Mother: A Lot Of Pretentious Allegory

Mother is a horror thriller film directed by Darren Aronofsky. The plot tells the story of a couple whose happy tranquil retreat is ruined by the arrival of unexpected, unwanted guests.

So this one is going to be a controversial for sure, even now years after it has come it is still polarising people, you either love it or you hate it. I find myself torn.

There is a lot of debate as to whether this is even a horror film, but I think it is. I also think the later in the film sequences where all hell breaks loose, which are arguably the horror scenes are strong and work well. The scenes when the followers descend to the house and fight to get a glimpse of the new baby are downright menacing and claustrophobic.

On the flip side, I hate the narrative of this film in so many ways. Firstly it has no story or plot just random events and allegory, it is one of those films where the director wants you to put it together yourself; in other words an excuse for poor writing. Moreover, the clear Bible reading (that everything that happens in the film is reflective of the Bible and the events therein), are so incredibly obvious that it basically beats you in the face with it. Yet in has to be pretentious and act like that is not true and that it has multiple meanings.

Jennifer Lawrence does an admirable job and I will applaud her for steeping outside of her comfort zone.

Overall, divisive to the core you will have strong feelings about it, for me I thought the narrative was weak and obvious, but the practical execution and the acting was spot on.

Pros

The acting

The ending

Some genuinely quite tense scenes

Cons.

The stupidly pretentious narrative

Having no form of story

3/5

Reviewed by Luke

The Call: How Far Halle Berry Has Fallen

The Call is a psychological thriller film directed by Brad Anderson. The plot follows 911 operator Jordan (Halle Berry), as she tries to save a girl who has been taken prisoner by a deranged serial killer.

This is one of the tamest thrillers I have seen in a long time, it could probably be a 12. It is the opposite of menacing, and everything is incredibly predicatable. There is no element of danger because right from the off you know how it is going to end; in the final minutes of the film there is a chance for a surprising character twist, but the film just ignores it.

You have to feel bad for Berry, she went from big meaningful films and blockbuster to this, you can tell she is going through emotions and even though she is trying she is never quite convincing. Her role could have been played by anyone, there was nothing she herself brough to the role.

The same could be said of the generic villain. The only chance a film like this has to flourish is if it has a worthy memorable villain; what would The Silence Of The Lamb be without Anthony Hopkins and Buffalo Bill. This film gives us one of the blandest weakest villains maybe ever in a thriller movie and he is forgotten about in under ten seconds.

Overall, an incredibly bland forgettable film that serves to do nothing other than make me feel sorry for Berry having to be involved.

Pros.

The first ten minutes are mildly interesting

Cons.

It is boring

It is predictable

Berry isn’t convincing

It feels generic

0.5/5

Reviewed by Luke

The Rental: The World’s Worse Air BNB: Imitation Is Not The Finest Form Of Flattery

The Rental is a horror thriller film directed by Dave Franco. The premise seems two couples head to a rental house for the weekend, once they get there they notice that it is the Air BnB from Hell and things quickly escalate.

Now, I had mixed feelings on this one. I thought for what it was trying to achieve and for a first-time directional effort it was good, but in a lot of other ways It was critically let down.

I thought the actual story itself was well done and well executed, it was tense and it used that tension well throughout. What I didn’t like however, was how blatant it was in its homage. This film feels like Franco is trying to make a Hitchcock film, there are several sections that seem directly inspired, I didn’t enjoy that. Mimicking the classics does not make your film a classic.

The characters are also a mixed bag. On the one hand you have Alison Brie as Michelle, the nice person of the group, she is likable and should really be the hero of the story; however she is unceremoniously killed off. The other 3 main characters are differing degrees of bad people and their unpleasant actions make it very hard to sympathise with them.

One more thing that bugged me about this film was the weird racism subplot from the start of the film. It plays into character motivations eventually and gets better over time, but at the start of the film it did not fit at all and felt forced and clunky. Trying too hard to be relevant.

Pros.

A solid first effort

Uses tension well

Alison Brie

Cons.

It feels like a poor imitation of one of Hitchcock’s lesser works

The racism subplot at the start of the film does not feel natural

3/5

Reviewed by Luke

Underwater: The Threat Came From Beneath The Waves

Underwater is a science fiction film directed William Eubank. The plot sees an underwater research centre become under attack by a strange unknown type of sea life.

I go back and forth on Kristen Stewart as an actress, sometimes I think she is good and worthy of all the praise she gets; other times I think she struggles with even basic emoting and can’t convince me of anything. However, I will give her praise here, she commands this film, her performance is striking and in some ways very reminiscent of Sigourney Weaver in Alien. This film would be far less good without Stewart in it.

