Black Klansman

BlacKkKlansman is a crime drama film, focusing on how police officer Ron Stallworth, (John David Washington), infiltrated the Ku Klux Klan.

This film is riveting on many levels right from the beginning, while the plot and the dialogue also being superb throughout. Furthermore, all the characters featured are complex, this is something to be praised as it could have devolved into a collection of caricatures, but this film avoids that. The arc and emotional journey we see Ron go on is both believable, while also feeling very raw. Ron is a fantastic character and one you root for from the beginning. It is this bond that helps to elevate the tension in the film, as there are sequences where Ron and his partner Flip, (Adam Driver), are in real danger, and you can’t help but worry about them.

The political nature of the film is its greatest strength. The message that screams out throughout is one of, is this the society we want to live in. The film brings you face to face with uncomfortable truths- no apology given. Perhaps best emphasised by the closing montage sequence, which may be one of the pieces of editing all year, during this sequence it is made clear that the issues depicted have not just gone away.

The performances are top rate, with John David Washington and Adam Driver both being outstanding. However, it is not only the main actors who shine, Corey Hawkins’ performance as Kwame Ture is also superb. BlacKkKlansman is a film that proves you can have fully developed, interesting side characters, who can have small roles and a clear narrative significance.

The only minor issue of the film is the amount of time it dedicates to the Ron Patrice relationship subplot, which doesn’t lead anywhere. Both characters are great with Patrice, (Laura Harrier), being outstanding: it is because of how good the characters are that this romance sub-plot almost feels like a disservice.

To conclude this film works so well because the passion behind it is evident. It is striking and thought-provoking, in the best way; moreover, it serves as both a fantastic film and social commentary; leaving you with a lot to think about for days after seeing it. A must watch.

4/5

Reviewed by Luke

Christopher Robin

Christopher Robin is a film that answers the question of what happened after the 100 Acre Wood, what happened when Christopher Robin became too old to play with Winnie the Pooh. The reality of that being that Robin has lost his ability to have fun, his work consumes him and, he is neglectful of his family. Of course, the re-emergence of Pooh in his life changes all that.

Though the plot may sound formulaic, it is surprisingly deep. If you can read past the simple premise, this film has a lot to say about growing up- about life. However, it is not a deep meditative affair, merely, a children’s comedy film with surprising insight. Furthermore, there are plenty of warm moments that remind you why you feel in love with the 100 Acre Wood gang in the first place, as well as many laughs to be had.

The CGI on Pooh and his compatriots is all done to the calibre you would expect from Disney-truly outstanding. Pooh himself has all the best lines, many of which you will remember long after you leave the cinema. What’s more the performances from Ewan McGregor, (Christopher Robin), and Hayley Atwell, (Evelyn Robin), are both fantastic; with both bringing emotional weight and a sense of whimsey to their respective roles.

The only minor issue with the film is that Evelyn, along with some of the members of the 100 Acre Wood gang, were not developed as much as they could have been. The reason for this is because the relationship between Pooh and Christopher takes centre stage, as it rightfully should, so I can’t be too angry about the underdeveloped side characters. The dynamic between a grown-up Christopher Robin and Pooh is superb, to sum it up acutely it is the relationship between an adult and a child, which is both fascinating and also able to work on many levels; given the context of the narrative.

Overall, this film greatly surprised me, vastly exceeding my expectations. With it being both feel-good family fun and, also having an ability to make you think and even reflect.

4/5

Reviewed by Luke

Mamma Mia 2

Spoilers

Mamma Mia, here we go again is a musical film, with two central plotlines. One is set in the present day focusing on Sophie, (Amanda Seyfried) as she tries to open a hotel in honour of her late mother Donna, (Meryl Streep). The other plotline is a series of flashbacks that chronicle how Donna, met each of Sophies 3 fathers and her early time on the island. Both storylines are good and have emotional weight, which leads to a bittersweet interwoven climax in the film’s third act. Furthermore, the casting of Lilly James as young Donna is spot on, James nails the performance; with it being clear to see she is enjoying every minute of it. However, my one criticism of the flashback storyline is that there is one moment that is clearly trying to be funny but instead comes off as overly awkward. In many ways the present-day storyline, whilst still being good, is overshadowed by the flashbacks. This is true in many ways, such as if we are being honest James is more of an enjoyable presence than Seyfried. The best thing about the present-day storyline is Fernando Cienfuegos, (Andy Garcia), who chews up every scene he is in. Moreover, whilst his character’s late in the game romance with, Ruby, (Cher) produces the best musical number of the whole film, it suffers from being underdeveloped. Finally, the music, the score and the songs themselves are of course superb. However, there is an issue which lies in how the songs are used. Mostly the songs feel spontaneous and natural, but there are a few instances where they feel needless and forced in for the sake of hitting all of ABBA’s greatest hits. Overall, this is a very fun romp, being a nice bit of summer escapism that I strongly recommend you indulge in. This film will make you laugh, cry and most importantly sing along.

