Christmas Karma: London That Famous Latin Location

Summary

Raj from the Big Bang Theory gets political.

So this was the first film I have ever watched on Plex and I have to say it was a good system, better than some streaming services for sure.  I am glad this did not come out in the cinemas where I am, as I cannot imagine sitting there and watching it all in one go. I had to take breaks to get over the cringe.

So a lefty luvvie filmmaker that can seemingly only make films about people from South East Asia, think she can reverse the populist rise in the UK by making a film about immigration. She repeats all of the left wing talking points you would expect, immigrants only immigrate due to forced displacement, ignoring economic migration, that the locals are always angry white people, rather than plenty of people who welcome immigrants and want to integrate with society. This is the sort of film that makes people become right wing, by over simplifying a complex topic and present a very basic moral argument between good and bad.

Also this film decided that A Christmas Carol really needed a latina ghost, really? This film is supposed to be set in the UK, why would there be a latina ghost? The number of Latin people in the UK is miniscule. What seemed like to me was an effort in box ticking, they needed to get every group they could think of ticked off the list, they even gave some token white representation by having Danny Dyer be a dumbed down goofy version of himself to go see white people we don’t hate all of you.

The plot is your standard play on A Christmas Carol with the above politics mixed in for flavour, the issue however, is that A Christmas Carol has been done to death and mixing in some race baiting elements isn’t what the film needs to feel fresh.

Overall,  I am sure the group this film was made for will like it, but sadly I was not a part of that group. My takeaways from this experience is that Plex is great Christmas Karma not so much.

1/5

Pros.

It has some unintentional comedy

Cons.

It isn’t funny on purpose

It is preachy

It over simplifies things

The moral of it is so obvious throughout

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The MCU Is Dead

In this edition of Cinema Issues we will be talking about the MCU and how we got here.

So firstly lets take stock, the MCU has this year put out three films that all failed to break even, released a few tv series no one talked about, Born Again had worse ratings than Agatha, and moved the big prize of an Avengers film further and further away. Disney as a company has also had a reckoning with their audiences and are now moving away from the message and towards entertainment again. There has been senior people in Marvel leaving or stepping down, audiences have not connected with a lot of the phase four and five, and there is a real possibility that Doomsday may not break a billion dollars.

Let’s look at the year ahead as well before we begin, Doomsday is the big ticket item, though a push to the year after next wouldn’t be a surprise. Then you have Spider-Man which will do well as people like the character, he is probably the most popular remaining MCU character, but each time a Spider-Man film is made Disney has to pay Sony and involve them, which they don’t like. Then you have TV series like the second season of Born Again which could be good but I wouldn’t hold my breath, and then TV shows no one cares about such as Wonder Man and more of their animated stuff. There is a real chance that Spider-Man will be all Marvel has that makes a dent next year if they delay Avengers again.

Marvel went from a studio that seemed untouchable to one that looked like it was falling off, as the kids say real quick.

What got us here and what can be done, at this point I would argue that a reboot is needed. I think that whilst yes you can bring back variants of popular characters, it does not work long term and undermines death as a concept in the MCU. I think a real issue is that the characters brought in the later phases have simply not connected in the way Marvel thought they would, and whilst you can blame a rush to the M-She-U, or the fact that a lot of these were girlbosses without proper arcs, you can ultimately just point back to the fact that a lot of these characters, Riri, Ms Marvel, Kamala Khan, are not popular characters and the comics have been saying that for years. In a sense Marvel thought it was too big to fail and so it could push ahead with whatever agenda you want to think they had and that people would stick around when they didn’t. Rebooting things now and bringing back popular characters can fix the character issue but there are broader things at play.

Within certain sects of Hollywood talent there is a need to be outspoken in a progressive way and to insult your audience or attack them for not liking your progressive masterpiece, this has been seen at Marvel on both a talent, as in actors, and behind the scenes level. A fictional entertainment world should never have been making allegories to the real world as blatant as the MCU, and the crew and staff employed knew making very noticeable political statements online would hurt the audience, but they didn’t seem to care. Particularly amongst the phase four and five stars there has been a need to tell people how to think and to insult those who came up with Marvel since the earliest days of the MCU. I am not going to insult your intelligence and explain why this is a bad business move, but I will say that you can bet your money that Marvel now cares a hell of a lot about their lost audiences and plunging viewing figures. This is why you are seeing very obvious attempts to mend fences, with actors who are making insulting statements slowly being pushed out of the MCU and more and more talk of multiversal cameos to bring back characters fans like. The thing that they don’t seem to get is that whilst the people who made those comments who did the things are still employed, a lot of them are, then people aren’t coming back. Marvel as with all studios needs to do an ideological cull, they need to say right we are an entertainment company anyone that wants to run their mouths about the audience or about politics there is the door, and they need to remove the people who have made the comments in the past as well.

