Hey Bro A Sneak Peak From The Feature Film The Hard Life And Times Of Clownie: Clowns Have Problems Too

3/5         

Written by Luke Barnes

Summary

Clownie, played by Josh Rutgers, must face down a dark night of the soul after being kicked out of the clowning association.

I enjoyed the raw passion of this film and the clear enthusiasm that was on display in every frame. It wasn’t a perfect film, but it has a lot of heart and really that is what I liked about this film, it knew what it was and it was just a group of people having fun and at the very heart of the matter that is what all films should be.

My main complaint of this film would be that it isn’t on long enough for us to become properly attached to Clownie, or to buy his emotional journey. However, I suppose that is what sequels are for, there is always more ground to cover in the future. In terms of short films this is definitely on the shorter side.

For the short time it was on I found the film quite compelling, and I was interested to see how it would play out. I think the ending raised the stakes for the film and left us with some questions about where things can go from here.

Overall, a film that has clearly been made with a lot of passion, love and talent.

Pros.

Clownie as a character

The ending

The passion is clear to see

Cons.

It is too short

It is a little messy in places  

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Mrs Harris Goes To Paris: Trading It All In For A Pretty Dress

3/5         

Written by Luke Barnes

Summary

An English working class woman, played by Lesley Manville, travels to France to obtain a fancy Dior dress.

I think in many ways this is a nice mindless film, wholesome without making you think particularly. Comfort viewing. However, I do think that a lot of the characters and plot lines feel very derivative, I understand that it was based on a book and if this is how the characters in the book act then I would say that the writer liberally borrowed from the standard bag of literary cliches.

Though I enjoyed the wholesomeness for the most part I would say there were moments where the film felt to me like it was flirting with over sentimentality. I find that when films cross over this line I often find them quite false and off putting and this film definitely dipped its toe over the line at times.

Manville for her part is fine, she is perfectly serviceable here. The same sentiment applies to the rest of the cast as well fine, but nothing more. Jason Issac was the only performer who I remembered afterwards as his wheeler dealer character had a few funny moments that kept him in mind.

Overall, an enjoyable film but nothing novel.

Pros.

The wholesomeness

The ending

It is very easy to watch

Cons.

It feels overly familiar

None of the cast really blow you away with their performances

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Nude Tuesday: Jemaine Clement Fully Exposed

2/5         

Written by Luke Barnes

Summary

A couple, played by Jackie van Beek and Damon Herriman, head to a couples retreat after their relationship implodes.

This film will not be what you are expecting, and I mean that in a bad way. I was hoping for a quirky comedy made all the better by the humorous comedic stylings of Jemaine Clement , that is not what I got. Rather it was a depressing cynical look at married life made harder to watch by a strange dialogue choice.

The whole film is spoken in a made up language with accompanying subtitles, and to me this felt incredibly needless. I got the impression that this choice was supposed to be impactful or disruptive in some sort of way, and I assume the writers/directors were giving themselves a pat on the pack for such a genius idea, however, upon execution I found it presented a very large barrier to enjoying the film and made watching it a slog.

Moreover, the outlook of the film is so whole heartedly depressing that it again made it hard to finish. There were many times when I was watching it I found myself actively disliking the characters more and more, I was not warming to any of them even by the end of the film. Clement at least brought something to proceedings and seeing him as a man child quasi cult leader was fun but not enough to keep me invested.

Overall, not an enjoyable film to watch and one you will no doubt turn off early.

Pros.

Clement

A few jokes land

Cons.

It is depressing

The use of the made up language

The ending   

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Not Okay: The Whiny Angsty Side Of Gen Z

2/5         

Written by Luke Barnes

Summary

A young woman’s dream of being internet famous leads to her faking being a terror attack survivor.

My, my this film is whiney and self-involved, it tries to tackle these deep issues but comes across as shallow as can be, it spends minimal time considering the lead’s, played by Zoey Deutch, mental state and instead tries to hype up the spectacle of the who thing. Trying to humanise influencers, or in this case wannabe influencers, never really works out because often times it white washes the more undesirable narcissistic elements that come along with these sorts of personalities.

