Mainstream: The Product Of A Society That Has Lost It’s Way In It’s Blind Devotion To All Things Celebrity

Mainstream

4.5/5

Written by Luke Barnes

This was a very positive surprise. Not only did I find the societal message of this film to be surprisingly insightful, I also thought it boasted a very talented cast that really came together to make the film something special.

I have been saying for a while that Maya Hawke was going to go on to be a phenomenal talent; the last season of Stranger Things was all the proof I needed, but this film proves it beyond any doubt. Even with such praise, she is not the standout of the film, though she does give an electric performance. The standout of the film is Andrew Garfield as the mysterious Link, who seems to exist outside the standard society we all find ourselves in and who uses this edge to become a Youtube sensation. Garfield is simply outstanding in the role, he manages to be both charming and also terrifying at the same time and you don’t know how to feel towards him as a result; he is a monster, but at the same time you want to see him win. I think it may be the performance of Garfield’s career so far.

Likewise the message of the film spoke to me. I think this idea of lampooning influencer culture and pointing out all the harm it does to people, only then to become sucked into that world and addicted to the fame and money it provides to be a deeply intriguing point of exploration. I think though the film’s ending is a little muddled, I like how the film ends and responds to it’s own message and teachings.

The only point of criticism I would give this film is that I felt the love triangle was needless. There is a romance plot line, that turns into a love triangle for the drama, in this film that feels forced in, I suppose it is done under the guise of character development, but really it just feels like filler. Luckily this is kept to a minimum.

Overall, an incredibly strong film that needs to be seen.

Pros.

Garfield

The style

The message

The conflicting emotions you feel watching it

Cons.

The love triangle

The ending could be structured better

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, one on one Q and As and the ability for you to tell me what to review next. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

Interview With Dan Karlok: Crappy Mother’s Day

I recently had the chance to interview director Dan Karlok for his latest feature Crappy Mother’s Day. The film follows three generations of women who get together to celebrate Mother’s Day together only for things to go comically awry. We discuss motherhood, home-made vokda and the finer points of script writing.

Q: Who is your filmmaking inspiration?

A: Frank Capra. His mix of comedy and drama were always right on.

Q: How would you describe the film in a word?

A: Wacky

Q: What was your catalyst for making this film?

A: The writer/producer Bill Rutkoski approached me with the script. I thought it was funny. We had done numerous other projects; documentaries, short films and projects for tv etc., but this was our first feature film. The big challenge was shooting the whole thing in 8 days!

Q: Do you have any funny on-set stories?

A: Too many. Some would be too incriminating! Let’s just say, one of them involves a gorilla head, boxer shorts and home-made vodka.

Q: If you could go back in time to when you were starting out as a filmmaker what advice would you give yourself?

A: more aggressive and take more chances.

Q: What was the worst Mother’s Day that you were ever a part of?

A: I wish I had a good funny story for this, but unfortunately I don’t. Not to be a downer, but probably the Mother’s Day right after my mom passed was the worst.

Q: What other crappy day of the year films would you like to make next? Crappy Father’s Day? Crappy Christmas?

A: Crappy Father’s Day would be great. It writes itself! (don’t tell the writer Bill Rutkoski that!) I actually think it could become a tv series. It’s a crazy film family and the stories would be abundant.

Q How did you balance the comedy and the more sincere elements of the script? What was your mix?

A: With this script, the funny is in the words. The actors don’t have to be funny, they just need to say the lines with believability and the funny will come materialize. The same with the sincerity. You need to find the truth in the words whether or not it’s supposed to be funny or serious but then be able to change on a dime. It’s very tough to get the right mix. Sometimes it’s a happy accident. We were very fortunate to have an awesome ensemble of talent who could do both and I’m very proud of them and what we accomplished.

Q: If you won an award for this film who would you thank in your acceptance speech?

A: There would be a lot of people! One person doesn’t make a film. It takes quite a few people and as a director, you need to trust them and let them do what they do. If you’re smart, you hire the right people and let them do what you hired them to do. But in answer to your question, it might sound corny, but I would thank my mom and dad. When I was growing up, I wanted to make movies since I was 7 or 8. My parents never tried to talk me out of it and were always very supportive.

If you would like to check out Crappy Mother’s Day it can be found on all good VOD platforms and storefronts and as always check out my review of the film on site now.
https://www.patreon.com/AnotherMillennialReviewer

Crappy Mother’s Day: Celebrating Women

Crappy Mother’s Day

3.5/5

Written by Luke Barnes

I think more films should be set on Mother’s Day, there are a few, but in the vast tide of Christmas, Halloween and even a few Easter offerings, Mother’s Day really doesn’t get its due in terms of film representation. I enjoyed the premise of three generations of women coming together to share a Mother’s Day, I thought there was a lot of unmined comedy potential there- luckily this film executed well on this.

