Mr Right: A New Type Of Killer Clown

‘Mr Right’ is a romantic comedy, action film. The plot follows Martha (Anna Kendrick), a recently single women who meets Francis (Sam Rockwell), a man who seems perfect for her, until she finds out that he is a hitman. From there the story goes down the lines of Francis’s old partner wants to get him back in the game, a gang hires Francis, but then tries to kill him; as Francis has a rule of killing those that hire him after a shift in his morals, as well as the will they wont they romance of Martha and Francis.

I have to say this film was far more enjoyable than I thought it would be, this is mainly due to the fact that Rockwell is a terrific and naturally charming lead. There is a real heart to this film that prevails all the killing and the shooting and at the end of the film you are glad to see the pair end up together.

The action scenes of the film are mostly fun there are some good moments that have strong choreography, but the rest are just either Rockwell or Kendrick shooting someone which after a while gets boring.

I’m not saying Anna Kendrick can’t act but, she is playing the same character she always plays the loveable goofy oddball. The opening act of this film that sees her crying in a closest and being drunk rambling about her ex could be from any of her films. That is not to say she isn’t good in this film she is fine, but it would be interesting to see her play a different type of character.

The humour of the film I found to be a mixed bag, at times it made me smile and elevated the scene it was used in, other times it made me groan and felt like bad cringe. I would say that a lot of Rockwell’s comedy lands as he has very good delivery and timing and seems to know when to play it straight and when to crack a joke. The same can’t be said for everyone else, however.

Finally, it is nice to see Anson Mount in something, it has been too long, and he always gives a good performance even if he is only on scene for a matter of minutes.

Overall, this film is on the better side of average this is owed wholly to Rockwell. He elevates this film past the mediocrity that it could easily have fallen into. Kendrick is serviceable and the romance is sweet, it’s good but, you won’t remember it.

Pros.

Rockwell.

Some Of The Action Sequences.

The Humour.

Cons.

The Humour.

Kendrick Is Playing The Same Character As Always.

3/5

Reviewed by Luke

True Romance:A Story Of Love and Crime

‘True Romance’ is a romantic crime film, written by Quentin Tarantino and directed by Tony Scott. The plot follows an ex call-girl called Alabama (Patricia Arquette), and her husband Clarence (Christian Slater), as they go on the run from the mob after Clarence accidentally steals a large amount of cocaine from Alabama’s ex pimp.

This film feels very Tarantino esque despite only being written by him, all the hallmarks by which we would come to know his work are all present here; much like all of his pictures this film is glorious. Yes, my thoughts on current Tarantino have been noted in previous reviews, I don’t think he has made a film that was of the same caliber as his early works since ‘Django Unchained’ back in 2012; I think he is on the decline as a director.

The tone of the film again is familiar to Tarantino fans as it has moments of extreme darkness and moments of levity, it has moments of gritty realism and moments of fantasy oddness. One such odd detail which also happens to be one of my favourite bits of the film is how Clarence has Elvis (Val Kilmer) as an imaginary friend; a lot of these wacky details add to the film’s manic sensibilities.

That said the film also pulls off slow meaningful moments well, there are a lot of scenes between Alabama and Clarence that have genuine warmth and emotion to them. The relationship between the two grows throughout the runtime of the film in a real and organic way; you can feel the love they have for each other.

The performances in this film are also excellent, Slater and Arquette do a great job as the leads, but the supporting cast also give great turns. The late James Gandolfini is terrific as a mob hitman called Virgil, though his character isn’t in it a huge amount he shines with what he has. There is a brutal fight scene between his character and Alabama and the monologue that Gandolfini delivers before and during it can only be described as chilling.

Christopher Walken is also instantly memorable as Don Vincenzo Coccotti. Though Walken’s character only has a scene he brings such a presence to the screen such as sense of gravitas that he is immediately captivating.

Overall, this film is phenomenal it a testament to Tarantino as a screen writer as it is a film that features a lot of characters, but each one feels unique and special.

Pros.

Tarantino Magic.

Great Leads In Slater And Arquette.

Gandolfini Is A Scene Stealer.

So Is Walken.

Cons.

A Little Slow At Times.