Then you have the major issue that exists in the background to the two other things we have discussed, genres come and go, the Western is a tired comparison but an apt one. Increasingly Marvel releases be them shows or films follow the same structure him the same plot beats, explore the same themes, and where this can work more so in comics wherein you are reading every week to find out what a specific character is doing, it doesn’t work so well in a multiconnected universe wherein you have to see everything that comes out.

As such we find ourselves possible witnessing the death of a titan. I don’t believe any amount of cameos, or even a reboot can save it. What would need to happen is three fold, firstly an entire overhaul of the brain trust and writing teams, apologies made for behaviour that alienated fans, the increased presence of liked characters like Spider-Man and a direction away from it being this big interconnected thing. Even then death may find a way.

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Zootopia Two: China To The Rescue

Summary

Disney Animation could not get more generic if it tried.

The first film felt paper thin with the idea of the predators vs the prey metaphor working as a stand-in for race relations, everyone could see the very obvious message of not judging others by what they are but rather the content of their character. Yet this film feels the need to push a worn out and frankly reductive metaphor further forward as it has nothing to say otherwise.

In many ways this is the very worst kind of sequel not one that exists due to a need to, but rather one that is just done for profit. Everything feels a bit more low rent, the humour a bit more stale, the voice cast sound like they are going through the motions, they have the woman from Abbot Elementary basically being an animal version of her character from that show, it all feels very low effort.

Finally wherein Disney films of old used to have a clear moral message that the film would teach over the course of its runtime, there is nothing like that here, maybe it is the reliance of shades of grey rather than actually having established heroes and villains or the need to make everything morally complex that leads to this issue it is hard to tell.

Overall, this is just more animated slop that brings down the tone of the whole genre.

1.5/5

Pros.

It is watchable

It has a few unintentional laughs

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A Very Merry Pooh Year: Bring Back Hand Drawn Animation

Summary

Pooh and friends celebrate the holidays.

I needed a pallet cleanser after all of the horrible three dimensional animation I have seen recently for a project I was helping a friend with, so I thought some classic hand drawn animation was just the ticket. Seeing this makes me think about what we have lost, hand drawn animation has so much more heart and soul, even when it combines with three dimensional characters or elements.

I like that this is not just a Christmas film but rather a film that reflects the whole period, there are not many animated New Years films so that was  a nice change. I thought that this special did a lot to not only make it feel like Christmas but show how each individual character interacts with the season. The Christmas magic really gave the sweetness of Pooh an extra something.

I would challenge you to watch this special and not even feel a little bit Christmassy, it shows the true meaning of the season and has a wonderful message that is relevant no matter who is watching it or when.

3.5/5

Pros.

It is sweet

It is novel

It is nice to see the different character interact with Christmas

The animation

Cons.

It is slow at times

It has almost a melancholy feel at times

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Only Murders In The Building Season 5: A Quest For Meaning

Summary

The murders trio are back.

I have to say whilst very watchable I think this season was weaker than some of the others and had a number of needless asides and B stories. Straight off the bat the focus on Lester the doorman was a bit bland, the murder itself wasn’t all that interesting. The mobster stuff was always reliable throughout the season and could perk up any episode. I thought that this was mainly due to Bobby Cannavale and Tea Leoine really brought it in terms of Murder’s guest stars.

The billionaires who like to play board games were a lot of fun and once again brought the season up. Widely I would say that it is the central trio who brought the season down and that everyone else was doing a hell of a lot of the heavy lifting. Charles is having a loneliness arc and questioning where he will end up, I feel like the show has been through this with him before, and it was a huge missed opportunity to not have him get with Leoine and have her remain at the Arconia with him. Then Oliver is debating leaving the building which again feels like its been done before yet you know he won’t actually leave. Disney needs to decide if they want to give Meryl Streep more money and make her a regular. Then you have Mabel who has a jealousy arc which just feels like giving her something to do.

Overall, this season feels like a series going through the motions trying to find a reason to carry on, but the Tina Fey stuff next season seems interesting.

3/5

Pros.

The guest characters

Some good jokes

The billionaires

Cons.

The main cast feel like they are going through the motions

It feels a bit aimless

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Sisu Road To Revenge: The Price Of Lumber Today

Summary

Sisu, Jorma Tommila, is back and this time it’s all about lumber.

I enjoyed this film it was more of the same, the action was as you would expect it to be brutal and violent, but it was widely a step back from the first film.

I think the first film played up the over the top force of nature a bit more, there were those elements here but I would say by and large the film was softened and he was shown to be more human. The ending of the film is a reflection of this where people show up and help him build his house, this sentimentality was not what I was looking for out of the film and it clashed with the larger than life elements.