The film is by no means a laugh a minute, I was entertained well enough and laughed a few times throughout, but it is not the funniest comedy film you will see all year. More hits than misses though, and considering this film defines itself as a comedy that seems like a win.

I enjoyed the performances across the board and thought that each performer brought something different and special to there role. I found all the characters likeable and there wasn’t any that became grating as the film progressed.

There are slight pacing issues especially within the first act as the feature attempts to set itself up and introduce us to the characters/story, however these are only fairly minor.

Overall, a charming comedy film that mostly nails its comedy.

Pros.

A few good laughs

Strong performances all round

An interesting and fruitful premise

Cons

Not all the jokes land

Slight pacing issues

https://www.patreon.com/AnotherMillennialReviewer

Identity Thief: Jason Bateman Deserves Better

Identity Thief

1/5

Written by Luke Barnes

This film reminds me of the worst output from Adam Sandler, it is boring, mean spirited and cheap. As I have said at length in other reviews, the joke of Melissa McCarthy being large is not funny, if anything it is offensive to those of that disposition. The jokes are equally as lazy and reek of desperate cliches and stereotypes thought of by people who long since realised they weren’t funny and didn’t know how to be anymore.

The Americans need to realise that being loud and obnoxious is not funny, repeating a joke over and over at a louder decibel does not make it funny- the rest of the world knows this, maybe its time to check your memos. The jokes in this film never really land, there might be the odd chuckle here or there but for the most part they are cheap and base.

Jason Bateman deserves better than this, I am glad to see after this film came out he moved on to better fare- he needs to cut the connection to McCarthy as it is starting to tarnish his good name. Bateman is the only reason this film gets the score it gets; he is the one saving grace.

Overall, yet more cheap comedy fare wherein McCarthy self-deprecates herself for some desperate laughs.

Pros.

Jason Bateman

Cons.

McCarthy

The fat jokes

The obnoxiousness of it

The plot goes nowhere, and you have seen it before

https://www.patreon.com/AnotherMillennialReviewer

Jack And Jill: Did Anyone Find This Funny? Anyone?

Jack And Jill

0/5

Written by Luke Barnes

I have been a fan of Adam Sandler for years; I have defended many of his films that people think are frequently terrible. However, even I have a line and this film pushed me past it. The joke of the film, it repeats over and over again despite the fact it is not funny is, oh look its Adam Sandler in drag, ha ha. Now, if we unpack that before going any further, you can see how mean spirited and harmful this film really is, why should we laugh at a man in drag? Why is that supposed to be funny? The idea seems to be to laugh at and find humour in those different to you, which has been proven throughout history to be a hell of a bad thing, yet Sandler gets a pass because it is a dumb comedy film?

This surely has to be the lowest point of Sandler’s career, though never say never, as he proves himself to represent all the worst things about the film industry, and also to be out of touch with what people want to see in comedy films. Did anyone want this? Did anyone find this funny?

The rest of the cast who haunt this film are clearly only there for an easy pay day, and they get it but at what cost.

Overall, a terrible film that should be avoided.

Pros.

None.

Cons.

Laughing at people in drag

Adam Sandler

It isn’t funny

It is repetitive

Frankly it is irritating

https://www.patreon.com/AnotherMillennialReviewer

The Switch: Icky, Grim And Distributed By Disney

The Switch

1.5/5

Written by Luke Barnes

Romantic comedies have a strong tendency to be toxic, both in their characters and their messages this has both. Jason Bateman’s Wally, get jealous that his friend who he has a crush on is using another man’s sperm for her artificial impregnation, so he swaps out the baby batter with his own- and forgets to tell her. One could justify this icky behaviour by saying ‘oh he has amnesia because he is drunk’, but then even when he remembers he still doesn’t tell her right away. Wrong.

Is the character punished for his morally dubious actions, yes, but only briefly he still gets together with the girl at the end of the film, so it is okay to behave like the way he did? Trivialising if not justifying.

Both of the leads, Bateman and Jennifer Anniston have a lot of charm and are easy to root for, however, the very nature of the premise makes this almost impossible. The talents of the actors are ultimately wasted as you can’t get around the simply bad act.

Overall, what could have been a very promising romantic comedy is brought low by the plot and its warped morals.

Pros.

Anniston

Bateman

Cons.