4.5/5

Reviewed by Luke

Jojo Rabbit: A Film Like No Other

‘Jojo Rabbit’ is a comedy-drama film about a young boy called Jojo (Roman Griffin Davis), in Nazi Germany who has an imaginary friend. His imaginary friend is non-other than the infamous tyrant Adolph Hitler (Taika Waititi). When one day Jojo finds Elsa (Thomasin McKenzie), a young Jewish girl living in his attic and, his life is turned upside down. The film is based on the book ‘Caging Skies’ by Christine Leunens.

Jojo worships Hitler, though it is portrayed more like he is brainwashed, and he dreams of being the perfect German Nazi. However, as the film progress, we learn that Jojo isn’t a monster, rather he is a young boy who wants to belong and, is deeply naive.

However, where this film could have been very dark, it is played for laughs at every turn; with Waititi’s signature blend of humour. This is best shown in the relationship between Jojo and Hitler, Hitler himself is basically a big kid and, likes playing silly games with Jojo; who is often the more mature of the two. This film takes all the lies and, propaganda about Hitler, that paint him as a mythical being and laughs at each one, making them the butt of the joke.

The relationships that Jojo forms with both Elsa, as well as with his mother Rosie (Scarlett Johansson), are both moving and well done. With his relationship with Elsa, you can see Jojo realise more and more that his worldview is incredibly false as he grows to care for her. They look out for each other and, the familial bond they develop is quite touching. However, the scene-stealer in this film is Johansson she plays both the loving mother, as well as someone who is fighting against tyranny really well. When she dies, it is both abrupt and heartbreaking; reflective of the horrors of war.

Another thing this film does so well is it shows the humanity on both sides of the war as it humanises some of the Nazi characters. We should all hate Captain Klenzendorf as he is a Nazi officer but, the film goes for a more nuanced approach and, shows him help to save Jojo and Elsa on two separate occasions, making him far more layered than other Nazi characters previously in cinema.

Overall this is a beautiful film about love and learning to be a better person. It doesn’t paint in absolute of good and bad, rather it serves to try and show the best in everyone and, have a good laugh at the absurdness of the whole situation.

Pros.
The Message.
The Acting.
The Humor.
Johansson’s Performance.

Cons.
This Isn’t Going To Be Everyone’s Cup Of Tea.

5/5

Reviewed by Luke

Better Watch Out: A Master Killer In The Making

Better Watch Out is a psychological horror film about a babysitter who is taken, hostage by the child she is babysitting.

I had this on my list of Christmas films to watch, though now having watched it I can safely say it has absolutely nothing to do with the season itself, apart from being set around that time, so this really isn’t a Christmas film.

The plot of the film is incredibly obvious, the audience, as well as Ashley, (Olivia DeJonge), in the film, are supposed to believe that a mysterious unseen force is trying to break into the house to kill Ashley and, the young teen she is babysitting Luke, (Levi Miller). However, it is clear to see from the moment he is introduced that Luke is a bad apple, it is also clear to see that he has an unhealthy fixation with Ashley; making multiple attempts to seduce her.

So when the inevitable twist happens and, it turns out the break-in was staged by Luke and his friend Garrett, (Ed Oxenbould), to once again try and, seduce Ashley it is in no way surprising. What follows then is a series of events that simply couldn’t happen and, the way the film explains Luke getting away with them all is that he is super smart; yet he commits a series of murders without wearing gloves, so he is leaving fingerprints everywhere, and then gets away with it at the end of the film. This to me just reeks of bad, convenient writing.

Whats more Miller is very hateable as a child psychopath who thinks he is the best thing since sliced bread, almost too much so. However, we as an audience are trained to want to see these kinds of people fail and, be punished for there evil ways, but the end of this film subverts, that expectation. Not in a good way that is clever but, rather in a way that is incredibly frustrating and, anti-climatic. The ending is that he gets away with everything because he is so smart; there is a tease of maybe he will get found out, but that is all it is a tease. This film seems to want you to root for Luke, showing how smart he is and, how perfectly planned out he has everything, this feels off especially when the character you should be rooting for Ashley is barely developed, her plot worthy characteristics are who she use to date.

Overall this film is frustrating as it set’s rules and, then 5 minutes later it breaks them. It seems to glorify a budding serial killer, and completely ignore its main character.

