The Letters: The Power Of Words

Written by Luke Barnes

Summary

This film sees a trio of women receive misdiagnosis of cancer. It explores the aftermath and impacts of this event.

This film hits like a ton of bricks and doesn’t let up. There is something so poignant and beautiful to this film as it really highlights the human experience and our collective pain. Furthermore, it illustrates the importance of information as one word can make or break a life.

Honestly I think this film is a triumph. The directing is superb, the acting is strong and never dips, and the themes and emotions are incredibly powerful. I won’t lie this film had me in tears at quite a few separate moments. I felt a strong connection to the characters and their respective journeys over the course of the film finding myself really caring about what they were going through.

I think this film speaks a lot of very important truths about the world and our society that need to be heard.

Overall, an incredibly emotional film that will take you through the wringer.

Pros.

The emotion

The acting

The directing

The message

It moved me

Cons.

A few slight pacing issues

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The Last Duel: The Horrors Of The Female Experience

3/5

Written by Luke Barnes

Summary

Two medieval feudal lords come to blows over a series of injustices.

This film is incredibly hard to watch. It is deeply hard to get through as it features a number of rape scenes which are increasingly graphic. Though I don’t know the need to be as graphic as the film chooses to be with them, I do think that using them in the narrative this film creates is a good thing as it sets up an important conversation about accountability and the mistrust of female victims when they come forward.

In many ways the film is incredibly powerful as it makes us reflect on the female experience and at how throughout time men have abused their positions and powers within society. There are some lines in this film particularly during the third chapter which is the truth of events from Marguerite’s, played by Jodie Cormer, point of view which are incredibly harrowing and show just how deep the injustice goes.

I thought Jodie Cormer was terrific here and her performance carried serious weight. Sadly, however she was let down by her co-stars, who ranged from underused to miscast. Yes, I am referring to Matt Damon who is by far the worst performer in this film. To make matters worse this film is set in France yet everyone has an American or British accent which is not only distracting but irritating and feels done because an executive thought ‘oh American audiences can’t understand a French accent or won’t read subtitles. With the idea that the actors also didn’t want to have to either learn French or try and do an accent also a likely possibility.

Overall, a powerful film in many ways but one that you would never want to watch twice.

Pros.

The conversation it starts

Addressing male abuses of power

The female perspective

Cons.

Matt Damon

The American accents

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I’m Your Man: A Human Robot Love Affair Is The Next Stage Of Human Evolution

4.5/5

Written by Luke Barnes

Summary

Scientist Alma, Maren Eggert, is tasked with completing a three week trial with a humanoid robot, played by Dan Stevens, who is designed to be the man of her dreams. When the three weeks are up she is to write either in favour, or not, of giving these robotic beings rights based on her experiences.

I enjoyed this film quite a lot. I thought it had such a huge heart that it was almost impossible not to like it. The film tries to further the questions of what does it mean to be human and can love transcend all bounds, in this case can a human woman love a robot man, is the robot man even capable of feeling love? I feel it does an admiral job of this and gives us a response to these questions that is deep and multi-layered, the response the question deserves.

I also found this film to be quite funny, there was a lot of humour situated around how Steven’s robot character responded to Alma’s initial rejection and also his day to day life, which is odd by human standards. Most of this humour landed for me and made me chuckle, it was not a laugh out loud sort of film, but there were plenty of chuckle worthy moments.

Overall, a sweet film that has a lot to say about life, love and robotics.

Pros.

Eggert

Stevens

The sweet love story

Trying to answer the big questions

A number of funny moments

Cons.

The beginning is initially confusing as the film doesn’t do a good job explaining early on what is happening.

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Mayday: Really Has It Come To This

0.5/5

Written by Luke Barnes

Summary

A hotel worker, Grace Van Pattern, escapes her hellish life and travels to a different realm where she joins up with a band of other woman who live on a submarine during war time.

This film was poorly done, honestly it made me angry. In many ways this film is like Zack Snyder’s Sucker Punch, as in a character escaping into possible fantasy to deal with trauma, in many ways this film owes Snyder a debt.