I think the romance subplot again feels soap opera deep at best, and mostly wastes the talents of Dylan O’Brien. In many ways the Gen Z internet teens will latch onto this as some sort of anthem or their shared online experience in their efforts to be famous and to have their lives suddenly gain meaning by having others online gratify their existence. However, rather than having anything new or salient to say it is just more of the same platitudes that we have seen time and again before.

For what it is worth Deutch is trying her best to keep things going and to anchor this film with a good performance and whilst I don’t think her performance is terrific by any means there is enough to it to highlight Deutch’s talents in a positive way.

Overall, a puddle that thinks it is an ocean.

Pros.

Deutch

It is laughably bad at times

Cons.

The message

It is vapid

It is far too simplistic

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Fifty Shades Of Grey: Porn For Old Ladies

1/5         

Written by Luke Barnes

Summary

The film that made middle aged ladies everywhere quiver.

Let’s get this out of the way straight off the bat, the way this film portrays relationships is deeply unhealthy and the message it prompts that this is a good relationship that the characters actively enjoy speaks to the wider toxicity of the film. No young woman should become essentially a slave to her boyfriend, it is wrong.

When this film came out a lot of people spoke about it as though it was the most titillating thing to ever exist, however, in reality having watched it for the first time recently years after it came out I find the film incredibly tame. Moreover, it goes without saying that if you are going to the cinema to get your giddy thrills whilst watching this film, there is a much easier and more effective way that you can do just from the comfort of your own home for free. This film feels far too clinical and scripted to every approach anything that could even be confused with sexy.

I think the biggest issue here is that the performances from both James Doran and Dakota Johnson are just so wooden and stiff that the film is essentially doomed from the outset. As this is a ‘romance film’, the strength of the feature lives or dies on the chemistry of the leads and in this case it dies, painfully.

Overall, I don’t see why this film was popular nor do I understand why it had sequels

Pros.

It is laughably bad at times

Cons.

The message is toxic

It is not hot in any way

It is deeply cringe

The leads have no chemistry   

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Joyride: Olivia Colman Massively Misjudged This One, The Height Of Toxicity

1/5         

Written by Luke Barnes

Summary

A woman, played by Olivia Colman, who plans to give up her baby is kidnapped by a young runaway and apparently the whole ordeal forces her to change her mind.

This film is fairly toxic, the script clearly intends to heavily sink into issues surrounding motherhood and to ponder the nuances of it, however, instead that is not how it comes across in practice. The message this film has about motherhood in that the only reason Colman’s character wanted to give up her child was because she was having cold feet feels sexist. In truth if this film had been directed by a man this toxic simplification, coupled with the belief this film has that the woman who is giving up her baby should be kidnapped and have her mind changed over the course of a road trip, would have been labelled widely problematic and it would never have seen the light of day.

Moreover, though I like Olivia Colman as an actor and have followed her ever since the way back time of her Peep Show days, I think she needs to find a new schtick. Playing cold unnatural mothers becomes repetitive after you have done it several films on the trot and though some warmth does manage to find its way through here really it is just more of the same. I think unless Colman radically plays something different for her next role she is very much in danger of entering Jack Black, Michael Caine territory.

Overall, a misguided film that thinks it has far more to say then it actually does.

Pros.

It is fairly short

Cons.

The message of the film

It’s simplistic characterisation   

Colman

The ending

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Under The Banner Of Heaven: True Detective This Is Not

2/5         

Written by Luke Barnes

Summary

A murder in small town America, how fresh.

I know this series has got a lot of good reviews from other people and outlets but honestly I found this tedious to get through.

I think my issues with this show come from a mixture of the fact that each episode felt about 20 minutes too long and that I am incredibly checked out of the whole small town America murder plot and feel it has been done to death. Maybe it is because I am not American but to me this series just felt like many other crime shows and the plot was so generic that it could not keep me interested.

I think Andrew Garfield is one of the best actors working today but even he couldn’t prop this show up. Moreover, I would daresay that I think Garfield may have been miscast as his boyish looks didn’t really fit the kind of character he was playing.

