Black Klansman

BlacKkKlansman is a crime drama film, focusing on how police officer Ron Stallworth, (John David Washington), infiltrated the Ku Klux Klan.

This film is riveting on many levels right from the beginning, while the plot and the dialogue also being superb throughout. Furthermore, all the characters featured are complex, this is something to be praised as it could have devolved into a collection of caricatures, but this film avoids that. The arc and emotional journey we see Ron go on is both believable, while also feeling very raw. Ron is a fantastic character and one you root for from the beginning. It is this bond that helps to elevate the tension in the film, as there are sequences where Ron and his partner Flip, (Adam Driver), are in real danger, and you can’t help but worry about them.

The political nature of the film is its greatest strength. The message that screams out throughout is one of, is this the society we want to live in. The film brings you face to face with uncomfortable truths- no apology given. Perhaps best emphasised by the closing montage sequence, which may be one of the pieces of editing all year, during this sequence it is made clear that the issues depicted have not just gone away.

The performances are top rate, with John David Washington and Adam Driver both being outstanding. However, it is not only the main actors who shine, Corey Hawkins’ performance as Kwame Ture is also superb. BlacKkKlansman is a film that proves you can have fully developed, interesting side characters, who can have small roles and a clear narrative significance.

The only minor issue of the film is the amount of time it dedicates to the Ron Patrice relationship subplot, which doesn’t lead anywhere. Both characters are great with Patrice, (Laura Harrier), being outstanding: it is because of how good the characters are that this romance sub-plot almost feels like a disservice.

To conclude this film works so well because the passion behind it is evident. It is striking and thought-provoking, in the best way; moreover, it serves as both a fantastic film and social commentary; leaving you with a lot to think about for days after seeing it. A must watch.

4/5

Reviewed by Luke

The Equalizer 2

The Equalizer 2 is an action film and sequel to the 2014 film. This entry takes place sometime after the events of the first film, and other than a few minor supporting characters returning doesn’t connect. The main plot this time around focuses on Robert McCall, (Denzel Washington) as he investigates the death of his last remaining friend Susan, (Melissa Leto). What follows is a mostly predictable mystery. You will realise who is the villain about 20 minutes before the film reveals it; it is that obvious, in that, we are shown the main issue with the film- the writing.

The film’s first act is painfully slow; there are a few teases for things to come, and some very well-choreographed action sequences, but on the whole, there is nothing of substance for the first 30 minutes. As well as this we are introduced to a lot of supporting characters, all of whom have nothing to add to the main story, outside of showing that Mr McCall still helps people. As you can imagine they are all paper thin; serving as little more than filler.

Moreover, the film’s villain Dave York, (Pedro Pascal), is about as bland as they come, with his motivations never rising above the generic,” I’m doing it for the money”, his character also seems woefully insignificant when compared to McCall; making it hard to believe they are supposed to be on the same skill level.

That is another thing about this film, McCall’s skillset seems to vary wildly throughout the film, sometimes to almost a superhuman degree; being at points more than a little unbelievable. This film if you think about it too closely makes little sense, but that’s a good thing. In this case, a lot of the enjoyment comes from the cheesy, nonsensical things that happen, such as the strange almost at times out of place editing; at one point in the film as McCall walks down a street the camera flips upside down for no real reason. It is in these moments that the film shines, becoming something more akin to a cheesy action B movie, revelling in the weird and the bizarre. However, these moments are few and far between.

Denzel Washington gives a superb performance always elevating every scene he is in; being by far the best actor in the film.

To conclude there are moments where this film shines, where the B movieness slips out. However, the rest of the film rots within the confines of a generic action thriller. Featuring the most needless supporting characters possibly ever.