The message

The fact that they end up together

Jeff Goldblum’s character is troublesome

We Broke Up: The Romantic Comedy Film For Swingers, Cuckolds And Anyone Else Of An Open Lifestyle

We Broke Up

2/5

Written by Luke Barnes

Why are romantic comedy films so toxic? Why can’t we just have one film without a needlessly nasty message? To wit in this feature the idea seems to be there is nothing hotter than your committed partner fooling around with someone else: as referenced by a scene where the supposedly broken up, but clearly not really, couple have a steamy session after the guy admits being unfaithful. What is this saying?

Moreover the leads, who are broken up for the purposes of the film and drama but are basically a couple; you know how it goes let’s pretend to still be a couple and then get back together at the end, are charmless and cliched. It is a shame as I like both the actors in other things, however here they just can’t do it for me, they have about as much believable chemistry together on screen as two paper cut outs would.

The ending is fairly predictable, and that is the case for the whole film. Though it is very watchable and not terribly bad, hence the 2, there is nothing new here it is the same old same old pumped out again to a vain and desperate effort to separate you from your money.

Overall, bland and disappointing.

Pros.

It is watchable

There are worse rom-coms out there.

Cons.

The leads have no chemistry

The cheating plot line

It is predictable and ultimately boring

https://www.patreon.com/AnotherMillennialReviewer

Bad Witch: The Relatable Witch

Bad Witch

4/5

Written by Luke Barnes

Comedy horror often has the issue of favouring one element over the other, however, as a rare exception this film manages to perfectly capture the essence of both and balance them together well, forming a perfectly rounded comedy horror film.

I enjoyed the comedic gimmick of the unfortunate witch who is just as much of a screw up as the rest of us, I thought it made the character feel very relatable and easily likeable, whilst also helping to bring out and enhance the comedic elements. This film made me laugh a lot throughout.

I also thought the scarier parts of the film worked well, they managed to build on the unsettling moments to create strong through and through scares that stay with you long after the film. I appreciated how the film focused on atmospheric scares over jump scares, I think it is always the more effective route and it is proven so here.

My only problem with this film is that it is poorly paced and does have a few moments that drag on.

Overall, a near perfect comedy horror film that could have been made perfect with a tighter edit.

Pros.

Comedy

Horror

A relatable lead

The ending

Cons.

Pacing, bloat, and needless subplots

https://www.patreon.com/AnotherMillennialReviewer

Pride: Fight For The Change You Want To See In The World

Pride

3/5

Written by Luke Barnes

This film made me both happy and sad, as paradoxical as that might be. On the one hand it was hopeful to see the miners embrace the LGBTQ+ activists, but on the other, seeing the horrible homophobia made me sad. I left the film feeling conflicted towards humanity.

This film can beautifully play with your emotions, as it did to me, and that is a testament to the writing, but also the real events that inspired the film. The film feels empowering to watch, inspiring you to make a change for the betterment of society.

The acting talent on display here is undeniable, Joe Gilgun, Dominic West, Andrew Scott and an always reliable Paddy Considine all perform well and leave an impression long after the film ends. George McKay is a little less strong and does drag down some of the scenes he is in, but thankfully he is not given much of the heavy lifting to do.

Furthermore, Pride does struggle with pacing and ends up feeling overly long and a little indulgent, by the time we reach the end the film is already starting to outstay its welcome.

A final note before concluding, Faye Marsay is terrific and should be cast in more films- a staggering young talent.

Overall, a good film that suffers with pace.

Pros.

The acting, bare McKay

The message

The empowering tone

Cons.

The Pace

George McKay

Thunder Force: Seal Is Overplayed

Thunder Force

2.5/5

Written by Luke Barnes

The team-ups between Melissa McCarthy and her director husband Ben Falcone, have so far produced bad film after bad film. Many would tell you that this film is yet another in that line, however, I have to say it is not as bad as I thought it was going to be.

The world of the film, and the characters other than McCarthy’s lead, are all entertaining and fun enough that you happily watch them for the duration. Jason Bateman as the likeable sub villain turned hero has a lot of great moments on screen and steals the show ultimately. Likewise Octavia Spenser as one of the founding members of the Thunder Force brings a lot of class and presence to the role and makes the most out of it.

The thing that lets this film down is Melissa McCarthy. As many of you know I am no fan of McCarthy or her humour, she is frequently the worst part of the films she is in, and this is a near perfect example of that. Her dated references aren’t funny, the jokes aimed at her being fat or odd aren’t funny and feel needlessly mean, and don’t even get me started on the slapstick.

Overall, not as bad as you have heard, but I still can’t recommend it.

Pros.

Bateman

The world

Cons.

Melissa McCarthy

The humour

The plot/premise and the over familiarity

https://www.patreon.com/AnotherMillennialReviewer