Father Christmas Is Back: Daddy Issues At 40

3/5

Written by Luke Barnes

Summary

A group of posh people come together to celebrate Christmas, however an unexpected guest throws things out of whack and causes emotions to fly.

I thought this film was good, for the first hour and a half and then it didn’t know when to end. Indeed, the first hour of this film is quite good, everyone is funny a lot of the jokes land, the actors have good chemistry and it doesn’t feel too overly semimetal. However, then the ending happens.

The final act of the film goes out of its way to redeem Kelsey Grammar’s absentee father character, having him basically be a saint and having left as he was a victim of infidelity. He even saves the day at the end of the film if that isn’t enough for you. I think the moral ground that this film takes in this regard is shaky and falls apart the more you think about it. Moreover, the finale just feels bloated so whilst it is doing all of this grandstanding you just want it to end.

Overall, one of Netflix’s better Christmas films for sure, but not one without its own share of issues.

Pros.

John Cleese

It is funny

Two thirds of it are very good

Cons.

The moralising

The ending and its bloat

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Big Mouth: Season 5 Overview

4/5

Written by Luke Barnes

Summary

The kids face off against love and hate.

I thought after last season this was an improvement, that is not to say that last season was bad more that it went a bit too heavy on its themes of anxiety and future dread, this I felt did a better job as it tackled and did justice to its themes whilst keeping things moving at a fairly nice breezy pace.

Moreover, I thought the jokes were more on point this time around as it returned to the comedic ability of earlier seasons having me laughing quite a few times per episode. In terms of emotional weight I think this film tackles teenage love, unrequited love and hate all quite well having the characters go on believable journeys throughout the season. I enjoyed the scene where Nick, voiced by Nick Kroll, ventures into the monster world to find out who the boss is only for it to be the real life actor Nick Kroll, I thought the metaphor of you being in control and being the boss of your emotions was apt and quite poignant for the show.

If the show was going to end I would say that scene should have been the last of the show.

Moreover, I enjoyed the Christmas episode quite a bit as well. At first the idea of an anthology of stories seemed to be irritating as it was taking us out of the action, however it actually served as quite a nice pallet cleanser and had a number of great segments.

Overall, a strong season that saw a closer return to form for the show.

Pros.

It is funny

It is heartfelt

The Christmas special

The live action scene

Cons.

On occasion it belabours its points and drags them out for too long

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Bigfoot Famous: What One Has To Do To Stay Relevant

3.5/5

Written by Luke Barnes

Summary

No longer famous influencer Coley, played by Steph Barkley, and her boyfriend and fellow influencer Jericho, played by Sam Millman, head out into the woods in search of Big Foot as a means of regaining the public’s collective attention.

I enjoyed this film far more than I than I thought I would, often when films revolve around influencers doing things it is usually done in a gimmicky way, that is either ‘oh look at how stupid kids are today’ or ‘aren’t we down with the kids’, I found this to be neither of those and actually be in possession of some real heart.

I thought Barkley did a great job in the lead and made Coley more than two dimensional. I thought the film examining her relationship with Jericho was interesting as it allowed her to be more vulnerable and get beyond the influencer mask. I thought the emotional core of this film was actually quite strong as a whole.

My one criticism of this film would be that often the humour didn’t work for me. Now obviously humour is subjective so what didn’t work for me might work for you, however I found this film to be painfully unfunny each time it tried to go for a laugh.

Overall, a film with a lot of heart but not a lot of laughs.

Pros.

Using the influencer characters in a non-gimmicky way

The heart

Steph Barkley

Cons.

The humour

The ending and its message

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Love Hard: Make Better Films Netflix It Is Getting Embarrassing

1/5

Written by Luke Barnes

Summary

A young woman, Nina Dobrev falls in love online only to later realise she has been catfished, the catfisher promises to set her and this guy up if she pretends to be his girlfriend during the holidays.

When I saw from the makers of Holidate I knew this was going to be bad, much like the previously mentioned film this again has a bad message and iffy morals. By making Jimmy O. Lang’s catfishing character in any way redeemable this film almost feels like it is saying his behaviour is okay, it is not just in case you were wondering. I wish romantic comedies would stop pushing these icky narratives and toxic messages it’s time to move on, catfishing someone is not a valid or acceptable way to try and get a relationship.

Moreover, every line in this film is cringe. By that I mean the film thinks it is so cool and trendy in a lot of the things it says, sometimes directly towards the audience, but it is not. Best case it is saying supposed insightful points that other films have spouted before or at worst it feels like an out of touch executive trying to be down with the kids and failing horribly.

