Falcon And The Winter Soldier: Truth

Falcon And The Winter Solider Episode 5: Truth

4/5

Written by Luke Barnes

I think that this may have been the best episode of TFTWS, so far, though not a lot happened in terms of action, which would usually be a complaint for me, the episode was incredibly impactful both in terms of the wider MCU as well as to dissect and discuss real world issues and there implication in this fictional world.

The easily angered sort, who complain about the show every week yet keep coming back, will not be happy with this episode as it is the most ‘woke’, to borrow their phrase, so far. Personally, I think this show has felt far more personally impactful and meaningful because it has addressed these racial issues rather than ignoring them as previous films and tv shows within the same universe have done.

I thought the character journey of Anthony Mackie’s Sam was near perfect, not only do we entirely understand the trouble his character is having in taking up the mantle of Captain America, but we can also see why it is important that he does. I think the scenes between Sam and Carl Lumley’s Isaiah Bradley are perhaps some of the most moving in the entire MCU.

There is a cameo in this episode, that has been hyped up since last week, that really isn’t as big as you would hope or expect it to be. Julia Louise-Dreyfus feels shoehorned in, it feels akin to the Ed Sheeran cameo in Game Of Thrones, awkward and clunky, and I hope they bring her back and use her in the future or this has been a big misstep for Marvel.

I thought the continuing descent of Wyatt Russell’s evil Captain America was fascinating to watch, he truly believes he is Captain America despite everyone agreeing he is not right for the role. I see him heading up a future Thunderbolts team possibly as soon as the end of the final episode.

Overall, though the episode does not push the boat out in terms of action, it is an incredibly moving episode that makes you feel, question and appreciate the world of the MCU and those behind it that bit more. Just ignore the cameo.

Pros.

The history of the shield

Sam and Isaiah

The opening fight scene

The post-credits tease

Cons.

The awful cameo   

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Falcon And The Winter Soldier: The Whole World Is Watching

Written by Luke Barnes

Falcon and The Winter Soldier episode 4 The Whole World Is Watching sees Bucky (Sebastian Stan) Sam (Anthony Mackie) and Zemo (Daniel Bruhl) hot on the heels of the Flag Smashers. Moreover, John Walker (Wyatt Russell), is pushed further to the edge.

This was a solid episode; it was better than 3 and probably on a par with 2 (the best episode so far). I enjoyed the action scenes particularly the ones featuring the Wakanda Royal Guard and the final fight between Walker and the flag smashers.

Walker’s arc is given a very interesting twist here, that will have huge universe wide implications. Despite creatives saying things to the contrary, I think you are supposed to hate Walker and this episode goes out of its way to make you do just that.

We see more of Karli (Erin Kellyman) and her turn to full on villainy, and I have to say I don’t fully believe it. The actor is doing her best, but I don’t really see her as a viable threat, moreover her motivations seem too noble for us to want to see her defeated, but this episode did make her a lot less likeable for sure.

Finally, this episode does show us some of Bucky’s time in Wakanda, but it doesn’t give us anywhere near as much as you would like and honestly the flashback creates more questions than answers.

Overall, a very intriguing cliff-hanger, plenty of solid action, but a few familiar issues drag it down.

Pros.

The action

The cliff-hanger

Walker

Zemo is great again

Cons.

The villain is weak and unbelievable

It throws away a side character that needed to be developed more

The Wakanda flashback

3.5/5

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Falcon And The Winter Soldier: Power Broker

Written by Luke Barnes

Falcon and The Winter Soldier episode 3 Power Broker is the third episode in the Marvel Disney + series. The plot sees Sam (Anthony Mackie) and Bucky (Sebastian Stan), break Baron Zemo (Daniel Bruhl), out of prison so that he can help them find out more information about the super soldier program and the Flag Smashers.

I thought this episode was on the whole good, not as good as the previous episode however, for reasons we will get to later. I thought it moved the story along and introduced some interesting new elements and locations to the MCU that I hope to see again in other films and Disney + series.

It was nice to see Sharon Carter (Emily VanCamp) return. Though she did not do a lot, really she was just there to spout exposition and to remind the audience she was alive. However, she did manage to make an impression due to one very graphic, for the MCU, and well-choreographed fight scene.  

