biggest issue with this film has always been that the characters don’t feel fully realised, in many senses they feel like someone has read a comic book and seen Batman, a purely random example, and has only understood one very basic aspect of his character and then has used that to create an inferior rip off character. To me the characters don’t feel in any way relatable and that is a big issue.  

I also think the deeper question of do these people actually have powers, which gets turned up throughout the film and a lot going into Glass, is not actually as interesting as Shyamalan seems to think it is. Honestly after having the question asked for the hundredth time during the subtext of the film I begin to stop caring.

There are other avenues I could point to in my criticism of this film such as Bruce Willis being incredibly miscast but they are low hanging fruit and I won’t take them.

Overall, some of the worst aspects of Shyamalan as a filmmaker.

1/5

Pros.

It’s hard to not like a Samuel L. Jackson performance, he is a redeeming factor of the film.

Cons.

The characters are entirely unrelatable and feel alien in the worst way

It is far too long

Willis is incredibly miscast

It is not as deep as it thinks it is

This film was picked out by one of my subscribers over on the crowd funding website Patreon, if you would like to pick two films every month for me to review as well as get various other perks then head over to my Patreon and subscribe to one of my tiers. Link below

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The Secret Life Of Walter Mitty: Jumping On A Fish Boat And Heading Out To Parts Unknown

Written by Luke Barnes

Summary

Walter Mitty, played by Ben Stiller, is a boring office drone, who spends half his life in a day dream until one day adventure comes calling.

I enjoyed this film quite a bit, I found it to be uplifting and an incredible force for positivity which in these dark days we all need. It certainly isn’t an original premise, both because it is based on a book, and also because the idea of the stiff finding his spirit of adventure has been so done to death over the years, though Stiller certainly tries to put his own spin on it.

Having watched many, and I do mean many, of Ben Stiller’s films over the years I have to say this is one of his best and certainly more nuanced: think The Royal Tenenbaums Stiller. There is a certain degree of emotion to his performance that will make many people sit and reflect on their own lives, Walter Mitty feels like the ultimate everyman but that is the point. I also thought that Sean Penn was great even though he only had an incredibly small role.

I will say that this film leans more towards being an earnest yet uplifting drama and take on human life and the spirit of adventure rather than a Ben Stiller comedy film. It really isn’t goofy and the laughs are not forthcoming a lot of the time and that is okay, in a sense stupid dumb jokes would break the wholesomeness of the film in a sense.

Overall, a sweet life affirming film that is only let down by a fairly generic plot.

4 /5

Pros.

It is truly feel good

It reminds you of the good in the world

Stiller is fantastic

It is paced to perfection

Cons.

The plot does feel a little familiar to a lot of other projects

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White Noise: I Had To Check Whether Hitler Studies Was A Real Thing, That Is The State Of The World

Written by Luke Barnes

Summary

A family cope with the after effects of a toxic chemical leak.

I don’t really know what was going on with this film, there were so many disparate plot elements happening here that meant any kind of meaningful story simply couldn’t be found. One second they will all be in the town shelter talking about the effects of the airborne toxin, and the next they were back in the family home talking about something else entirely. I would say from a narrative point of view this film is all over the place in such a way that it feels hyperactive.

Moreover, as other reviewers have said there is a certain sense of pretentiousness here for sure, the film is clearly made for a certain type of person and that person is someone who is very much the cinephile. I would say to my own enjoyment of the feature that I found myself laughing and was genuinely engrossed in the goings on that I could make out and understand, but there were times when I was laughing at the film, unintentionally so on its part, wherein I was laughing at just how pretentious it was.

The acting is fairly good Adam Driver and Greta Gerwig steal the show, but Don Cheadle does come in with some great moments as well, so I would say it is a toss up between all three. Though If I were forced to pick I would probably pick Gerwig as her scene in which she talks about trading sex for pills is quite moving.

Overall, not quite as good as Baumbach’s efforts with Adam Sandler, but still mostly enjoyable.  

3/5

Pros.

Gerwig

Driver and Cheadle

It is fun and even funny at times

Cons.

It is very pretentious in parts

It is trying to do and be too much

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Vardy V Rooney A Courtroom Drama: Maddeningly Stupid

Written by Luke Barnes

Summary

The Wagatha Christie trial is brought to the screen in all of its stupid splendour.

This may be a very UK centric review, as I don’t know how well the Wagatha Christie trial is known worldwide, basically for ease it is about a defamation trial between the wives of two footballers that captivated people’s attention earlier this year.

I thought this show was terrific, within it’s two episodes it fully encapsulates the maddening stupidity of the whole thing and shows up just how badly Rebekah Vardy misjudged her lawsuit. The dialogue cut with such a fantastic degree that every line either had you gasping or laughing, truly top notch.

Moreover, this represents yet another fantastic turn for Martin Sheen who easily steals the entire show here with his cutthroat lawyer character. Though the actors playing Coleen Rooney, Chanel Cresswell, and Rebekah Vardy, Natalia Tena, are by no means slouches and do both have their moments to shine.

My one criticism of the show would be that it is too short being only two episodes. I feel if it had one or two more episodes the show could have explored things in more depth, or maybe I just want more bafflingly stupid moments from the legal transcripts to get their proper due on TV.

Overall, a fun moment from an otherwise bleak year rendered into a TV program.

4/5

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The Fabelmans: Spielberg Takes On Boyhood

Written by Luke Barnes

Summary

A semi-autobiographical take on the early years of Steven Spielberg told through a fictional family.

This film had a long way to go to shake off both the idea of it being blatant awards bait, in the insufferable smugness that conjures up, and also the notion of it being a director indulging in a vanity project and I think to a degree it does manage to shake off both of those labels, but not completely.

I found the coming of age angle to be quite effective, I was heavily invested in Sammy’s, played by Gabrielle LaBelle, journey into filmmaking an also adulthood and thought that the whole plot line was anchored by incredibly strong turns from Michelle Williams and Paul Dano. Even Seth Rogen brings his A game in a muted supporting role, which makes a nice change.

My big question for the film and in it my wider criticism is how is this film any different from the million other coming of age films out there? Yes it is somewhat of an origin story for Spielberg, but other than that this is incredibly by the numbers and doesn’t have anything to set it apart. The story as a whole is riddled with cliches and overly familiar plot beats, yes to a degree if this film is trying to be true to life than things were unchangeable but if it isn’t, if it is tenuous, then this needed to be changed as what we get feels like a rehash.

Overall, a compelling coming of age story with good performances, but an over-reliance on worn out cliches holds it back.

3/5

Pros

Strong performances across the board

You care about Sammy’s journey into filmmaking

The David Lynch cameo was nice

Cons.

It feels familiar

It has heavy pacing issues

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