Despite, feeling a little too overly familiar this film managed to keep me engaged throughout. It used the environment and tension to great effect and had a few great sequences that will stuck in my mind long after the film has ended. My one critique in this regard is the way some of these high-tension kinetic scenes are shot. The cinematography of these scenes makes them hard to see; which therefore makes it hard to tell what is going on. An example of my point is midway through the film one of the team is pulled out of their suit, but you don’t realise that you just see a lot of blood, you don’t realise what happened until one of the characters tells you. That is a big problem in my book.

Also T.J Miller is in this and he is every bit as grating as you are imagining. Horror/ dark science fiction films don’t need comedic relief.

Overall, a solid disaster film boosted tremendously by a great performance by Kristen Stewart.

Pros.

Stewart

The tension

Keeping me engaged in a played-out idea

Cons.

The characters outside of Stewart’s lead are one note

It is hard to tell what is going on

3.5/5

Reviewed by Luke

Wasp Network: A Strange Message

The Wasp Network is a thriller film directed by Olivier Assayas. The plot sees a group of Cuban defectors, who aren’t actually defectors, infiltrate multiple anti-Castro group to destroy them from within.

This film is confusing. Until the last 20 minutes I had no idea what was going on, the film does not explain what is happening very well and the characters go from anti-Castro to Cuban patriots in a heartbeat. It needs to be explained better.

What’s more the film feels strangely pro Castro as a piece of art and almost seems to say that these people were heroes for what they did, it makes Cuba look like the victim and ignore a lot of the terrible things the regime did. It is very murky as to who if anyone was in the right in the situation and the issue as a whole was far more complex than this film makes out.

Another thing I disliked about this film was how long it was. This film is on for just over two hours, but it feels like double that as it stretches on and on and on. Furthermore a lot of what is happening on screen isn’t interesting, so it is very hard to pay attention to it. There are vast sections of this film that could easily have been cut out, to make it work well and feel less self-indulgent.

Overall, a boring slog that has a very strange message.

Pros.

The acting especially Cruz and Ramirez.

Cons.

It is hard to tell what is going on

It far exceeds its welcome

It omits key details

It is incredibly boring

1/5

Reviewed by Luke

The Rhythm Section: A New Low

The Rhythm Section is an action thriller film directed by Reed Monaro. The plot follows Stephanie (Blake Lively), a woman whose whole life fell apart after the death of her parents. When she learns that the circumstances around her family’s death are more malicious then they first appeared she sets out to find those responsible and kill them.

This film was one of the biggest box office bombs of all time and for good reason. It is god awful. Let’s take it apart.

The worst thing about this film is how familiar it feels, it has been there done that written on every frame there is nothing new to it. It reminded me in many ways of something like American Assassin and had a wannbe John Wick vibe to it, it was so keen to try and replicate those films that it failed to do anything to set itself apart.

Another major problem is the cast. Lively is miscast badly, she isn’t convincing as an action star, even when the film makes a point to highlight her lack of fighting ability; she is still unconvincing. She struggles to sell the dramatic scenes either and I felt nothing for her character, I just didn’t care. Furthermore, this film casts Jude Law to play Stephanie’s mentor/ trainer, which in and of itself isn’t a bad move, the issue comes from the fact that they give him nothing to do and waste him at every available opportunity.

Overall, this film is worse than bad it is boring and generic, that is all that needs to be said.

Pros.

They play into the fact that she can’t fight well

Cons.

You’ve seen it done better before

The characters are awful

It is boring

The action is weak

0.5/5

Reviewed by Luke

Shirley: The Rise Of Elizabeth Moss

Shirley is a biographical drama film directed by Josephine Decker. The plot recounts the life of Shirley Jackson the famous horror writer, showing her struggles and her triumphs as she writes a novel and battles the world.

This film is good for two main reasons: the writing and Elizabeth Moss.

Moss is quietly making a name for herself in the horror/ thriller space, and for good reason to. She is captivating to watch on screen and her face conveys emotion with ease. We believe her characters mental struggles, we believe the genius and it is all because of Moss who shows us a myriad of emotions with ease.

The other strength is the writing that seamlessly merges different plot lines and sub plots to create a very dense layered overall narrative. The character dialogue is tense and snappy, it reminds me of Sorkin in a way. The thrills don’t come from anything scary or from any intense action, but rather from the subtly of the dialogue and the jagged barbs hidden within.

My one complaint of the film is that it is too long. The last act drags, and I would say the film as a whole is about fifteen to twenty minutes too long, as I was losing interest towards the end- this is the films fatal flaw.

Overall, this is a very tense emotional ride with a great performance from Elizabeth Moss.

Pros.

The dialogue

Moss

The mystery and the drama

The trippy sequences

Cons

The third act is poorly paced.

