28 Days Later: The Walking Dead Before The Walking Dead

Written by Luke Barnes

Summary

One of the most definitive zombie films of all time. Also the film that really gave us the running zombie.

I really do think this film holds up. I would even be so bold as to say that it is up there with Romero’s Night Of The Living Dead in terms of importance within wider zombie cannon. I think so many shots from this film have become synonymous with the image of the zombie film and in that you can see the films titan like status.

I think the film does a really good job of keeping up the threat throughout the film, and no point in the films runtime do you feel perfectly comfortable as you never know when things are going to turn bad. I would classify this film more as a thriller film than as a horror as I feel it is more tense than scary, but that is just my personal taste.

The performances across the board are really strong, from a young Cillian Murphy to a deranged Christopher Eccleston and back to born survivor Naomie Harris. You will be hard pressed to find a bad performance here as even the child actor of the cast manages to be somewhat decent and not let the side down. Boyle really does a good job of picking a talented symbiotic cast that all play off each other really well.

My only issue with the film would be that after a point the zombies somewhat fade into the background and the remaining soldiers become the real villains of the piece. I think that the zombies should always be front and centre in these sort of films and that the soldiers should have a smaller presence in the film.

Overall, for the most part a classic that still holds up.

Pros.

The tension

The cast

The ending

The gore

Cons.

The soldiers get far too much focus

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Man VS Bee: How To Completely Destroy A House In A Matter Of Days

3/5

Written by Luke Barnes

Summary

A novice house sitter, played by Rowan Atkinson, goes to war with a bee.

I thought this had moments of wholesome light entertainment but ultimately felt let down by a lack of clear plot progression and by a lack of character growth. I understand that this program seemed to want to mimic the older dynamics of something like Tom And Jerry and as such the show couldn’t have ended the man and bee learning to get along, yet I think it would have been better if the series had ended with a peace between the two and an unlikely friendship. As it stands Atkinson’s lead doesn’t grow at all from the first episode to the final, which in my mind is an issue, but maybe I am asking too much.

However, something I will commend this show for is the episode length. I think that often Netflix series can run on for far too long and become tedious by the end, but this show tries to get around that by having its episodes on for little over ten minutes in most cases adding to the binge effect of the show and creating a nice breezy pace.

Moreover, it is nice seeing Atkinson back on screens he is always very welcome and brings a great deal of heart and humour to the series. His character is very easy to warm to.

Overall, fun to a degree but the writing stops it from ever being truly great.

Pros.

The episode length

Atkinson

The wholesome fun

Cons.

The ending

It reaches a point where it feels repetitive

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Only Murders In The Building: Framed

2.5/5

Written by Luke Barnes

Summary

The mystery continues but honestly I am starting to lose interest.

I am not saying this is a terrible episode, as by all accounts it is watchable. However, it is also far from good.

As I mentioned in the previous review of this latest season the mystery is feeling more and more needless and forced and this episode did nothing to change my mind on that front. All of this jazz around the painting just feels like clutching at straws to try and give this season a purpose. Moreover, Amy Schumer is once again forced into the episode as even though she is just a guest character they have to get her overly involved the plot as the producers of this show seem to be the only people on earth to not understand how unpopular and disliked she is.

However, it is not all doom and gloom. Much like the first episode had the Brazzos’ remake, this episode explores Mabel, played by Selena Gomez, and her artistic side. I think it is apparent that Cara Delevingne’s character will be the villain of the season, however, despite this rather obvious direction I am glad to see that this season is exploring Mabel more as she is the most interesting of the three characters by a long stretch and also the one we know the least about.

Overall, not without some enjoyable aspects but the mystery really needs to get into gear, and they need to get rid of Amy Schumer if they want to keep me around.

Pros.

Exploring Mabel’s character

It is watchable

There is still some fun to be had

Cons.

It is still struggling to justify its existence

Schumer

The mystery is boring

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The Black Phone: Ethan Hawke Takes Off His Belt

4/5

Written by Luke Barnes

Summary

After being abducted a young boy, played by Mason Thames, must fight to escape armed only with the past experiences of his abductor’s other dead victims.

What is it with Scott Derrickson and dead kids? Whether its Sinister, Deliver Us From Evil or this, the director seems to use dead children as his main horror gimmick, however, I am not complaining they work incredibly well in a creepy sense. I would say the horror here is a mixture of supernatural elements along with the obvious fear surrounding a man abducting and killing kids and for the most part it works well and is incredibly effective. Moreover, for once I didn’t see the jump scares coming and the few that this film does employ made me jump each time.

I think the performance from Ethan Hawke is terrific, despite only being in the film for a short amount of time his character’s impact is felt in all areas and Hawke really does a good job of bringing The Grabber to life and rounding him out as a character. I also think Thames does a good job as the lead, which is saying something as usually child actors give distractingly bad performances, however, that was not the case here.

My only complaint would be that the sub-plot surrounding the Sister, played by Madeline McGraw, and her prophetic dreams feels a bit too filler like for my tastes. I suppose it does bare fruit in the end as it results in the police finding the boy, however, all the scenes of her on her knees calling out to Jesus feel almost a little silly.

Overall, a very enjoyable horror film boosted to no end by Hawke.

Pros.

Hawke

Thames

The scares

The ending

Cons.

The sub-plot with the sister feels like filler

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