3.5/5

Reviewed by Luke

The Secret of Marrowbone

The Secret of Marrowbone follows the lives of a family who move to America to escape their past; to say more would be to ruin the film. Before I begin this review, I just want to say that this film has been mis-marketed in the worst way, The Secret of Marrowbone has far more in common with thrillers and dramas then it does anything in the horror genre. Though that is not to say that there aren’t horror elements in the film, there are, and they work incredibly well, just that’s not it’s defining genre. The film has an eerie atmosphere almost from the get-go, with it being strikingly clear something isn’t right. The film has a first act time jump which could have been a little contrived but, is employed cleverly to build the mystery. The script is very solid, with the characters being distinct and well used. The script does have issues though, firstly due to the heavy focus on Jack, (George MacKay), his siblings Billy, (Charlie Heaton), Jane, (Mia Goth) and Sam, (Matthew Stagg), are all quite underused. This is also true of the female lead, Allie, (Anya Taylor- Joy) however, despite this underutilisation all the cast give great performances; especially Taylor- Joy. The other issue is the end twist, which comes across as overly complicated and feels as though it has been designed to leave you somewhat scratching your head. Despite this, the film is fantastic: as it bucks genre trends constantly changing and being anything other than predictable. Where this film could have been a standard haunted house tale, it is instead so much more. The themes and ideas that this film explores are incredibly deep and harrowing, to name but a few mental illnesses, family and the idea of the evil going on unseen around us all play a part. The end reveals along with Jack’s emotional arc, end the film on a very satisfying note. To conclude, this was not the film I was expecting to see, it both shocked and thrilled me in equal measure. This is a very deep thoughtful film, and one that I think needs to be seen; despite its flaws.

3/5

Reviewed by Luke.

Adrift

Adrift tells the true story of the disastrous voyage of Tami Oldham, (Shailene Woodley) and Richard Sharp, (Sam Claflin). The main plot is split into two narrative threats, the first is the story of how they met all the way up to the disaster itself. The second is everything thereafter. With the former plot thread always being an annoyance. The survival element is arguably the film’s strongest, being helped by a phenomenal performance from Woodley; who really sells the hopelessness of the situation. Claflin, on the other hand, is strongest in the pre-disaster storyline, with him barely being used thereafter. However, his lack of real usage is all to set up a third act plot twist. This the films greatest flaw. The romance and the survival plots feel like they are building towards something, the twist ruins all of that. All the setup is dashed, all the audience investment is washed away. It is the kind of twist that makes you say, “wait, what”, and not in a good way. It does strike an emotional blow, but at a cost to the film itself. The film outstays it’s welcome during the pre-disaster plotline. However, the post-disaster storyline is tense and keeps you guessing as to whether they are going to die or be saved. Due to the fantastic character work, you care deeply about the outcome; that is why the third act bait and switch is so disappointing. On a more positive note, the cinematography is stunning with the views of the ocean and the waves being in equal measure both beautiful and terrifying.

To conclude the film has moments of greatness, however, the end twist seems determined to spit on all those positives and serves to cheapen the overall experience.

3/5

Reviewed by Luke

My Friend Dahmer

My Friend Dahmer focuses on the young life of the infamous American serial killer, focusing on his high school years, up until the time of his first murder. This is a genius creative decision as it creates incredible amounts of tension, all without showing a single murder. Furthermore, this early focus allows for an in-depth character study, seeking to find out the motivation for his crimes. In that regard, there are themes of isolation, sexuality and family; all of which are well-formed. In terms of the genre, the script conveys the film as a coming of age tale thereby bucking the trend of the standard biopic. Presenting a film about the teenage experience which also features a soon to be serial killer. What’s more, the script doesn’t present Dahmer as evil, there are even times when you even feel something akin to sympathy for him. The performance of Ross Lynch as Dahmer is fantastic because he plays as both unpredictable, and also truly unsettling. Dahmer’s parent Joyce and Lionel, (Anne Heche and Dallas Roberts), in particular, are outstanding as they truly paint a picture of the dysfunctional family life. Roberts portrays Lionel as a man who is worried for and desperately trying to connect with his son. The film sublimely dissects the mind of Dahmer, creating an experience that feels unlike anything else; allowing you to see his rawest form. Everyone knows how the story ends, but the script and the performances are good enough to still make every minute enthralling. The only issue is that the film is overly long with a lull in the second act. To conclude the film is an excellent and truly gripping character study of a broken, twisted mind.
3.5/5
Reviewed by Luke.