My issues with this episode are twofold. Firstly, I think the two separate storylines, the boys hunting down answers about the super soldier serum, and the stuff with the fake Captain America (Wyatt Russell) are starting to clash. Personally I think the stuff with the fake Captain America is going in a very obvious direction and I would rather they just get it over with so we can focus on the more interesting matters at hand.

Secondly, and this is linked to the previous point, the idea of Bucky and Sam going rogue and the Government coming for them for freeing Zemo feels very phase 3, very Civil War era and I get that it is a stylistic inspiration for the show, but personally I think the MCU is past it and I don’t really want to see it go back.

Overall, still a strong episode, but some of the tonal and plot issues are starting to show.

Pros.
Zemo

Bringing back Sharon

The ending

Cons.

They do use Sharon for anything interesting

The storylines are starting to clash

A bit too Civil War like for my taste

3/5

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Falcon And The Winter Solider: The Star-Spangled Man

Written by Luke Barnes

The Star-Spangled Man is the second episode of Marvel’s Falcon And The Winter Soldier. The episode revolves around the introduction of the new Captain America (played by Wyatt Russell), as well as further developments with the Flag Smashers, and an exploration of the ideas around the super soldier serum and it’s continuation beyond Steve Rogers (Chris Evans).

I was deeply disappointed with the first episode of TFTWS, but I have to say this episode was a lot better and really got the series going in the right direction.

First off I want to say how excellent the Isaiah Bradley (Carl Lumbly) twist was it showed us a whole otherside of the super soldier project, which helped us recontextualise it in our minds whilst also expanding the wider mythos of the MCU to an interesting new dimension.

Secondly, the series is greatly helped by now having Sam (Antony Mackie) and Bucky (Sebastian Stan) on screen together. After watching this episode it only becomes clearer to me that one of the biggest issues with the first episode of this series was keeping its two main men separated. Luckily this episode fixes that and brings them together. Mackie and Stan have terrific on-screen chemistry together and really make the show what it is, their easy banter and shared pains make you want to watch the show and give a damn about the characters.

Thirdly, I enjoyed how this episode showed us the new Captain America in a wider light, we get to see him as both a villain to Bucky and Sam (the former takes an immediate dislike to him), as well as a hero in his own right.  The ending of the episode teases us with bigger things to come and no doubt the new Captain America will have his character explored in further depth, but this is a nice start.

My only issue with this episode is that despite marking a quarter of the series being over, (as it is only 6 episodes), it still feels like it is arranging the pieces, which really should have been done in the first episode. An example of what I am talking about is that Sharon Carter (Emily VanCamp), was said to have a large role in the series yet now we are a quarter of the way through it, and she is yet to appear. The pace should either have been quicker or there should have been more episodes commissioned to better fit this slow style.

Overall, a much, much stronger episode, however pacing still remains an issue.

Pros.

Bringing Bucky and Sam together

The reveal of Isaiah Bradley

Zemo

The new Captain America and his character work

Cons.

The pace is still too slow

4/5

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Godzilla Vs Kong: A Pretender To The Throne

Written by Luke Barnes

Godzilla Vs Kong is a science fiction film directed by Adam Wingard and set in the Monsterverse. The plot sees the two Kings do battle, as there can only be one.

As many of you know, I was not a fan of King Of The Monsters, I thought it was loud, dumb and devoid of charm. However, whilst to a point that is still applicable here, I am please to say I enjoyed this film far more.

The logic of the film is still very dumb, the humans turn on Godzilla almost immediately despite realising how much they liked him at the end of the last film- only to later realise they like him again. There are a ton of plot holes, and broken plot threads that go nowhere, but you aren’t watching this for the plot.

The monsters fighting is quite well done and does not become repetitive as I had feared it might do. I think that this was far more of a Kong film with the odd appearance from Godzilla here and there, and I didn’t mind that.

I thought the emotion was spot on; that is my biggest compliment of the film. Firstly, you cared about the human characters, which is shocking, and not only that but they have impactful emotional arcs both between themselves and with the titans which greatly enhances the film as a whole.