Pros
Good Gore
It Is Nice To See The Kid From The Visit Again

Cons
Logic
Miller Is Too Good
The Way The Film Treats Its Main Character

1/5

Reviewed By Luke

Bad Santa 2: Santa Is Back In Town

‘Bad Santa 2′ is a Christmas black comedy, crime film. The plot this time around follows on from that of the first film, after an undetermined amount of time, Willie, (Billy Bob Thornton), is back at the end of his rope, quite literally, and the thing that saves him is getting a call from his old friend Marcus, (Tony Cox), offering him a chance to make 2 million dollars. The job this time around sees the pair stealing from a charity, what’s more seasonally wholesome than that, which is run by Diane, (Christina Hendricks) and her Husband Regent, (Ryan Hansen). The pair are also joined on this job by Willie’s mother Sunny, (Kathy Bates), who has a strained, to say the least relationship with her son.

This film isn’t as good as the first film, don’t get me wrong I still like it, but like many other needless belated sequels this film doesn’t ever really justify its existence, Moreover, though the new characters provide for some good laughs, Hendricks’ especially, they water the film down to a degree; spreading it too thin.

The carrying over relationships from the first film are expanded upon here, Willie and Marcus are still warring brothers this time around both being there for one another and, also prepared to double-cross the other at every turn. Marcus gets his own subplot this time around about him trying to sleep with security guard Gina, (Jenny Zigrino), which makes for interesting viewing and, a few good humorous scenes. Also, Thurman, (Brett Kelly), returns he is now grown up and, seemingly unable to live his own life; literally moving halfway across the country to find Willie and, then proceeding to live at a homeless shelter because Willie won’t put him up. The ending of this film gives us a nice happy resolution for the pair as Willie basically adopts him and, finally sees Thurman as family; which is sweet.

In terms of the newer characters, not a whole lot is done with them, Kathy Bates is mostly wasted, she gives a little bit of colour to Willie’s earlier life and, then in a twist everyone saw coming ends up being the real villain of the film. Hendricks, on the other hand, is charming and, funny as a wife in a loveless marriage who starts sleeping with Willie on the side, if they did a third film which it looks like they won’t, but if they did it would be nice to see her return.

Overall this film is still the same charming, black-hearted, Christmas comedy film that the first one was, but maybe to a lesser degree. The newer characters seem short-changed but, the returning characters get satisfying resolutions.

Pros.
Hendricks.
Tieing Up The Character Arcs From The First Film.
Still Hilarious.
Still Has A Strong Heart.

Cons.
The Newer Characters Are Mostly Short Changed.

4/5

Reviewed by Luke

Bad Santa: Santa Claus Is Drunk Driving To Town.

‘Bad Santa’ is a Christmas Black Comedy film revolving around Willie, (Billy Bob Thornton), a depressed alcoholic, who stopped giving a damn about anything a long time ago; every year him and, his friend Marcus, (Tony Cox), poses as a Santa and, Elf duo all in the effort to rob blind the mall they’re working at that year.

‘Bad Santa’ is the perfect film for people who don’t like Christmas, I know that term is thrown around a lot, but it is really true here; Willie is the embodiment of everyone who have ever given up on life and, simply said F it. Thornton plays the role with real charm too, never does his performance become grating or, annoying instead Willie is very likeable and, as the film goes along and, you learn more about him you root for him even more. There is also a sad vulnerability to Willie and, Thornton manages to capture this perfectly as you can see on a deep level how damaged he is and, this helps us the audience empathise with him.

Another thing this film does really well is forging relationships and, then making you care about them. Willie and, Marcus are a good example of this they argue a lot and, Marcus even betrays Willie at one point, but you know deep down they are family; the second film even says as much. The banter between Thornton and Cox is also incredibly strong making for a lot of great laughs and memorable scenes.
The real heart of this film is the relationship between Willie and, a little boy called Thurman, (Brett Kelly), who meets “Santa” at the mall and, takes a shine to him letting him come and stay at his house. The reason this relationship is so endearing is that you can see over time Willie grow to care about Thurman, even going so far as to basically adopt him in the second film, and it suggests that there might still be hope for Willie to find happiness after all which gives the audience a warm feeling inside.

Overall this film succeeds in every respect, it is funny and, the humour never falls flat, it has real heart, the relationship between Willie and Thurman especially in the film’s third act can’t help but, bring a tear to your eye and, as a Christmas film as this film more than any others made me feel festive; reminding me of the reason for the season.

