Death Of A Unicorn: Hollywood Sticking It To Themselves?

A rich father, Paul Rudd, and his daughter, Jenna Ortega, kill a unicorn.

So before watching this film I had heard how it was an eat the rich narrative about the evil ways of the haves and how the have nots can get wrapped up in it. This made me groan as we have seen this before, but then I watched the film and groaned louder.

It is an incredibly on the nose message of these cartoonishly evil rich people who want to defile the corpse of a unicorn in order to cure cancer. Of course they want to sell this cure rather than give it away for free, which makes them then even more evil. Can you get the message yet? One has to ask are they evil or is the system that creates them evil, is the fact that America is one of the few countries in the world without free medical care not the real evil here, but no such nuance is thrown in the bin. The rich are bad and responsible for all the world’s ills. This feels like it was written by a naïve student who really doesn’t get how the world works despite daddy’s credit card funding self-indulgent narcissism in the form of instagramable charity work in deprived countries.

What for me makes this film worse is that it is Hollywood telling us the rich are bad, in the place where the director will be making over a million for the film, the actors will comfortably be making over a million for the film and where even the slightest hint of self-awareness is viewed with disgust.

Anyway once the evil rich people are dead, the Unicorns resurrected Rudd’s character the good working class father who can afford to send their child away to school, ah Hollywood really understanding the working class, and who also dresses in designer clothes. Have you got my point yet?

Overall, the sort of film that slowly and insidiously kills Hollywood.

2/5

Pros.

Unicorns are original villains

Some good kills

Cons.

The eat the rich message

The hypocrisy

The ending

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From Season Three: The Wheels Come Unstuck

Summary

Answers are revealed and far, far more questions are asked.

So, I would say upon reflection that this is probably the most polarising of the series released so far, I saw a lot of angry fan backlash to this season. For the most part I agree with it, I think the pacing this season was bad, I think this is likely a result of the writers strikes and then needing to make more of less. I think the fact that we only got a very limited amount of night scenes which are often the best in the show and a lot of this season happened over a couple of days was disappointing. Pound for pound we got a lot less of the monsters this season overall.

As for the mysteries and answers I thought Tabitha’s, Catalina Sandrio Moreno, time in the real world was a little too short lived, they could have done more there but they didn’t. Moreover, the reveal of the baby being a creature and Tabitha and Jade, David Alpay, being reincarnations of previous From residents all felt a bit too much like fan fiction. In the former’s case people liked Smiley and wanted him back, in the latter’s case it felt like they didn’t know where to take the mystery so read something on reddit and was like yes I’ll do that.

When the show was good, such as during the barn scene in the first episode and the ambulance scene later in the season, it was really good and reminded you of why you like the show. However, there was just too much talking and filler this season and that crucially was its central problem.

Overall, a step back from previous seasons.

4/5

Pros.

A few good scenes

Possible better reveals being set up

The man in yellow

Some good scares

Cons.

Far too much filler

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The Woman In The Yard: The Black Woman In Black

Summary

Like the Babadook but with black folks.

So for me if this was a short film and ran to about the forty minute mark I would be giving this a near perfect score. The first act where you meet a supernatural woman in black who is incredibly menacing towards a family in the middle of nowhere, and wherein the threat level is slowly ramped up over time is very good. The second act begins to fall apart as we get more of an idea of who the woman in the yard is, and then the third act which is both nonsensical and reveals the film to be a Babadook clone entirely ruins the whole film.

The woman in the yard,Okwui Okpokwasili, is a compelling monster, and her power set does make for some good scares. However, the filmmakers break the cardinal rule by telling rather than showing and when we learn that she is just a manifestation of the lead’s depression and that a lot of the broader more supernatural things that happen may well be in her head, you just go eh and lose interest. The Babadook which this film clearly wants to be did a similar thing, however, it left the ending ambiguous enough to the effect that you didn’t know if the Babadook was real or not this film spells it out for you.

