Notting Hill: Unexpected Romance

Notting Hill is a British romantic comedy film directed by Roger Michell. The plot follows the unlikely romance of an English book seller (Hugh Grant), and an American actor (Julia Roberts).

This may be one of the defining films of the romantic comedy genre, may be even of British cinema in general. It is a classic and for a good reason, it is one of the warmest most charming films I have ever seen.

The film feels so sleek and stylish, and every scene feels polished to a tee. The writing is impeccable and that really is a testament to Richard Curtis, the characters feel like real people and as such you instantly form a bond with them and want to see their romance flourish. Both Grant and Roberts give great performances that make the film, they are also supported by a number of talented performances from the wider cast that are almost equally as memorable.

Much like a good Pixar film this film knows just how to work your emotions to bring you through all the highs and lows of a new relationship and bring you out the otherside cheering and feeling good: that would be the best way to describe this film, feel good.

Overall, a sweet happy romantic comedy that reminds us that the world does still have a few good things in it.

Pros.

The charm

The style

The supporting cast

Roberts

Grant

Cons.

None

5/5

Reviewed by Luke

The Bridget Jones Diary: How Non-Londoners View London

The Bridget Jones Diary is a romantic comedy film directed by Sharon Maguire. The plot sees 30 something single woman Bridget (Renee Zellweger), have to navigate the worlds of career and romantic success. It is based on the book of the same name written by Helen Fielding.

This is one of the quintessentially British rom coms, up there with Christmas classic Love Actually and Notting Hill (review coming soon). Funnily enough all 3 of these films share Richard Curtis as a writer, clearly he is the modern-day master of the British romantic comedy.

There is something effortlessly charming about this film, so much so that I would even recommend it to people who don’t like romantic comedies. It feels deeply personable and relatable, we have all been were Bridget is before in some form or another and we can all relate.

Zellweger is perfectly cast as Bridget and has great on-screen chemistry with her fellow leads Hugh Grant and Colin Firth. As far as interpretations of Austin’s Pride and Prejudice go this is probably by favourite, and I have seen quite a few at this point.

This film is also incredibly funny and has a number of lines that instantly become iconic, at least in my circles. I often found myself laughing at a joke or a punchy bit of dialogue.

Overall, one of the few romantic comedies that does not suffer from troublesome undertones, fun and very enjoyable even for people who don’t like the genre normally.

Pros.

Zellweger

Grant and Firth

It is funny

It is genuine and relatable

Cons.

Sometimes a bit too faithful of an adaption

4.5/5

A Fantastic Fear Of Everything: You Never Know Who Might Be Trying To Kill You, Look Over Your Shoulder

A Fantastic Fear Of Everything is a British horror comedy film directed by Crispian Mills. We follow Jack (Simon Pegg), a children’s writer whose life slips out of control when he begins work on his latest book, Decades Of Death a history of Victorian era serial killers, as Jack researches deeper and deeper he becomes ever more frightened and ever more sure someone is trying to kill him.

This is an underrated gem. This has been on my radar for some time but for one reason or another I never ended up seeing it, and now having seen it I know how much of a mistake that was.

This film perfectly merges the horror and the comedy genre together, there are a lot of horror comedies that end up favouring one over the other whereas this does both very well There is an off kilter atmosphere that underpins the whole film, nothing ever feels quite right and there seems to be something sinister just beneath the surface; I left the film quite unsettled. However, there are also sections of the film that are quite funny and amusing, however even these sections I would not call light.

My favourite thing about this film is how in love with the gothic and the macabre it is, from audio cues to certain framing and lighting choices this film feels like it could have been made by Hammer 70 years ago, though I doubt most of the cast would have been alive then.

Overall, if you are a fan of horror then you owe it to yourself to watch this film

Pros.

The off-beat and uncomfortable atmosphere

The comedy

Pegg plays it just right

The plot and the nods to classic horror

Cons

It won’t be to all tastes

4/5

Reviewed by Luke

Hippopotamus: A Special Kind Of Miracle

Hippopotamus is a British film directed by John Jencks. The plot follows jaded writer/ poet Ted Wallace (Roger Allam), as he is payed to go and investigate claims of a miracle healer that can cure people of any disease with just a touch.

This is a mixed bag, Allam is strong and makes for a likeable protagonist, but his character is nothing new. In the leagues of jaded detective characters that have come before him Ted just can’t hope to match up. He is a walking cliché.

The mystery itself is fun, part of you wants to believe that their really is a faith healer, but another part of you knows it is all fake. When the reveal scene finally comes and Ted lays everything out, it all makes sense and feels incredibly satisfying.