Pros.
Thornton is Excellent.
The Humor Is Fantastic.
The Relationship between Willie and, Thurman is endearing.
It succeeds as an Anti-Christmas film.
Cons.
The Humor might be a little blue for some.

4.5/5

Reviewed by Luke

The Golden Compass: The Bear, The Witch And The Compass

‘The Golden Compass’ is a fantasy adventure film based on the best selling ‘His Dark Materials’ series of novels; with this film serving as a loose adaption of the first book. The plot follows Lyra Belacqua, (Dakota Blue Richards), a young girl living in a parallel universe to our own, in her universe children are born with their souls on the outside of their bodies, said souls take the form of an animal these are called daemons. This world is ruled over by a tyrannical group called the Magisterium, who seeks to oppose any free thought and, instead force their will on the people. When children start going missing Lyra ventures to the far north to try and, find out what is going on and, rescue the missing children.

I think that this film is criminally underrated with it being a fantastic fantasy film. The thing that hurt this film upon release was the fact that it decided to not lean into the anti-religious message of the books and, this upset some fans. However, if you can look past that this is a marvellous film; the plot and, the world is rich with lore, with every scene leaving you wanting to know more, but not revealing much- teasing you.

The performances are great as well Nicole Kidman is a fantastic Mrs Coulter having just enough warmth to allow you to let down your guard, while also having just enough malice to be always threatening, this is her and, Richards film. Richards for a firs time outing is a very likeable lead she is very easy to root for and easily relatable.

Daniel Craig, James Bond himself is also in this film as the heroic Lord Asriel Lyra’s Uncle, Craig makes the most of the few short scenes he has and, does leave an impression however, his character does feel as though he could have been fleshed out a bit more. Likewise Craig’s ‘Casino Royale co-star Eva Green portrays the Witch Queen Serafina Pekkala and, much like with Craig does a good job with not much to work with; she is easily the most interesting character in the whole film and, the one you want to learn more about.

To conclude this is a fantastic fantasy film it sets up a world which seems rife for exploring, but sadly it wasn’t meant to be as the film never became a franchise, ‘His Dark Materials’ has recently been adapted into a TV series. However, despite having some good moments the series can never live up to the film. ‘The Golden Compass’ truly was something special it could have been the next ‘Lord Of The Rings’, but alas we will never know.

4/5

Reviewed by Luke

Black Christmas (2019): The Nightmare Before Christmas

‘Black Christmas’ is a slasher horror film, serving as the second remake of the 1970’s original. The plot follows a group of sorority sisters as they’re preyed upon by an unknown stalker.

I will say this before I get into my full review I hated this film, It may well be my worst film of the year.

My first issue with this film is that it is not a slasher film, it is misleading to call it that this is a social commentary film that has about 15 minutes of slashing in it. The film serves as a look into abuse culture, especially as it pertains to American fraternities and Universities in general.

The sexual abuse theme in this film is uncomfortable if it was handled with the slightest amount of subtly or, taste then ‘Black Christmas’ could really have advanced a much-needed conversation, but that is just it this film lacks any kind of subtly and, the way it chooses to handle this topic serves to make you uncomfortable and, want to leave.

What’smore I never have an issue with political agenda in film, but it is so offensively intrusive here that it can’t help but turn you off the film. It seems like every other line one of the paper-thin characters are saying something political and, feminist, which again would be completely fine if handled tastefully, but it is not. These lines of dialogue feel forced in for the sake of it without actually having anything to say, which if anything serves to weaken the ideas behind what they are saying. A lot of the time it is as though they are just shouting out talking points from the news which really take you out of the film.

The issue with the script is that it feels like a first draft, by that I mean it doesn’t feel like it has been refined at all, the needless politicalness isn’t as clever, or as poignant as the filmmakers clearly think it is; as I said before if anything films like this are doing a disservice to the causes and, the issues they’re trying to champion.

Blumhouse really needs to rethink its approach, they use to be one of the strongest forces in horror, but now they are putting out bomb after bomb, a lot of the recent Blumhouse films feel like they’re trying too hard to be relevant and, because it is so obvious it is offputting.

Ultimately this film feels like it needed more time in development it needed someone to rein in the creatives and, be like maybe don’t do that, but the worst thing about this film is it is misleading, it isn’t a slasher film and, if I had known what it was actually about I wouldn’t have gone to see this; let this be a lesson for Blumhouse.

