3/5
Written by Luke Barnes
Summary
A husband and wife’s relationship falls apart during the filming of a film about a marriage falling apart.
This film could easily be viewed as pretentious. It is a film about a film, but that only get revealed at the midway point. Personally, I liked the twist and thought he helped to keep the film interesting after the domestic crisis was starting to get a little stale, but I do think it could have been done in a less smug and showing off how clever it is sort of way.
I have to disagree with some other reviewers who say this is Aubrey Plaza’s finest work to date, though she is good here the honour of that title belongs to, and likely always will, Ingrid Goes West. I think Plaza play’s the mysterious disrupter here very well, but I would say her performance is over shadowed by that of Christopher Abbot.
Abbot has quickly become something of a darling to me, I am finding myself appreciating a lot of his work recently be it Piercing, Possessor, or this. There is something about his acting style that is so expressive, without feeling over the top. That is perfectly captured here, and he approaches a character who is gaslighting his girlfriend into believing there is an affair happening in order to elicit a better performance from her, with such ease it is chilling. What makes the performance further layered is that it acts as a comment on society and how men often to just use women for their own ends, sparing no regard for them as people, and feeling nothing about it. I think there is a lot of subtext to this film, that marinates better with a second viewing.
Overall, a strong written film only let down by an overly inflated sense of ego and smugness.
Pros
Plaza
Abbot
The writing/ twist
Cons.
The smugness
The ending
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Another Millennial Reviewer 