Chucky: I Like To Be Hugged

Written by Luke Barnes

Summary

Chucky, voiced by Brad Dourif, continues to push Jake, played by Zachary Arthur, down the path of murder.

I thought this episode was one of two halves. On the one hand you have the good half, which is to say everything to do with Chucky, his backstory continued his attempts to kill those in Jake’s life he doesn’t like and of course his attempts to have Jake become his apprentice. All of this is good and with regard to the backstory it helps to flesh out the Child’s Play world nicely,

Whereas on the other hand, you have all of the teen angst stuff. I understand the show wants to dive into teen issues such as bullying, sex and sexuality and that is not necessarily a bad thing, as Sex Education shows us it can be done and done well. However, the issue here is that all of the teen characters are such wet blankets that as soon as they come on screen you find yourself longing to be back with Chucky again. It was a noble aim to tackle these issues but maybe one executed poorly.

Overall, two thirds of this episode are really good sadly the teen stuff is just dragging it down.

Pros.

Chucky’s backstory

Jake’s further descent into become Chucky’s apprentice

The ending

Cons.

The teen angst stuff is boring

The teen characters are wet blankets

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Paranormal Activity Next Of Kin: Break On Through To The Otherside

4/5

Written by Luke Barnes

Summary

A young woman, played by Emily Bader, tries to find out more about her biological mother as such she travels to the Amish community she grew up in, bringing a film crew along for the ride because why not? However, once there things start to turn sinister.

Okay so this film won’t win any prizes for originality, but that is not to say that this film is bad quite the contrary. I will admit I soured on the Paranormal Activity franchise after the ending of Ghost Dimension all that build up and for what? Then the initial trailers for this didn’t look great, and I was worried that this film was going to taint the series reputation even further, but if anything it resurrects it.

This film isn’t quite sure whether it wants to be a sequel to the other films or a straight up reboot of the series, as such it goes in both directions there is no direct reference to the previous films either in terms of events or characters, however there is enough free space narratively that they could connect it up if they wanted to.

What I think is the best thing about this film is that it does the opposite of Ghost Dimension and actually delivers on the pay off of the film. The film ends with, spoilers here, a demon coming up to earth to begin a reign of terror, with seemingly no one able to stop it as it can jump from body to body. Not only did I think this was a terrific ending in terms of everything the film had been building to, but I also thought this was magnificent in what it sets up for the series, what’s next? The possibilities seem endless and that has me excited.

Overall, I would say this film is easily up there as one of the best of the franchise and you should check it out if you like all things spooky.

Pros.

The pay off

The set up for the future

A few good scares

Not being too lore heavy
Cons.

The characters are all fairly meh

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Last Night In Soho: Students Are The Worst

4.5/5

Written by Luke Barnes

Summary

Fashion student Ellie, played by Thomasin McKenzie, becomes wrapped up in a sinister world of sixties intrigue and murder after she begins boarding at a London bedsit. Each time Ellie goes to sleep she gets visions of a time before her own as she sees through someone else’s eyes, however as it progresses it no longer stays confined to the world of sleep.

This film is honestly masterful, Edgar Wright manages to go from lighter and more silly fare to dark and twisted horror with the ease that many of us find when opening the door in the morning. Though there have been many stories about a young starlet’s, played by Anya Taylor- Joy, downwards decline after the industry, nay the world, chews her up and leaves her for dead, none have been told as well as this. Whether it is the surprising misdirects, or the ultimate reveal the writing feels incredibly fresh and well-reasoned, for once I was not able to guess the twist.

I think the most powerful thing about this film is how it vocalises and raises awareness to the horrors women face on a daily basis. There is something of an anger within this film towards men, rightfully so I might add. This film shows just how perverse, cruel and ultimately maddening the world can be to a young woman, how toxic men can try and control them or coerce them, and truly that is the scariest thing about it. The real frightening thing about this notion is that the world as we see it in the sixties flashbacks is not so different from the modern world of Ellie, and us the audience.

From a filmmaking point of view everything about this film is sublime even down to the performances.

Overall, Edgar Wright magnificently manages to tackle a whole new genre with ease and create one of the strongest horrors of the year.

Pros.

The subversions

The ending

Anya Taylor-Joy’s sinister performance

The comments on society

Strong scares throughout

Cons.

One or two ideas needed development

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Cabin In The Woods: The Old Gods Want Blood

4/5

Written by Luke Barnes

Summary

A group of friends go out to stay in a cabin in the woods, insert Family Guy joke about saying the title of the film, and of course once they get out there things start to go awry.

I am a big fan of this film, minus the pervy Joss Whedon elements but we will get to those, and think that if you are a fan of the slasher genre this is a must watch. There is something so smart and so loving about this film, it both sends up the slasher genre but also revels in its tropey goodness. I think the entire meta reading of this film, as we the audience are the old gods wanting to see our slasher films play out the way they always do is entirely novel and well done.