0.5/5

Reviewed by Luke

Layer Cake: James Bond Use To Deal Drugs

‘Layer Cake’ is a British Crime film, focusing on the exploits of London based criminal XXXX, (Daniel Craig), as he tries to leave the drug business. This is the first film directed by Matthew Vaughn, of Kingman fame, and serves as one of Daniel Craig’s breakout roles.

The plot of the film is nothing new, drug dealer wants to retire, but then finds out he is too valuable to the boss; so said boss is decidedly not in favour of letting him go. The subplots of the film revolve around XXXX trying to stop a Serbian hitman from killing him and, his colleagues after a drug deal goes bad and, XXXX trying to find a girl who has gone missing. The culmination of all of these plots coming together make for an incredibly interesting watch, gripping through and, through. However, at times the plot does become a little messy, I think one of the subplots could have been dropped and, the film would still be incredibly engaging.

The style that has made Vaughn so famous is on full display in this his debut film, the editing and, cinematography of the film feel very Guy Ritchie esque, but lovingly like a homage to a contemporary rather than a blatant copy. Also to my joy, this film steers well away from a lot of the pacing and, plot issues that plague some of Ritchie’s work, especially in something like Revolver.

Another thing that makes this film so good is it’s leading man Craig is charming and charismatic throughout, he carries this film. There are moments in this film that are reminiscent of his later role as Bond, literally shot for shot the same; you can see where the Bond filmmakers looked to when they were casting. Outside of this year’s Knives Out this might be Craig’s finest performance to date, this is definitely a star-making turn for him.

‘Layer Cake’ is one of the best, and to an extent one of the last, big-budget, British gangster films, the genre that gave birth to such films as Lockstock and Two Smoking Barrels, Snatch and The Business to name but a few. It is true to say that they don’t make films like this anymore, they’re very off their time, the late 90s early 2000s and, it is a shame that we don’t get these sort of films anymore. However, more recent films like Legend have carried on this tradition to a lesser degree, and are still excellent, speaking of Tom Hardy he is also in this film, albeit briefly.

Overall this is a superb film, a must-watch, and proof that Vaughn and, Craig are incredibly talented; I can’t recommend this film enough.

4/5

Reviewed by Luke

The Nightmare Before Christmas: Nightmare Indeed!

‘The Nightmare Before Christmas’ is a stop-motion animated musical dark fantasy film, the plot follows The Pumpkin King himself Jack Skellington as he grows tired of his role as King and yearns for something different; then after a trip to Christmas town decides that he wants to spread joy rather than chills and, scares.

‘The Nightmare Before Christmas’ is a film I remember being enamoured with when I was a kid, however, revisiting it ten years later I found it was not in any way how I remembered it; very much in a bad way. Yes in this review I will be saying why I don’t like ‘The Nightmare Before Christmas’, which to some is Christmas heresy.

Before I get to that though I want to talk about the stop-motion animation, which is of course wonderfully unique and, very nice to see; as there really aren’t many films like this anymore. The character models, however, are off-putting, I understand that is the point to some extent, but other than Jack, (Chris Sarandon) and, Sally, (Catherine O’ Hara) I found a lot of the other characters very hard to look at for long periods.

Despite not being directed by Tim Burton this is very much one of his films, the style and, the characters are all very much the same if you have ever seen something like Beetlejuice or, for an animated example the Corpse Bride then you know what you’re getting. After watching this film and, thinking back to Burton’s other works I have come away with the conclusion that as a filmmaker he is very hit or miss you either love his style or, you hate it.

The other thing I strongly dislike about this film is the constant singing, yes I know it’s a musical, it seems like every 5 seconds they are bursting into song. I like the odd musical here and there, they are not my genre for sure, but where I think something like Frozen, which is also a musical, gets right is that it uses its songs sparingly which makes them memorable. Whereas ‘The Nightmare Before Christmas’ seems to operate by a policy of how many songs can I fit into the runtime of this film.

The songs themselves are all fine, with a few standouts amongst them, but I found many of the songs went on for too long and, negatively affected the pacing of the film, sometimes making me want to turn the film off as a result as I was quickly losing interest.

Ultimately this film did not live up to how I remembered it from my childhood, I found the characters off-putting, the constant singing annoying and, though there was some Burton charm to be found it was well hidden. I like the Corpse Bride more.

1.5/5

Reviewed by Luke