I thought Stephen Lang was a good foil and played the villain well, it felt very much like he was a good match for the lead, however, I would have liked to have seen some flashbacks with him to establish him more and show what he is capable of. I understand they probably didn’t do this for budgetary reasons.

The turns towards absurdity, such as the lead showing up with an old tank that has his precious lumber strapped to it were a bit jarring and I would say again didn’t fit with the tone.

Overall, it maintains a lot of what made the first film good but some of the tonal choices are jarring and let things down.

3/5

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Roofman: Randomly Showing Juno Temple’s Nipple

Summary

The real life story of a man who lived in a Toys R Us after breaking out of prison, and then becoming infatuated with one of the workers there.

It is very hard to give this film a coherent review, there are aspects about it that work: the lead character is very likable and you do root for them and want to see them reunited with their daughter, in this respect Channing Tatum does a good job. However, there are also aspects that really don’t work: there are decisions made in the film in a narrative sense that make no sense at all,  you just don’t buy it at times.

Also the writing of the film particularly when it is Tatum interacting with the church group, is so horribly cringe that you want to escape. I like cringe comedy but this is so painfully cringe that it makes you want to scream, I’ll also add that the film is not trying to be cringe which makes it all the worse.

It is nice to see Kristen Dunst back in a major role, I feel like we see a lot less of her these days, I know she was in Civil War but she used to be far more regularly on our screens.

Overall, a film with heart but also a lot of cringe.

3/5

Pros.

It has heart

It is weird but in an interesting way

There are some funny laughs

Cons.

The plot holes

The cringe

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Cinema Issues: Don’t Like It Don’t Watch It

In this edition of Cinema Issues we will be talking about actors running their mouths in Hollywood and coming break point between activism and actors in general.

As many of you who read my reviews know there is nothing worse than an actor who feels the need to lecture you on politics from their mansion, many times this is also followed with a comment about if you disagree with me you’re evil and you shouldn’t watch my work. This is damaging and just stupid.

Now increasingly I believe, and I believe it has already started happening, there will be contractual stipulations as to what actors can and can’t say and what they can and can’t post whilst they are under contract to either shoot, or promote a film, possibly up until the point of beginning a project until it is released. You can understand why studios would do this as an actor running their mouth about some issue can cost audiences, and can damage the box office of your film as such it is a move motivated by the need to try and keep as many audience members as possible. Whether or not you agree with what these people say is irrelevant what matter is that it can and has had a tangible impact of box office  returns before.

To look at this issue more closely lets look at two prominent examples.

Firstly you have Tatianna Maslany, She-Hulk, in the MCU, not only did she attack the fans over that show, which no doubt hurt the ratings, she also personally called out Bob Iger during the writer’s strike, and as a result She-Hulk was removed from the Marvel official banner. She has also told people to cancel Disney + before. You see all of these moves are done to show adherence to activism, she wants to state her politics and she doesn’t care for the consequences, however, the issue becomes when this starts to hurt the bottom line. Celebrities like anyone has a right to speak their mind, but when it starts to hurt the bottom line when you start having people whom you have cast in multimillion dollar shows telling people to cancel your service this becomes a real problem. The issue stems from belief on the celebrity side that they are too big to fail, and that they have a moral duty to do this, at that is at odds with the studio.

Then for our second example you have Oscar Issac, Moon Knight, who when asked about working with Disney said he was wary, and then referenced his disapproval of how Disney handled the Kimmel situation in which he celebrated the death of Charlie Kirk and then was suspended. Issac would imply that this suspension was akin to fascism. This highly privileged take, once again adherence to a cause over career. This is perhaps even worse than what Maslany did as it damages Disney as a brand overall, with an incorrect statement.

The fact is this is a failing of publicists who used to be the class that kept celebrity image in check and made sure they didn’t bite the hand that feeds them like this, but then maybe this sub-set has been co-opted and are pushing for it or have given up controlling their clients. Either way the outcome remains the same with an ever decreasing box office something needs to be done to keep talent in line, and not alienate half the audience, and that likely thing will be contracts that dictate what you can and can’t say and what you can and can’t post when working on a film. This move in all honesty makes sense and is needed, especially as we now live in a post cultural shift society

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Cinema Issues: The Growing Cloud Around Millie Bobby Brown

In this edition of Cinema Issues we will be talking about the red flags surrounding Millie Bobby Brown and the increasing risk that she will be a child star who goes down the path of many other child stars, which is to say growing into broken adults, with serious issues.

This post is intended to draw attention and raise awareness rather than being critical of her, and that is the spirit this is being written in.

In my mind there are 5 key areas that need to be discussed.