What I disliked about this film is its morality. To not put too fine a point on it Van Pattern’s Ana is targeted and abused by men in her hotel work, this then translates to when she joins the band she has no issue killing men indiscriminately. Yes, the group of women that Ana joins up with lure in and kill men for the sake of it, not because they have done anything to them, in most cases, but just to prove that they shouldn’t be messed with. The film does show Ana eventually realise that what these women are doing is wrong, but it spends a long time before that justifying and also hero worshipping them.

Riddle me this dear reader, would a film that saw a group of men randomly killing women that for parts in its early run paints them as righteous in what they were doing even be allowed to be made? No, and for good reason. Yet here it is fine? That doesn’t make sense to me. I understand the need for strong feminist films that have powerful upfront themes and ideas, but I don’t think this is the way.

Honestly the bleakness and then the iffy justification makes this film unwatchable as far as I am concerned.

Overall, despite an interesting concept this film feels morally dubious and harmful.

Pros.

An initially interesting concept

Cons.

The mortality

Justifying the killers behaviour

It is bleak and hard to watch

It feels harmful to the discourse

The ending

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The Many Saints Of Newark: Did You Really Save The Theme Song Till The End

3.5/5

Written by Luke Barnes

Summary

This film serves as a prequel to the beloved gangster TV series The Sopranos showing Tony’s, here played by Michael Gandolfini, younger years.

I enjoyed this film, but it was not perfect. Firstly do not watch this film if you have not seen the series beforehand. It is not easily understandable if you haven’t seen the series, you won’t understand various elements of the plot. However, if you are a fan of the show you will find a lot to enjoy here from Christopher’s, Michael Imperioli, ghostly narration of things to come to the show’s opening credits music playing as the film ends. One thing I will note is though I enjoyed how this film paid off the series there were a number of inconsistencies that soured my enjoyment somewhat.

The trailers for this film have lied to you, for rather obvious reasons, as this film is not really about Tony Soprano and rather instead about Dickie Moltisanti, Alessandro Nivola. We see Tony and his family appear but they are side characters at best. I thought the focus on Dickie helped keep the film feeling fresh and I enjoyed his story for the most part. The race war aspects I thought were needless as they do not pay off in the show in any way and feel instead like an unnecessary attempt to be political. I think it would have made more sense to focus on in fighting amongst the family with Dickie having to try and fight off assassination attempts from various members after his early in the film secret is slowly revealed.

Overall, it is a pleasant return to that world, was it needed? No not really but it could have been worse. More good than bad.

Pros.

Further exploring the world

Good tension

Solid drama and action

The theme song playing at the end

Cons.

It is not really about Tony

The race war storyline doesn’t feel needed

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Intrusion: Are Netflix Even Trying Anymore

2/5

Written by Luke Barnes

Summary

The film follows a couple in the aftermath of a home invasion, focusing on how it affected each personally.

My, my we are back to the boring era of Netflix thrillers. This film was so dull and hard to get through. Indeed many times I almost turned it off. I found there to be nothing new about this film during its runtime and everything it said or was trying to say had been said better elsewhere.

The emotional impact it was trying to put across again feel puddle deep. The film seems to think it is a lot deeper and more intelligent in its observations than it actually is, try as it might it can’t seem to come up with anything interesting or fresh to say.

Furthermore, the acting was also very mediocre. Normally I find Logan Marshall-Green can do no wrong, but he was just given nothing to work with here and it really shows in his performance, in truth his character is little more than a cliché. Freida Pinto’s lead is likewise uninspired, her character reads as a discount version of various other better written characters over the years which is a shame as Pinto is a very good performer normally.

Overall, uninspired.

Pros.

It is watchable

It is short

Cons.

It is dull

It is predictable

The performances are weak

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The Obscure Life Of The Grand Duke Of Corsica: Madness Made Manifest

3.5/5

Written by Luke Barnes

Summary

An off kilter architect, Timothy Spall, begins working for an eccentric rich man, Peter Stormare, who calls himself The Grand Duke of Corsica.

I enjoyed this film far more than I thought I was going to. Yes, there are moments of abstractness that are so seemingly random and out of place that they don’t fit into the sequence, which becomes jarring, but on the whole the strangeness of the film really works and helps it to become something truly unique.

