Gangster No.1: More American Psycho Then Lock Stock

3/5         

Written by Luke Barnes

Summary

An east end gangster, played by Malcom McDowell, recounts the story of his rise to power.

I thought this film felt very original and had a voice entirely separate from the early noughties gangster fare put out by the likes of Guy Ritchie. In many ways this film has more in common with American Psycho then it does Snatch and is all the better for it.

I thought the philosophy of this film and its comments on what it means to have it all where interesting and McDowell does a good job playing unhinged, although Paul Bettany who plays the younger version of McDowell’s character does out stage him on a number of occasions in terms of sheer fright factor.

Where this film was weaker for me was in the few instances wherein it was trying to replicate Ritchie’s style and have that same sort of tongue in cheek irreverent tone, that I think didn’t work. I think this film could have been better if it had played itself more straight and been more of a character study into the mind of a crime boss. Ultimately, I think the film should have leaned into its own voice more and stayed away from what was popular at the time.

Overall, a fun and interesting film when it is leaning into the warped psychology of a gang enforcer, less so when it is trying to rip-off Lock Stock.

Pros.

Bettany

McDowell

The physiological spin  

Cons.

The ending doesn’t land in a dramatic sense

It is trying to hard to be like a Guy Ritchie film at times   

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Elizabeth A Portrait In Parts: One To Anger Both The Royalists And The Anti-Royalists

1.5/5      

Written by Luke Barnes

Summary

A documentary about the life of Queen Elizabeth II told in parts.

Man, there was a lot wrong with this film.  I am going to assume that a lot of the more questionable aspects of this were done for stylistic reasons because other wise I can see no clear justification.

Firstly to the issues of this as a documentary. There was no narration and no interviews it was simply a series of seemingly connected bits of stock footage pieced together, sometimes this stock footage wouldn’t even be of the Queen but from films or other things which added to the confusion of the film. Moreover, there were a lot of odd time jumps within the film that made it hard to follow, an example would be intercutting the Prince Andrew Pizza Express interview between segments on Princess Diana, who thought this was a good idea?

Moreover, I found this piece to be manically depressing showing a woman who has given so much of herself to the public that she has nothing left. There are moments in this film were the Queen looks thoroughly miserable and like she hates the life she has been forced into. Maybe that comes from my reading of the film but it made it hard for me to get through.

Finally there are a number of odd musical choices such as a song by Stormzy and a song wherein the singer wants to have sex with the Queen, both of which feel disrespectful but also incredibly out of place, who did the score for this film?

Overall, a very bad attempt at documentary that will likely leave no one happy.

Pros.

It is at times so strange that it becomes funny

A few nice moments

Cons.

The out of place songs

It is depressing

It doesn’t work as a documentary

It jumps around far too much in a timeline sense

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Men: Too Art House For Its Own Good

3/5         

Written by Luke Barnes

Summary

A young woman, played by Jessie Buckley, goes out to the British countryside for a few weeks to emotionally recover after the death of her abusive husband.

I thought this was a mixed bag of a film.

On the one hand I appreciated that this film felt fresh, and tried to do something new rather than repeating the same old same old as a lot of new horror releases do. Moreover, I also enjoyed the distinctly British feel to the horror, it reminded me of classic British horror films like The Wicker Man and early Hammer fare. I also thought both lead actors, Buckley and Rory Kinnear, were very strong in their respective roles and really sunk into their characters.

However, on the other hand I thought the third act had major issues and became too convoluted and pretentious for its own good. Once you get to the moment in the film where it is a series of live births then you know the film has gone off the rails. I am all for experimental art house indie horror fare, but if anything this felt too far in that vein. It is really not surprising at all that this film did not play well with general audiences. In addition, thought I applaud the social message the film was trying to convey I thought that the way in which it was done was a little too on the  nose and heavy handed, as a result the script can at times feel strained. Furthermore, I thought the use of the green man and the folk horror motif felt a little generic and played out, the genre space has featured a lot from this aesthetic recently and as such this film needed to do more to make its folk horror stand out, it didn’t do that.

Overall, an original and very British horror film that certainly won’t be for everyone.

Pros.

Buckley and Kinnear

The originality

The British feel

Cons.

The entire third act is a mess

It is far too niche and art house for its own good

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The Ghosts Of Borley Rectory: Britain’s Most Famous Ghost Hunter

3/5         

Written by Luke Barnes

Summary

Famed paranormal investigator Harry Price, played by Toby Wynn-Davis, investigates the most haunted house in the UK, Borley Rectory.

