Beetlejuice Beetlejuice: Aging Like Fine Wine

Summary

The Juice, Michael Keaton, may have aged, but much like wine it has got better not worse.

This film truly felt like a blast from the past, it doesn’t feel like we get films like this anymore, silly and fun with no mention to politics of moralising. It was nice to see the world that we all remember from the 80’s original further expanded, I thought that this film added a lot of much needed clarity and hopefully if we do get a 3rd film it can do more of this.

The returning cast all gave great turns, and Jenna Ortega did feel like a natural addition to this world and the family, however, I would say her sub-plot was the weakest of the film. On that note some of the more interesting plot lines such as Beetlejuice’s wife, Monica Bellucci, do feel a bit short changed as they don’t go anywhere meaningful.

It is nice to see Tim Burton being Tim Burton again and I would say for fans of the director this is a must see return to form, it feels like everything he was doing in his pre 2012 career again rather than some of his more questionable recent turns.

Overall a fun film that won’t set the world on fire.

3/5

Pros.

It is fun

It explores the world

The returning cast

Cons.

Some weaker plot lines and some unfinished ones

It never hits the heights of the first

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Paranorman: We All Need To Listen More

Written by Luke Barnes

Summary

A young boy, voiced by Kodi Smit-McPhee, can talk to dead people and needs to use his gift in order to save the town.

I think Laika is one of the best animation studios, mainly this is because they are not soulless CGI studios owned by massive studios like Disney, or Universal. Laika along with places like Aardman and Ghibli are some of the few truly original studios left and I think that is incredibly important. The studios talents are on full display here as we see a very gothic inspired world that also has a lot of call backs to classic Americana and the creature features of the 50s and 60s.

There is also something beautiful and timeless about the message of people hating things that scare them even if they pose no real threat to them. It makes the weak and confused message of a contemporary release like Inside Out 2 look so much worse by comparison. In my opinion that is what a lot of recent animated films are missing good central messages.

Overall, a sweet and seasonally appropriate film that is beautifully animated.

4/5

Pros.

The message

The animation

The characters

The world

Cons.

A few pacing issues

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Despicable Me 4: Everybody Wants To Rule The World

Written by Luke Barnes

Summary

Gru, voiced by Steve Carrell, is back and this time he’s on the run.

In my opinion this is easily the best animated film of the summer and a template for what animated films should be. We had some laughs, we had some emotions and we had a good sing song at the end. There was no heavy themes no need to talk about real world politics, and no literal embodiment of Joy crying twice as there was just no hope left. My biggest take away post seeing this film is that it is for kids and Inside Out 2is for white middle class liberal women who want to relive their girlhood whilst drinking a wine cooler.

Would I say this film was up there with the second and third Despicable Me films no probably not, but I would place it ahead of the first film. My primary reason for this is that I found the plot whilst entertaining to be a little light of stakes. Yes, Cockroach man, voiced by Will Ferrell, is funny but do I buy him as this big bad threat to Gru and his family not really. I also thought that though the idea of Gru taking an apprentice has some good legs, the Poppy, voiced by Joey King, storyline didn’t really explore it, instead wanting to be far more of a genetic Gru is blackmailed storyline. I suppose when they do a sequel if they bring her back it could lead to some interesting moments for the character.

As for the minions, the most important characters in a Despicable Me film I would say they have some stuff to do and do have a number of funny moments but lack as much screen time as you would want or expect. The super minions is an interesting idea but they don’t do much with it.

Overall, good but not the best in the series

4/5

Pros.

The sing song at the end

It is fun

It has some emotional moments

It is well paced

Cons.

Poppy needs to do more

We need more time with the minions

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Garfield The Movie: A Tale Of Two Kitties This Is Not

Written by Luke Barnes

Summary

Garfield, voiced by Chris Pratt, is back on the big screen.

So I am a big Garfield fan, I grew up watching the films and have watched every episode of Garfield and Friends many and I mean many times over. As such I was very excited for this film and it was the film I was the most excited to watch this year. Sadly, this wasn’t really a Garfield film.

Yes, you have John and Odie, him liking food and even his teddy, but really that is where it ends. Garfield may get into zany adventures but he is not some sort of heist/action character. Think about the films, in the first he took down someone who wanted to use Odie for evil, but he did it in a very Garfield way, lazy and sarcastic. In the second he saved a manor from being sold off, again he did this by teaching the animals about goofing off and eating. You see in both cases the problem is solved by him being himself, not him being something he isn’t. Here we see Garfield have to become a cat of action and learn to live in the real world and go on heists for some reason. Why is it that every film now must be about a heist.

