She Hulk: What The Hell Is This? Is It An Advert?

Written by Luke Barnes

Summary

Megan Thee Stallion shows up and She-Hulk, played by Tatiana Maslany, twerks.

I will review this episode in two parts, the first part will focus on the good and the second on the bad. The bad here is fairly extreme but I like Wong, played by Benedict Wong, so there is some good here.

In the Abomination, played by Tim Roth, storyline we get a fun cameo from everyone’s favourite Sorcerer Supreme and it is played up enough that every second we get with him is pure gold. The comedy in this part of the episode also really landed for me.

That said onto some of the worse stuff I have seen from Marvel possibly to date. Everyone hates the Simpsons episode Lisa Goes Gaga because all it exists to do is blow smoke up the guest stars rear end and say how great they are, clearly the She-Hulk team aren’t familiar with this as they do exactly the same thing here. Not only is the Megan Thee Stallion subplot not at all funny in any way but it gets really repetitive with how many times they have to say her name over and over again as though they are trying to force us to think it is a big deal. Moreover, I know a lot of people complain that the MCU has gotten too silly and want things to return to a more serious tone, however, normally I don’t mind the humour of the MCU, but I would say this show is pushing it too far. The post credits twerking scene is something that has no business in the MCU it feels like something you might see from a tie-in advert but not a scene from a film or TV show, in addition it is also all kinds of cringe.

I really do think She-Hulk as a show needs to get its tone right because right now it is all over the place and feels like a bad parody.

Overall, other than Wong this episode was made entirely to suck up to the guest star.

Pros.

Wong

A few funny jokes

Cons.

Everything to do with Megan Thee Stallion

The twerking scene

It feels like bad parody at times

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Monte Carlo: An Idealized Version Of France

2.5/5

Written by Luke Barnes

Summary

3 all American girls go on holiday to France and naturally one of their group gets mistaken for a celebrity doppelganger and they go on an adventure.

Honestly this is bland nonsense. It is perfectly watchable but is so light and breezy that you can check out for big chunks of the ‘plot’ and still mostly understand what is going on. I am not saying that every film has to have an intricate narrative with lots of moving parts but there is so little going on here that it is barely even a film.

Moreover, this kind of double narrative has been done so many times before that this film feels instantly stale. To make matters worse this film doesn’t even have the charm of a Parent Trap or a Princess Switch instead it feels just barely serviceable.

None of the performances are particularly great either, Gomez is probably the best of a bad bunch but no one is winning an Oscar here.

Overall, boring fluff that is hard to feel one way or the other about.

Pros.

It is mindless

It is watchable if you have nothing else

It is short

Cons.

The performances are fairly weak all round

There is nothing to it

It is bland and insipid

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27 Dresses: Learning The Art Of Catching The Bouquet

3/5

Written by Luke Barnes

Summary

A habitual bridesmaid, played by Katherine Heigl finally gets her own love story.

In many ways this is an incredibly generic rom-com, all of the toxic and cliched elements are all present and everything happens the way you would expect it to. The surprises are kept to a minimum.

However, despite all of that there is a charm to this film, it is all of the bad things that I labelled it above, but there is also a warmth to it, the idea of junk food springs to mind in that sometimes we consume what we know is bad for us just because we want to satiate a craving, this is very much that we know it is toxic and problematic yet it is also a good rom-com.

Moreover, despite her reputation for being difficult this film made me miss the slightly awkward charm of Heigl especially as she has been absent from our screens for quite a long time now. I thought she had great chemistry with her leading man James Marsden and I believed the two of them as a couple. Really it is hard for Marsden to be bad in anything and that helped this film a lot.

Overall, though it is predictable, clichéd and toxic there is also something warm and familiar to enjoy.

Pros.

It feels like quality junk food

There is a warmth to it that is infectious

Heigl and Marsden both put in good turns

Cons.

It is cliched, toxic and predictable

It is badly paced.

Maneater: Making Sharknado Look Like An Oscar Worthy Affair

1/5

Written by Luke Barnes

Summary

A shark movie featuring the worst shark effects you will ever see in your life, even the clearly fake looking shark in Jaws from the 70s is better than this.

