The Untouchables: Never Get Between Sean Connery And An Italian Person

The Untouchables is a crime epic directed by Brian De Palma. The plot focuses on the early life of Elliot Ness (Kevin Costner), as he fights to bring down organised crime in Chicago and stop the notorious Al Capone (Robert DeNiro).

I enjoyed this film quite a lot, it was very fun to watch. I enjoyed the mentor role of Sean Connery’s character and thought that he had great chemistry with the rest of the cast. I do, however, think because Connery’s performance was so good he might have outshone Costner’s lead just a little bit, which no doubt would be infuriating for Costner. Costner’s Ness for the most part was your typical straight lace man of the law, gone bad by the end, type. Costner brought nothing to the role that could not have been done by another actor, he was fairly interchangeable.

I thought there were a lot of strong moments and sequences that were both tense and thrilling: I think the death of Connery’s character is one and I think the courthouse roof scene is another. However, despite these great scenes the film does suffer from pacing issues and struggles to maintain this sense of tension throughout. My main complaint in this regard is that scenes often play out for much longer than they should, thereby becoming bloated.

DeNiro’s Capone is fine, he is a very hateable character which is what the film was probably going for, however, he is nothing more than a hateable low life there is no nuance there or further look into his character he is simply an antagonist and nothing more.

Overall, pacing issues aside this is a fun ride with a great performance from Connery. The rest of the cast let the film down to a degree and stop it from achieving true heights, but it is still good.
Pros.

Connery

The thrills

The action

Cons.

Costner

DeNiro

3/5

Reviewed by Luke

Infamous: Instagram Influencer Gone Bad

Infamous is a crime film directed by Joshua Caldwell. The plot sees a couple from a small town set out on a cross country robbery rampage. They film their crimes with the hopes of achieving online fame.

There is nothing hugely original about this film, and I could name at least 5 others that share a very similar premise. Moreover, the more novel aspects the idea of social media famous robbers seems vapid and gimmicky at best. I think that there is a kernel of a good idea here, but it is buried under a predictable plot and a vain attempt to be trendy.

The cast, with the exception of Bella Throne, are the usual collection of cliches and stereotypes and none of them deliver anything even remotely close to a believable performance. Throne, on the other hand, as many have commended is by far the highlight of this film. She manages to deliver a very raw and emotionally vulnerable performance that stays with you. The reaction scene when Throne’s character realises that her parents have spent all her saved money is truly heart-breaking and you feel it.

The morality and female empowerment angle of the story felt misguided, because whilst yes Throne’s character does become the master of her own life, ( which in itself is inspiring), she is also a cold blooded killer who kills multiple people over the course of the film for simply doing their jobs, (this makes rooting for her character more difficult). The ending of the film almost wants us to cheer Throne’s character on, which in itself is messed up as we would be cheering on a killer.

Overall, Throne shines in this deeply generic crime film.

Pros.

Bell Throne gives a hell of a performance

You do feel an emotional impact from her performance

Cons.

The skewed morality

It is so obvious

It is deeply generic, both in terms of cast and premise

2/5

Reviewed by Luke

Arkansas: Vince Vaughn Is The Godfather

Arkansas is a neo-noir crime film directed by Clark Duke, based on the John Brandon novel of the same name. The plot sees two budding drug runners move up the ranks of the ‘Dixie Mafia’ after their boss dies, however without direction they find themselves trapped in a cycle of violence and expansion.

I enjoyed this film a lot more than I first thought I would, I thought when I first put this film on that it might be yet another generic crime film, but it is so much more than that.

Firstly, I like the chaptered approach and how the story jumps around in time. Moreover, it is a strength of the film that neither the Vince Vaughn storyline nor the Liam Hemsworth storyline is prioritised over the other as in the end it is all part of a much bigger cyclical tale.

I thought the worldbuilding was well done, and I would like to see another film set in this Southern world of organised crime; it feels to me like a really under tapped market that is begging to be explored in further depth.

On an acting front Vaughn is strong here, he plays the role completely straight and nails the dramatic moments and the emotion of the character. This film really does prove, if there was any doubt left, that Vaughn can do both drama and comedy well. Hemsworth on the other hand is not as strong, his performance is very one note with him not being able to conjure much up, other than his angsty anger.

Overall, a very strong crime film that could have benefited from a different lead.

Pros.

The worldbuilding

The focus on the ‘Dixie Mob’

Vaughn

The chapters and the flashbacks themselves

Cons.

Hemsworth is not a good actor

4/5

Reviewed by Luke

The Burnt Orange Heresy: If You See A Fly On A Picture Of You Throw It Away

The Burnt Orange Heresy is a crime thriller film directed by Giuseppe Capotondi. The plot follows art critic James (Claes Bang), who is tasked by an elusive art deal (Mick Jagger), with acquiring a rare painting by a once great artist (Donald Sutherland).