There are some okay moments here don’t get me wrong I don’t think its awful, I just don’t think its Garfield.

The father and son stuff really for was whatever as we have seen it all before in other films, and you know exactly where each beat is going. They do nothing new with it.

My only positive for the film really is that the beginning stuff with kitten Garfield and how he first met John is adorable and heart-warming. That was a really good way to start the film it is just a shame the rest of it was so very eh.

Overall, fine but this is not a Garfield film.

2/5

Pros.

A few nice moments

A really strong beginning

Cons.

It isn’t Garfield

The father son stuff didn’t work

It was incredibly predictable

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Inside Out 2: The Increasingly Depressing Life Of Riley

Written by Luke Barnes

Summary

Riley, voiced by Kensington Tallman, is going through changes.

Please believe me that won’t be the only reference I make to Big Mouth during this review.

So  before we get into this I want to head off the complaint of ‘oh this film wasn’t for you’, films are made for everyone they are made for a mass audience, so yes it is. People of all ages can enjoy any film they want and take different things from it. My question is who was this film made for, because in the audience when I saw it there may have been one child but by and large it was an adult crowd.

Anyway moving along, I thought this was a decidedly average sort of film, it had a few good moments, namely whenever Pouchy showed up, and it had a number of odd choices and messages that I think ruined the film in a number of ways. Widely, both mostly cancel each other out, but I would say that this film is probably below average in terms of Pixar’s wider output.

I think the most baffling decision about this film is how it is not fun in anyway. Riley is going through a hard time and is sad in a lot of the film having to find a way to fit in, dealing with her friends leaving her, and the emotions are going on a quest to save the old pre-puberty Riley. However, as Big Mouth teaches us you cannot stop changes, you cannot go back to the happier and more innocent days of your childhood, and the emotions realise this over the course of the film with them having a heavy time of it. Joy, voiced by Amy Poehler, literally cries several times over the course of the film. A fun time at the movies for the whole family.

Speaking off Joy is quite irritating here, so the central conflict of the film happens as the new puberty emotions show up and take over with Joy and co sent away, she then goes on a quest to get the old Riley back. However, not only is this futile but has a terrible message, the film seems to suggest for the most part that one should not accept change and must always be a good person and be positive otherwise they are inherently bad. This makes little sense and lacks any idea of nuance. Though Anxiety, voiced by Maya Hawke, does go a little crazy by the end people need anxiety to get anywhere in life, having anxiety is normal. The film does try and have Joy learn a lesson and learn that she needs to be less of a control freak but it then rewards this by letting her be in charge again. Joy at times has a karen like mentality in how she treats almost all of the other emotions, which is to say badly.

Moreover, another thing I thought was weird was that the film spends a lot of time, and I mean a lot, showing how Riley wants to be a hockey player. Now this is normal however, whenever the film seems to think that Riley is being a bit too masculine, in a traditional gender norms sort of way, it has to go out of its way to make her goofy or silly. To me this is problematic, as what would be so wrong with her being tough and wanting to be a hockey player and doing it earnestly, why does she need to have all the goofy I’m a teen girl shenanigans unless they are worried about how she will present from a gender norms point of view. I could understand if these moments were supposed to be for comedy and that’s why she’s goofy but the whole rest of the film entirely neglects comedy for the most part so that doesn’t make sense. It felt very traditional in how it wanted to show gender norms and in some ways a bit patronising, as rather than let her be competitive and wanting to be the best hockey player there, it had to tie into a narrative of oh is she a good team player, what about her friends, oh it’s just girls having fun. One has to think if it was a male lead would it be the same or would they have allowed him to be competitive and want to be the best and not made it about him and his friends. In this sense the film can be seen to reinforce very traditional gender roles and be regressive towards female athletes.

