10 Things I Hate About You: Getting Paid To Date, The Solution To An Aging Population

2/5

Written by Luke Barnes

Summary

A modern remix of Shakespeare’s The Taming Of The Shrew.

Honestly upon watching this for the first time I don’t see what so many people like about it, it just seems like a fairly generic teen movie about the perils of dating and the horrors of high school. Couple this with a wealth of outdated views and yes, I didn’t see what the big deal was about.

I thought the film had some heart, not all the time, but in parts it did come through sweetly. I found myself enjoying the relationship between Julia Stiles’ character and Heath Ledger’s, those were the only characters that I found myself rooting for and if anything this film just served to remind me how much I miss Ledger. Both Ledger and Stiles do their best to elevate the source material, and give this film some kind of personality outside of Shakespeare. However, the over-reliance on cliches and thoroughly predictable dramas drag this film back down again.

Overall, I didn’t see the appeal of this one it reminded me of just another teenage high school movie. Yes, it had heart in some places but it also had multitudes of cliches and more than its fair share of iffy moments. A mixed bag.

Pros.

Hedger

A few sweet moments

Cons.

The Shakespearian dialogue really felt out of place

It had pacing issues

It felt deeply generic

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Love Hard: Make Better Films Netflix It Is Getting Embarrassing

1/5

Written by Luke Barnes

Summary

A young woman, Nina Dobrev falls in love online only to later realise she has been catfished, the catfisher promises to set her and this guy up if she pretends to be his girlfriend during the holidays.

When I saw from the makers of Holidate I knew this was going to be bad, much like the previously mentioned film this again has a bad message and iffy morals. By making Jimmy O. Lang’s catfishing character in any way redeemable this film almost feels like it is saying his behaviour is okay, it is not just in case you were wondering. I wish romantic comedies would stop pushing these icky narratives and toxic messages it’s time to move on, catfishing someone is not a valid or acceptable way to try and get a relationship.

Moreover, every line in this film is cringe. By that I mean the film thinks it is so cool and trendy in a lot of the things it says, sometimes directly towards the audience, but it is not. Best case it is saying supposed insightful points that other films have spouted before or at worst it feels like an out of touch executive trying to be down with the kids and failing horribly.

Overall, this is why people think Netflix films are usually trash because they put out far too much content like this.

Pros.

Nina Dobrev is trying

Cons.

The writing is stilted

It is horribly cringe

The romance feels forced

The premise is deeply flawed

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Christmas Inheritance: The Big City Will Turn You Evil

1/5

Written by Luke Barnes

Summary

Highflying CEO to be Ellen, Eliza Taylor, must go and deliver a letter to her uncle in small town America in order to complete her training and take over from her father. Naturally going to this town forces her to see how morally corrupt big city life is and how she has had the wrong priorities all her life.

And so we begin, it is quickly becoming the time of the year where I review Christmas films- the good, the bad and the overly moralistic. This film is somewhere between those latter two, as it preaches the values of ‘real America’, and suggests that modern big city living is evil and causes people to lose touch with their humanity. This is nothing new from these type of Christmas films, and this plot has been recycled over and over again.

The romance here, as they always have to have the big city woman ditch her current boyfriend and find love in the small town, is poorly done. The trope as a whole is not helpful, and here it is particularly unbelievable as the characters have no chemistry so their whirlwind romance feels blatantly fake.

The only reason this film isn’t getting lower is because of Eliza Taylor. Taylor is clearly trying her best to give this role some personality and warmth and that shows, sadly what she is given to work with boxes her in and leaves her with nothing to work with. However, she still manages to be charming.

Overall, yet another samey, questionable Christmas film. Is small town America really this magical, or is this over romanticised in the extreme? Let me know.

Pros.

Eliza Taylor

Cons.

It is the same story you have seen before

The morals

It feels sexist

The central romance doesn’t work

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I’m Your Man: A Human Robot Love Affair Is The Next Stage Of Human Evolution

4.5/5

Written by Luke Barnes

Summary

Scientist Alma, Maren Eggert, is tasked with completing a three week trial with a humanoid robot, played by Dan Stevens, who is designed to be the man of her dreams. When the three weeks are up she is to write either in favour, or not, of giving these robotic beings rights based on her experiences.