Overall, a step up from the previous film that manages to do the impossible and make you care about the human characters.

Pros.

The human characters

The emotion

Fun monster fights

Cons.

It is dumb and the logic doesn’t make sense

It feels a little underwhelming after all the titans featured in the previous film

3.5/5

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SAS Red Notice: Ruby Rose Finally Gives A Good Performance

Written by Luke Barnes

SAS: Red Notice is a British action thriller film directed by Magnus Martens, based on the book of the same name by Andy McNab. The plot sees the British government turn on a family of mercenaries in their employ when one of the many atrocities committed runs the risk of being traced back to senior figures. A cat and mouse game ensues.

This seems to be a week of humility for me, first I was wrong about the Snydercut and now I am wrong about Ruby Rose- well partially. So, as some of you may know I have strong doubts about Rose as an actor, in that she can’t act or emote with her face. However, the one thing she can do is be a convincing action star and this film proves that. She commands the screen as the unhinged psychopathic villain intent on making the world pay and manages to sell herself as an action presence.

However, Rose is easily out acted by veteran performers such as Noel Clarke and Andy Serkis. By and large the acting in this film is good. The lead performance from Sam Heughan is a little weak, but maybe that was on purpose as the film reveals his character to also be a psychopath and to struggle with emotions.

The film does focus a lot of its time and energy especially in the third act on psychopaths and how they differ from everyone else, and whilst I think it is a fascinating aside that I would love to see more explored elsewhere, it does steal focus away from the film and derail it a little bit.

Though for the most part I enjoyed this film my main issue with it would be that it reduced Hannah John- Karmen, a very gifted actor (who has appeared in Netflix’s The Stranger, as well as playing Ghost in Antman And The Wasp), down to basically a damsel in distress/ girlfriend character, which feels incredibly reductive.

Overall, a strong action film with a few interesting asides, sadly these asides derail the plot and from that position the poor performances are even more visible.

Pros.

Rose as an action star and not as an actor

Some good action/ thrills

Clarke and Serkis

The ending

Cons.

Derailment

Poor acting from some of the cast

4/5

Falcon And The Winter Soldier: New World Order

Written by Luke Barnes

Falcon And The Winter Soldier is the latest entry in the Marvel Cinematic Universe, and the second Disney + offering. The plot sees Bucky Barnes (Sebastian Stan), and Sam Wilson (Anthony Mackie), existing in a post Endgame and post Captain America world.

As far as first episodes to event TV shows go this one is quite slow. There is a fairly tame opening action set piece to start with, but the main purpose of this episode entitled New World Order is to function as a character study of the two leads- and to clearly define where they are at, both as heroes and as people.

This episode delves into some quite deep areas, such as loss, accountability and self-loathing and is far darker than most content coming out of the MCU in recent years. The show feels mature, and the themes and ideas explored further this as they feel very real and lived rather than fantastical.

Moreover, this episode also has a socio-political/ racial message to it, which again is a first for the MCU. Whilst not being overt and choosing to use the returned people after the blip as a standin for oppressed Black Americans, the metaphor is clear. Sadly, this will make the episode polarising as there will be those asking to keep real world politics out of this action/ fantasy show.

In terms of wider lore building this episode introduces us to the new Captain America (Wyatt Russell), who will factor into the events of the show heavily going forward. Likewise the new villainous group the Flag Smashers are also introduced, and this is important as comics wise this group has ties to the New World Order, The Masters Of Evil and The Dark Avengers- so might be an indication as to wear the MCU is heading.

Overall, not what I was expecting, far slower and more introspective, however it does do some great character work and sets up a series of interesting events to come.

Pros.

Bucky’s arc

Sam’s arc

Setting up battles to come

Cons.

It is very slow

It might be too political for some

The new Captain America reveal feels a bit rushed

2.5/5

Zack Snyder’s Justice League: The Day Is Finally Upon Us

Written by Luke Barnes

The Snydercut or as it is sometimes more formally known Zack Snyder’s Justice League is a superhero film directed by Zack Snyder, serving as a remastered cut of the 2017 Justice League film that Snyder had to step away from due to personal reasons. The plot focuses on the formation of the Justice League in an attempt to fight off the invading forces of Steppenwolf (Ciaran Hinds) and Darkseid (Ray Porter).

