Amulet: Never Trust The Church In Horror Films

Written by Luke Barnes

Summary

A homeless man employed as a handy man for a church property begins to worry about the old woman dying in the attic.

This film has some interesting ideas but the ending stops it from coming together into anything interesting. At times this film could be called almost experimental in style as it messes about with sub-genre tropes in order to try and produce something new and fresh.

I would argue that the film does manage to do that, however, rather than riding off into the sunset the film gives us an ending that feels subversive. Now this is a risky gambit, it could work well or it could ruin the film and sadly it is the latter here. The ending proves to be a moral lesson and flips everything we know about the character, yet does so without very much set up making it feel quite jarring.

Overall, there are some good scares here and it does feel fresh, sadly the ending just didn’t work for me.

3/5

Pros.

Scares

It feels fresh

It has a great atmosphere

Cons.

The ending

The pacing is a bit off in places

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What If Season 2 Overview

Written by Luke Barnes

Summary

What If is back and boy is it a downgrade.

So before we get into the overview lets talk about the basic conceit of the show. It is what if stories based on films in the MCU, it is not new stories that have no basis in the films at all. Yet this season introduces us to a character that has never been in a film or tv show before and centres a whole episode around her.

Moreover, it continues to use characters like Captain Carter, Haley Atwell, and evil but reformed Doctor Strange, Benidict Cumberbatch, rather than focus on new films or tv shows from the MCU. I have no issues with Carter or Strange but I find that I want to watch one off episodes not recurring narratives, that I thought was against the conceit.

I think this show started out with good ideas for what if stories and then slowly over time lost its way, like the wider MCU, and became boring and predictable and not at all like the wacky and out there what ifs we had all been expecting it to be.

Overall, I don’t think we need a season 3

2/5

Some good moments

It is watchable

Cons.

It introduces new characters and breaks the conceit

It is boring

It is repetitive

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Afraid: A Screen Writer Terrified Of The AI Future

Written by Luke Barnes

Summary

AI is scary.

Yet another hit piece freakout about AI in the form of a film. The idea that an AI could become sentient and then have an army of human proxies to do its bidding in the immediate future is nothing short of drivel. It just reads as yet another old person scared of the future and trying to craft a script around that.

There is nothing scary about this film either, the AI kills a scumbag who deserves it which doesn’t make you go oh no its terrible but instead go eh okay I guess. It feels less like a horror film and more like a science fiction film at times and not a very deep or well crafted, narratively speaking, one at that.

It is a complete and utter waste of time and money.

Overall, this is a cheap lazy science fiction horror that is not even a good way to mindlessly kill a few hours, avoid it.

1/5

Pros.

Riki Lindhome is in it and she’s always good

Cons.

It is bad science fiction

It is bad horror

It is boring

It isn’t scary

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Blink Twice: Nepo Directors Can’t Direct

Written by Luke Barnes

Summary

Zoe Kravitz, a mediocre actor, decides to become a, mediocre, director.

This may be one of the worst horror films of 2024 up there with In A Violent Nature and I Saw The TV Glow, however, where this film differs from them is that it isn’t offensively bad, but rather incredibly lazy, average and uninspired.

The main issue with this film is that it cannot decide if it even wants to be a horror, at times it is trying for something one may misconstrue for comedy if you squinted. The comedy doesn’t land of course and is the same sort of awkward female nerdy humour you have seen in other films before.

Then you get into the scares of the film, which are probably best described as Get Out if Jordan Peele was a talentless hack who was hit in the head several times and then tried to write something he viewed as social commentary. The comparison to Get Out works as this is social horror, it wants to scare you but also make a point about the lives of the super wealthy, you and every child in the surrounding area could likely tell you what that point is as it is basic and really obvious, rich people treat poor people badly.

Overall, this film highlights why nepotism is killing the film industry and why not just anyone can direct.

1/5

Pros.

It is not offensively bad

Cons.

The humour is odd and misplaced

The horror doesn’t work as the message isn’t fresh

It feels played out

It is boring

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Between The Temples: Mommy Issues

Written by Luke Barnes

Summary

Jason Schwartzman has the hots for an old lady, Carol Kane.

Even after watching this film and having a few days to think about it I don’t know how I feel.

This is a strange and often uncomfortable sort of film and one that I don’t think I would ever watch again. Below are a few examples of genuine scenes from the film for you to see for yourself.