Overall, this is why people think Netflix films are usually trash because they put out far too much content like this.

Pros.

Nina Dobrev is trying

Cons.

The writing is stilted

It is horribly cringe

The romance feels forced

The premise is deeply flawed

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The Meyerowtiz Stories: Adam Sandler Can Act

3.5/5

Written by Luke Barnes

Summary

This film tells the story of three children, played by Adam Sandler, Ben Stiller and Elizabeth Marvel who are brought back together after the sudden illness of their father played by Dustin Hoffman.

I genuinely do think that when he is trying, and not just trying to goof off with his friends and call it a film, Adam Sandler is a talented dramatic actor. You can see my point here as the film is far more of a character study and drama rather than a comedy film, there are jokes thrown in here and there but for the most part it plays it straight and Sandler excels. Sandler plays the often overlooked and taken for granted son well and you buy his complicated relationship with his dad, you can see the conflict going on within the character. Likewise, I think Ben Stiller also really rises to the dramatic mark here and nails the performance.

I appreciated what this film tried to do in an emotional sense, I thought it was very resonant and that the struggles and situations shown will ring true for a lot of people. I thought the film did justice to the bond between parent and child, showing just how messed up it can be, but that ultimately you can’t change it and can only make peace with it. I found the film to be effecting and it certainly knew how to work my heart strings and make me feel something.

Overall, a strong film proving that Adam Sandler can be a good actor when he wants to be.

Pros.

Nailing the emotion

Sandler

Stiller

Marvel

Cons.

Pacing issues

Hoffman’s father character is a bit one note

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Army Of Thieves: Once You Have Seen One Heist Film You Have Seen Them All

2.5/5

Written by Luke Barnes

Summary

Ludwig Dieter, played by Matthias Schweighofer, returns in a prequel to Army Of The Dead, in which Dieter finds himself at the centre of a series of international heists revolving around famous safes.

I enjoyed Ludwig Dieter in Army Of The Dead, but this film felt excessive. I don’t know why you go from having it be a heist story in a zombie apocalypse, to suddenly just a heist film. I thought the whole point of this universe was the fact that it featured a zombie outbreak? Yet this film almost goes out of its way to hide it, only showing us brief scenes on news broadcasts, and telling us about it in throwaway dialogue.

By doing this and having it just be a heist movie the film cripples itself. This film feels indistinguishable from any other heist film, was that the point? Though we have the same character from the other film back, it couldn’t feel further apart. Rather than manic zombie action we get the same set of generic heist characters we have seen hundreds of times before, with the same backstories. We see the same twists and turns, and the same ending as well, there is nothing new here. You will only find this film original if you have never seen a heist film before.

The only reason this film is not getting lower is because there are still a few good laughs to be had here, Schweighofer is still funny. Moreover, Nathalie Emmanuel has a great presence on-screen and she really brings something to this film. I liked the romance between Ludwig and Emmanuel’s Gwendoline over the course of the film as I found it to be genuinely effecting.

Overall, a needless follow up made better by Emmanuel.

Pros.

It is watchable

It has a few funny moments

Emmanuel is on strong form

Cons.

We have seen it all before

It does nothing with the zombies

The ending feels far too tided into the first film

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Billy Madison: Why Has No One Cancelled This Yet?

0.5/5

Written by Luke Barnes

Summary

A spoilt rich kid, played by Adam Sandler, must return to school despite being an adult.

I understand that to some this film is a comedy classic, I don’t see how that can be. I think this film highlights Sandler at his exploitative worst, early Sandler fare like this and The Waterboy want us to laugh at how dumb and stupid the central character is: which is cheap but done. However, where these films are particularly bad is Billy and Bobby, in The Waterboy, are almost certainly mentally handicap so the joke is no longer laughing at these characters because they are dumb but instead because they are disabled and that is sickening. We can also see this trend continue into later Sandler fare such as Sandy Wexler and Hubie Halloween.

Moreover, Sandler is at his most obnoxious here as well. There is no way in hell you will like the central character by the end of the film, whether it is the smug grin he constantly spouts, his dumb jokes or the voice Sandler does for the character. It is all grating.

Additionally, the romance between Sandler’s character and the teacher is problematic on a number of levels and feels to me like it is trying to play off the harmful fantasy of sleeping with the teacher, which is messed up for all kinds of reasons.

The humour of this film is just as grating as the rest of it, there is not one single funny line here and I know comedy is subjective, but unless you find disability and icky situations funny, you won’t be laughing much here. This film should be left in the rejects pile of the early noughties to die.