In many ways this is what you would expect from a straight to DVD film, it is cheap, derivative and looks slightly better than what a decidedly average film studies student may create for an assignment. However, it is not all bad because in that see of roughness I did find some fun to be had.  

I enjoyed the atmosphere of this film and thought that it did have a number of good scares peppered in over the course of the runtime. The demon nun angle was a bit cliched and overplayed and felt a little bit too much like they were trying to rip-off better films.

I thought Wynn-Davis was a commendable leading man and managed to keep everything together and going in the right direction. I don’t know if I would say this is the best take on the life and investigations of Harry Price I have ever seen however, as I think Rafe Spall was better in Harry Price: Ghost Hunter.

Overall, a slightly above average horror film with a few good scares. However, it is lowered by feeling too familiar and at times a little predictable.

Pros.

A few good scares

The atmosphere

Wynn-Davis

Cons.

It feels like a knock-off version of other better films

It is deeply predictable

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Downton Abbey A New Era: Everyone Likes A Trip To The South Of France

4.5/5      

Written by Luke Barnes

Summary

Two interconnected stories of a trip to the south of France and a film shoot.

I never watched the Downton Abbey series and only went to see this film and the one before it because my girlfriend likes the show, but I have to say I did find a lot to like about this film. Most notably it has just the right amount of heart, making you laugh and making you cry in equal measures even I who have no attachment to these characters found it hard to not well up in the end.

Moreover, the film moves along at a nice pace and never starts to feel slow or boring you are constantly being entertained from start to finish. By that same token the performances across the board are fantastic with everyone involved giving it their all, if I had to pick a favourite I would probably say Hugh Dancy’s Jack Barber as he was a very welcome addition to the usual line-up.

I also enjoyed that this film gave Barrow, played by Robert James-Collier, a love interest and was not afraid to pursue an LGBTQ+ romance, I thought not only was it very progressive for the film but it also became the main source of heart in the film, by the end I was really hoping they could be happy together.

Overall, a good time and a lot of fun, even if like me you aren’t a huge Downton fan.

Pros.

The jokes

The emotion

The performances

The LGBTQ+ representation

The ending

Cons.

The brother sub-plot really goes nowhere

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Peaky Blinders: A Fundamental Misunderstanding, Perception Vs Reality

Written by Luke Barnes

In this piece I want to talk about why I believe the final series of Peaky Blinders was not only a great series in its own right but also how it was a fitting end point for the program,  as well as how some of the criticism on social media seems to lack a fundamental understanding of what the series was as well as the style of its creator.

I watched the most recent series of this show through a number of trips to a friend of mine’s house, we both enjoyed it, but after most of the episodes I would check online and see a lot of negative buzz and hate, with the finale being the only real exception. The criticism would all say base things like ‘oh remember when this was a gangster show’, or ‘when did the show become so boring’. To these complaints I would say you were watching a different show altogether, Peaky Blinders did have gang aspects to it, but the fundamental drive of the series was Thomas Shelby, played by Cillian Murphy, as a character and exploring his psyche.  For every street set gun battle, there was a quite conversation done to execute a subtle social twist.

The shows broad themes are a huge reflection of that, with the ideas of the pursuit for power and the supernatural steering the series towards more philosophical fare. Yes, within this drift the series featured a gun battle or two, but I would never say it was just a ‘gangster show’, or even that that was the show’s main focus, some people it seems got far too hung up on these aspects.

To further prove my point one needs only look at the series creator Steven Knight who is known for introspective fare like Locke and Hummingbird, which in the latter’s case does feature some action thriller elements, but is front and centre a drama, as is Locke. Fundamentally, I think many thought of Peaky Blinders simply as a badass action show that gave them a reason to wear a flat cap in real life to try and be a part of it,  when it reality it was always a drama series that featured action elements. In that vein I can’t see how the final series was anything other than a fitting conclusion as it delivered on all aspects of what it was striving to be as a show.  

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The Curse Of Robert: The Horrors Of The Netflix Algorithm

2/5         

Written by Luke Barnes

Summary

This is what happens when you trust a Netflix recommendation. A possessed doll film.

As the summary suggests Netflix thought I would like to watch this film so I put it on, and my my it was bad. I will give it credit for being exactly what I was expecting it to be, and also having some quirky B movie esque charm, but that is where my praise for this film ends.

An important point that I think should be noted up front is that I fell asleep whilst watching this film and then had to go back and finish it off, this was not at night dear reader oh no this was late afternoon, such is the film. To say it is boring and generic would be an understatement.