2.5/5

Reviewed by Luke

Mission Impossible Fallout

Mission Impossible Fallout is the latest film in the series and the sequel to 2015’s Rogue Nation. Now a lot of you may have heard all the reviews saying that this is the best instalment in the series; that I believe is an accurate surmise. The reasons as to why Fallout is so good is two-fold, firstly it carries on the superb quality of the last few Mission Impossible film, with the eye-catching and gut-wrenching action choreography being evidence of that. Secondly, it strikes a bold and bloody tone straight from the off, one that works masterfully. More to the film’s praise all the performances are top-notch, with Tom Cruise still being very believable as Ethan Hunt; even after all these years. Moreover, Cruise does not disappoint fans who come looking for death-defying stunts, with there being plenty throughout; even more so than in previous instalments. In addition, Rebecca Ferguson returns from Rogue Nation as Ilsa Faust, bringing with her a plot ruffle that helps to add an international air to the storyline overall. To add to that the romantic relationship between Faust and Hunt is built upon, and unlike many others, I think this is done very well and feels natural and organic. Also, the newer additions to the cast are all outstanding, especially Vanessa Kirby’s White Widow, who brings with her the classic feelings of the femme fatale. Henry Cavil’s Walker is also an interesting sub- antagonist and a clear psychical match for Cruise. The plot, overall, is compelling and has many twists and turns; as one would expect from a Mission Impossible film. However, it also suffers from being overstuffed, with there being many plot lines that feel like they have no purpose. Chief amongst these is the return of Hunt’s wife Julia, (Michelle Monaghan), this return for me doesn’t work as it undercuts all that the film sets up between Hunt and Ilsa. What’s more the conversation between Hunt, Julia and her new husband in the film’s third act, doesn’t provide closure or raise the stakes as it may have been intended to, but instead serves to dampen the tension. Furthermore, there are dream sequences which feature the film’s true antagonist Solomon Lane, (Sean Harris), which seem oddly out of place. That being said the non-dream scenes that Lane is in are all superbly acted with Harris being a fantastic villain. Sadly, the same can’t be said for the supporting cast who mostly feel wasted this time around. This is especially true of Angela Bassett’s Erica Sloane who outside of a few brief scenes is barely featured. Overall despite the film’s issues and a needlessly over-bloated run-time, Fallout is without a doubt the best film in the Mission impossible series, and I really recommend you see it.

4/5

Reviewed by Luke

The Secret of Marrowbone

The Secret of Marrowbone follows the lives of a family who move to America to escape their past; to say more would be to ruin the film. Before I begin this review, I just want to say that this film has been mis-marketed in the worst way, The Secret of Marrowbone has far more in common with thrillers and dramas then it does anything in the horror genre. Though that is not to say that there aren’t horror elements in the film, there are, and they work incredibly well, just that’s not it’s defining genre. The film has an eerie atmosphere almost from the get-go, with it being strikingly clear something isn’t right. The film has a first act time jump which could have been a little contrived but, is employed cleverly to build the mystery. The script is very solid, with the characters being distinct and well used. The script does have issues though, firstly due to the heavy focus on Jack, (George MacKay), his siblings Billy, (Charlie Heaton), Jane, (Mia Goth) and Sam, (Matthew Stagg), are all quite underused. This is also true of the female lead, Allie, (Anya Taylor- Joy) however, despite this underutilisation all the cast give great performances; especially Taylor- Joy. The other issue is the end twist, which comes across as overly complicated and feels as though it has been designed to leave you somewhat scratching your head. Despite this, the film is fantastic: as it bucks genre trends constantly changing and being anything other than predictable. Where this film could have been a standard haunted house tale, it is instead so much more. The themes and ideas that this film explores are incredibly deep and harrowing, to name but a few mental illnesses, family and the idea of the evil going on unseen around us all play a part. The end reveals along with Jack’s emotional arc, end the film on a very satisfying note. To conclude, this was not the film I was expecting to see, it both shocked and thrilled me in equal measure. This is a very deep thoughtful film, and one that I think needs to be seen; despite its flaws.

3/5

Reviewed by Luke.

Skyscraper

Do you like Die Hard? Do you like Assault on Precinct 13? Skyscraper is like those just without the humour, brain or soul. Skyscraper is a film about a group of criminals who start a fire in a Skyscraper, so they can steal back a list of names, that threatens to expose their crime syndicate; and of course, Will Sawyer, (Dwayne Johnson), and his family gets caught in the thick of it. Does that sound ridiculous to you? Well, it should because Skyscraper is without a doubt the dumbest film of 2018. Things start off badly and get worse, the first act is a mess of contrived overplayed backstory, and hollow characters. Chief among these is Ben, (Pablo Schreiber), who is not even a character, more a poorly disguised plot device; being laughably underused then killed off. Then, the criminals decide to frame Sawyer, for no real reason, this combined with the fact that they have set the entire Skyscraper on fire to try and steal a USB drive, leaves you groaning and asking why. Those are just a few examples of the stupidest and perhaps even the worst script of 2018. Then you have the blatant product placement throughout the film which is downright offensive, think last years Power Rangers was product placement too far, well let me tell you this is a worse example. The characters, for the most part, are shallow, underdeveloped and ultimately frustrating. Characters such as Sarah Sawyer, (Neve Campbell), make decisions no one else would make in that situation, she leaves the Skyscraper with her son with no mention, not even one, about her daughter. However, the films one positive comes from its leads, Johnson and Campbell both give great performances, though the latter is given very little to work with, they also both have a great deal of chemistry together. Johnson is playing Johnson, just like always, but that isn’t a bad thing at least not if you like The Rocks usual work, he sells the right amount of emotion to make the moments feel more than they should do, considering the poor writing. There are other positives too such as some impressive visual effects sequences, the mirror sequences in the pearl itself look beautiful. However, this is offset by some very lacking choreography at times, such as the fight sequence that happens in the back of a police car between Sarah and Xia, (Hannah Quinlivan), in which the action is barely even visible. Overall, this film feels incredibly dated, if it had come out in the 1990’s or early 2000’s it would be right at home, but in 2018 with many other better blockbusters coming out, it comes across as soulless and hollow. Skyscraper chooses spectacle over everything else, and it loses for it. The script issues, laughably weak characters, rip off nature and a whole host of other issues stop me from being able to recommend this one.
1.5/5
Reviewed by Luke