Overall, a strong first act positions it above average, but then everything else stops it from getting into the good rating tier.

3.5/5

Pros.

The early scares

How they set up the woman in the yard

The lack of jump scares

The setting use

Cons.

When they reveal what the woman is

The ending

The pacing in the end of the second act and start of the third.

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Deadly Intent: The Shadows Of A Father’s Love

Summary

A mother, Rebecca Reaney, and child, Gus Barry, face the threat of an abusive husband and father, Peter Lloyd, from beyond the grave.

So anyone familiar with maternal horror will find that this is quite by the numbers. All of your standard hallmarks are there, overwrought mum, withdrawn kid, and some kind of supernatural threat. However, where this film gets some extra points for me is by having the spirit that is harming them being the father who tried to kill his son in life.

The exploration of domestic abuse and how the trauma can stick around long after the person has died made this film interesting to me and separated it out from being yet another Babadook clone. I also found interesting how this film approached grief showing how the mother is in no way effected by it and is instead overwrought by her fears of losing closeness with her son. This marks a distinct difference from how single mother grief is often depicted in these sorts of films and offered some much need divergence.

Overall, it pretty much is what it says on the tin, or in the summary, what you see is what you get. The reason I am interested in it is because it is different and provides a counter weight to other films in the maternal horror subgenre.

3/5

Pros.

It offers a different perspective on grief

The intimate ghostly connection and comments on domestic abuse

British charm

Cons.

The pacing

It looks very low budget

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The Monkey: Tatiana Maslany Is The Fun Mum You Never Knew You Needed

Summary

Oz Perkins follow up to Long Legs focuses on an evil monkey, who ‘holds the key’ to life and death and he’s ‘gonna get me’ and all of us as he is seemingly a harbinger of the end of the world.

So for me this was a step back from Long Legs and in many ways a tonally strange film, it seemingly didn’t know whether it wants to be a horror film or a comedy film and tries to mix and match different elements that don’t come together well. I would argue that this is probably also a weaker film than The Black Coats Daughter so it is not even second in the Perkins ranking.

The monkey itself was interesting, I liked the mythology around it and would have preferred if they had played into its connection to the Apocalypse, rather than waste time with an needless father-son story that really just felt like it was there to make the film long enough to be feature length.

Overall, it was okay but not some of Perkins better work.

2.5/5

Pros.

The mythology

Maslany

The kills

Cons.

The humour

The pacing

The father and son side plot

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Heart Eyes: Death The Ultimate Cock Block

Summary

A serial killer is killing couples, can you survive?

I enjoyed this film quite a bit, if reminded me in a number of ways of the Scream films and also the Scary Movies, that is not to say that it was a comedy film it was still a slasher but there were comedic elements within that. In many ways it wanted to hit on both fronts in the way something like Thanksgiving also wanted to do, but where that film couldn’t really land its comedy this one does.

I think a hell of a lot of what makes this film work is Olivia Holt, she is such a charming and likeable lead that you cannot help but root for her, you also really believe the love story as well, it feels very warm but also modern and not cliché. When I saw Christopher Landon’s name in the credits I knew why I liked it so much as Ally has a lot of similarities to Tree from Happy Death Day on of my all time favourite slasher films.

Overall, a surprisingly fun slasher film.

3.5/5

Pros.

Holt

The humour

The romance

The kills

Cons.

The reveal is obvious

Pacing issues

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Get Away: Actors Shouldn’t Try And Write

Summary

Proof of why actors should not take up writing.

So this was a weird one, there were some good moments peppered in here and there, but then the ending just went and destroyed everything. The last act reveal that reveals the truth about the family makes almost everything that had happened up until that point make little to no sense, I understand it is genre, but that doesn’t mean that folks will just happily eat up garbage writing.