Last Flag Flying

Last Flag Flying is the latest film by acclaimed filmmaker Richard Linklater. The plot follows 3 Vietnam veterans played by Laurence Fishburne, Steve Carell and Bryan Cranston as they reunite to help Carell’s character of Doc bury his son. The film is very much a meditation on life. The script written by Linklater and Darryl Ponicsan focuses on different aspects of life such as mortality and loss. Managing to mix together both comedic, and dramatic elements without either detracting from the other. The film begs the question of when are you past your prime? This is best represented by Bryan Cranston’s character of Sal. “My future is behind me”, in this piece of dialogue we see how fondly he remembers his youth, with the whole thing being a commentary on age. This film in it’s truest form is a character study of these 3 men as they enter into their older years. With each one adapting to life differently we see Cranston’s character clinging to the past, and Fishbourne’s trying to distance himself from the past. This film is made beautiful by its use of juxtaposition, comedy vs drama life vs death. As I said previously this film deals with some dark themes such as a parent outliving a child an idea parents dread. These topics are treated in such a personal, and intimate way you end up truly feeling the characters pain. That pain is perfectly captured by Steve Carell’s performance as the grieving father Larry or “Doc”. Throughout the film we see Doc coming to terms with his loss in a very raw and emotional performance from Carell. The performances from all 3 men are all spot on, with the only noticeable criticism being that Sal does become a little grating at times. There are a few issues with the plot mainly plot holes and things that don’t make much sense. Furthermore, the character of Lt Col. Willits played by Yul Vazquez does feel a little bit cartoon-esque with his motivations being weak. This film will strike an emotional resonance with you and, make you laugh and cry at times. The direction is very strong from Linklater with no screen time wasted. The jokes for the most part land quite well but, this is by no means a comedy film with the dram being highly present especially in the third act. The cinematography of this film is outstanding as it captures this sense of intimacy and, makes it feel very personal. Overall, I think this is well adapted from the source material managing to relay the earnest and personal story of loss and friendship. Only really being let down by a few small issues.
3/5
Reviewed by Luke.

I,Tonya

I, Tonya tells the true story of Tonya Harding, in a faux documentary manner. This is a very entertaining biopic and has plenty of laughs throughout its runtime, but also has great emotional stakes. My most lavish praise has to go out to the costume design for this film. The costumes that Margot Robbie’s Harding wears are simply stunning. You can tell that a lot of thought has gone into the look and feel of the film because everything from the costumes to the hairstyles is so reminiscent of the early 90’s. This makes it very accurate and believable. This believability caries over into the storytelling, as the film tries to be as accurate to the events as possible. This is shown at the start of the film when they say they’re using multiple interviews to try and put together a timeline. Furthermore, the use of fourth wall breaking adds both a sense of intimacy, as well as helping to highlight certain facts. The performances are outstanding with Robbie, in particular, a standout. Robbie manages to convey what can only be described as the troubled life of Tonya Harding with such believability, that you lose yourself entirely in her performance. Robbie is the heart and soul of the film and is consistently likeable throughout. The film itself makes not rooting for Tonya damn near impossible, and this is due to Robbie’s performance showing you the person behind the media image. Also, Sebastian Stan’s performance as Jeff Gillooly is captivating and brilliant. The fits of anger that plague Jeff’s character, are so well acted by Stan that his presence on screen is both unpredictable and genuinely quite scary. The menacing delivery that Stan employs for some of his lines really does help to elevate Jeff’s threat level. Additionally, Allison Janney’s performance as LaVona Fay, (Harding’s mother), is outstandingly cold and malicious. With her character serving as a kind of antagonist throughout the film. Janney’s performance helps to raise LaVona from a simple two-dimensional abusive mother into something much more. As we see that LaVona thinks that what she is doing is right and actually helping her daughter, making her character in a way an interesting comment on parenting. The direction from Craig Gillespie is remarkable, with not a single scene or character wasted, and with the whole feature feeling like a cohesive whole rather than just a rush to later events. The score for this film may be my favourite so far this year, so accurately capturing small-town America at least in my opinion. The final thing I want to touch on is the choreography of the skating scenes, which is just fantastic, with the cinematography lending itself so beautifully, with each camera shot; having something to say.
An amazing film, and a baffling true story this is definitely worth a watch. A real powerhouse of a film, on every level.
4.5/5
Reviewed by Luke