The First Purge

The First Purge is the latest film in the Purge series; set as a prequel to the previous 3 films; explaining how the day came to be. The main plot revolves around a group of Station Island residence and their struggles throughout Purge night. To phrase it very simply it’s more of the same. The story itself doesn’t really add anything new to the mix, except showing us the scientist behind the Purge. Said scientist, May Updale to be specific, is played by Marisa Tomei in a few brief scenes. The greatest positive for this film is it’s cast. Y’Lan Noel who plays the main protagonist Dimitri is fantastic and incredibly believable; with his Die Hard esque action sequence in the films third act being a true highlight of the film. Another great performance comes from Rotimi Paul as Skeletor, another truly memorable villain to add to the series pantheon. However, aside from these two instantly memorable characters, the rest are a mixture of bland, cliched and underused. The cast feels bloated, and as a result, most of the characters are left shallow and unexplored. In terms of the horror this film does have some great moments, being both incredibly tense and very unexpected, however, these moments are few and far between. Out of the series so far this is probably the least scary. This instalment also suffers from a tonal disconnect, with the film fluctuating between elements of horror and comedy, with the result being a film that has an identity crisis; this is a familiar problem to the series. Another thing that’s worth noting is this film is very heavy handed on the social commentary; in my opinion, losing all subtly. Social commentary has been a good thing for the series in previous instalments, as it has allowed the series to explore some interesting ideas; however, this film is the step too far. This film does have many positive elements about it but is in my opinion representative of a decline in the series, with a parallel being drawn between it and the later Saw films. To conclude whilst this is a weaker instalment in the series, The First Purge is still enjoyable, it is still able to supply you with to get your horror fix. As such I would recommend it to any genre or series fans.

3/5

Reviewed by Luke

Sicario 2 Soldado

Sicario 2 Soldado, follows the efforts of Matt Graver, (Josh Brolin) and Alejandro, (Benicio del Toro) in their war with the Mexican Cartels. The plot focuses on Washington’s renewed effort to wipe out the Cartels, as such, they bring in Graver and Alejandro. What follows is 122 minutes of pure adrenaline and suspense, which never relents, it starts off with 2 suicide bombings and it carries on from there. As such the tone of the film is jet black, with all the characters being wrapped in shades of grey. For anyone worried that the acting wouldn’t be as strong because Emily Blunt didn’t return, fear not! Brolin’s Graves is menacing and chews up every piece of scenery he gets. Furthermore, del Toro’s Alejandro is fantastic, with him being paired with a cartel bosses daughter for most of the film. Said Cartel boss’s daughter is played to perfection by Isabela Moner, as we see her go on an emotional journey after her kidnapping. The surrogate parent angle, that del Toro’s character is given is oddly enthralling throughout. However, the acting is let down by Elijah Rodriguez’s character of Miguel. Said character is terrible as he only manages to have one facial expression for the entire film, which when compared him to Moner, the other child actor of the film; you see how flawed his performance is. Sicario 2 wastes minutes by cutting away from the main plot to focus on Miguel’s side story, which is boring. Overall the film feels very timely, with current events being what they are, and I truly believe that this adds an extra dimension to the film. Moreover, this film carries on the impressive action sequences of the first film, with each sequence being captured with ruthless efficiency, showing all the horrid splendour. On that note, this film’s gore is used to show how gritty the cartel world is and how in it youth and innocence are lost. Finally, the score for the film is also incredibly well used, being memorable and really wrenching up the suspense. Overall this is an amazing action thriller, and it is one anyone can enjoy. To conclude this may be one of the best sequels of 2018.