Both Spall and Stormare bring their A game thought I would say Stormare slightly pips it. Both men bring a lot of depth and nuance to their characters and explore them in interesting ways that makes you question your preconceived notions.

The flashback subplot, or was it a film, didn’t really work for me. I understand the parallel they were trying to create but there was not enough connective tissue there to really bring it together into a meaningful whole.

Overall, an interesting strange film that for the most part gets it right, though it does cross the line a few times.

Pros.
Spall

Stormare

The strangeness

The ending

Cons.

The flashback subplot

Occasionally the film felt like it was being strange for the sake of it

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Best Sellers: Urinating On Books, The Hallmark Of A Good Writer

3/5

Written by Luke Barnes

Summary

A publishing house on the edge of ruin finds solace in an anarchistic old writer, Michael Cain, can his new book be the thing to save them?

I find this film has moments of heart and genuine emotion but then it pushes too far into oversentimental territory. When the film becomes overly sentimental the problems with the script become increasingly apparent to a point where it almost feels emotionally manipulative.

However, the film does have its moments and I think Caine does a very good job here, his character is layered and multifaceted and grows on you over the course of the film. He has a good amount of on screen chemistry with Aubrey Plaza’s character and the two have excellent rapport. Plaza is as always very good; she does a lot with the little she is given, and she makes for a very relatable and likeable lead.

Overall, though this film wanders into the realm of the cliched and overly sentimental it still has enough heart and warmth to keep it on track.

Pros.

Plaza

Caine

The emotion for the most part

Cons.

The over sentimentality

A weak script

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My Son: James McAvoy Doesn’t Need A Script

3.5/5

Written by Luke Barnes

Summary

A man, James McAvoy, goes on the hunt for answers after his son goes missing. Based on the French film Mon garcon.

My, my this is a bleak film. This is certainly one that you will need to watch something happy after to wash away that sense of despair and hopelessness.

I enjoyed my time with this film, maybe enjoyed is the wrong word. McAvoy was magnificent here truly. Rumour has it that for the shooting of this film McAvoy did not have any lines and instead just responded to the other characters on screen, if this is true it is a testament to McAvoy’s skills as a performer as you truly believe him as this manic, panicked father who would move heaven and earth to see his son home safely.

I found the final reveal, which I won’t spoil here, to be chilling and frightening in a very real way which stayed with me for days after watching it. I think what makes the reveal so impactful is the truth of it and how that kind of thing probably does happen in our world under our noses.

Overall, not a film for everyone the subject matter and the reveal will make this one hard to watch for some but if you do find yourself watching it you will be rewarded with a masterclass in acting from McAvoy.

Pros.

McAvoy

The ending

The reveal

The tension

Cons.

The bleakness

Clare Foy should have been given more to do

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The Card Counter: Scorsese Was Too Busy Watching Marvel Films To Help This Film Be Good

2/5

Written by Luke Barnes

Summary

William Tell, Oscar Isaac, is a man fresh out of prison. In a past life he had been a torture specialist in the armed services and now he counts cards and is a fairly successful gambler.

That premise drips with promise, couple that with the fact that Martin Scorsese himself has taken a minute from attacking superhero movies to be involved with this film and you have me intrigued. However, sadly despite all that seems to be in this film’s favour it ends up as a classic case of style over substance.

Oscar Isaac does his best and tries to give the character an air of mystery, but it just doesn’t come together. Fundamentally this film is ruined on a script and plot level early on. You don’t care about the characters or their journey because they don’t really seem to have one. There is some back ground noise about Isaac’s character killing his former torture instructor but that feels as though it has come from nowhere.

Furthermore, the supporting cast also help to hold back any potential this film could have had, with Miles Teller wannabe Tye Sheridan and Tiffany Haddish impeding the film at every turn. Haddish is painfully miscast and then given nothing to do. I don’t buy her in a serious dramatic role, and her romance with Isaac’s lead is painful to watch. Sheridan on the otherhand is a nothingburger and fails to start.

Overall, I find it surprising that a film with this premise, with Scorsese’s involvement and Isaac in the lead could be this much of a disappointment- yet here we are.

Pros.

Isaac is trying

Aesthetically this film is interesting

Cons.

Haddish

Sheridan

It is hollow

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