Finally, and you know we couldn’t talk about current year Disney and not bring up the w word. For the most part this film is fairly devoid of the identity politics you would expect of current year Disney. However, there is one scene so cringe in this regard that I knew I had to include it in the review, during a part of the film where the emotions are going through a part of Riley’s mind showing dream jobs she had as a child one of them is a supreme court justice. This to me stood out because what kid is that politically aware, most kids want to be a dinosaur, a princess, an adventurer or some other sort of thing like that no kid has ever said they want to be a supreme court justice, I don’t believe that. The fact it was included in the film screams to me of the obsession that liberal women seem to have with RBG again not all liberal women but a lot of the Hollywood ones for sure. Look at the ham-fisted inclusion they did in Book Smart, again just because these Hollywood people are political they should not assume that teens or kids are, as most aren’t. It is just such an odd and out of touch sort of inclusion that it made me roll my eyes.

Overall, it is fine but not really an enjoyable trip to the cinema.

2/5

Pros.

Pouchy

It is not as woke as it could have been

Cons.

It does not let Riley be competitive or fully into hockey, it lessens it to not scare people off

The supreme court justice line

It is very sad

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Thelma The Unicorn: Netflix Just Doesn’t Care At This Point, They’ll Just Put Out Any Old Garbage

Written by Luke Barnes

Summary

A pony, voiced by Brittany Howard, decides to be a unicorn for reasons.

This is why Netflix will never be taken seriously as a film studio. This is why when the CEO is saying oh Barbie and Oppenheimer would have been just as big if they were released on Netflix no one believes him. Because for every good film Netflix puts out accidentally, there are 100 of these and films like Atlas, by that I mean utterly trash soulless pieces of garbage made as some sort of way to get a clever tax write off or maybe clean some cash, in my opinion.

So is there any heart or charm to this? Do you even need to ask me? Nope it is entirely soulless hollow 3D animation that looks just like everything else and that honestly for the amount of money Netflix likely put into this looks terrible.

The message of it is better to be yourself than be someone or something you are not is pretty on the nose here, I understand it is a kids film but you don’t have to treat the audience like they are dumb. Outside of that is there anything of good substance for your kids to mull over, or for you to mull over, not really there are some horrible references to things people over at Netflix think kids like, but it is all just the usual cringe.

Overall, if Netflix want to be taken seriously they need to cut production in half, they need to stop pumping out garbage all the time and take stock of what and who they have and try and retool anything they can’t cancel and cancel anything that is not locked down to try and turn these projects around. Netflix needs to start caring about quality over quantity.

1/5

Pros.

It is not offensively bad

Cons.

It is soulless

It is hollow

It is vapid

It message is obvious

It is ugly to look at

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Spy X Family Season 2: Overview

Written by Luke Barnes

Summary

A spy, an assassin and a telepath pretend to be a happy family this time with added cruises.

I think this second season is even better than the first, in many senses the series really hits its stride here and gets into what you want to see from it.

The world building on display is solid and we get to find out a lot more about the lives of the characters we met in the first season and though there isn’t as much high stakes action as in the first season I think the character work here is stronger and that makes up for it. Also Yor’s fights on the boat more than match any of the action scenes we got in the first season.

The family boat trip is easily the best part of the entire second season, not only do the a and b storylines work really well together, it feels like an epic event as it spills out over so many episodes, and the final of the mini arc where they get to enjoy a nice family day out at the island is one of the most wholesome things I have seen on tv in a long time.

Overall, a fantastic follow up season with my only real complaint being that it is a lot shorter but hey at least we are getting a film fairly soon.

4.5/5

Pros

It is wholesome

It ups everything that worked from the first season

It has great action

The boat mini arc is my favourite so far

It is a lot of fun

Cons.

It is too short

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Flying Witch: Anime Overview

Written by Luke Barnes

Summary

A new witch moves to town and gets lost frequently along the way.

I discovered this series as I was looking for a replacement after Way Of The Househusband and this fulfilled the same sort of wholesome and at times comedic sensibility. I would argue it is far more wholesome than comedic and more often than not it is just a good show to watch if you are feeling down as the relentless positivity will make you feel better.

I liked most of the characters though I would say the lead herself is quite bland. I think blandness on the whole is an issue for this show as though it is very wholesome and that is nice the problem arises from the fact that there are no real stakes or drama or threat of any kind and that doesn’t lead to the most interesting of stories.

However, something this series does well is its worldbuilding which feel unique and special in a way I have not seen from other animes. There is such a sense of wonder here as the supernatural crosses over with the regular that it is a shame the show didn’t get picked up for more seasons as there is far more exploring to be done in this world, ah well that’s what the manga is for.

Overall, wholesome and inoffensive but lacking enough punch to keep you engaged.

3/5

Pros.