A scene in which a young woman reads out dirty voice messages to Schwartzman’s character whilst pretending to be his dead wife, he cries and they have sex.

A scene in which Schwartzman’s character professes his love for the old lady whilst his family scream about how she has groomed him, yet then cheer him on as he rushes after her.

A scene in which Schwartzman’s  parents try and close the door on the old lady but she won’t leave.

I like cringe and uncomfortable comedy as much as the next fellow, however, I cringed so bad in the cinema watching this that I physically balled up. I would say this went into the bad realm of cringe.

The love story of the film if you can call it that is messed up, I guess that’s the point, and leaves more questions than answers at the end. However, what it does leave you with is a feeling of incompleteness as you don’t understand how Kane’s character feels about the lead.

The main thing I will give this film props for is how Jewish it is and how it focuses heavily on Jewish characters, which in the contemporary media and political landscape is risky, I am glad this film won’t be silenced by the sea of antisemitism.

Overall, an odd and uncomfortable film

2/5

Pros.

It is watchable and some of the cringe comedy works

It is unashamedly Jewish

Cons.

It is too cringe at times

The ending doesn’t feel satisfying

It has pacing issues

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Oddity: The Most Imposing House Guest Ever

Written by Luke Barnes

Summary

A blind Irish mystic, Carolyn Bracken, investigates the murder of her sister.

So I had heard a lot of good things before I got to see this film, and as such I went in with high expectations and that may have been the problem.

Whilst there certainly was scary aspects of this film, it does have a few good scares, I found it to be inconsistent across the film’s runtime as there were moments you could call scary but also some downright silly ones. The doll for example is silly and never isn’t ‘, even when it kills a guy.

I also thought the ending was weak, I understand it was going for ambiguity to keep you guessing, but I just thought that what it gave wasn’t very satisfying and left the film feeling incomplete.

Overall, a film with some fresh ideas but the execution is a little sloppy.

2.5/5

Pros.

Some good scares

It has moments of freshness

The setting and atmosphere

Cons.

It cannot maintain its tone

It is silly when it really shouldn’t be

The ending

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Star Wars Episode 2 Attack Of The Clones: Everybody Hates Sand

Written by Luke Barnes

Summary

The Galaxy stands on the verge of civil war and a senator life hangs in the balance.

When I first watched this as a kid many years ago, I thought it was boring and long and I didn’t really like it. However, as I have rewatched it over the years I find myself growing to like it and find a renewed appreciation for this part of the saga.

There still are pacing issues, and the film does too much but aside from that it is a pretty enjoyable ride. Christopher Lee is great as Count Dooku in the small amounts we see him, and Ewan McGregor really comes into his own in the role of Obi-Wan here, sadly the acting is only really let down by Hayden Christensen and his emo Anakin. Though it is debatable how much is actually Christensen’s fault.

The writing of Anakin’s fall into being an emo teen is quite poorly done and makes you feel at times quite jarred as it seems to come out of nowhere and be quite over the top.

All that said the Jedi fighting in the gladiator ring at the end against the droids/creatures, was a cool visual and will certainly bring joy to most Star Wars fans.

Overall, not as good as The Phantom Menace or  Revenge Of The Sith, review coming soon, but still has some charm.

3.5/5

Pros.

The ending

Natalie Portman

Dooku

Some funny and enjoyable moments

Cons.

The writing especially around Anakin isn’t great

The pacing

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Cinema Issues: The Postmortem Of Doctor Who

Written by Luke Barnes

In this cinema issues article we are dissecting the first season of New, New Who and doing a post mortem to see what went so badly wrong with it.

So lets get something out of the way right quick, the series is in a bad way,  I don’t care if you think it was some of the most stunning and brave Who ever, the ratings are a slow death. The Legend Of Ruby Tuesday and another episode this season both posted record low viewership numbers for the show, some of the lowest in the shows history. Look it up. Things are bad, and there is even talk that the filmed season batch of episodes may not get released as the BBC debates what to do with them, likely they will get released and the show will just be put on ice come this time next year.

Anyway, as the BBC starts to question everything and panic about its in development Who spin-offs, we will look at what went wrong with these episodes.

I think the main issue a lot of people had with these season was that fundamentally it wasn’t Who, never before have I seen the Doctor have so many dance numbers and act more like a local tiktoker trying to make it big than an alien. In addition the fact that the Doctor called everyone ‘babes’ constantly didn’t make it feel like Who it made it feel as though the Doctor had suddenly become another person.