Aisling Bea is a ray of sunshine in this film, it is a shame to hear about her views on Gaza and her joining the band wagon to support those that would see the Jewish homeland destroyed but there were are. She manages to have a few funny moments in the film and totally outshines Nick Frost in every scene they share together. However, I would say that Maisie Ayers is the real star here, she has a real screen presence and eats up the scenery whenever she is on screen.

Broadly this film tries to be comedy horror, but can do neither well.

Overall, a waste of time and money.

2/5

Pros.

Aisling Bea

Ayers

Cons.

Frost and the rest of the cast are wasted

The twist

It isn’t all that funny

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The Girl With The Needle: The Horrors Of War

Summary

A harrowing journey through Danish history.

This film is not for the faint of heart, and I would advise if you want to watch this film to have something happy ready to watch after as its pretty bleak. The film follows a young woman, Vic Carmen Sonne, as she deals with an unwanted pregnancy in the immediate aftermath of the First World War. During this she comes into the employ of one of Denmark’s most notorious killers.

There is a gothic spectacle to this film that makes it a must see film in terms of truly feeling like you are going back in time. The oppressive world and the grim struggle of things feels just as overwhelming for you watching it as it does for the character as she lives it.

Overall, the film is harrowing but ultimately engrossing and capturing.

4/5

Pros.

The style

How engrossing it is

The tension

The atmosphere and the world created

Cons.

It is bleak

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The Presence: A New Take On The Haunted House Film

Summary

Stephen Soderbergh tries to do something new with the haunted house film.

So would I call this film a horror? No

Was it marketed as a horror film? Yes

It is essentially a drama film with supernatural aspects, it is a drama film in so much as it is about a family that is fraying at the scenes and that interpersonal drama takes up a lot of the film’s bandwidth. The supernatural element comes from the fact that their house is haunted, but the ghost does not behave like a typical ghost or poltergeist in these sort of films there is something different about it.

One thing I will say is that the film has a lot of scenes of drugging drinks, which makes for uncomfortable viewing at times. There is a particular scene with a large amount of sexual threat that will stay with you after the credits roll, and is probably the most unpleasant and in a sense scariest thing about the film.

The twist at the end of the film is fairly predictable but does feel satisfying when it is revealed and it does recontextualise a lot of the film in an interesting way that encourages a rewatch.

Overall, a smart if at times a little uncomfortable kind of film.

4/5

Pros

It is smart

It a decent pay off

It is well paced

It focuses on atmosphere

Cons.

The sexual assault theme feels a bit much at times

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Companion: You Can Guess The Ending

Summary

A loser, Jack Quaid, builds a sex robot, Sophie Thatcher, who then goes on to kill him.

I don’t know about you but I’m starting to get bored of social horror, social horror is a subgenre of horror that comments on social issues film such as Get Out are examples of it. Herein the commentary is on relationships and toxic behaviour, as one could assume from simply looking at the poster, yes it really is not deep, the message of the film is do not treat your girlfriend like a slave otherwise she might kill you, insightful. In terms of social horror and writing, this film is incredibly predictable and has nothing at all new to say, it is all recycled platitudes dumbed down.

Sophie Thatcher is good, she has a few funny moments, but is giving the same performance you have seen from her in other projects. I assume she is aiming to be a scream queens for the 2020s. Jack Quaid is similarly one note, you can tell from the beginning even without watching any of the trailers or marketing material that he is bad news, he has strong incel vibes, but then again that is what the film is going for. The fact they did not try and give his character any depth beyond that again speaks volumes to the quality of the writing for this film. Rupert Friend does get to have some fun doing a silly and over the top Russian accent, this is comically bad, it remains to be seen whether it was intentional or unintentionally so.

Overall, an interesting concept is ruined by poor writing that does not think beyond basic archetypes.

2.5/5

Pros.

It is watchable

There are some funny moments unintentional and intentional

It has some good tense scenes

Cons.

The characters are paper thin

It’s message is at best recycled

It is badly paced

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