It is wholesome and sweet

The wider cast of characters are quite entertaining

The worldbuilding is well done

Cons.

The lead is bland

There are no real stakes and that makes caring about things hard

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Teenage Mutant Ninja Turtles Mutant Mayhem: A Mash Up Of Someone Being Sick

Written by Luke Barnes

Summary

Hello fellow children, a group of 40 year old guys reinvent Teenage Mutant Ninja Turtles for Gen Z and it uses all the buzz words you would expect but does that make up for the glaring issues? No.

I liked Splinter, voiced by the Communist Parties’ own Jackie Chan, and both his role as more of a goofy dad and also his whole arc about learning to trust humans again. I thought both were well done and got you to care about the character. I also thought that the animation style worked well and that during the fight scenes it really popped.

However, that is where my praise ends and my criticism of this film comes in four directions, the turtles themselves, April, the cringe lingo and the horribly and I mean horribly overstuffed cast.

 So the turtles themselves bothered me as by having kids voice them it gave them a nasal quality at times that I found made them grating. Moreover, I didn’t like the whole oh they just want to go to high school thing it felt very contrived and out of character for them. When I watched the TMNT cartoon’s as a kid they wanted to be accepted sure but at the same time they want to be ninjas in the shadows not high school students.

 April, voiced by Ayo Edebiri, is irritating not because of the race swap or what they did with her character design, but because her character really has no purpose other than to comment on the turtles and go ‘man that’s crazy’, which gets real old real soon. Oh and that’s almost forgetting her side story about sick which they reference again and again in a gross out sort of way to try and give her some character development which doesn’t really work.

The cringe lingo is seeing words like ‘sus’ which unless you are of a certain age or under a certain age you won’t know what that means. Again it is 40 something writers trying to seem hip and write how they think kids today talk. Moreover, the dialogue between the brothers is also quite grating, so I get that it is supposed to be what teenage banter between brothers would actually be like but again it just sounds like kids talking over each other a lot of the time and from a sound mixing point of view that was not great. Perhaps I am just comparing this to the version of the animated show I remember from childhood.

Finally there are just too many characters here, whilst yes some if not all of them are classic TMNT characters they were not all needed here by any means, it also means you have limited scope for villains in the future if they are all pally now. It tries to do too much.

Overall, okay with some redeeming moments but by and large this tries to modernise the turtles and makes them almost unrecognizable.

2.5/5

Pros.

Splinter

Some of the jokes

There is fun to be had

Cons.

The cringey slang

Too many characters

The turtle voices

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Kung Fu Panda 4: The Battle Against Irrelevance

Written by Luke Barnes

Po, voiced by Jack Black, is back and like every modern movie he needs to pass the torch onto a new dragon warrior.

So for the most part I thought this was fine, it was watchable enough and not particularly offensive in anyway. I think this was probably the worst written of the series and had the weakest plot and also emotional stakes, though I did like the moment Tai Lung, voiced by Ian McShane, gave Po his respect at the end of the film.

The successor narrative is one that Hollywood seems to be obsessed with recently, all of our  beloved heroes need to pass the mantle to keep the franchise going as the creators don’t realise that there is a reason that Batman has stuck around for decades and hasn’t been retired just recast. My point is that rather than recast and move on they should keep Jack Black front and centre as he is who people are coming to see, people don’t want a new Dragon Warrior.

In terms of other narrative elements I thought Awkwafina’s new character was weak as hell, it was obvious she was a baddie who would turn it around and I didn’t buy the relationship between her and Po the film tries to set up. I understand that animation is often seen as for children but that doesn’t mean they can just serve dumb churned out slop. Moreover, the two dads, yes they do that joke a lot, b plot has some laughs but they mostly exist to kill time as the film quickly gets to its end point and then goes wait a minute we need to kill some more time what can we add.

The new villain is easily the worst of the series, for two key reason’s firstly she has no emotional backstory or personality you can engage with again she has a few jokes but that is it. Secondly, rather than have her own fighting style or anything like that they just have her use past villains moves, it is like creatively they are bankrupt so they decided to go instead of creating a new villain let’s just remix all the old ones within a bland new shell.

Also the lack of the Furious Five is a glaring omission.

Overall, a disappointing and unnecessary new entry.

2/5

Pros.

A few funny jokes

It has a good set piece battle on a cliff edge

Cons.

The villain is weak

The new Dragon Warrior is bland

The missing Furious Five

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