My main issue with this film is that it has incredibly bad pacing. There are parts of this film that are almost unwatchable because of how slow they are, by the time the film graces us with an ending you have long since stopped caring.

Overall, though it has a intriguing premise that lends itself well to investigation and mystery the film is far too long and the pacing issue destroy the film and make it borderline unwatchable.

Pros.

The mystery and reveal

Wallace is likeable enough

Cons.

The pacing issues

Wallace despite being likeable is incredibly generic

You stop caring at all by the end

1.5/5

Reviewed by Luke

Pixie: Risque Photo-Shoots

Pixie is a crime comedy film directed by Barnaby Thompson. The plot sees a robbery go wrong and a lot of people end up dead leaving two boys with a big bag of drugs and a lot of trouble coming after them; in steps Pixie (Oliva Cooke), to save the day and to have some fun along the way.

This film is a star making turn for Cooke, it is nothing short of a damn shame that her other killer breakout roles in Thoroughbreds and Ready Player One have not rewarded her with more of the mainstream spotlight, but hopefully this film will right that wrong. She makes this film, her Pixie is charming and funny, but also a character you never know if you can fully trust. Without Cooke in this film it would be infinitely worse

As far as crime comedies go, usually one of those two elements is placed above the other thereby ruining it as a crime comedy, however here both the crime and the comedy elements are given equal attention and are handled well. There are several scenes such as the photography scene early on that are genuinely funny, in addition there are also scenes that are suitably tense and uncomfortable.

I also applaud the film for not being afraid to go dark when needed. Despite being a crime comedy film the tone of this film is quite light for the most part, but it does stray from that a few times especially when it comes to Pixie’s backstory which is quite upsetting. I think the choice to give her such an emotional and turbulent past is an inspired one as it makes her feel far more human and relatable.

Overall, a very charming crime comedy film, that hopefully leads to big things for Cooke.

Pros.

Oliva Cooke

The shootout scene is well done

Both the crime and comedy elements are there, and both feel distinct

I enjoyed the characters and the world

Cons.

It does have bloat and could do with being shorter

4/5

Reviewed by Luke

Wild Child: The Most Confusing Accent You Have Ever Heard

Wild Child is a teen comedy film directed by Nick Moore. The plot follows spoilt suburban girl Poppy as she is (Emma Roberts), sent away to a stuffy English boarding school; a beneficial culture clash ensues.

This film won’t win points for originality, as this plot line has been done to the point of nauseum. However, the dry comedic talents of Roberts managed to save this film, honestly if it hadn’t been for her then I would have probably stopped watching. She was believable as the brat, but also loveable when she turned it around; she had a lot of that all important rootability.

The humour of this film is very relatable, it reminds you of a lot of the concerns you had when you were a teen. I enjoyed seeing the friendships develop between the girls, with the romance getting a back seat; normally in these sort of films it would be front and centre.

My favourite moment of this film was the short cameo from Nick Frost, it made me laugh quite a bit. I don’t fully understand what sort of accent he is supposed to be doing, but he is still my favourite bit about this film.

Overall, a fun teen romp that is made by Emma Roberts, with a surprisingly great cameo from Frost and the wise choice to focus on friendships over relationships.

Pros.

Emma Roberts

Nick Frost

Focusing on friendship over relationships

It is very relatable

Cons.

You have seen this before

3.5/5

Reviewed by Luke

High Rise: Anarchy In The Flat Block

High Rise is a British Dystopian film directed by Ben Wheatley. The plot follows the goings on in a high-rise tower block that has become dived along class lines. We see Laing (Tom Hiddleston), try to adjust to life here and he becomes wrapped up in the class conflict.

So yes, the political and social commentary are very on the nose, there is no subtly here. Though usually I find this to be a sign of poor writing I go the other way here, as I believe it was Wheatly’s intent all along to be very blunt and in the audiences face with the film’s themes and messages. Furthermore, I find the points drawn therein to be well thought out and have surprising depth.

I enjoyed the absurdist nature, that is very present in the beginning, that quickly turns to a more threatening and violent edge. I find this film, much like a lot of Wheatley’s other work, straddles the black comedy line so well. At first these ideas might seem funny, but you quickly become aware of the bite behind them.

I think Hiddleston does well in the lead, he is a very serviceable stand in for the audience. That said he is blown out of the water by Luke Evans. Evan’s Wilder goes through an entire mental break over the course of the film and becomes a man possessed by the end in what can only be called a tour de force performance.

Elizabeth Moss is also in this film and she pulls off a pretty convincing accent, so props there to.