Likewise the film does a good job of making you care about the characters, with Chris Hemsworth’s character being a delightful revelation. Hemsworth plays the dumb jock but the film goes out of its way to flip that cliché and do something new with it, the same can be said for the rest of the archetypal roles of the slasher. In that regard I thought Kristen Connolly’s Dana made for an excellent final girl and I liked that she failed to prevent the disaster at the end as it made her feel more genuine and real.

Furthermore, as a huge horror fan I got a lot out of the vending machine of monsters scene inside the facility where we were treated to tons and tons of references and homages, it was easily my favourite scene of the film.

Sadly, now we must talk about the issues. A lot of these issues boil down to one thing, camera angles and pervy intent. A lot of the female characters in this film are shot in a way where the camera is often not looking at their faces and is instead looking at other areas, this becomes incredibly transparent as the film goes on. I would like to blame this on Joss Whedon as we know he has a habit of doing this kind of thing from his other work, however Drew Goddard is not above suspicion as well. Regardless it is needless.

Overall, a strong film made stronger if you are a hardcore horror fan.

Pros.

Hemsworth

Connelly

The ending

The vending machine of monsters

Cons.

The perviness

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Titane: Pushing The Boundaries Of Bad Taste

1/5

Written by Luke Barnes

Summary

A young woman, played by Agathe Rousselle, goes on a killing spree and has sex with cars.

Clearly the director of this film has been having some conversations with Ti West and is being taught in the school of being edgy in a horror film for the sake of shock value. Within the first ten minutes of this film you have a car accident, a protracted surgery scene, a scene were a young girl passionately embraces a car, then a cut to when she is an adult and an almost rape scene. Yes, all of that did almost make me turn the film off, but no I decided to stick with it and believe me it got worse.

The car sex scene that happens again fairly early into the film is entirely needless. I am no prude but this scene is just unnecessary, it is too long, too graphic and too fetishized. If it were used in a film by a male director it would be labelled problematic and never allowed to see the light of day.

Furthermore as the film progresses it begins to deal with ideas around gender, now there could be something of merit here if the film had something intelligent to say with it, but no, it is just used as a gimmick to try and seem trendy.

Overall, I don’t really know what more to say, don’t watch it.

Pros.

It is short

Cons.

It is needless in almost everyway

It tries too hard to be edgy

It does nothing interesting with the ideas around gender

It is unpleasant and depressing to watch

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Halloween: Jamie Lee Curtis’ Birth As A Scream Queen

5/5

Written by Luke Barnes

Summary

Laurie Strode, played by Jamie Lee Curtis, and other residents of Haddonfield are stalked by a mysterious masked killer.

To me, and this might be a controversial opinion, this is easily John Carpenter’s best film. This is a horror film that is firing on all cylinders and gets every little detail right. I think for me the strongest aspect of this film is it’s score, the composing is masterful and the timings are perfect: the non-diegetic sound here really adds a lot to the film and enhances it.

Moreover, this film does a lot with a little in terms of scares. Unlike the newest instalment in this franchise that has been criticised by some as being too violent and bloody, here there is a minimal amount of actual violence but the threat feels even more intense than it does in Halloween Kills. I believe that is because this film put a greater emphasis on the killer stalking and watching his targets then it does on him actually killing them, the thrill is in the chase after all.

Finally, the cast across the board is superb with Jamie Lee Curtis earning her scream queen status with ease here, her performance is incredible particularly the Boogeyman line after the killers escape at the end.

Overall, a magnificent slasher film and one that still holds up as one of the best.

Pros.

The tension

The threat

Jamie Lee Curtis

The score

The ending

Cons.

None

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Jeepers Creepers: If You See A Body Being Thrown Down A Pipe Don’t Investigate It

4/5

Written by Luke Barnes

Summary

A brother, played by Justin Long, and sister, played by Gina Phillips, are terrorised by an otherworldly entity as they are driving home from university.

Before I get into this film I just want to address the director. Yes, I know that the director of this film is highly problematic for a number of reasons, if you don’t know them look them up, but I tried to push that out of my mind whilst watching this film and just enjoy it for what it was.

This film and its sequel have always had a special place in my heart, as I grew up watching them. Whether it was as a child or now these films have always managed to creep me out, there is just something about them. From the unnerving car chase to the misadventure down the drainage pipe and everything that comes after this film does a really good job in building tension and creating a terrifying atmosphere. It is nice to see a horror film that isn’t solely reliant on jump scares.

Moreover, as I have previously said in other posts the creature effects on the antagonist are incredibly good. The monster looks both demonic and alien as well as simply nightmare fuel. I also appreciated how this film never really went out of its way to explain the creature or what it is doing adding to the mystery and the tension.