This film was clearly made to cash in on the recent trend of possessed doll films, see Annabelle and its various sequels, but somehow this film managed to screw up even that basic concept. What makes the Annabelle films scary is the demon that is attached to the doll that goes around and kills people, whereas here they forgo that and have the doll randomly come to life and kill people Chucky style but without any of Brad Dourif’s charm.

Overall, a forgettable possessed doll film.

Pros.

It is watchable

It is unintentionally funny at times

Cons.

It is boring

It is generic

It is nothing you haven’t seen before

It feels derivative

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The Nan Movie: Elder Abuse

1.5/5

Written by Luke Barnes

Summary

Catherine Tate tries to resurrect her career by bringing one of her characters from her noughties sketch show to the feature film realm, with rather unsurprisingly negative results.

Who was this made for? I am curious as this didn’t act as a gateway into Tate’s sketch show so it can’t have been for new audiences, maybe it was made for older fans but then if that was the case then why wait so long? It doesn’t make sense.

This films brand of comedy has not been funny or in vogue for about 10 years. This comedy can only be described as laughing at those with differences, the Little Britain sense of humour. There were multiple jokes in this film were the punchline was the fact that the lead, played by Tate, was being homophobic or laughing at a man in drag, not only is this not funny but it is borderline offensive. I am not one of those people to get up in arms over something not being PC, but here it felt mean spirited, excused away by ‘oh the joke is her reaction and her attitudes’, to me it felt like Tate and her fellow co-writer couldn’t think of any funny jokes so just decided to bash people not like them.

Moreover, I was sad to see Katherine Parkinson in this as she is so above this kind of slop that slumming it would be an understatement, I hope she at least got a big pay out for this appearance. The flashback stuff worked well, perhaps better than the present day sequences that range from nonsensical to desperate, sadly the flashbacks are undercut by the rest of the film and clash horribly.

Overall, a desperate film made for a bygone age.

Pros.

It is watchable

The flashbacks work well

Cons.

It isn’t funny

It is offensive

It wastes the talents of Katherine Parkinson

It is dull

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Operation Mincemeat: The Most Shocking Hand Sex Scene In The History Of Cinema

2.5/5

Written by Luke Barnes

Summary

A daring tale of WW2 espionage is ruined by a ham fisted love triangle that becomes distracting.

Before seeing this film I was excited the event this is based on is fascinating. For those of you who don’t know Operation Mincemeat was a British military plan whereby a corpse was floated ashore in Spain carrying false papers in an effort to convince the Axis powers that the Allies were going to attack Greece instead of Sicily. At the time the plan was deemed incredibly risky and is now viewed as one of the greatest feats of espionage ever. That premise sets this film up to be a good war time thriller, however, the focus is not on the operation itself really at all instead it focuses on the personal lives of the characters.

Colin Firth, Kelly MacDonald and Matthew Macfadyen, the three sides of the love triangle, all give good performances. The performances of those involved is not the problem, what is a problem however is the fact that the love triangle between these three actor’s characters becomes of greater importance to the plot than anything else. I thought it was entirely needless.

Moreover, during the Spain sequence there are these incredibly random sex scenes that just sort of come out of nowhere and feel weird. I don’t know if they are done in reference to real things that happened and were included for authenticities sake, but if they weren’t what are they doing in the film? The hand-job scene in particular had everyone in my showing of the film looking at each other in shock and confusion asking why this was happening?

Overall, though the film was very watchable and had good performances for the most part, the focus is in entirely the wrong place.

Pros.

It is watchable

Strong performances across the board

When they actually talk about the plan it is interesting

Cons.

The love triangle

The sex scenes

It has awful pacing

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The Jack In The Box: If You Find A Creepy Box In The Ground Leave It There

3.5/5

Written by Luke Barnes

Summary

A demon jack-in-the-box is discovered and brought to a local English museum, however, once situated people start to go missing and bodies start piling up.

This film won’t win any awards, but I enjoyed it for doing something new with the killer clown format, I don’t think I have ever seen a demonically possessed jack-in-the-box before on screen so in that regard this is a nice dose of originality.

Moreover, a further strength of this film is that it benefits from a certain B movie esque charm, you can tell that this film was made on a very low budget but it looks good for it, it gives the film more of a real world edge that helps to sell the demon jack-in-the-box more thoroughly.

However, my main criticisms of this film would be that the performances are fairly week across the board, no one not even the lead delivers anything even close to a good performance which at times can take you out of the film.

Overall, certainly not the best film you will ever see but there is an unmistakable charm and originality to this film that genre diehards will enjoy.

Pros.

The originality

The scares

The B movie charm

The design of the demon

Cons.

The performances are awful

The final twist is laughably predictable  

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