Firstly is what I am going to call the Miley Cyrus treatment, this is the idea of showing you are a grown up by over sexualising yourself. We can see this with Millie particularly in her blonde phase wherein she is doing a lot of racy photoshoots and dressing in a more revealing way. Now there is nothing wrong with this, but the idea of feeling the need to dispel the idea of being family friendly can and has lead to dark paths for other celebrities before. Moreover, the way Millie has responded to people who are commenting on this to call them ‘bullies’ suggests that she may have a deeper insecurity and worry about her image that these new style moves are trying to fix, and that is why she is getting angry at the coverage. She may be worried about being the ‘little girl from Stranger Things forever’.

Secondly you have the situation with David Harbour, now before we scream ‘ThE DaIlY mAiL lIeD’ lets think about this it was not only the Daily Mail that ran with the story, other people reported it too and this was not just them repeating the Mail’s story they had other people telling them this as well. So whilst this should be taken with a grain of salt it highlights another thing and that is the idea of being difficult. Now, before we get into it what I am referring to is an alleged report that Brown had Netflix conduct an onset investigation into Harbour for ‘bullying’ there is that word again. Now no action was taken against Harbour so it is safe to assume it either wasn’t real, or there was not enough evidence.  At the Stranger Things red carpet they were all smiles and loving words towards each other, but then they would be in that situation as Netflix wouldn’t want a falling out to spoil things for the new season. However, the reason why this is here is that it raises a question, was Harbour bad or not. If he wasn’t was this a power move by Brown to try and get top billing for the show, if he was is she being forced to continue in an unsafe environment and what may that be doing for her mental health, and could she be punished, career wise for speaking out.

Then you have the trad wife, the modern day sort of house wife idea, accusations that she really is not getting rid of, there is nothing wrong with being a trad wife if you want to. As long as you are happy and healthy then its fine, however, there is a risk within the movement of unhealthy relationship dynamics and a possibility for controlling situations to arise. It may well be that she is happy away from the spotlight and this is a semi-retirement for her, but it could also mean that she may be rejecting some modern notions of what’s okay in a relationship and women’s individual agency which could open her to further mental damage, which compounds the other things herein.

Following that you have her increased aggressive behaviour, she has had repeated run ins with the press/paparazzi wherein she has sworn at them and been aggressive. Now they probably well deserve it, but it does speak to someone under strain, someone who is not so poised, and whilst that is a good thing , they keep it real, it could also be a worrying indicator. You also have to worry for her that her behaviour could lead to her making enemies amongst the press who may try and hound her for pictures and exclusives in order to trip her up or get her to damage herself or her image. This shouldn’t be the way of Hollywood but often is.

Finally, and I will spend the least time on this as it is the most depressing and sadly true of the internet, you also have all the creepy Millie stans, who are obsessed with her and feel the need to defend her. Whilst these people may have good intentions, the fact they shut down questions around why is  she overly sexualising herself like this or is she being bullied on set, doesn’t actually help Brown at all rather the opposite. Plus of course you have the weird creepy sexual side of things with the obsession which is a huge threat to any starlet of course.

When taken in isolation these things seem minor, but when you put them together you have a woman, who may be worried for what her future looks like, torn between wanting a quiet family life and being a celebrity, possibly one in an unsafe environment and one who is not getting proper support due to legions of people who say nothing is wrong.

If you take nothing else from this article take this, there are a number of worrying clouds around Millie Bobby Brown that could lead her down the road that has destroyed many a young talent.

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Die My Love: J-Law Shoots Softcore

Summary

Jennifer Lawrence gets nude for attention.

So this is a Lynn Ramsey film and people need to understand what that means, a lot of the negative reviews coming out of this film don’t seem to be familiar with her or her work, and seemed to expect something different out of this film than clearly what it was promising.

This film is black-pilled to the core and suggests that some people cannot be saved, no matter how much you or they may want to be. Lawerance’s character is deeply troubled and only gets worse as the film progresses it is about her slip into mental instability and the uncurable nature of it. Rather than be a film that comments simply on post-partum depression this film takes it a step further and presents the very idea of family life as maddening, but also presents a counter-idea of inescapable trauma.

Jennifer Lawrence gets nude a lot, and has multiple scenes of her fingering herself, if this was done by a male director you would almost say is this voyeuristic, however, the film presents this as another sign of her mental decline, as women being sexual must mean they are crazy right, rubbish. It is kind of odd that since Jennifer Lawerance came back to our screens after a little time away, after she used to be on them all the time, she is now in competition with Emma Stone for who can get the closest to shooting porn without quite doing it. I wonder if this is a conscious career pivot by Lawerance or something that she has been ‘encouraged’ to do. It is showing as a pattern at this point, No Hard Feelings had a lot of full on nudity and so does this film it will be curious to see if her next role does as well.

Overall, an well made film that can feel a little exploitative at times.

3/5

Pros.

It is an interesting look into mental health that moves away from more trodden paths

The performances are good

I thought the film used surrealism and magical imagery in a way that was novel

Cons.

The nudity also feels uncomfortable at times

It is depressing

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