I will open this review by saying that I am a big Shane West fan, I grew up watching Nikita and later Salem and as such I will always turn up for something starring, or in this case co-starring West. However, though he may be the reason this film gets a 1 and not less, he certainly isn’t enough to make this film even barely watchable.

The shark attack/survival subgenre of horror is already incredibly overpopulated as such it is very hard for a shark film to be good or to standout, for positive reasons, from the rest. This film did stand out but for all the wrong reasons. Obviously as I have previously mentioned the incredibly poor effects on the shark that are almost laughably bad is the main reason, however also bad is the fact that this film looks like a made for TV Sharknado esque affair, but it doesn’t bring the tongue in cheek tone or charm of that film and instead decides to play it straight for the most part- to no one’s benefit.

I also really don’t care for the narrative structure of this film and how it decides to split focus between the main group of partiers under attack by the shark and then a grieving father, played by Trace Adkins, as he decides to hunt down the shark. I suppose the two threads to coreless in the end, but until this point it is a jarring back and forth between them.

Our lead of Jessie, played by Nicky Whelan, is aggressively average. She brings very little to the table beyond being a damsel in distress that doesn’t even really get any good licks in on the shark, instead needing to wait for the uber macho Harlan, Adkins, to come and save her. Something I will give this film credit for is the fact that it uses a cast of older actors rather than have it just be the genre’s standard collection of teens.

Overall, how not to do a Shark movie.

Pros.

Casting older actors

Shane West is trying his best

Cons.

The shark frequently looks terrible

It is boring and cliched

It is on for far too long

The lead performance is fairly reductive

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American Horror Stories: Bloody Mary

3.5/5

Written by Luke Barnes

Summary

A group of girls summon Bloody Mary, played by Dominique Jackson.

Whilst this premise is incredibly generic I actually ended up enjoying this episode.

The two main things I think this episode does well is firstly that it is actually scary, and does have a number of good scares peppered in throughout and secondly that by flipping the standard Bloody Mary myth and instead changing it to a title that is past on and that has roots in slavery really opened it up for innovation and a new direction. For once American Horror Stories felt fresh.

However, it is not all roses as none of the performances were very good and the episode was incredibly predictable in terms of plot, you knew straight away where it was going and it basically went there with the only mild twist being that rather than being killed the lead becomes the new Bloody Mary.

Overall, I think American Horror Stories should aim to be like this more, to take chances and fully commit to the horror element of the shows title.

Pros.

A fresh take on an old myth

It has some good scares

The ending

Cons.

It is predictable

The performances

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American Horror Stories: Milkmaids

1/5

Written by Luke Barnes

Summary

A town in frontier era America descends into cannibalism.

In my previous review of last weeks episode of American Horror Stories I said that Drive was the worst episode of season two of the show but oh how wrong I was.

So most importantly this is in no way scary. What is scary is how long it goes on for. The various plot threads they have going on in this episode clash so badly together that by the end you are confused at to what you just watched.

The cannibalism feels incredibly forced in, as though they wanted to make an episode about the plight of women and LGBTQI+ characters in the early days of America and then were like ‘oh damn this is supposed to be a horror show, I guess we better put something scary in’, it feels like an afterthought.

Sadly they also bring in Seth Gabel to play the antagonist of the episode, Gabel was fantastic in the TV series Salem and all throughout the episode I couldn’t help but compare the two and it really wasn’t favourable for American Horror Stories. Gabel tries his best here but really isn’t given enough to work with.

Overall, it felt like I was watching some terrible low budget larping production organised by goth teens.

Pros.

It is over quickly

Cons.

Gabel is wasted

The cannibalism feels forced in

The ending

It isn’t remotely scary

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She-Hulk: Superhuman Law

3/5

Written by Luke Barnes

Summary

Jennifer Walters, played by Tatiana Maslany, is fired from her job after getting into a superhuman show down in the courtroom and must now look for other work.

I enjoyed this episode a lot more than the first and thought that it was a noticeable improvement. I thought the comedy landed a lot more and made me laugh a few times and I also like that they are quite clearly setting up the Planet Hulk and World War Hulk comics storylines, as we see Banner, played by Mark Ruffalo leave on a space ship in the episode. I also thought bringing back Tim Roth’s villain character from The Incredible Hulk was a smart move especially because it puts Jen in a morally questionable spot and also develops out the character more beyond just being a mindless evil Hulk creature.