I enjoyed this film quite a lot. I thought it had such a huge heart that it was almost impossible not to like it. The film tries to further the questions of what does it mean to be human and can love transcend all bounds, in this case can a human woman love a robot man, is the robot man even capable of feeling love? I feel it does an admiral job of this and gives us a response to these questions that is deep and multi-layered, the response the question deserves.

I also found this film to be quite funny, there was a lot of humour situated around how Steven’s robot character responded to Alma’s initial rejection and also his day to day life, which is odd by human standards. Most of this humour landed for me and made me chuckle, it was not a laugh out loud sort of film, but there were plenty of chuckle worthy moments.

Overall, a sweet film that has a lot to say about life, love and robotics.

Pros.

Eggert

Stevens

The sweet love story

Trying to answer the big questions

A number of funny moments

Cons.

The beginning is initially confusing as the film doesn’t do a good job explaining early on what is happening.

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Four Weddings And A Funeral: The Funeral Would Be More Fun Than This Charmless Affair

2.5/5

Written by Luke Barnes

Summary

The film revolves around Charles, Hugh Grant, and his circle of friends as they navigate love and life during a number of social occasions.

This one might be an upset, however this film did nothing for me.

Though I like the other Grant films from this era there was just something about this that didn’t quite work for me. I found the central romance to be clunky and not make a whole lot of sense narratively: having Grant’s character end up with his friend, who clearly has a crush on him, played by Kristen Scott Thomas would have made much more sense and yet they didn’t go with it.

Moreover, unlike Notting Hill I did not find any of the characters particularly likeable or charming. As the film progressed if anything I found myself becoming more and more uninterested in the characters and I cared less about what was happening to them as a result. Likewise the humour here also missed the mark for me, maybe making me laugh once or twice throughout but for the most part it left me cold.

Overall, though for many this is a classic it did nothing for me.

Pros.

Grant

One or two funny jokes

It is watchable

Cons.

The characters aren’t likeable

It is boring

The central romance is flawed

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Reminiscence: This Is Why Westworld Isn’t Good Anymore

1.5/5

Written by Luke Barnes

Summary

Nick, Hugh Jackman, analyses his memories of the one who got away, Rebecca Ferguson, and realises that he has been played. Nick then sets out to track her down to get answers.

My this one was bad.

Before I slate it I’ll say this, Ferguson and Jackman have great chemistry together, really its electric, and they need to make more films together and carry this thing on as their seems to be a real passion there between the two, they play off each other really well.

Ok, moving on to the bad.

This is what happens when you have everyone praise your deep intellectual show, Westworld, for years and you have a brother who is known by some as one of the best working filmmakers in the game, and you try to rip-off his style. To be blunt, you make pretentious tosh that is about as deep as a puddle and is laughably bad.

The narration throughout the film is the best example of this, it asks all these deep philosophical questions about humanity and the self with all the intellectual sincerity of a teenager going through an emo phase. The writing is really bad.

The mystery is passably okay, however the longer it goes on for you realise all the ways it doesn’t make any sense and how the memory tech writes the film into a corner. Almost everything Nick does in this film is superfluous by the rules and laws set up by the tech, he didn’t need to do anything, yes he would have lost the memory card, but would that really have changed much?

Overall, bad science fiction.

Pros.

Jackman

Ferguson

Cons.

It makes no sense

It is so utterly pretentious

It is poorly written

The ending

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Annette: The Strangest Musical You Will Ever Watch

2/5

Written by Luke Barnes

Summary

The film charts the life of a stand up comedian, Adam Driver, and an opera singer, Marion Cotillard, after the birth of their first child.

I will say this for the film, I take my hat off to it for committing to being strange, quirky and unique.

Personally, this film wasn’t to my taste. Though I enjoy Sparks I thought the music in this film was a bit overdone. I understand that the film views itself as a rock opera type musical, and that really isn’t my problem with it, my problem is that nearly every line is sung. This reaches such a point where you just want it to stop, and then the film just keeps going.

This film is on for far, far too long.

Moreover, though I admire the quirky elements of the film I find some of them to be clashing, and sometimes off-putting. Maybe it is my sensibilities, but there were certain more interpretive scenes where I had no idea what was going on or how it fit into the story in any real way, yes they were singing about how it fit in no doubt, but by that point my mind had found a way to drown out the singing.

The performances were all fine, though I would say they didn’t feel like real people or characters rather they felt like some sort of twisted, warped idea of what humans are like as viewed by aliens. However, I am sure that was a deliberate choice.

Overall, it was not to my taste.