Overall, this felt incredibly samey to me and didn’t have the right lead to keep me engaged throughout. By the midpoint of the series I really was just trying to finish it so I could give a complete review, I was otherwise checked out.

Pros.

Garfield is trying his best

It is well shot

Cons.

Garfield is miscast

It is badly paced

The mystery feels incredibly generic and samey

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Spiderhead: Chris Hemsworth Might Be The Next Anthony Hopkins

4/5         

Written by Luke Barnes

Summary

Prisoners in a luxury prison are used as guineapigs for mind-altering pharmaceuticals.

It has been a long, long time since a Netflix original film has managed to impress me, however, this film managed to buck that trend.

I thought though the premise has been explored before, I enjoyed where this film took it. The twists and turns keep you guessing and it didn’t end up going in the way I was expecting it to. I thought Chris Hemsworth was a completely inspired villain, Hemsworth needs to take more of these sort of roles, he was not downright sinister but rather slightly unsettling and I thought he was very effective in the role.

Miles Teller on the other hand was a fairly forgettable lead and he wasn’t really able to blow me away in any significant way. Many other actors could have had that role and would probably have been better able to do more with it then what Teller can muster up. Comparing Hemsworth to Teller, really highlights the flaws in Teller’s performance.

Overall, a fun film with a good performance from Hemsworth.

Pros.

Hemsworth

The premise

The twists and turns

The ending

Cons

Teller  

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The Forgiven: Repentance At What Cost?

4/5         

Written by Luke Barnes

Summary

A hit and run in the mountains of Morocco changes a man’s’, played by Ralph Fiennes, life forever.

I think this film is quite odd and won’t be what a lot of people are expecting. The trailer for the film gives off somewhat of a thriller vibe, but it is far more meditative than that. This film touches on notions of greed and culture clash as well as the value of life, in many ways this is far more of a tense drama film than anything else.

Fiennes is terrific, as he often is, and is flanked by a sea of other talented faces with Jessica Chastain, Matt Smith and Saïd Taghmaoui also being outstanding. However, I think due to the vast cast some of the other performers are somewhat overlooked and not given much to do, which is a shame.

Widely, I really enjoyed the weighty themes of this film and the message it was trying to hammer home. Moreover, I thought the juxtaposition of extreme wealth as encapsulated by the party and extreme poverty as captured by the nomad village really spoke to society more broadly and certainly left you with something to think about.

Overall, not quite what was advertised, but something that is equal parts layered and smart.

Pros.

The subtext

The themes explored

The performances

The ending

Cons.

Some of the wider cast is wasted   

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God’s Not Dead: Opium For The Masses

1/5         

Written by Luke Barnes

Summary

Evangelical propaganda, which highlights the absurdities of extreme faith and belief albeit it not on purpose.

As I was strolling through the internet I heard some talk of this film, and despite being deeply negative, decided to check it out for myself to see if it was indeed as bad as people were saying. Well, it turns out the bad reputation this film has is well deserved, as it is an incredibly weak film that feels like religious propaganda belonging in another century.

I will admit my experience with faith films is relatively small, so I cant say if they are all as bad as this, but if they are I question who turns up for them. The plot was not only incredibly ham-fisted but also ridiculous in the extreme, with the way it portrays the atheist characters being especially out of touch and baffling. It is a strawman argument trying to convince the good Christian viewers of how the modern world is a personified devil that needs to be fought at all costs, with only a return to goof old fashion Christian values capable of saving the day.

The film seems to think of itself as a way to convince the agnostics and the atheists out there and get them on board, however, it fails in this aim so spectacularly that it will have the opposite effect, making the version of Christianity this film preaches seem even more fundamentalist.

The only good thing about this picture is that it crosses a line wherein it becomes laughably bad.

Overall, a mess that highlights some of the key problems at the root of US identity.

Pros.

Its laughably bad

Cons.

It is evangelical propaganda

It is stupid

It is so heavy handed with its message that it destroys it

All the characters are loathsome    

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