I was enjoying this film for a time. I think the first act where you aren’t quite sure what is going on and what James and Berenice’s (Elizabeth Debicki) motivation are is well done. The film doesn’t let you in on the mystery right away and allows you to speculate, teasing you with the prospect of something more sinister.

Then as the film continues on it becomes more and more farfetched. As we descend into a tiresome, driven by greed to murder plotline I was left saddened by what the film had left behind, namely all its subtly and personality.

The ending for me felt like a damp squid, yes it left a few things unresolved to keep you thinking, but for the most part it is far to clear cut where more abstract was needed. If this film had been more like what the Neon Demon was for the fashion world, then it would have been perfect; a cerebral experience, but no it ends as a bog-standard crime thriller.

Overall, this film left me with the question that maybe the art world just doesn’t translate well to film, as this and The Velvet Buzzsaw just feel lacking and have to resort to more and more absurd notions to try and keep interest which ruins the film as a whole.

Pros.

The cast are great

The first act has a lot of promise

I enjoyed some of the imagery and themes

Cons.

The ending lets it down

There is something lacking that I can’t quite but my finger on

2/5

Reviewed by Luke

Headhunters: Never Let Anyone Touch Your Hair

Headhunters is a Norwegian action thriller film directed by Morten Tyldum. The plot follows art thief Roger (Aksel Hennie), as he unknowingly targets the wrong mark and finds himself being hunted down by a tracking expert. The film serves as an adaptation of the Jo Nesbo novel of the same name.

This was a very stylish action thriller; glossy would be the word I would use to describe it. I enjoyed the unfolding mystery and how nothing was as simple as it first seemed, the premise that I listed above is a vast simplification. Said mystery makes for a very tense viewing experience, where you never quite know what is going to happen.

Nikolaj Coster- Waldu plays the films antagonist Claus, the man who hunts Roger down mercilessly over the course of the film and he is truly menacing. Not menacing in the sense of him being over the top and scary but, menacing in the sense of him being relentless and basically just an unstoppable corporate killing machine.

I enjoyed the ending immensely; it was nice to see Roger finally best Claus and it was done in a clever way that I found enhanced the whole experience. The final fight did not just boil down to a brawl it was far more intelligent than that.

Overall, a smart crime film that kept you on the edge of your seat as you never knew how far away Claus was from finishing the job.

Pros.

Hennie

Coster-Waldu

The mystery and the overall sense of tension

The ending

Cons.

There is only so many times you can see someone narrowly avoid being killed before it becomes unrealistic.

4/5

Reviewed by Luke

King Of New York: Live By The Sword Die By The Sword

King Of New York is a neo-noir crime thriller film directed by Abel Ferrara. The plot sees infamous mob figure Frank White (Christopher Walken), released from prison and then set about taking his city back only to become targeted by a band of corrupt police officers.

For those of you who like gangster films, this is a work of art. It is very much in line with something like Cronenberg’s Eastern Promise as this is more of a thinky gangster film rather than just a senseless shoot em up, though there are plenty of those sort of scenes.

The inner dialogue that begs the question are men like White inevitable? Are they representative of the city, a by product in some sort of way? These questions prove fascinating as we break down Frank as a person and see how it is that he is the King of New York’s underworld.

The violence in the film feels bold and punchy, it strikes you as real and visceral and leaves a mark. In this regard Lawrence Fishburne’s Jimmy steals the show. Jimmy is unhinged throughout the film, but his night time fight with corrupt police might be his best and most unhinged moment. I think this is a career best performance for Fishburne and it makes me want to explore more of his back catalogue.

Overall, a very grisly and effecting crime tail and leaves you shocked and horrified but also with a few pertinent questions in mind.

Pros.

Walken

Fishburne

The violence

The psychology

The noir like feel of the film

Cons.

None

5/5

Reviewed by Luke

Pixie: Risque Photo-Shoots

Pixie is a crime comedy film directed by Barnaby Thompson. The plot sees a robbery go wrong and a lot of people end up dead leaving two boys with a big bag of drugs and a lot of trouble coming after them; in steps Pixie (Oliva Cooke), to save the day and to have some fun along the way.

This film is a star making turn for Cooke, it is nothing short of a damn shame that her other killer breakout roles in Thoroughbreds and Ready Player One have not rewarded her with more of the mainstream spotlight, but hopefully this film will right that wrong. She makes this film, her Pixie is charming and funny, but also a character you never know if you can fully trust. Without Cooke in this film it would be infinitely worse

As far as crime comedies go, usually one of those two elements is placed above the other thereby ruining it as a crime comedy, however here both the crime and the comedy elements are given equal attention and are handled well. There are several scenes such as the photography scene early on that are genuinely funny, in addition there are also scenes that are suitably tense and uncomfortable.