4/5

Reviewed by Luke

Night Moves: Modern Day Hitchcock?

Night Moves is a drama thriller film directed Kelly Reichardt. The plot sees a group of environmental terrorists blow up a damn to raise awareness of their cause and steal the eyes of the world for just one night. Everything goes well and falls into place; that is until it is revealed that someone died in their bombing, something no one wanted, this causes fractures in the group.

Before I get into the review I just want to say from a cinematography point of view this is a beautiful film, some of the shots of deserted backstreets and American wilderness look exquisite. Watching this film made me really appreciate what a beautiful country America is.

I think the performances from across the 3 main actors Jessie Eisenberg, Dakota Fanning, Peter Skarsgard are all great. Eisenberg especially does a lot with very little; his facial acting is really top notch in this film. I think the ending and the way his character handles it feels very natural and believable and that adds to the brilliance of the film.

I think the messages and themes of the film are multi-layered, as you question the morals of the both the characters on screen as well as society at large. It does not pick a side; you can see fault in both. It handles the topic in a very nuanced way.

My one complaint would be that it is about twenty minutes too long and could do with a tighter edit, there were moments when I was gripped and there was also moments when I was bored and looking away.

Overall a very compelling film with great performances very worth checking out.

Pros.

The cinematography.

The performances.

The tension.

The manhunt.

Cons.

A little too long.

4.5/5

Reviewed by Luke

Personal Shopper: Texts From A Ghost?

Personal Shopper is a drama thriller film directed by Oliver Assayas. The plot sees personal shopper/ medium Maureen (Kristen Stewart), become stalked by an unseen mysterious presence after a ghostly run in. She hopes the otherworldly presences might be her recently dead brother, but it turns out to be far more malicious than that.

This film had me up until the last five minutes. The last five minutes put me off the film. Said minutes beg the question was this presence actually real at all or was it all in Maureen’s head. This to me is like saying it was all a dream and none of it matters because all of the drama all of the tension is taken out and rendered pointless.

I did enjoy the text conversations between Maureen, and I guess either her bosses’ killer boyfriend or this ‘ghost’, I liked how they built in tension over the course of the film, treading the line between menacing and friendly at times. It would have been nice if the film could have made clearer who was texting her, but I guess that is all part of the mystery the film ruins at the end.

I think Stewart is actually alright in this, she has moments of greatness where I buy her as a serious actor and think hey maybe she has something. However, she doesn’t seem to be able to maintain this throughout and it is definitely here and there rather than being consistent. I don’t think this will be enough to convince her detractors that she can act.

Overall, if we could ignore those last five to ten minutes, I would score this film highly, but because we can’t I have to give it a middling to positive score. I think this film does some really cool stuff and poses some interesting ideas, Stewart has her moments and there is some great tension to be enjoyed, it is just a real shame about that last scene.

Pros.

The mystery.

The tension.

Stewart to a degree.

Cons.

The mystery should be clearer.

The ending basically tell you that you have wasted your time.

Stewart is not consistent.

3.5/5

Reviewed by Luke

The Lodge: Effective Birth Control

The Lodge is a horror thriller film directed by the due behind Goodnight Mommy Severin Fiala and Veronika Franz. The plot follows a father (Richard Armitage), and his two children who go on a camping retreat with their father’s new girlfriend Grace (Riley Keough), after the death of their mother. Spooky stuff related to Grace’s past in a cult keeps happening which makes her question her sanity.

This film is unpleasant, I had to do something else while I was watching it to even finish it. I expect a lot of people will have a very strong reaction to this film either positively or negatively; it is very polarizing like that. Personally, I hated it. I will give the film one thing though, it shows the effects of gaslighting perfectly and I applaud them for taking that risk, simply it wasn’t for me.

The spooky things I mentioned earlier include the oldest boy hanging himself, or at least so we think. It turns out that the kids hate Grace so much, for no reason they hate her from the off, that they have faked everything including the hanging to get her to kill herself. This twist is what put me off the film because it unravels it in two ways.

Firstly, the idea that we are supposed to believe two kids concocted and executed this incredibly elaborate plan is beyond ridiculous. Then when you start to think about the implications this causes for the rest of the film it falls apart even more.

Secondly, after all this is revealed we are supposed to still care about the kids. Why? Why should we care about them after this. Frankly I don’t sympathise with them, they get what they deserve for trying to make a woman kill herself for no reason.

Overall, it was certainly trying to provoke a reason, sadly it wasn’t a good one it got out of me.

Pros.

It has guts to pull that twist.

Cons.

It makes no sense.

The kids are detestable.

It all feel pointless and done without reason.

It was off putting, but maybe that was the point.

1.5/5

Reviewed by Luke