4/5

Reviewed by Luke

Breaking In

Breaking In focuses on Shaun, (Gabrielle Union) and her kids as they are preyed upon by a group of burglars. Breaking In is as generic as action thrillers go with its premise, cast and overall direction being very forgettable. Each character is two dimensional and has no complexity to speak off. There character’s backstories are eluded to, but these are just throwaway references. Eddie, (Billy Burke) is the only memorable character, being the main antagonist and, masterfully portrayed by Burke with a cold calculating demeanour. The rest of the cast is very by the numbers, with Gabrielle Union in particular not being very convincing. The major flaw of the film is the pacing issues; which are extremely prevalent in both the 1st and 3rd act. The whole of the first act could have been cut out in its entirety as it is simply very average. The pacing issues are shown again as the film long overstays it’s welcome, with you thinking multiple times that: “surely this must be the end”. The crux of the issue is that this film doesn’t feel like a tense thrilling time, it just feels like a slog. Whatsmore, there are also scripting issues, such as a lack of any kind of character motivations beyond the generic “we want the money” and, plot holes galore. This is best shown by the fact, that Shaun seems to have all these survival skills yet it is never explained how she got them. Also, the writing for the kids Jasmine and Glover, (Ajiona Alexus and Seth Carr), makes them come across as annoying, with them also saying things that just feel unnatural to the situation. This is shown when Glover says, “Whatever freak”, as his sister is about to go and risk her life. To conclude, this film is the most generic, boring, badly paced film out now that you can go and see. Really the only highlight is a menacing performance by Billy Burke.
1/5
Reviewed by Luke.

Thoroughbreds

Thoroughbreds revolves around two friends, Lilly,(Anya Taylor-Joy) and Amanda, (Olivia Cooke), as they try and murder Lilly’s stepfather Mark. Both actresses give fantastic performances, with Olivia Cooke, in particular, being a show stopper. Cooke’s lack of emotion is eerily clear and will make you feel uncomfortable; with the film using some wonderfully slow scenes showing her staring off into space, thereby building a feeling of quiet uneasiness. Anya Taylor-Joy’s Lilly is also fantastic as we see that she is also incredibly cold, but rather than let that show she builds false personas. What Thoroughbreds does, in my opinion, better than any other film I’ve seen this year, is build great three dimensional characters, that you can empathize with. That is the genius of this film: even though Lilly and Amanda do terrible things throughout, you still feel sorry for them even in a way you root for them. The film is paced superbly, giving the character there due time, without wasting a single scene. Anton Yelchin plays Tim, a drug dealer the girls originally try and blackmail into doing the hit for them. Yelchin’s performance is genuinely layered, with him being initially quite menacing and threatening, whilst later on, he’s more sympathetic. The use of sound design in this film is incredibly clever, with the sound of the rowing machine, slowly driving Lilly into insanity being very reminiscent of the works of Edgar Allen Poe. I felt quite a lot of Poe’s influence in the film with elements reminding me of both the TellTale heart and the Raven. Furthermore, the use of the violins and cowbells, as non-diegetic parts of the score, was inspired as it has a wonderful off-kilter quality. The ending was genuinely upsetting, which is a testament to how much you end up caring about these fundamentally bad characters. Overall this is a very cold film in the best possible way, being incredibly tense, but also oddly warm at times. This is definitely a must see, but be warned it most certainly isn’t for everyone.
4.5/5
Reviewed by Luke

A Quiet Place

Spoilers ahead!

The Quiet Place is a horror film that follows a family as they try and survive; in a world overrun by sound hunting creatures. John Krasinski stars as the father of the family Lee, perfectly capturing the fear of a father who lives in a world where his kids might not grow up. Early plot developments show why this fear is justified and earned, the scene in which his youngest son dies is both heartbreaking and incredibly tense. Said scene is very indicative of what the film is, in essence, an hour an a half of pure tension using jump scares and atmosphere to a masterful degree. Right from the start, The Quiet Place builds tension, layering it, only to release it when you least suspect. The Quiet place is an excellent horror film: for the simple fact that the suspense and atmosphere it creates is, in my opinion, unrivalled by any other horror films of recent memory. Evelyn, (Emily Blunt), Regan, (Millicent Simmonds) and Marcus, (Noah Jupe) all help to sell the tension, as you can see through their performances the toll living in such a world has brought upon them. The shocking death scene, that I have already mentioned, is incredibly well done because it creates a real sense of mortality: emphasising the fear and peril the family go through eliciting a genuine emotional response from you. The screenplay is incredibly tight with each scene in the film feeling needed. However, the plot line of Regan blaming herself for her younger brother’s death is too drawn out. The use of sign language and the sound design is fantastically innovative, really helping to set this apart from other horror films. This is one of the most interesting films I’ve seen in a while, with the mythology and the background behind the events being left up to the audience’s imagination; with only a few tantalising hints being given. The creature design is fantastic, being both unique and terrifying. The focus on ears and sound in this film is very unique, and the fact that the creature design encompasses this theme only heightens it. Finally, the ending is a welcome contrast to the rest of the film, as it offers some hope that the creatures might be able to be defeated; this contrasts nicely with the fairly grim tone of the rest of the film.
A very tense and unique ride.
4/5
Reviewed by Luke