So as many of you know, I have thought for a long time that this film was going to be bad, or at the very least unnecessary. However, I can admit when I am wrong and am pleased to tell you this film is a vast improvement over what we got in cinemas 4 years ago: now I am not saying it is perfect, but I am saying it is a marked improvement, buckle up this is going to be a long one.

Firstly I want to address something that for me was a glaring issue with the film and that is the overly sexualised nature of the female characters. Sorry Snyder fans this is going to upset you, but there is a recurring theme in Snyder’s work of ogling women and that is very much here as well. Wonder Woman’s (Gal Gadot) skirt seems shorter, the Amazonians are basically just wearing fancy metal underwear in some cases with their midriff fully exposed, because that is wise in battle? Iris West (Keirsey Clemons)is included just as a plot device and a damsel to be saved by Barry (Ezra Miller), and of course I would be remiss if I did not mention the camera’s fascination with Gadot’s behind.

Though Cyborg (Ray Fisher), is given more to do, his look and crucially the CGI aspects of it are still quite a ways off and are distracting throughout the film, if they could remove the light in his forehead it would look infinitely better. The same can be said of Steppenwolf the other major CGI character who looks like he has come straight out of a videogame and is again distracting.

The film does benefit from better pacing with the 4 hour runtime allowing the film to feel grander and more epic. I feel that by stretching the film out more a lot of things that didn’t make sense the first time around through lack of context suddenly do, and the world as a whole feels better explored and created.  

Oddly enough despite the sexualisation Snyder seems to understand Wonder Woman better than Patty Jenkins, and after watching this I think the reason the first Wonder Woman film was so good and the second was so bad was Snyder’s involvement. Snyder gives Wonder Woman a lot of good character work that makes her feel far more central to the narrative, and also far more interesting. Moreover, by redoing the bank scene and the Amazonian battle scene Snyder it able to make both more inspiring and appear better on screen; the shortening in the Whedon cut really hurt the film.

Similarly, Snyder finally seems to understand Batman (Ben Affleck) and Superman (Henry Cavill), here as well, moving away from some of the edgy aspects of their characters from his previous films and giving us a more comics accurate portrayal.

I think the tone is much better here than it has been in a lot of the other DCEU films as there are moments of levity amongst an otherwise serious affair, but they aren’t treated like dumb cringey jokes like in the original version of Justice League here they feel far more natural to the characters and importantly work.

I think this film is improved by being a Snyder film and from having his sensibilities applied to the project, I think his trademark use of slow motion is often used to great effect especially with the Flash stuff. I also feel like this film could be viewed as somewhat of a spiritual successor to Watchmen,also directed by Snyder, and think it would make for an interesting double bill.

Ezra Miller’s flash does still stand out for all the wrong reasons, and I do hope in future films they tone down the character and his awkwardness as it does become cringe at times, but not as much as in the previous version. Likewise, I also found the amount of problematic people cast in this film off putting as you have Miller (who choke slammed a fan allegedly), Amber Heard (who is the internet boogeyman) and Jared Leto (look it up), all rubbing shoulders with each other in a troublesome trifactor. Though I will give Snyder the benefit of the doubt the incidents involving two of them didn’t come out until it was too late to change it, but it is a shame.

The score by Junkie XL is terrific and really does bring the film together, with the music really adding a lot to the fight scenes in particular; with the new motif they have for Wonder Woman probably being my favourite.

Sadly, there is a large amount of product placement in this film that really does cheapen the film to an extent, admittedly only brief sections feel almost like adverts within the film.

The things added that have made this film R rated are a mixed bag, the blood does add to the intensity of the battle scenes, though the swearing really adds nothing and on the whole the film does not need to be R rated.

Moreover, the reach around line from Joker, is creepy and needless and should have been left out of the film.

Finally, I just want to talk about some of the stuff from the end of the film. Batman’s attempted self-sacrifice does still feel needless though it is handled better here, and the Nightmare section feels forced in at the end for no real reason. With the nightmare section it is clearly Snyder setting up for another film that he does deserve but most likely won’t get. Furthermore, the film does not really neatly address the Flashes’ warning from the previous film, and there are a number of other outstanding questions left to be answered as well.