Moreover, the series was heavily political with a number of controversial hot button issues forced in, just for the show to keep a desperate hold of its increasingly radically progressive audience. Some of it didn’t even make sense like when those people who not be saved by the Doctor because he was black and would rather die, what horribly on the nose message was that supposed to be pushing as it felt like a straw man argument. These ideas where repeated over the course of the season, the issue with clearly taking a side politically is that it then alienates your audience and makes you start to loose chunks of people. It is always better to present two sides and let the audience make up their own mind.

Furthermore, who at Disney or the BBC thought it was a good idea to allow cast and creators to attack the fans, whoever it was I would say is the most responsible for the bad feeling and reception to this season. This is mainly due to the fact of actors telling fans to screw off and then being shocked when their show has bad viewership, you do not treat your fans like that you just don’t. Yet these people look down on their fans and think they don’t need them, how wrong they are.

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It Ends With Us: Turning Domestic Abuse Into A Rom-Com

Written by Luke Barnes

Summary

Blake Lively stars in a romance film about domestic abuse.

I had heard all about the drama surrounding this film going into it and thought to myself what matters most is how they handle it. However, after watching this film I have questions as to why Lively and some of the behind the scenes creatives wanted to keep the romance elements in the film.

Considering Lively says she wanted this film to be a rallying call for victims of domestic abuse and show a survivors story, the film barely touches on the domestic abuse and even at the climax only has it as a big dramatic fight/breakup. I just think it is odd that they try and romanticize the relationship in the early stages when ultimately this is a story about domestic abuse, it should play more as a tragedy and not a romantic film.

Moreover, the characters are all deeply unlikeable, there is no one here really to like or warm to, Lively’s character is yet another ‘fleabag’ type woman who only wants casual sex and doesn’t want a relationship. Remember men who use women for sex are creeps and misogynists and so it should be equally as condemnable when women do it. She is the character you are supposed to warm to as well as obviously the guy is the baddie.

Don’t even get me started on the fact they play for a love triangle. Honestly if Lively and co wanted this to be a rom-com why not take out the domestic abuse stuff, why base it on a book about domestic abuse, it is such an odd call to try and turn this into an erotic thriller and then go this is for you abuse survivors.

Overall, I don’t see the appeal in this.

1/5

Pros.

It has a good soundtrack

Cons.

It shouldn’t be romantic

Lively isn’t likeable

It has pacing issues

It feels like it’s the wrong genre

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, customised film recommendations to suit your personality and tastes, the ability for you to pick what I review next and full access to my Patreon exclusive game reviews. Check it out!

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Cinema Issues: The Acolyte Is Cancelled Looks Like Star Wars Isn’t A YA Female Brand After All

Written by Luke Barnes

Image credit, What’s On Disney Plus

In this cinema issues article we are talking about the much deserved cancellation of the Acolyte.

So lets get a few things out of the way first, Disney is a business they cancel things if they  don’t have good ratings or make them money, the Acolyte did neither. Disney did not give in to the toxic fans, you overly assume the importance Disney places on any of their customers opinions or politics, it is as simple as did it make this number? No, then it is cancelled. Also Disney does not care about how some shows need a few seasons to find an audience, again did it hit the number they wanted? No, then it is cancelled.

Now let’s talk about why it was so poorly viewed.

Rumour has it that Disney is angry with star of the show Amandla Stenberg, saying that her diss track to own the haters, actually hurt the show in the long run as it caused people to turn off. Looks like Disney knows that attacking fans isn’t the way to go about it, I wonder if they will still do it when Skeleton Crew comes out.

It also might be time to call it on the idea of turning Star Wars into a girl-power brand. Audience data collected by the Wrap says that over 70% of Star Wars’ audience is older males, and the figure only seems to be increasing as time goes by, efforts like this to bring in a different sort of fan are not pushing the needle enough to change that and are also alienating that 70% therefore leading the series to not have enough viewers to stay on.

It may be time for Disney and Kathy to except Star Wars for what it is, a nerdy franchise mainly consumed by older guys and one that will become irrelevant in a few decades when these people start to die off. The idea of bringing in new fans by doing new things isn’t working, this show desperately tried to do that and had the worst viewing figures of all Disney + Star Wars so it might be time to accept new fans aren’t coming in big enough numbers to make the change over survivable for the brand.

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