Pros.

The in your face messages

The black comedy/ dystopian mixture

Luke Evans

Elizabeth Moss

Cons.

It might be too absurdist at times, it can be confusing

4/5

Reviewed by Luke

The Personal History Of David Copperfield: A Modern Take On A Classic Tale

The Personal History Of David Copperfield is a comedy drama film directed by Armando Iannucci, based on the novel David Copperfield written by Charles Dickens. The plot follows the life of David Copperfield (Dev Patel), we see his struggles, his triumphs and the events that define him.

I enjoyed the clearly satirised tone of this film; it doesn’t take itself too seriously which is nice as it allows the film to not get too bogged down. It walks a difficult tightrope as it tries to stay true to the source novel while also reinventing it, that sounds like a very difficult task, but this film does manage it.

I also enjoyed the quirky cast of characters on display here, they each feel so vibrant in their own personality which I liked. I thought all actors involved gave strong performances, from the veterans to the relative newcomers, even though most did not get a lot of screen time they still manage to remain memorable.

My issues with this film come from the dryness of it. I didn’t find the films sense of humour funny; it has a very specific sense of humour that will not be to the taste of a lot. Also the film does have quite a bit of drag that is quite noticeable in the second and third acts that really weigh the film down to the point of you losing any kind of interest.

Overall, a quirky daring film that quickly wears out its welcome

Pros.

The quirkiness

Strong Performances

Keeping true to the novel whilst also innovating on it

Cons.

The humour didn’t work for me

Pacing issues galore

Dev Patel left me cold

2.5/5

Reviewed by Luke

Saint Maud: The Lord Making You FEEL

Saint Maud is a British psychological horror film directed by Rose Glass. The plot sees clearly unhinged Maud (Morfydd Clark), begin caring for faded American movie star Amanda (Jennifer Ehle). As she is performing her duties as a private care nurse she can’t shake the feeling that she was made for more and that God is communicating through her or to her in some way. As her ‘connection’ with some form of higher being intensifies so does the horror.

I would say that this film is going to be very stark with viewers, you will either love it or you will hate it. That said however, I find myself somewhere in the middle. Though I think the premise and the story is well told and intriguing, I think structurally and as a horror film it is disappointing.

So, this is very much like Robert Egger’s The Witch, use your enjoyment of that film as a barometer for this. By that I mean it is incredibly slow, it builds and builds itself over time and then explodes in the final ten minutes into an all-out wild spectacle. I found myself bored by it for the majority and then these last ten minutes scared me and made me take notice.

I think the concept is interesting, the idea of is Maud really communing with some kind of higher power/ demon or is she just losing her mind has been done before, but never in as much detail as this. The film never gives you a definitive answer one way or the other it is entirely on you to decide. I enjoyed this aspect of it.

Overall, your enjoyment of this will come down to your horror sensibilities. I saw people leaving my screening mid film. I enjoyed what it was trying to do, however I found it to be a disappointment ultimately.

Pros.

The ending

The showdown, you know what I mean

The premise and the interesting plot

Cons.

It is not scary

It is very slow

3/5

Reviewed by Luke

The Lobster: To Love Or To Transform?

The Lobster is an absurdist dystopian dark comedy film directed by Yorgos Lanthimos. The plot follows David (Colin Farrell), a man who moves to a special singles hotel once he finds out that his wife is cheating on him. Said hotel gives singles a set amount of time to find ‘the one’ or face being killed and turned into an animal.

This is truly a bizarre sort of film and I mean that as a compliment. The dystopian ideas herein, I have never seen imagined before and as a result of that this film feels wholly fresh and original, praise that I can’t give to many films these days.

This film has a wonderfully off-kilter sense of tension and threat that seems to reveal itself at the most unexpected of times. It can be quite a mild breakfast scene, that yes is a little strange but is not that out of the ordinary, but then someone gets their hand burnt in a toaster for touching themselves, just out of nowhere.

Farrell is strong here his performance easily makes the film. His David is a character who is hard to form a mind on, sometimes he is the stereotypical protagonist, a rootable figure that you want to see do well, but then sometimes he seems to far darker and more loathsome than that.

My one complaint of this film would be that the second act, when David runs away, stretches out for a bit too much and feels poorly paced. This isn’t helped by the fact the second act of the film also stuffs in a lot of information that somewhat ruins the genius simple premise.

Overall, a must watch for the sheer originality alone.

Pros.

Colin Farrell

The premise

The originality

Olivia Coleman

Cons.

The second act has far too much going on and also far too much bloat.

4.5/5

Reviewed by Luke