However, this episode still has some noticeable issues. The worst of these is how this episode just moves on from the Titania, played by Jameela Jamil, introduction last week and doesn’t even bother to bring her character up again which gives that final interaction in the first episode an air of pointlessness and I think that whole sequence was a poor fit. Moreover, the lines at the start of the episode in the bar when Jen says how much she doesn’t want to be a superhero and how bad her super hero name is are irritating, worse yet is the line about billionaires and orphans which feels like they are dumping on what has gone before which isn’t a winning strategy.

Overall, certainly better but the writing still needs a lot of work.

Pros.

The humour is starting to land more

World War Hulk

Bringing back Tim Roth

Cons.

The early bar scene

Ignoring Titania

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American Horror Stories: Drive

2/5

Written by Luke Barnes

Summary

A young woman , played by Bella Thorne, believes herself to be the target of a serial killer after she is chased by a manic driver.

This episode was lazy, they rip off the classic urban legend of the murderer in the backseat and think that by calling it out they somehow make up for it, which is simply untrue. I suppose I should give them some credit they do flip it so that the killer is actually the driver and the person in the backseat a victim, but even this feels contrived and lazy.

The story seems to go out of its way to spoil the twist, and when we finally learn that a bored and disinterested Bella Thorne is the murderer we are left going ‘well obviously’ rather than feeling anything even remotely akin to shock.

I would also question in what way this is supposed to be scary, it feels far too tongue in cheek, especially the ending and makes me question whether they even got the brief.

Overall, the worst episode of the second season of American Horror Stories so far.

Pros.

It is watchable

It is unintentionally funny at times

Cons.

Throne

The episode ruins the twist midway in

It isn’t scary

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Top Gun Maverick: Men And Their Feelings

4/5

Written by Luke Barnes

Summary

Maverick, played by Tom Cruise, returns to teach the next generation.

That premise sounds generic and lame but actually proves to be quite entertaining. I think by using just the right amount of nostalgia whilst also tying in elements from the first film in an interesting way that felt like it benefited the story and drove things forward rather than just being used for cheap member berry moments.

I think Tom Cruise was good here, though I would not say he was the star of the show as he was upstaged by both Miles Teller, playing the son of Maverick’s old friend Goose, as well as an also returning Val Kilmer. Cruise plays Maverick in much the same way he does all his other action movie characters, see Ethan Hunt or Jack Reacher, so if you like that then you will be entertained, but if you were hoping for something new then you will be disappointed.

Personally, I found this film to be enjoyable and very watchable but I don’t understand why it is so big right now or so critically beloved. Maybe it’s because I didn’t watch the first film as a kid or maybe it’s because I often find Tom Cruise starring in a film to be an off-putting factor, however to me this really was a case of the film being good not great.

Overall, a fun movie but by no means a must see.

Pros.

It is a lot of fun

It uses nostalgia sparingly and well

It is well paced

Teller is terrific

Cons.

Cruise is just playing the same old same old

Jennifer Connelly’s character is a big bunch of sexist cliches

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Only Murders In The Building: I Know Who Did It

2.5/5

Written by Luke Barnes

Summary

The trio reveal who the killer is.

I worried last week that the show would swerve away from having Cinda, played by Tina Fey, be the main villain of the series, and then this episode proved that worry to be founded by having it be her assistant instead. I think this reveal was way less satisfying and felt quite anti-climactic.

Moreover, another thing I didn’t like about this episode, which has also been at the borders of this whole second season more broadly is a sense of smugness. I know the show has been nominated for a number of awards and has quite a devoted fanbase, but the series seems to be a little too into itself now, giving far too many knowing looks to the audience.

I will give the episode some praise for bringing back Cara Delevingne’s character, even if she is still being incredibly under used, I think Delevingne’s new arrival is probably the best thing about what is otherwise a very mixed season.

Overall, a decent end, but one that highlights the shows key issues, it’s long in the tooth continuation onwards, and its smugness.

Pros.

Bringing back Delevingne

It was watchable

A few funny moments

Cons.

The smugness

It ignored the best possible villain

It like the rest of the season was badly paced

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