I also applaud the film for not being afraid to go dark when needed. Despite being a crime comedy film the tone of this film is quite light for the most part, but it does stray from that a few times especially when it comes to Pixie’s backstory which is quite upsetting. I think the choice to give her such an emotional and turbulent past is an inspired one as it makes her feel far more human and relatable.

Overall, a very charming crime comedy film, that hopefully leads to big things for Cooke.

Pros.

Oliva Cooke

The shootout scene is well done

Both the crime and comedy elements are there, and both feel distinct

I enjoyed the characters and the world

Cons.

It does have bloat and could do with being shorter

4/5

Reviewed by Luke

Honest Thief: Jai Courtney Always Popping Up When You Least Expect Him, And Certainly Don’t Want Him

Honest Thief is an action thriller film directed by Mark Williams. The plot sees successful bank robber Tom (Liam Neeson) try and confess to his crimes after meeting a woman, who he falls in love with, he hopes that by confessing they can have a life together. However dirty cops frame him for the murder of a fellow agent, and he must prove his innocence.

So, this is about what you would expect, it is your standard Liam Neeson schlock, he uses his skills to defeat the baddies prove that he is a good guy and that’s that. There, that’s the plot summed up in a line. However, for me I am not watching these films for their plot I am watching these films to watch Liam Neeson in ever more preposterous situations, and hey I was not disappointed here.

Ultimately, the film is quite generic. It is nothing you haven’t seen before, there are some tense moments that give the film so watchability, but really the only thing that keeps you invested is Neeson, if he wasn’t in it this film would be trash.

Jai Courtney is in this film, yes he hasn’t just faded into obscurity as you and I had believed far from it he is the villain of the piece. In this film he reminds us all why he is rarely cast, though it is fun to watch him be terrorised by Neeson.

Overall, your enjoyment of this film will come down to how much you like Liam Neeson and his schlocky action films.

Pros.

Liam Neeson

How over the top it is

It is almost funny at times, obviously unintentionally

Cons.

Jai Courtney

It is generic

The action leaves quite a lot to be desired

2/5

Reviewed by Luke

Anonymous Killers: A Smart Gorefest

Anonymous Killer is a crime horror film directed by A.R Hilton. The plot sees a group of killers, from various walks of life, get captured and tortured and forced to judge one another by a mysterious man who seems to know them all deeply.

I enjoyed this film, I would say it is a thinking person’s Saw and I mean no disrespect to any with that, as I enjoy Saw as well, but this just feels better from a character point of view. The characters in this film have strong focus, we explore their pasts and their drives to get to know them on an almost intimate level; this might be some of the finest character development I have seen in a film all year.

I thought the threat and menace was there and done well, the gore didn’t overpower the film either. That is a common complaint of a lot of people with the Saw films, but I have to say the gore here is done tastefully well, but is still grisly at times.

I enjoyed the building mystery; it genuinely surprised me and went in a direction I wasn’t expecting it to go. No spoilers here though.

Overall, a well-acted, well written crime thriller that keeps you guessing and always on edge. It has just enough gore to appeal to gore fans, without too much that might put off more casual horror viewers. Don’t sleep on this film, make it your Halloween watch.

Pros.

Well written characters that feel fully developed and real

A nice amount of gore used tastefully

The mystery is compelling

The threat and the menace

Strong acting

5/5

Reviewed by Luke

For The Sake Of The Vicious: Motorcycle Gang Of Death

For The Sake Of The Vicious is an action thriller film directed by Gabriel Carrer and Reese Eveneshen. The plot revolves around a tragic misunderstanding. When Chris’s (Nick Smyth), daughter is raped he abducts the man he thinks is responsible, he then brings him to the house of nurse Romina (Lora Burke), for unsaid reasons to begin the investigation. However, things are far more complicated than any of them know.

This film is unrelentingly bleak, which can be an issue for some people, it is not as easy watch I myself had trouble with it at times; but it is well worth sticking around for. The unpleasantness creates a real visceral sense of brutality which nicely compliments the film in its later stages when it shifts from being a character piece into basically being a slasher film.

The performances were strong and compelling, Romina was very easy to root for and it was easy for us the audience to put ourselves in her shoes and empathise with her. I think the standout performance of the film was definitely Smyth’s Chris who played a man possessed well. You could tell how haunted and troubled he was every second he was on screen it was both off putting and fascinating

My one issue with the film would be that the first act is very slow, and I mean slow. It was a bit of a slog to get through, but it is worth sticking with for the all-out brawl at the end.

Overall, a very intense film that wont be to everyone’s tastes, but if it sounds like something you might enjoy then you should definitely check it out.

Pros.

The drama and slasher elements nicely complement each other

The action scenes in the final act are really well done

The performances are top notch

The drama is compelling and engaging

Cons.

It is very bleak

The first act is too slow

4/5

Reviewed by Luke