Lady Bird

Lady Bird is a comedy-drama coming of age film, directed by Greta Gerwig. This film is a wonderful contrast, being both painfully earnest and honest in its depiction of growing up. Whilst also being heartfelt, charming and deeply funny. The screenplay which was also written by Gerwig, is incredibly strong, making the film effortlessly relatable. The humour of the film all lands very nicely and I was either laughing or smiling near constantly. The drama and emotion that runs through the film also feel very genuine and real. The majority of this drama comes from the relationship, between Lady Bird or Christine, (played by Saoirse Ronan), and her mother Marion, (Laurie Metcalf). It is a testament to both actresses that this very personal relationship feels completely real, the up and downs of the pair’s interactions carry much more emotional weight as a result of this. You can feel the love, but also the teenage resentment and the desperate need for understanding, and believe every minute of it. The film covers themes such as discovering your sexuality, it does this in a genuine and heartfelt way. Lucas Hedges’ character of Danny is Lady Bird first boyfriend, he is likeable and loveable and wonderfully played by Hedges. Later on, in the films second act after Lady Bird catches him kissing another boy in the toilet, there is an interaction between the two when Danny is scared and doesn’t know what to do, this is painfully real and heartbreaking in the most genuine way. My greatest praise for the film is just so accurately the film depicts adolescents. An example of this is when Lady Bird finally has sex and is let down because it wasn’t the special magical thing she had built it up to be in her head. This so accurately captures how it is for a lot of people. The film doesn’t just tackle teenage issues with Tracy Letts’s character of Larry, (Ladybird’s father), showing how life can be cruel and knock you down. What makes Lett’s performance so rounded is that he still has an underlying sense of positivity. This film doesn’t try to make the teenage years seem overly glamours, which a lot of other bildungsroman films do, but rather shows you the reality. The score is also amazing, with the short songs from the plays being really good and well done. The film does waste some of its characters with Jordan Rodrigues character of Miguel not having much to do. This film is a triumph of writing, with every scene accurately capturing the teenage condition. Despite a few underused characters, this is a well-acted film on the part of the two female leads. I can guarantee it will have you laughing, crying and maybe even thinking back to your own childhood.

4/5
Reviewed by Luke.

The Shape of Water

The Shape of Water is a dark fantasy romance film, by legendary film veteran Guillermo del Toro. To vastly simplify this is a very strange film but in the best way possible. The uniqueness and overall sense of originality set it apart not only from most other films; but from a lot of del Toro’s other works. The score for this film is excellent exquisitely capturing the 1960’s time period and creating the feeling that you are really in it. I found myself completely immersed in this film and that says a lot about the overall quality of the experience. The cinematography by Dan Laustsen is exceptional, with a lot of beautiful shots, in particular, a low angle shot during the gunfight scene later in the film. The film is built around the relationship between Sally Hawkin’s character of Elisa Esposito, and the man-fish God-like being, simply known as the Amphibian man. As silly as this central premise sounds, it truly is the heart and soul of the film and works surprisingly well. Even the sex scene between the two characters doesn’t come off as just being there for the shock value, but instead as tender and in a way even romantic. The director’s passion for monsters shines through every scene of the film, thus making the romance not only believable but also in a very strange way relatable. The script written by del Toro and Vanessa Taylor, is outstanding, with each character being fully flushed out and developed into a true whole. Unlike a lot of other films, no characters here feel wasted or underdeveloped. With a prime example of this being the mainly comedic support character of Zelda Delilah Fuller, played by Octavia Spencer, her character is developed and has an interesting backstory. The film like a lot of del Toro’s other works deals with a lot of heavy themes, in this particular case homophobia. Like a true master del Toro shows these themes through his character of Giles played by Richard Jenkins; who we see being the victim of homophobia. Though the scene is only brief, you still get a strong emotional response, and it helps to add context to the time period. Sally Hawkins performance is inspired despite being mute, (except for one fantastic musical number), her character is still wonderfully complex. Hawkins manages to convey nearly every emotion in this film in a sincere and believable way and her performance is a master class. Whats more del Toro features a subplot about the 1960’s space race, which manages to be both a wonderful capturing of the cold war rhetoric of the time, whilst also adding another level of depth to the narrative. Whilst lesser directors might let all these themes and subplots distract from the main narrative, del Toro weaves them together so that each subplot and theme, compliments the main story in a spectacular way. Also, Michael Shannon’s performance as Colonel Richard Strickland manages to be menacing and unpredictable, with his character most likely being a comment on the unhappiness of the idyllic suburban American dream. To conclude this film is a love letter to the weird and the strange, and celebrates everything about it, managing to create real emotions and stakes as well as being funny and charming. This is a must-see for everyone, especially fans of del Toro, I can’t recommend it enough. This is now my number one pick for best picture, it really does deserve to win.

5/5
Reviewed by Luke.