Overall, a moment of triumph for the DCEU, something far better than the recent offerings (BOP and WW84), though sadly let down by sexual objectification, poor CGI and product placement.

Pros.

Solid world building

Good character work

The battle scenes are far more intense

A lot of the scenes flow better with more context which is allowed for with the longer run time

Cons.

The sexualisation and using of women as a plot device

The reach around line

The poor CGI

The product placement

3.5/5

Mechanic Resurrection: The Most Pervy and Exploitative Film Of 2016

Written by Luke Barnes

Mechanic Resurrection is an action thriller film directed by Dennis Gansel. The plot follows Arthur Bishop (Jason Statham), a very effective assassin who gets roped into pulling of a series of puzzling murders, after someone from his past kidnaps his girlfriend (Jessica Alba). Apparently this is a sequel to the 2011 film The Mechanic though I wasn’t aware of that until I started writing this review.

From that brief description of the plot you can see how this film is furthering the sexist damsel in distress stereotypes but hold on dear reader- it is far worse than that. Not only does this film want to carry on old cliches and stereotypes, it also takes every opportunity, and I do mean every, to ogle Alba’s body. This film seems averse to Alba wearing many clothes at all and frequently objectifies her, including in quite a icky sex scene; honestly after watching this film you need to take a shower.

The film is made better than some other subpar, Statham flicks by the fact that it is mostly played for laugh, or at least that is how I took it, and it never tries to be too serious. Though this does not translate over into Statham’s performances and he plays the role deadly serious, without even a hint of charm in the entire film.
Overall: I guess my takeaway from this film is that the days of Statham being in good action films like the Transporter series, or Crank are long over, and now he seems content to just make mediocre, sexist action fare and collect a pay check.

Pros.

The film doesn’t take itself too seriously

The dumb and over the top kills

Cons.

Statham plays it far too serious and has no charm

The way they treat Alba’s character throughout

Everything to do with Tommy Lee Jones’ supporting role

2/5

Raya And The Last Dragon: A Win For Kelly Marie Tran, A Loss For Everyone Else

Written by Luke Barnes

Raya And The Last Dragon is an animated action adventure fantasy film directed by Don Hall and Carlos Lopez Estrada. We follow Raya (Kelly Marie Tran), a warrior who sets out to collect all the pieces of the dragon gem, to save the world from a dark evil.

So before I get into this review, I just want to say how nice it is to see Kelly Marie Tran come out swinging like this after all the hate she endured online, it is truly inspiring.

I enjoyed the premise and thought the story was a neat idea, it was original yet also a little familiar.

However, sadly that is where my praise for this film ends. I did not hate this film, but I did think it was very, very generic.

So firstly, none of the characters feel likeable- they just don’t click. They all have their moments here and there across the course of the film, but these aren’t enough and the second the film ends you forget all about it and its character’s none of them leave an impact on you.

Likewise the emotional heart of this film feels very hollow. The two big driving forces in terms of the heart of the film, are Raya being able to revive her dad and Raya’s rivalry with her arch enemy Nammari (Gemma Chan), both of these plot threads are resolved, but the payoff leaves you feeling cold and unmoved. Disney animation needs to take a few cues from Pixar to fix this.

Another fault of the film comes with ancient dragon Sisu (Awkwafina), who is the comedic side kick of Raya for most of the film.  The issue with Sisu is that the narrative builds her and other dragons up to being these immensely powerful beings and yet they don’t show the dragons doing anything to justify this reputation. Moreover, Awkwafina is not funny in the role and doesn’t not nail the performance, her character feels like it is trying to be Eddie Murphy’s Mushu and Robin Williams’ The Genie, all at the same time and yet doesn’t bring the charm of either.

Overall, this is very watchable and is fine fare for families just looking for something easy to watch. However, I would not say it is worth the price point, as the film itself is deeply average. Wait till June.

Pros.

Kelly Marie Tran gives a good performance

The lore and the world is interesting

Cons.

The emotion doesn’t stick

Awkwafina is badly miscast

It is very safe and predicatable

2.5/5