Overall, simply awful.

Pros.

It is short

Cons.

It is not funny

It feels exploitative towards those with disabilities

Sandler is incredibly obnoxious

The teacher student romance storyline needs to die

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In For A Murder: The Real Crime Here Is A Terrible Marriage

2.5/5

Written by Luke Barnes

Summary

The film revolves around a bored housewife, played by Anna Smolowik, as she becomes increasingly involved in trying to solve a murder.

This film was very eh for me, it had some moments of fun but for the most part it was just dull. The humour of the film was very much hit or miss and only made me laugh a few times, I don’t know if it is a different sensibility or something but it mostly didn’t work for me; humour is of course subjective.

I found the murder mystery aspects of the plot to be initially interesting but then quickly played out and stale. I think this is because the pacing of this film is wildly off and every scene feels a few minutes too long. Whenever the film presents you with an interesting idea it ruins it by overly exploring it.

In terms of acting I didn’t find anyone to be particularly either way, neither good nor bad rather just fine.

Overall, this film does have some moments of promise, however for the most part it is dull.

Pros.

Some promise to the murder mystery

A few funny moments

It’s watchable

Cons.

It is poorly paced

It becomes boring

The acting is all very flat

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Language Lessons: A Friend When You Need One The Most

4.5/5

Written by Luke Barnes

Summary

Adam, played by Mark Duplass, begins taking Spanish lessons after his husband Will, played by Desean Terry, gets them for him as a gift. Little does he know they will become a vital part of his life.

I went into this thinking it was going to be a quirky off beat comedy, as that is Duplass’s usual fare, however whilst that is a true assessment in part there is also a lot more going on beneath the surface with this film and it almost morphs into a character drama as it continues.

The film focuses on the relationship between Adam and Carino, played by Natalie Morales, his Spanish teacher. After the death of Adam’s Husband early in the film things shift dramatically, and though there are still comedic moments it becomes far more serious. However, I enjoyed that the film did not become dower at this point, and that there was still fun to be had.

Both Morales and Duplass give it there all here and though most of the film is just them talking into the camera, as the film is set over a series of online calls, each give powerhouse performances. The film really makes us the audience question our preconceived notions, and is not afraid to head into dark and possibly uncomfortable territory. There is a lot in this film that is implied but not shown, mentioned but not dwelled on, and in that aspect I find this film captures life.

I found the ending to be incredibly heart-warming even if the larger implications might not be so good. It was nice to watch this friendship grow over the course of the film and in many ways it felt natural and real, as though the film was actually a reflection of the two actors friendship in real life.

Overall, this is one of the sweetest and most true films you may see this year.

Pros.

Morales

Duplass

The genuine feeling of friendship

The emotion

The ending

Cons.

It can be hard to watch at times

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Cabin In The Woods: The Old Gods Want Blood

4/5

Written by Luke Barnes

Summary

A group of friends go out to stay in a cabin in the woods, insert Family Guy joke about saying the title of the film, and of course once they get out there things start to go awry.

I am a big fan of this film, minus the pervy Joss Whedon elements but we will get to those, and think that if you are a fan of the slasher genre this is a must watch. There is something so smart and so loving about this film, it both sends up the slasher genre but also revels in its tropey goodness. I think the entire meta reading of this film, as we the audience are the old gods wanting to see our slasher films play out the way they always do is entirely novel and well done.

Likewise the film does a good job of making you care about the characters, with Chris Hemsworth’s character being a delightful revelation. Hemsworth plays the dumb jock but the film goes out of its way to flip that cliché and do something new with it, the same can be said for the rest of the archetypal roles of the slasher. In that regard I thought Kristen Connolly’s Dana made for an excellent final girl and I liked that she failed to prevent the disaster at the end as it made her feel more genuine and real.

Furthermore, as a huge horror fan I got a lot out of the vending machine of monsters scene inside the facility where we were treated to tons and tons of references and homages, it was easily my favourite scene of the film.

Sadly, now we must talk about the issues. A lot of these issues boil down to one thing, camera angles and pervy intent. A lot of the female characters in this film are shot in a way where the camera is often not looking at their faces and is instead looking at other areas, this becomes incredibly transparent as the film goes on. I would like to blame this on Joss Whedon as we know he has a habit of doing this kind of thing from his other work, however Drew Goddard is not above suspicion as well. Regardless it is needless.

Overall, a strong film made stronger if you are a hardcore horror fan.

Pros.

Hemsworth

Connelly

The ending

The vending machine of monsters

Cons.

The perviness

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