Pros.

I enjoyed the strangeness

You have got to love Sparks

Cons.

Too much singing, that often isn’t very good

Some of the elements clash

The characters didn’t feel like real people

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Free Guy: Stop Killing NPCs

4/5

Written by Luke Barnes

Summary

A non-playable character Guy, Ryan Reynolds, figures out that his whole world is a lie and has to come to terms with that whilst also trying to stop it from ending.

The trailers for this film miss-sold it. They make the film look like a blockbuster action film, and whilst there certainly are action elements within the film, it often happens in the background. The film instead is far more character driven with the bonds and relationships they form being front and centre throughout. If I had to categorise this film I would say a comedy, possibly a romantic comedy.

I thought the film was very wholesome to watch and that this overriding sense of positivity made the film feel very watchable whilst also giving it a rootability. You quickly become attached to Ryan Reynolds’ Guy as well as the real world game designers that are trying to help him, these characters are played by Jodie Cormer and Joe Keery. The romance at the heart of this story, originally between Cormer’s Millie and Reynold’s Guy and then between Cormer’s Millie and Joe Keery’s ‘Keys’ is really the heart of the film. Personally, I thought the romance was sweet and well done, it made me feel something.

The Truman Show esque moments are easily the most fascinating of the film as Guy and his fellow NPC’s have to come to terms with being ‘not real’. I think the real strength of the narrative here is that the film leans into this and shows different characters processing this information in different ways. It would be very easy for the film just to show everyone freaking out, but it doesn’t do that.

I understand why the film features so many streamers, but it does get to feel a little like overkill by the end of the film. It would be better if the film only featured one or two streamers and used them sparingly throughout the film, it goes in the other direction for I think rather obvious reasons.

Overall, a good film to watch once. Does it need to be seen in the cinema? Probably not.

Pros.

Reynolds

The love story

The comedy

The Truman Show vibes

Cons.

Too many streamers, used cynically

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13 Going On 30: Taking Advantage

1.5/5

Written by Luke Barnes

Summary

A young uncool teen wishes themselves into the body of a thirty year old so that they can finally have the life they always wanted.

The premise of this film is icky as hell. This film places this girl in the body of a woman in many sexual situations where she is uncomfortable and does not know what to do and then plays it off as a joke. Worse yet it gives her a romance arc, where the thirty year old version of her friend who has a crush on her, pursues a romantic relationship with her, despite her being the younger version of herself: and the film wants us to cheer for this……..

How exactly is this film supposed to be a classic?

I think these glaring issues are made all the worse by the fact that Jennifer Garner plays the character with such a sense of childlike innocents and naivety, which only compounds the problematic elements further.

The only reason this film doesn’t get lower from me is the fact that there are a few funny lines, albeit unintentionally. I found myself laughing quite a few times during the film which helped me get through the horror show that the rest of it is. A very poorly thought out idea.

Overall, troublesome.

Pros.

Unintentionally funny

Cons.

It is problematic

The central romance is icky and weird

The ending

Garner

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My Super Ex Girlfriend: Deeply Sexist Hollywood

1.5/5

Written by Luke Barnes

Summary

Unassuming office worker Matt Saunders, Luke Wilson, begins a relationship with Jennifer Johnson, Uma Thurman, who would later turn out to be a superhero. All seems to be going well at first and then the two suffer a bad breakup.

This film hates women. Maybe that is a touch hyperbolic but there is more than enough proof to demonstrate this film’s negative opinion of women. Firstly, the lead is crazy and becomes aggressive and manic when she feels jealous of another women, which feels sexist to its core. It furthers the idea of the hysterical woman who is controlled by her emotions and who needs a man to keep her in check.

Moreover, there is a plethora of sexist jokes coming in from the supporting cast with Rainn Wilson’s Vaughn, being perhaps one of the sleaziest side characters ever and worst of all we are still supposed to like him despite the fact he only views women as sexual objects to use for this own pleasure.

Uma Thurman and Luke Wilson are fun to watch on screen and do have the odd funny line or smile inducing moment hence this film not getting lower, but that does not make up for the fact that this film is sexist in nearly every possible way, deeply and utterly.

Overall, proof of how bad the studio comedy can be when it is not worried of being called out online.

Pros.

Thurman

Wilson

Cons.

It is sexist

It pushes harmful stereotypes

The side characters are toxic as hell

The film’s jokes mostly don’t work

It is offensive

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