My main gripe with the film really comes in the form of the dumb decisions the characters make. Yes, like in many other horror films the sibling duo here make all kinds of stupid mistakes over the course of the film, worse still the film even draws attention to them and makes fun of them for doing them saying things like how it would be a terrible decision if they were in a horror film. As I have said before calling out bad writing that is reliant on cliches doesn’t suddenly make it good, it just makes it fee lazy as you are admitting that you couldn’t be bothered to fix it.

Overall, this is an underrated horror gem.

Pros.

The creature

The tension

The atmosphere

The ending

Cons.

Dumb decision making

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Night Teeth: Driving Miss Bloodsucker

3.5/5

Written by Luke Barnes

Summary

Benny, played by Jorge Lendeborg Jr, finds himself in the middle of a vampire turf war after he covers his brother’s, played by Raul Castillo, shift as a driver.

I enjoyed this film and thought that it had enough uniqueness to it that it stands out within the vampire sub-genre. It is very stylised and this again helps to give it flair with an almost comic book esque aesthetic, the action again reflects this with a lot of the big fight scenes feeling straight from the page.

Lendeborg Jr is a fine leading man, but he is greatly outdone by Debbie Ryan as Blair, one of the two vampires being driven around. Lendeborg Jr and Ryan have an undeniable amount of chemistry together on screen and their romance is very believable. Moreover, Ryan’s character is also the most complex with her being this killing machine but also longing for more, with the idea that she has been forced or conditioned into this life never too far from the viewers mind.

The two areas where I felt the film was lacking was its villain and its originality. In terms of villain we have Alfie Allen as victor the big bad vampire boss who is making a play for the whole city, now the issue with Allen’s character is that we really aren’t shown him doing very much yet we are expected to believe he is a threat. This becomes a big issue when you get to the final part of the film where he is supposedly super powerful and unbeatable yet we hadn’t got a whiff of that before as it is not well set up. Moreover, in terms of originality, though I said the film is fairly unique it is also quite reliant on past tropes which serve as a disservice to it.

Overall, a strong vampire film that benefits from casting Debby Ryan.

Pros.

Ryan

The romance

Some interesting new ideas

Cons.

A little too reliant on tropes

Alife Allen is wasted

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Chucky: Give Me Something Good To Eat

3/5

Written by Luke Barnes

Summary

Chucky, voiced by Brad Dourif, continues his relationship with Jake, played by Zachary Arthur, and further tempts him over to the dark side, encouraging him to kill.

I found this episode to be slightly weaker than the first. This is mainly due to the fact that it is lacking in logic, why would Chucky risk being found simply to kill the housekeeper it makes no sense? Maybe he doesn’t care if he is caught and just wants to kill, which seems to be the implied answer, but even then this would lead to him being destroyed, which means no more killing, so you would think he would be smarter about it.

I am enjoying seeing Jake slowly starting to consider what Chucky is saying, becoming a killer, I think it is a nice fresh angle for the series to explore. I thought the teens were especially loathsome this week when they mocked Jake’s fathers death during a Halloween party, maybe Chucky is right, maybe he is actually trying to help Jake.

I thought the slow building of tension here was done well as obviously these killings can’t keep happening around Jake before he will get held with suspicion, so clearly something is going to happen and I am excited to see what.

Overall, a weaker episode because the logic doesn’t quite line up but it is still a good and interesting watch.

Pros.

The Chucky/ Jake relationship

Building the tension

Questioning Chucky’s intentions

Cons.

The gaps in logic

We need more time per episode

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The Uninvited: Stop Hating The Perceived Homewrecker, She’s Not Done Anything

3/5

Written by Luke Barnes

Summary

The film follows a young woman, played by Emily Browning, who has recently come out of a mental institution returning home again. However, after she arrives she becomes more and more concerned about her father’s new girlfriend, played by Elizabeth Banks, who she begins to believe is plotting against her.

I will admit the twist with this one got me; I was not expecting it. I enjoyed that the film took the cliched trope of the evil home invader and flipped it on its head. Furthermore, I thought that Banks, rather than Browning was in fact the star of the show, as she gave off a real sense of menace and stole every scene she was in.

I thought Browning was okay, but her performance did nothing to elevate the character or the role, and she just became a very generic protagonist.

Something that I thought was odd about the film was the way in which the supernatural elements early on clashed with the thriller aspects of the rest of the film. It seemed this film could not decide what it wanted to be so tried to go for both, which hurt it as the initial supernatural stuff jars against what comes later, though I suppose could actually be read as an early clue.

Overall, an interesting thriller film with a solid twist that is let down by its choice of leading lady.

Pros.

Banks

The twist

Good tension

Cons.

Browning

The supernatural elements

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